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Victorian saltglaze garden garden urn, body with lobed and branchwork rim above mask heads, square tapering plinth with laurel wreath, H86cm

A c.Late XIX Century Plated Pedestal Urn and Cover, allover detailed in relief with figural twin handles and pull off cover, overall raised on a plinth base, overall height 29cm.

Victorian gilt framed overmantel mirror, of large proportions, with urn and pierced scroll decorated pediment, the mirror plate flanked by reeded ionic columns, 141cm wide, 144cm high

Regency fire basket, the iron back with a shell surmounting the basket fronted by a brass front, two ball finials and two urn surmounted columns, restorations, 73cm wide, 70cm high

19th Century mahogany stick barometer, Neale & Bailey London, the pediment flanking a gilt urn above a signed silvered dial with scale 27 to 31 above the long trunk with chequer stringing and cistern cover below, 100cm high

19th Century mahogany fret mirror, the oval mirror plate within a fret frame with gilt leaf drops to either side and surmounted by a foliate urn, 44cm wide, 87cm high

19th Century French oak armoire, the concave cornice above a grape carved frieze and a pair of long doors carved with cornucopia and flowers flanked by rounded columns and trailing grape vines, the base with an urn carved base on shaped supports, 166cm wide, 63cm deep, 215cm high

Composite garden urn, the flared lip above four masks and a gadrooned border, 41cm high, 50cm wide 

Composite garden urn and column, the circular urn with gadrooned body above a separate column, 52cm wide, 100cm high

Composite garden planter, the urn planter with gadrooned body above a plinth base, 39cm wide, 38cm high

Pair of 17th Century style "Carolean" walnut armchairs, each surmounted with a pair of cherubs holding a flowering urn above a pad back and foliate scrolls above the pad seat and scroll arms above a confirming front stretcher and barley twist legs, 73cm wide, 49cm deep, 123cm high, (2)

A.D Mougin, a French white marble and ormolu mounted clock garniture, late 19th/20th century. The clock supported on the backs of a pair of putti, the dial marked in Arabic numerals and decorated with swagged garlands below an amatory trophy mounted on a rectangular base with toupe feet, accompanied by a pair of matching swag draped urn form pastile burners on corresponding white marble bases. 26 cm wide x 35 cm high (the clock)Condition report: The bodies of the clock are good without chips or cracks, I can see some quite good replacement brass beaded moulding around the base.The dial is good and bright and looks to be intact but it moves slightly when touched, perhaps the solder fixing has come looseThe clock comes with a pendulum and (a) key. The spring steel pendulum suspension is slightly twisted.I have wound both trains and one had very little travel and the other a little more, I set the pendulum in motion but it stopped soon after, this could be because of the twistI tried advancing the hands to see if I could get the chiming train to activate but it remained unresponsive.In brief, the clock is in good decorative order but will require mechanical work to make good

An early 20th-century single fusee skeleton clock of urn shape the halberd hammer chiming on a single bell, mounted on a moulded and ebonized base below an associated blown glass dome dust cover 27 cm wide x 19 cm deep at the base x 43 cm overall height of dome when in place.Condition report: The chiming will need some work and the doesn't seem to be a chapter ring

A pair of 19th century Neo-Classical cut glass and ormolu candelabra bases in the manner of Osler of Birmingham. Each of urn form with diamond cut finials, associated lustre hung collars above architectural stepped plinths with stylized fan cutting. 46 cm overall height x 17 cm approx widthCondition report: The urns have some chipping to the plinths.The urns would have been fitted with detachable scrolling arms that are no longer presentThe collars have mismatched lustres and fo not belong to the urns

A good quality French Louis XV style Kingwood rectangular topped urn table, 19th/20th century. With quarter veneered tray top, above a candle slide and single side drawer with tulipwood capped quarter cut oak linings. On slender cabriole supports united by an under tier and terminating in applied ormolu-mounted feet. 43 cm wide x 29 cm deep x 68 cm overall height.Private collectionCondition report: Some slight veneer loses and a slight undulating top

A George III/IV "D" shaped rosewood crossbanded satinwood fold-over card table, with entablature frieze over spindle columns and inverted sabre supports with brass lions paw casters. 88 cm long x44 cm deep x 76 cm high. Together with a good George III mahogany urn splat side chair and a 19th-century mahogany oval folding butler's tray on later coffee table base.Private collectionCondition report: Minor wear to all items, some work is needed to make the gaming table good.

A shagreen effect porcelain two handle urn and cover, 20th century. 41 cm high approximately together with a large clear glass and gilt metal three sconce table lamp, an amber glass table lamp and a large decorative tole ware tea canister and cover.Qty: 4

A French gilt metal mounted rouge marble urn form table lamps with lion's mask handles, 41 cm high (just the lamp) together with a French Empire style faux basalt and gilt metal four sconce table lamp and a pair of gilt brass rococo wall sconces.Qty: 4

An Eastern silk on silk carpet with ivory ground 20th century, probably Indian, with central star-shaped Medalion and corresponding corners within floral and urn decorated borders, fringed at both ends. 306 cm long x 195 cm wide.Private collectionCondition report: Some slight marks, but no major damage evident

Green marble urn form table lamp, 20th century. With gilt bronze goat mask handles and fittings on a square base. 24 cm wide x 51 cm high (the actual lamp)Private collectionCondition report: No apparent defects

A 19th century brass and iron fire grate, with pierced gallery, relief twin handled urn motif and foliate decoration. H.50 W.64 D.34cm

A pair of weathered garden concrete pedestal planters of urn shape, decorated in the classical taste with a continuous frieze of figures in various posesLocation:

Y  A RARE PAIR OF JAPANESE EXPORT NAGASAKI BLACK LACQUER AND MOTHER-OF-PEARL KNIFE BOXES LATE 18TH/EARLY 19TH CENTURY Of shaped slanting form, decorated overall with birds, flowering stems, each with stepped interiors retaining original matrix and lined with green velvet, fitted with 18th century silver flatware and later silver plate and steel,the boxes 36.5cm high, 22.5cm wide, 20cm deep, weighable silver 67oz.In 1799 the Dutch East India Company's American chartered ship the Franklin of Salem arrived in Nagasaki. Its captain's personal account books record that he brought back a considerable quantity of lacquer, all of it apparently in contemporary European shapes, including '22 lacked knife boxes'. (Charles H.P.Copeland, 'Japanese export furniture', Antiques, LXVI, July 1954, pp. 50-1). As well as the tall urn form knife boxes- the Company was also importing cases in this swept slant box form with the shell inlay distinct from earlier hiramaki-e decorated ware. The Clive Collection at Powis Castle holds a similar shaped example in its collection but with the earlier style of decorative design (Mary Archer and others, Treasures from India: The Clive Collection at Powis Castle, London, 1987, cat. no. 193)For a similar single example in this shape please see Christie's "The Collection of Giorgio Marsan and Umberta Nasi", lot 133, 13th December 2007, sold for £1,750Condition Report: There are some marks, scratches, knocks, chips, cracks and abrasions consistent with age and use.Both have suffered from shrinkage cracks- with some old remedial work, Strong light reveals old touching up to black surface throughout.  Edges with some wear, small chips and loss. Interior to one lacking baize to lid and with visible later paper repair. One clasp detached but present- will require remedial work. 1 key. Hinges with later pins. 1 foot loose but present.  Please see the additional photographs as a visual reference of condition and which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.  Condition Report Disclaimer

A PAIR OF FRENCH ZINC ROOF FINIALS PROBABLY LATE 19TH CENTURY Of four-handled baluster urn form, acroteria decorative mounts, now fitted as lampseach 100cm high overall including fitments, the bases 89cm high, 33cm wideCondition Report: There are marks, knocks, scratches, scuffs, dents and abrasions consistent with age and use, some to the extremities and edges. The overall finish is matt with some brown 'rust' type colouration to some areas, distressed appearance.Some sections of replacement and losses, there would probably have been finials that would have been removed to fit the light fittings; two of the stylised anthemion finials are missing to each urn and the front missing to another; some tears and splits in particular where the zinc is folded along edges.There is some movement to the sections and holes to the side of each base for the electric cable.Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer

A LARGE STONE COMPOSITION TWIN HANDLED URN ON STAND POSSIBLY AFTER AN 18TH CENTURY FRENCH DESIGN, 20TH CENTURY Scrolling handles above fruit and leaf swags issuing from lion masks, square section pedestal baseapproximately 155cm high, the vase 106cm wide, the base 61cm wide Condition Report: There are some marks, scratches, knocks, chips, cracks and abrasions consistent with age and use.Upper section with some rubbing and wear to extremities- this is partially obscured from the large build up of moss making exact determination of loss difficult... However small elements such as pointed section of one handle lost.  Edges throughout with typical mild wear. Some chips to plinth base and corners. Seems to be in generally fair to good condition albeit with weathering and moss.Please see the additional photographs as a visual reference of condition and which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A PAIR OF REGENCY CARVED COTSWOLD STONE URNS ON PLINTH BASES EARLY 19TH CENTURY Each of lobed Campana form, the plinth bases look to be original with lichen and slightly weathered,approximately 84.5cm high overall, urn tops 60cm diameter, bases 43cm wide.Condition Report: There are some marks, scratches, knocks, chips, cracks and abrasions consistent with age and use. Both with wear and losses to base edges- both with weathered surfaces and urns surface slightly powdery/flaky Right hand urn and stand in better condition than the other- but with newish 5/8cm chip to top rim- iron spike joining top and pedestal base- base of urn looks to be fixed to plinth Left hand urn with restorations to top rim- and to base edges of plinth- urn is separate from base- has a diagonal drilled hole to interior for drainage, crack to stem- will require careful collection Please see the additional photographs as a visual reference of condition and which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A VICTORIAN CARVED GRITSTONE GARDEN URN OF GOBLET FORM LATE 19TH CENTURY The plinth base later111cm high overall, the goblet 52cm diameter, the base 59cm wide

A LARGE CHINESE BLUE AND WHITE GLAZED POTTERY URN / VASE, the body painted with a dragon amongst stylised clouds, with moulded twin handles in the form of beast faces, the shoulder baring a six character mark, 36cm high.

A GOOD PERSIAN TINNED COPPER LIDDED URN - the body carved with figures, animals, and flora, with a band of calligraphy to the neck, the lid also with calligraphy, 34.5cm high.

A GEORGE III MAHOGANY URN STAND C.1775 with a pierced fretwork gallery above a pull-out slide, on square tapering legs applied with pierced brackets 64.5cm high, 29cm square Provenance Purchased from Robin Sanders & Sons, Fulham Road, London, February 1986.

A GEORGE III GILT CARTON PIERRE WALL MIRROR C.1775 the oval plate within an interlaced leaf, scroll and husk frame, with an urn surmount, mounted on a board 151 x 82cm

A GEORGE III MAHOGANY CUTLERY URN C.1790-1800 of faceted form, inlaid with feather, barber's pole and dogtooth stringing, the rising lid with an ebonised urn finial, revealing apertures for knives, with a silver escutcheon and plaque, the plaque engraved with initials 61.8cm high, 26cm wide Provenance Purchased from Millhouse Antiques, nr. Petworth, 23rd February 1982.

A PAIR OF GEORGE III ORMOLU CANDLESTICKS IN THE MANNER OF MATTHEW BOULTON, C.1770 each in the form of an urn, with a fluted neck, with lion's mask ring handles and laurel swags (2) 14.9cm high

A PAIR OF GEORGE III ORMOLU CANDLESTICKS IN THE MANNER OF MATTHEW BOULTON, C.1770 each in the form of an urn, with a fluted neck, with lion's masks and laurel swags (2) 14.7cm high

A GEORGE III DERBYSHIRE BLUE JOHN URN LATE 18TH / EARLY 19TH CENTURY AND LATER of ovoid shape, on a later socle and panelled plinth, with an Ashford black marble stepped base 29.5cm high

A GEORGE III MAHOGANY SECRETAIRE BOOKCASE C.1790 inlaid with boxwood stringing, the detachable cornice with a broken swan neck pediment and a central turned mahogany urn, above a banded frieze inlaid with three paterae, above a pair of astragal glazed doors decorated with penwork Prince of Wales plumes of feathers, enclosing a later silk lined interior with adjustable shelves, the crossbanded fall with later brass handles, the satinwood interior with drawers and pigeonholes with chequered stringing, the base with a pair of rectangular doors with circular panels, enclosing two short and one long drawer, on bracket feet 284.5cmhigh, 137cm wide, 63cm deep Provenance Acquired in 1970 from Denys Wrey Antiques, Sloane Street, London. Woolley and Wallis Salisbury Salerooms, English and Continental Furniture, 15th May 2007, lot 493.

A CAST IRON AND STEEL FIRE GRATE IN 18TH CENTURY STYLE EARLY 20TH CENTURY with a serpentine rail front, with brass flaming urn finials and Rococo decoration 63cm high, 52cm wide, 27cm deep

A FRENCH 'EMPIRE' ORMOLU URN MANTEL CLOCK EARLY 19TH CENTURY the brass eight day drum movement with an outside countwheel, striking on a bell, numbered '2480', with a circular enamel dial with Roman numerals, the case with swan neck handles and decorated with ribbon tied leaves and palmettes 39.6cm high Provenance Sotheby's, 'Elton John & His London Lifestyle', 30th September 2003, lot 190.

A FRENCH ORMOLU AND PORCELAIN MANTEL CLOCK IN LOUIS XVI STYLE LATE 19TH CENTURY the brass eight day drum movement striking on a bell, the backplate stamped 'Rollin a Paris', the circular dial with Roman numerals, the case with porcelain panels painted with figures, flowers and portrait busts, with an urn finial, the base with scrolls and laurel leaves 24.6cm high, 20.2cm wide Provenance Purchased by the vendor's family from R. G. A. Wells, Horologist, Guildford on the 21st February 1949.

A SET OF FOUR ORMOLU WALL LIGHTS IN LOUIS XVI STYLE LATE 19TH / EARLY 20TH CENTURY each with a fluted column and urn backplate, issuing three branches with stiff leaf decorated sconces (4) 52.2cm high, 37cm wide

A PAIR OF DUTCH GILT BRONZE ANDIRONS LATE 18TH / EARLY 19TH CENTURY each of classical form, with an urn with a flaming finial, the plinth base applied with portrait medallions, on scroll feet (2) 44cm high

AN ITALIAN GILTWOOD WALL MIRROR PROBABLY 19TH CENTURY the later rectangular bevelled plate within a ribbon slip with laurel leaves, with an applied urn of flowers and fruit, the plinth issuing scrolling leaves and further flowers, the base with lion's paw feet and a floral spray 200.5 x 90cm Provenance From the estate of the late Marguerite Littman.

A PAIR OF REGENCY GILT AND PATINATED BRONZE EAGLE CANDLESTICKS EARLY 19TH CENTURY each with an urn shape nozzle, above an eagle and snake stem and a leaf and flowerhead decorated base (2) 19.3cm high Provenance 'A Lifetime of Collecting' - The Property of a Gentleman.

A REGENCY SPODE PORCELAIN URN SHAPED VASE TABLE LAMP EARLY 19TH CENTURY AND LATER the body painted with Egyptian motifs and a band of oak leaves and acorns, later mounted on a giltwood base, with shade (2) 19.5cm high

A PAIR OF EARLY VICTORIAN CUT-GLASS LUSTRE CANDLESTICKS C.1840 each with an urn shape sconce, above a drip-pan hung with faceted drops and lustres, with a faceted baluster stem and a petal foot (2) 32cm high Provenance Dean's Farmhouse, Stratford-sub-Castle, Salisbury.

A PAIR OF REGENCY GILT AND PATINATED BRONZE COLZA OIL LAMPS AFTER A DESIGN BY WILLIAM BULLOCK of urn shape, one with a glass reservoir, the body applied with winged masks and Chimera type beast handles, on a waisted socle with bearded male masks, on scroll and palmette lion's paw feet, the undersides numbered (2) 30.8cm high, 23cm wide Catalogue Note William Bullock (1773-1849) was a sculptor, antiquarian, naturalist and traveller. He began as a goldsmith and jeweller. He founded a Museum of Natural Curiosities in Liverpool and in 1809 he moved his collection to London where it was housed at the Piccadilly Egyptian Hall. He took out a patent for his cassolette pattern in 1805 which takes inspiration from Thomas Hope's 'Household Furniture and Interior Decoration'. A single black basalt urn of this design can be found in the British Museum. A comparable pair of cassolettes were sold by Christie's, Important English Furniture, 6th April 2000, lot 1.

A TREEN YEW URN LATE 18TH / EARLY 19TH CENTURY with a detachable fluted rim and applied scroll handles, above a bone collar and a stepped base 24.3cm high

A REGENCY PAPIER-MACHE TRAY TABLE EARLY 19TH CENTURY AND LATER black japanned, painted in red, gilt and green, with a central urn, ho-ho birds, scrolling leaves and butterflies, later mounted on a faux-bamboo base, with a plate glass top 47.3cm high, 62.5cm wide, 51.5cm deep

A TREEN FRUITWOOD URN AND COVER MID-19TH CENTURY with pierced and spiral fluted decoration and ring handles 15.2cm high

A GEORGE III TREEN LIGNUM VITAE COFFEE GRINDER OR MILL C.1760-70 in five parts, with an urn shaped finial, the body with reeded bands and with a folding steel handle 23.3cm high Provenance The Geoffrey Chesters Collection of Treen.

A GEORGE III TREEN FRUITWOOD URN AND COVER LATE 18TH CENTURY possibly apple or cherry, the lid with a turned finial, the body with reeded bands, on a stepped foot 25.3cm high Provenance The Geoffrey Chesters Collection of Treen.

A PAIR OF LATE GEORGE III FRUITWOOD EGG CUPS EARLY 19TH CENTURY of urn shape (2) 8.7cm high Provenance The Geoffrey Chesters Collection of Treen.

A TREEN FRUITWOOD MORTAR GRATER 18TH CENTURY in two parts, with a turned pestle handle, revealing two pierced metal grating plates, with an urn shaped body, on a turned foot 22.5cm high Provenance The Geoffrey Chesters Collection of Treen.

A GEORGE III TREEN PAINTED SYCAMORE CASTER OR MUFFINEER LATE 18TH CENTURY of turned urn shape, with a pierced detachable cover 14.5cm high Provenance The Geoffrey Chesters Collection of Treen.

A VINTAGE BRASS AND COPPER TEA URN WITH TAP

TWO RECONSTITUTED STONE URN PLANTERS

A PAIR OF ROYAL WORCESTER CAIRO WATER CARRIERS (2)Circa 1900Modelled by James Hadley, decorated in `shot enamels', green printed and impressed marks, model number 1250, 25.75cm and 23.5cm highThe rim of the urn held by the male has been restored

A LARGE AND UNUSUAL PORCELAIN TWO-HANDLED URN SHAPED VASEEnglish or French, 19th centuryThe body applied with biscuit porcelain garlands and brightly enamelled with flowers and insects, the gilt handles with triton mask terminals, 36cm highSome restoration to underside of the rim. Fine vertical haircrack to side of vase, approx. 15cm length. Two of the triton masks appear to have been regilded. The enamelled decoration is possibly later. Some wear to the gilding. Minor flaking to the enamels. Some chips to the biscuit flowers

A SILVER HINGE LIDDED TEA CADDYOf oval form, the lid with partly fluted decoration, with a foliate border and with an urn shaped finial, height 12cm, Sheffield 1902, 212gms

A VICTORIAN PARIAN GROUP OF ELIEZER AND REBECCA AT THE WELL; TOGETHER WITH TWO OTHER TESTAMENT FIGURE GROUPS AND OTHERS (5)Second half 19th CenturyThe first group with inscribed base ‘Eliezer and Rebecca’ and initials to the reverse H.T & Co., 37cm high; ‘The Finding of Moses’ group, 33cm high; and John the Baptist kneeling with Prophet, 30.5cm high; A Robinson and Leadbetter figure of St. Aloysius, stamped and pencil dated ‘1889’,  33.5cm high; and funerary figure group, late 19th Century, depicting two females climbing a rock below a cross, 33cm highCondition report: All with various restorations and repairs. Notably, Eliezer with a replacement/restored staff and urn restored. Bubbled surface to the back over the inscribed initials. Dirt and dust, scuffs and small marks and blemishes commensurate with use and age. A hairline crack turning from the side of the step up to the bottom area of Eliezer’s cloak.