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Click here to subscribeF Baetens, 23 Gerrards Street, London, a good ormolu mounted white marble portico clock circa 1820, surmounted by a swag hung urn, the 8-day single chain fusee movement with finely engraved gilt dial and lion mask pendulum, the movement with engraved makers plate, 43 cm high Condition Report appears original, the case showing a repaired chip to upper corner beneath urn surmount, movement wound and running at time of cataloguing,
A 19th century Ridgway part tea service, patt. 2/1003, powder blue ground decorated with floral panels, comprising: teapot, cover and stand, sugar box and cover, creamer, bowl, two saucer dishes, teacup and coffee cup to/w a Ridgway & Sons twin handle urn painted with an image of the 'Beggar Girl' and teawares moulded with daisy heads - patt. 2/1850 comprising a sucrier and cover, creamer; patt. 2/1855 a teacup and patt. 472 - floral painted teapot and cover c/w paperwork from Geoffrey Godden dated 1981 Condition Report Patt. 2/1003 - gilding rubbed to standUrn - Pedestal and base restored, gilding rubbedTeapot 472 - stained and has crack approx. 2 cm crack to inner rim - gilding rubbed to outside rimCup 2/1855 - cracked - has 4 cm hairline from rim to interiorPlain sucrier knop to lid gilding rubbed
A CAPE BRASS KONFOOR, TESSIE AND MUG, 20TH CENTURY the pierced round konfoor applied with loop handles with removable tray, raised on three outswept feet, the cylindrical urn with moulded bands applied with a loop handle and spout, detachable domed cover with ball finial, stamped C. MATHEWS., distress, 38cm high; and A Cape Brass Mug, same maker, cylindrical with rolled rim and applied loop handle, 12cm high (3)
A 19th century mahogany Grandfather clock by Chas Campbell of Bo'ness, the hood with a broken swan neck pediment and pair of urn finials over a painted dial with subsidiary dial, date aperture and ships automaton, all flanked by pilasters, the trunk with an inlaid door with swan neck top, on plinth base, 210 x 50cm
An Edwardian Guilloché enamel and rose diamond pendant, circular with glazed panel to reverse, together with a mid-Victorian pearl shaped garnet pendant with urn terminal. Condition Report: Enamel pendant:Nop visible cracks or chips.Glass to reserve loose and needs re-fitting.Garnet pendant:Hairline crack to garnet.
A studio pottery sculptural form by John Maltby modelled as a bird perched on a rock, upon a hill top, the whole glazed in browns and greens, seal marks to the reverse, height 26cm together with two further pieces, the first formed as an urn upon a pedestal, height 13cm, the second a pebble form vase with a small loop handle and glazed in a dark cream dribble glaze, height 6.5cm both impressed seal marks (3) Provenance - Gift to the owner from the artist
Early 20th Century bronzed plaster figure of an Art Nouveau water carrier attributed to Goldscheider, modelled as a maiden carrying an urn on her shoulder with faux opal cabochon inlays, signed 'F. Gross' and impressed marks H103cm Condition Report Click here for further images, condition, auction times & delivery costs
A George III Ebony Veneered Striking Table Clock, signed John Kentish Junr, London, circa 1770, inverted bell top with a carrying handle, glazed side panels, pull repeat cord, front door with a brass frame border and bezel, circular enamel dial with Roman and Arabic numerals and signed to the centre, twin fusee movement with a verge escapement and striking on a bell, movement backplate engraved with scroll work and a central basket of flowers, 47cm high over handle see illustration 23.02.17, Case with surface scratches in parts, brass surfaces are discoloured, urn finials are later, front door is bowed and the brass frame is lifting away from the case carcass, front door with small cracks, later feet, front and back glasses with scratches, damage to the inner brass dial surround, dial edges with chips above 12, at 3, between 6 & 7 and at 9, one hairline crack between 9 & 10, movement plates are dirty and needs cleaning, both barrel mainsprings are winding smoothly, strike is working, in going order.
An Ormolu and Porcelain Mounted Striking Mantel Clock, circa 1880, urn finial, figural, floral and cherub decorated pink porcelain panels, acanthus leaf and swag mounts, pink enamel dial with Roman numerals, twin barrel movement striking on a bell, 36cm high, raised on a gilt wooden base and ebonised plinth, beneath a glass dome09.12.16, Ormolu is slightly faded, surfaces with signs of bubbling in parts, porcelain panels are clean, dial with one minor hairline crack on the 5 o'clock numeral cartouche, movement needs cleaning, gilt wooden base is faded and with chips to the edges, ebonised plinth with scratches and small dents, glass dome with small scratches in parts but is complete.
An Ebonised Chiming Table Clock, circa 1890, inverted bell top with urn finials, side carrying handles and sound frets, raised upon scroll feet, arched brass dial with a silvered Roman numeral chapter ring, two dials in the arch for chime/silent and chime on eight bells/Cambridge chimes, triple fusee movement with an anchor escapement, quarter chiming with eight hammers striking a nest of eight bells and a gong for the hours, 41cm high see illustration 23.02.17, Ebonised surfaces are rubbed in parts, scuff marks in parts, base with small dents, some metal mounts are discoloured, movement plates are slightly dirty and needs cleaning, barrel mainsprings are all winding smoothly, chime is working.
A Mahogany, Satinwood Banded and Barber's Pole Strung Writing Cabinet, the pierced swan neck pediment above a parquetry decorated frieze and astragal glazed doors enclosing two glass shelves, the base with a hinged writing surface with oval patera inlaid with an urn, two frieze drawers above square tapering legs joined by a stretcher, 19th century and adapted, 90cm by 50cm by 172cm See illustration
An Oak Chiming Table Clock, signed Russells, Maker To The Queen, Liverpool, circa 1890, caddied top with carved swag recessed panels, carved Corinthian columns, pierced side frets, 7-inch brass dial elaborately engraved with flower heads throughout, silvered Roman numeral chapter ring, silvered plaque signed below 12, three dials for chime/silent, fast/slow and Whittington/Westminster chime selections, triple chain fusee movement with an anchor escapement, quarter chiming with eight hammers striking a nest of eight bells or four hammers striking four gongs and striking a larger gong for the hours, movement secured in with brackets, 64cm high, with a later rosewood wall bracket, 52cm high see illustration 23.02.17, Case is faded in parts, top urn finial with chips and dent marks, side frets with some pieces lacking, some small cracks and chips, Corinthian capitals with chips, small cracks to both sides, base with small dents to the edges in parts, silvered dials are slightly discoloured in parts, movement is complete, chime is working, later wall bracket.
A Brass Four Glass Striking Mantel Clock, circa 1890, urn shaped finial, bevelled glass panels, scroll and floral corner mounts, hoof shaped feet, 3-3/4-inch enamel dial with Roman and Arabic numeral chapter ring, recessed centre with a visible Brocot escapement, twin barrel movement with striking on a gong, twin tube mercury pendulum, 43cm high see illustration 22.02.17, Brass surfaces a discoloured throughout, back door glass panel with one small chip to the bottom corner, dial with a chip and has been restored next to the strike side winding hole, movement is dirty and needs cleaning, both spring barrels are fully wound, strike is working correctly, pendulum is discoloured and the mercury tubes are discoloured.
A Villanovan biconical cinerary urnEtruria, 9th – 8th century BC; alt. cm 39; A cinerary urn with a wide everted rim, cylindrical neck, a biconical shaped body with rounded shoulders, a flat base and a stick-like handle set on the shoulder. The neck is decorated with a geometric motif, the body with a meander motif.Restored.PROVENANCE:English private collection, purchased in 2000s from Herakles Numismatik und Antiquitäten GmbH (München); previously acquired on the European art market in the 1970s.
A beautiful marble urn inscribed for Marcus Antonius Gemellus1st – 2nd century AD; alt. cm 48; A white marble cinerary urn, with a lid and rich decoration executed in high relief. Two eagles and two griffins are depicted on the lid of the urn, which is pediment-shaped. Between the griffins is a tripod with leonine paws and upon which sits a fluted cauldron. On the front of the urn is a panel with an inscription, from Marco Antonio Proculo, in memory of his deceased father, Marco Antonio Gemella, whose ashes are within:Diis / Manibus / M(arci) Antoni / Gemelli / M(arcus) Antonius / Proculus filius / patri bene / merenti.On either side of the panel are pairs of eagles and sphinxes, the centre of the lower register meanwhile is adorned with a shell, between two dolphins and two candle holders which sit in each corner. The shape of the urn and its cover, the decoration and paleographic characteristics would suggest that it dates from between the end of the 1st and first half of the 2nd century AD.PROVENANCE:Ex ACR Auctions 17 (London, 30 June 2015), lot 67; formerly in an European collection formed in the 1980s.
A Victorian flow blue dessert service comprising; three heart shape serving plates, three twin handle serving plates and eighteen circular dessert plates, the pattern of flow blue iron red and green, the central design of oriental style of birds, Chinese gilded urn, flowers and foliage, printed shield marks with lion and unicorn, painted number 3/1063, largest plate 30cm (24)
A Victorian ebonised oak miniature cabinet with a pair of carved doors enclosing two short and three long drawers beneath a broken arch pediment divided by an urn, labelled Army & Navy maker, 61cm high and a miniature travel trunk, the hinged cover enclosing a drawer, metal mounts and hinges, 38cm wide (2)
An English Delft Urn, probably London, circa 1760, of bell shape with lion's mask handles on a circular foot, painted in blue with a lady and gentleman in landscape, a church in the background, 21cm high See illustration For similar examples see Archer (Michael) Delftware, The Tin Glazed Earthenware of the British Isles, pg.370 and 371
A George III Silver Hot Water Jug, Henry Chawner, London 1791, plain circular with a tapering body and reeded border, the hinged cover with an urn finial and raised on a circular pedestal foot, engraved with a coat of arms, 31cm high, 22oz 4dwt See illustration The arms are those of Maunsell quartering BarnetGood clean condition, clear marks,.
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