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Lot 876
A Victorian cameo and gold brooch, c.1870, the oval shell cameo elaborately carved with five frolicking putti around an urn with vine decoration, within a plain collet gold mount and outer undulating partly engraved gold mount, brooch pin fitting, cameo 5.1 x 4.1cms, with frame 6.9 x 5.8cms.
Lot 1247
A late Georgian oak and mahogany longcase clock, the painted roman dial signed Wm. Hain, Burslem, subsidiary seconds dial and date aperture, with moon phase to the arch, two train movement with anchor escapement, the case with swan neck pediment, urn finials, arched glazed door flanked by turned columns, the shaped waist door flanked by fluted quadrants, panel base, 90in. high.
Lot 1272
Japy Freres & Cie: a 19th Century French onyx and champleve enamel four-glass mantel clock, with enamelled arabic dial, two train movement striking on a gong, with mercury pendulum, case with urn finial surrounded by four outer finials, leaf pattern columns below, four rounded supports, 15 1/4in.
Lot 1283
J. Bishop, Maidstone: an 18th Century brass lantern clock, with silvered roman chapter ring centred by maker's name and engraved acanthus scrolls, later two train fusee movement, the case with urn finial above a bell and dolphin patter frieze, hinged side doors, on globular shaped feet, 15in. high. See illustration
Lot 1367
An Edwardian rosewood inlaid envelope card table in the neo classical revival taste, the triangular flaps with boxwood stringing and central urn, opening to reveal a baize and leather-lined playing surface and four counter wells, fitted a single inlaid frieze drawer, raised on ivory strung shaped legs united by a shaped platform terminating in brown porcelain castors, 23 x 22 1/2 x 29in. (closed).
Lot 860
A 19th century French gilt bronze and porcelain mantel clock with 8-day movement, striking on a bell, the white enamel dial with blue Roman numerals and black outer Arabic minutes, indistinctly signed, the case surmounted by a gilt trimmed blue enamel urn, the sides and front with inset Paris porcelain panels, raised on square pillar feet, 37 cm high Condition Report Glass plate to back cracked, good condition but dusty across and slightly tarnished Some losses to porcelain panels
Lot 862A
A 19th Century walnut and ebonised Vienna wall timepiece, the eight-day single-train movement with having ebonised pendulum with brass bob and cylindrical brass weight, brass-mounted enamel dial with subsidiary seconds dial, roundel-pierced hands, in full-glazed case surmounted by turned urn in broken arch pediment. 120cm high
Lot 1048
A WILLIAM IV SILVER PLATED TEA URN of classical form with urn finial, scrolling hands and band of Greek Key decoration and further floral decoration, turned finial to the handle and standing on a square base with bun feet, all on a square silver plated glass inset stand with scrolling dolphin feet, the tea urn stamped beneath D*S for James Dixson & Sons, 20 1/2" high overall This tea urn was purchased by the grandfather of the current owner at the sale of the effects of Lord Kelvin following his death in 1907. The grandfather at the sale asked his housekeeper which of the objects for sale were heavily used by Lord Kelvin and she pointed him to the tea urn and said `Lord Kelvin used it every day`. The tea urn was then passed down through the current vendors family where is was affectionately known as `Aunt Sabina`.
Lot 1098
A 19TH CENTURY SILVER PLATED STAND with gadrooned edge and lion mask ring handles, all standing on three shaped supports terminating on paw feet and platform base with centrally mounted gadrooned urn with flame finial and all standing on ball feet, mounted with associated hobnail cut glass dish, the dish 11 1/2" in diameter and standing 11" tall overall
Lot 1341
A WEDGWOOD POTTERY TABLE LAMP of classical urn form with trailing ivy decoration, 10" high, together with an early to mid 20th Century beech wood and alligator skin handbag and also a leather covered travelling photograph frame, an early Victorian small photograph later framed and a tile panel of a vase of flowers (5)
Lot 1017
A large French 19th c, style Mantle Clock with spelter style figure of a Greek story teller next to an architectural clock case with adjoining urn on black slate base with cherub decoration, standing on bun feet, lion mask handles, eight day pendulum movement and stamped 1167 and 69, also etched P1516, P19055, P7703 and 105. With lower circular stamp, lettering indistinct with central Maltese cross under crown.
Lot 39
A large and rare early 19th Century Barr Flight & Barr - Worcester, two handled urn shaped Vase, the waisted neck with Greek key style pattern above pearl style beading and stylised anthemion's and leaves, flanked by two open winged and mouthed eagles as handles, the central panel very finely painted with the Straits of Menai, from Anglesey, socle style base with similar anthemion and palmet style leaf decoration and on square plinth, impress and painted marks to underside "Barr Flight & Barr - Worcester, London House, Flight & Barr, Coventry Street, manufacturers to their Majesties Prince of Wales and Royal Family, 32cm high (damage including lower plinth base section away and now re-glued and two large hairline cracks to main body)
Lot 40
A very rare pair of early 19th Century Flight Barr & Barr two handled porcelain Ice Pails with covers and liners, in the manner of Thomas Baxter, each cover with leaf moulded vertical finial above cobalt blue ground with Classical style decoration including stylised anthemion's and each with two opposing oval panels, one finely decorated in enamels with floral sprays the other with various seashells and further over squat urn shaped main bodies, each with acanthus style moulded and gilded handles against cobalt blue grounds and each with larger opposing vignettes of fine seashells and floral sprays, each with impressed mark to underside, each approx. 28cm high x 30cm wide (including handles), some damages and reparations, Thomas Baxter (1782-1821) moved from London to Worcester in 1814 joining the firm of Flight Barr & Barr as an all round "Decorator" and was soon recognised for the fine painting for which he is famous. He has been described "the most accomplished Artist who painted Worcester porcelain in the first half of the 19th Century", Baxter died in London 18th April 1821.
Lot 211
**A FRENCH SILVER-HILTED SMALL-SWORD, PARIS SMALL CHARGE MARK FOR 1768-74with slender blade of hollowtriangular section, etched with scrolls and foliage over the lower portion, silver hilt, cast, pierced and chased in low relief (loose), comprising double shell-guard decorated on eachside with a central oval filled by a classical urn, all on a pierced trellis ground of small flower heads, globular quillon, and knuckle guard en suite with the guard, quillon-block decorated with a bouquet of flowers and signed around the base (perhaps Michel Gerard), matching ovoid pommel, wooden grip, and retaining a small portion of silver wire binding and `Turk`s heads`82.5 cm; 32 1/2 in bladeProvenanceGeorge L. Maxwell, sold Anderson Galleries, New York, 30th November 1928, lot 134JWHA Inv. No. 640
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68904 item(s)/page