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A rosewood rectangular side or tea table of large size in the Regency taste:, the hinged top with rounded corners and a moulded edge, having a reeded frieze on dual turned and reeded urn columns and tripod reeded splayed legs, terminating in brass lions claw feet, 150.5cm (4ft 11 1/4in) long.
A French Victorian gilt-metal and porcelain mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with the serial number 4774, the round porcelain dial decorated to the centre with a scene depicting a river running past a rural home and having black Arabic numerals and fleur-de-lis brass hands, the gilt-metal cast case with various mounts to the front, with flying pillars to each side having decoration matching that on the dial and surmounted by a porcelain urn with gilt-metal top, height 42cm.
Japy Frères à Paris for Victor Reclus, a gilt-metal and porcelain mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with the trademark of the roulant blanc maker, Japy Frères, Paris along with that of the clockmaker Victor Reclus, and the serial number 42808, the round white enamel dial having black Roman hour numerals and blued steel moon hands, the decorative shaped gilt-metal case with scroll and floral mounts having pink porcelain panels painted with a decorative floral and musical scene set to the front with two further panels either side below with a matching urn to the top, standing on a shaped gilt-wood base, height 28cm (clock) 32cm (including base).* Biography Japy Freres was founded by Frederic Japy of Beaucount, born 1749, who first made movements for the clock industry at his factory in 1777, becoming the largest and most commercially important clockmaking concern in France. The business continued after his death.Pierre Victor Reclus was both a clockmaker and retailer working in Paris. His daughter Henriette married Louis-Albert Holingue, of Saint-Nicolas-d'Aliermont, in 1875, Holingue being the son of the carriage clock maker Louis Holingue who, along with his brother Jean-Baptiste, supplied Drocourt, Garnier and Bourdin amongst others.
A Chinese carved cinnabar lacquer urn stand:, of shaped hexagonal outline, with all over decoration of peony blossom amidst foliage, the top with a central figure of a peacock, having a dentil edge on an integral base with shaped apron and six scroll supports with platform base, 55cm (1ft 9 1/2in) long, 54cm (1ft 9 1/4in) high.
A French ormolu and porcelain mounted mantel clock No. 9045 11, the 3.375ins diameter porcelain dial with Roman numerals within gilt reserves on turquoise ground, the dial centre enamelled in colours with two children playing, to the eight day two train movement striking on a bell, in ormolu case surmounted by conforming two handled urn and with acanthus leaf wreath handles to sides on turned feet, 12ins high and with shaped giltwood plinth base
A late 19th/early 20th Century French gilt brass champleve enamel and green onyx "Four Glass" mantel clock, No. 6017 48", the 3.5ins diameter gilt dial with Arabic numerals in circular recesses, to the eight day two train movement with mercury compensated pendulum and striking on a gong, contained in gilt brass champleve enamel and green onyx mounted rectangular case, surmounted by oval two-handled urn, with stepped and moulded cresting and with gilt brass leaf capped finials, borders, turned columns and moulded base with champleve enamel decoration of bold leaf scroll ornament, with green onyx platform base with champleve enamel turned feet, 16ins high (champleve enamel rubbed and marked in places - Arabic numerals rubbed and green onyx panel to crest cracked and repaired)
A late 19th Century Meissen porcelain figure of a young woman holding a basket of flowers standing beside an urn, on circular base, 7.5ins high, and another of a young man leaning against a tree stump with a nest of three eggs inside his hat, 7ins high (both with impressed, incised and factory marks - some damage and restoration)
A pair of 19th century Continental white metal candlesticks, each with detachable candle cup on a pierced scroll cast column, inset into an oval hardwood base with pierced white metal surround; together with a Continental silver chamberstick, 800 grade, with urn form nozzle and scalloped tray. (3) Total gross 16.2 troy ounces
A Georgian Scottish motif sampler, with multi-coloured cotton threads over a coarse woven ground, incorporating alphabet bands in cross stitch and drawn-thread work above a central twin handled urn and five splayed flower stems, flanked by smaller Scottish motifs including a peacock and stag alongside a pair of crowns and the family initials, framed under glass, 43 x 20 cm
A French decorative mantel clock, the spelter case in classical form, inset porcelain panels with floral and figural scenes, cherubs to the dial, all against a burgundy background, the case flanked by matching burgundy columns and surmounted by an urn, 8-day French bell striking movement by Japy Freres.
A decorative cast brass-cased clock garniture of classical form, each piece having porcelain inset panels and decoration in the Limoges style, clock flanked by porcelain columns and surmounted by a porcelain urn, German hour and half past ting tang strike on bells, floating balance movement. Estimate £80 - £120
A decorative spelter cased French mantel clock with inset porcelain panels showing figural scenes against a blue background, the case surmounted by a porcelain bodied urn with floral decoration, 8-day French movement by S.Marti et Fils, count wheel strike on a bell, with pendulum. Estimate £150 - £250
A Chelsea Derby period tea bowl and saucer, decorated with a puce wave pattern border, with puce and green ribbons and husk swags and scattered flowers, the saucer with a central sepia urn Circa 1770-80 gold anchor markSize - tea bowl 5 cm high approx, 7.5 cm diameter approx, saucer 12.7 cm diameter approx Condition - bowl rim chip and hairline filled, saucer hairline crack and rim chip, chip to foot rim
A Chelsea Derby period plate, decorated with a gilt and pink border, with green laurel leaf and red berry swags, with an urn painted in the centre with a red flower swag and scattered insects Circa 1770 gold anchor markSize 22.7 cm approx Condition 0 two stress cracks, rim nibbles, chip to foot rim, some worn gilding and fritting
A William IV parcel-gilt campana-shaped plain silver mug, on circular foot, C-scroll handle, London, 1831, makers mark possibly that of Charles Hollinshed; together with a Victorian Neo-Classical style urn-shaped salt, London, 1894 and a George V baluster-shaped caster, Birmingham, 1918 (3)5.49 ozs (170.8 grams)
A Chelsea Derby period scalloped rim plate, decorated with gilt rim, a puce band and green laurel leaf and red berry swags. The centre is painted with an urn draped with pink flowers and scattered insects. The reverse has scattered green flower sprigs. Circa 1775-80 Entwined gold anchor and D markSize 21.7 cm diameter approx Condition - four rim chips
A Chelsea Derby tea bowl and saucer, decorated with a Mazarin blue and gilt border, tea bowl has scattered floral sprays and the saucer has a central urn with a floral garlandCirca 1770-80 gold anchor markSize - tea bowl 5.4 cm high approx, 7.5 cm diameter approx, saucer 12.9 cm diameter approx Condition - tea bowl rim chip and hairline, saucer feint stress crack, gilding worn
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68875 item(s)/page