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Lot 340
COLLECTION OF DECORATIVE OBJECTS including a 20th century Royal Vienna lidded urn painted with gold and Roman figures, a clown figure playing the violin, a painted porcelain trumpet vase on a square base flanked by two putti; together with several shoes figures, perfume glass countainers, etc
Lot 51
A large Victorian papier mache lacquered oval tray, the black ground with an oil painting of flowers in a classical urn surrounded by gold painted abaresques, w. 75 cm, d. 60 cm CONDITION REPORT: Varnish coming off in places. Later repair to rim. Lacquer missing in places on the bottom. Paint cracking. General wear and tear
Lot 194
An early 19th century papier-mache work box by Jennens & Bettridge, the cover painted centrally with an urn within a surround of flowers, scrolls and Grecian Key borders, the later plush lined interior with fitted compartments, on bun feet, w. 28 cm. CONDITION REPORT: Bears stamp to base, some wear to finish
Lot 1565
A good late 19th century Sevres style and gilt bronze pedestal vase and cover, finely painted to one side with an oval panel of figures in a garden, the reverse with a floral bouquet, against a bleu celeste ground enriched with gilding, 50.5cm high. Condition Report: Overall condition of this urn is very good. However there are a few minor issues: 1. Some white enamel decoration is missing around the front Cartouche along with a scratch to the gentleman's cushion. 2. The reverse floral panel has several minor scratches. 3, The gilding is slightly rubbed in several places, to both urn and cover. 4. The plinth is slightly rubbed in places as are the mask head handles. To our knowledge there are no visible signs of chips, cracks or restoration seen.
Lot 70
A pair of Meissen small vases decorated with green floral pattern on white ground and ceramic roses in relief, urn-shaped, 10cm high and a pair of Sitzendorf figures showing a boy carrying a pannier of grapes on his back and a little girl with a garland of flowers and a nest of eggs, 11cm high (4)
Lot 9
A George III Satinwood and Marquetry Pembroke Table the serpentine crossbanded top with a central oval rosewood marquetry medallion inlaid with a neo-classical urn surrounded by engraved bell flowers, within an outer crossbanding inlaid with a running pearl motif border, the leaves each with a fan medallion, the frieze with a single drawer flanked by simulated fluting in boxwood, the square tapering legs decorated with water leaf marquetry feet, terminating in the original brass castors, inlaid throughout with tulipwood bandings and stringing 98cm wide, 68cm high, 70cm deep Comparative Literatue: Clifford Musgrave, am and Hepplewhite and other Neo-Classical Furniture', Faber and Faber, London, 1966, figs. 130 and 131. Provenance: Mallett and Son (Antiques), 1960 The term 'Pembroke' table originated from the Countess of Pembroke who reputedly ordered the first example of its type. The Heppalewhite period in late eighteenth century England is epitomised by the neo-classical designs of the cabinetmaker George Hepplewhite. His furniture patterns are characterized by a classic simplicity and delicacy as well as light, curved forms, painted or inlaid decoration, and distinctive details such as slender tapering legs terminating in spade feet. The three oval panels of neo-classical marquetry, the use of inlaid dentil molding framing the central drawer and the collars on the legs above elaborate marquetry inlay to each ankle, relate to furniture produced by Christoph Furlohg. Furlohg was a Swedish cabinetmaker who was trained in Europe by the French ebeniste Jean-Francois Oeben. He became an employee of John Linnell at Berkeley Square and was much in demand for his marquetry work of curiously inlaid mahogany and satinwood articles . He combined his French techniques with the new neoclassical taste in England, which attracted many distinguished patrons including the Prince of Wales and the Duke of Portland.
Lot 19
An Early 19th Century Russian Ormolu and Cut Glass Three-Light Chandelier after designs by Alexandre Gué rin, the upper corona with a berried and acanthus finial framed with bold cast anthemion, with elaborate chain inset with cast palmettes, supporting a lobed and diamond cut glass orb in two sections, surrounded by a band of laurel leaves with alternating swans and eagle-headed candle holders complete with nozzles and drip-pans, at the centre a gilt bronze urn with tooled decoration, the whole terminating in a large pinecone finial, 110.5cm high, 46cm diameter Provenance: Christie's London 5 July 2013, lot 68.
Lot 55
A Pair of French Empire Bronze and Marble Candelabra each with a standing bronze classical maiden holding aloft a finely chased flaming urn issuing three scrolling branches with foliage and eagle head detail, standing on a white cylindrical marble base with ormolu band depicting classical maidens playing instruments with dancing putti, 31cm wide, 92cm high A related pair of Candelabra sold Christie's, London, 'Le Pavillon Chougny A Private Collection', 9 Dec 2004, lot 353.
Lot 444
A REGENCY MAHOGANY TABLE CLOCK, the white convex Roman dial inscribed Wm. Cribb, Theobalds Road, London, the twin train fusee movement with bell strike, pull repeat, shouldered plates and pendulum hold fast, the arched case with raised brass urn finial, foliate scroll brass inlay, ring side handles over fish scale frets upon a moulded plinth base with brass ball feet, 51cm high
Lot 345
A 19TH CENTURY SLATE PLAQUE, painted and gilt heightened with an urn of flowers, 17.5cm high; a 19th Century oval wax relief plaque, framed; a marble book shaped paperweight; a collection of Chinese mother of pearl gaming counters; two carved mother of pearl items; an agate letter opener; a box game of Spillikins; a silhouette portrait; and various small boxes and lacquer trays
Lot 340
A 19th century marble top side cabinet: The frieze and door inlaid in brass, ivory and mother-of-pearl with scrolling acanthus and flower filled urn, within mounted stiff leaf borders, the canted corners with caryatids, plinth base, H 107cm x D 39cm x W 83cm CONDITION REPORT: Structurally sound, some loose brass inlay to the side, intact & complete, crack to the marble top
Lot 184
A GEORGE III SILVER COFFEE POT of tapering cylindrical form with hinged flat domed cover and urn finial, "duck's head" octagonal spout and earred loop fruitwood handle with scroll terminal, later engraved with scroll initials "RMHC" (?), transposed marks for London 1737 and maker John Gamon cancelled by the London Assay Office, case No.9107 (2015), 8" high, 21ozs gross (Illustrated)
Lot 642
A VICTORIAN KINGWOOD AND MARQUETRY FOLDING CARD TABLE in the French revival style richly inlaid with scrolling foliage, griffins and urns, and with ebony trim, stringing and gilt metal mounts, the earred swivel top lined in baize and opening to reveal interior with fitted compartments, raised on turned tapering and fluted ebonised legs joined by shaped cross stretchers centred by an urn surmount, 25" x 16 1/2" x 30" (Illustrated)
Lot 541
EARLY TWENTIETH CENTURY ONYX MANTEL CLOCK by Jules Rolez Limited, signed eight day two train movement striking on a coiled gong and numbered 16586, the gilt and enamel dial with Arabic numerals and two front winding holes, pierced steel hands, the onyx case surmounted with foliate urn finial, applied brass decoration, on stepped plinth base with bracket feet, 34cm high
Lot 318
Japy Freres - a fine compact French ormolu mantel clock, the case marked 'Mourey' and having a circular porcelain floral dial with lion's mask ring handles and with a porcelain figural panel below the dial and with a porcelain urn shaped dome. Eight day striking movement by Japy Freres (working) and with retailer's name on the dial
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