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Click here to subscribeA SET OF EIGHT LATE GEORGE III DINING CHAIRS of Sheraton design with reeded decoration and cross-over bar backs centred by a lozenge, on square tapering legs joined by stretchers. Comprising a pair of elbow chairs with downswept arms on elongated urn-shaped supports and six single chairs, basically early 19th century (8). See illustration
Aylmor Stopes, London, a George III green lacquer longcase clock, the break arch hood with 12 inch dial having strike/silent to the arch, seconds dial and date aperture, eagle and urn spandrels, signed to a curved plaque, the 8 day 5 pillar movement with extended plates for an added twin bell quarter striking train, replacement seat board and some repainting and restoration to the chinoiserie and gilt decorated case, 226cm high
A pair of Derby inkwells and covers, circa 1825, each designed as a campana urn, decorated with scrolling flowers and foliage, red painted crown and crossed batons, 10.5cm high (at fault) along with an English porcelain ink well, designed as a recumbent russet patched dog with a rabbit, 8.5cm high (at fault) (3)
A Victorian gilt brass small-sword, with 76cm., etched blade with Royal cypher and scroll and foliate decoration, signed Davies & Son, Hanover Street, Hanover Square, London, the guard and knuckle bow with beaded borders with similar decoration to the square grip, with urn pommel, contained in a steel scabbard.
A French Lous XV style boulle mantel clock, L. P. Japy & Cie, late 19th century. The eight-day gong striking movement with punch stamped trade mark L. P. JAPY & Cie.... to backplate and white enamel Roman numeral dial in a waisted faux red shell and brass marquetry case with rococo scroll cast urn surmount and conforming edge mounts above shaped lenticle beneath dial, on conforming cast feet with shaped apron between, 43cm high. Visit www.dnfa.com for condition reports.
A pair of Old Sheffield plate sauce tureens, of navette outline with deep bowls, the rim with gadrooned details, raised scroll handle with acanthus terminal and shell detailed loop handle to point, raised on a simple waisted stem and a plain spreading foot, the domed pull off covers with simple urn finial (2), 21cm wide
A pair of large late 18th Century Dutch sugar casters, with 18th century Amsterdam marks, maker I*S, of baluster form with gadrooned mid girdle with applied cut card and cast lobes and figures below and the upper section with coat of arms with vacant centre and lion supporters, on domed spreading foot with gadrooned rim. the covers with three pierced panels and cast figures between the urn finial surmounting cut card decoration (2), 26cm high, 17oz each
A Fine Late 19th Century Satinwood and Painted Cabinet, the architectural top painted with an urn amongst scrolls and with oval mirror, the corners with foliate decoration above a glazed red velvet jewellery case, the lower section with central drop door with oval crossbanding, the centre painted with musical instruments amongst bows and swags and with lower alcove raised upon square tapering legs with spade feet, 106cms wide x 200cm high
A 20th Century gilt metal mounted and veined marble clock garniture, the clock with eight day movement striking on a bell, the dial with Arabic numerals and painted with floral garlands, the drum case surmounted by an urn finial flanked by flowers, supported by six pillars, on a rectangular base, height approx 44cm, together with a pair of matching two handled ornaments.
A Doulton Lambeth faience mantel timepiece, circa 1880, the circular dial with Arabic numerals, of flattened 'U' shape with urn finial flanked by two loop handles above lion's masks and moulded floral garlands, painted with turquoise flowers and butterflies against a primrose yellow ground, on a stepped circular base painted with leaves, impressed factory mark, painted initials, monogram and numerals to base, height approx 32cm (some restoration and faults).
After the Antique: A pair of Handyside foundry cast iron Medici urns 2nd half 19th century 72cm.; 28ins high Andrew Handyside : Ironfounders (1806-87). Britannia Iron Works, Derby 1851. Great Exhibition exhibited Medici vases, bacchanalian vase and a bronzed vase decorated with busts of Peel, Nelson, Watt, Wellington, Stephenson, Scott, Shakespeare and Milton, and a fountain; at the time was described as being "from the magnitude of its operations is second to none in England" 1873 incorporated at a Limited Company. They produced two catalogues one possibly in 1850 and one in 1873. The Medici urn was first recorded in 1598 in the inventory of the Villa Medici, Rome although there is evidence that it was there at least thirty years earlier. In 1780 it was removed to Florence and soon entered the Uffizi where it remains today. The vase was one of the most popularly reproduced antiquities being copied in marble, bronze, terracotta, alabaster and cast iron and was commonly paired with the similarly shaped Borghese vase. See also lots 396 and 399
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