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Lot 9
A late Victorian silver bachelors teapot having a card cut rim, ebonised handle, the hinge lid part chased and engraved around an urn finial, the body embossed with flowers and foliage around a vacant cartouche and supported on four trefoil feet, hallmarked for Birmingham 1898, makers mark for William Devonport, g/w 260gms
Lot 105
A SET OF THREE GEORGE III POLISHED STEEL FIRE TOOLS LATE 18TH CENTURY With urn shaped grips and baluster knopped shafts with floral engraving, the shovel with pierced tulip-shaped head poker 75cm long Together with a George III Paktong fire fender, after designs by Robert Adam, circa 1810 Of serpentine outline, pierced acroteria frieze 144cm wide, 16cm high Provenance: The fire tools- supplied to Edwin Lascelles, 1st Baron Lascelles (1730-1795) for Harewood House, and by descent until sold by the Earl of Harewood; Christie's, London, 1990s Condition Report: All with wear from domestic fireplace use- wear, marks, knocks and scratches as per age, handling, use, and cleaning Tools - surface dirt and scattered but visible rust- will benefit from clean and polishFender- dirty and wear from use, surface quite heavily polished Vacant screw holes to underside suggesting it may have started with further feet- or had some mounted at some stage Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 110
A PAIR OF GEORGE III GILTWOOD MIRRORS CIRCA 1790 Each with a flaming urn finial with trailing bell flower swags above an armorial panel depicting a pelican in piety, with a central rectangular plate, surrounded by marginal plates Of slightly varying dimensions, one 192cm high, 96cm wide, the other 188cm high, 94cm wide Provenance: Sotheby's, London Condition Report: In both mirrors the side plates appear to have slipped, this is visible in the catalogue photos. The pendant husks to the right of one have been slightly bent. There is a patera detached from one swag. Some rubbing and wear to the gilt, chips and losses in places and signs of refreshing to cover some losses, some signs of underlying bole showing through in places. general uneveness to the gilt surface which benefit from a clean and refreshment.Some chips and lossesMarginal plates appear old and could well be original, some depletion and bloom, the central plate of one is heavily bevelled and is likely a later replacement, the central plate to the other is more shallowly bevelled and could be original (though Dreweatts gives no guarantees). Please see additional images for visual reference to condition Condition Report Disclaimer
Lot 117
A PAIR OF GEORGE II POLYCHROME PAINTED AND PARCEL GILT WALL BRACKETS MID 18TH CENTURY Each with a simulated marble top, above a dentil frieze and scrolling supports, above a fluted urn shaped terminal each 45cm high, 56cm wide, 31cm deep Provenance: Sotheby's, New York, 12-13 April, 1996 , Lot 528 Condition Report: Marks, knocks, scratches, abrasions consistent with age and useChips and losses, signs of age and wear, especially to the variegated marbleised tops, the painted surfaces to the lower portions with some discolouration and dirt to the paint. One more distressed to the top overall - quite probably due to water damage causing the lifting and popping of the underlying timber and veneerSome losses to the dentil frieze 'teeth'These have been mounted to the walls for the view at Donnington Priory using the associated metal brackets that had previously been fitted and painted over for their last installationPlease see additional images for visual reference to condition Condition Report Disclaimer
Lot 250
A REGENCY GILT-BRONZE SIX LIGHT COLZA CHANDELIER BY JAMES SMETHURST, CIRCA 1820-1830 The whole of Gothic form, with acanthus corona and ornate hanging chains above richly decorated frame with octagonal lidded urn, mask decoration to the underside, the nozzles with labels for SMETHURST MANUFACTURER 138 NEW BOND STREET 85cm wide Saleroom Notice- please note this is a six light chandelier- not 4 as in the printed catalogue. James Smethurst is recorded as registering a patent (No.2654) in 1802 for "certain improvements applicable to lamps and reflectors". In 1814 he had moved to 138 New Bond Street in accordance with the labels on the present lot. The British Museum biography records various bill heads from Smethurst, one dating from 1825 states : "By his Majesty's Royal Letters Patent. Manufacturer. Bought of James Smethurst... Patent Lamp & Genuine Spermaceti Oil Warehouse, Oils paid for within a Month, 6d per Gallon allowed from the price charged. N.B. To prevent Mistakes it is particularly necessary to observe the Name & Number... Lamps of all descriptions let out on Hire for Balls, Routs, &c." Banks Collection 76.19 A very similar gilt bronze Argand oil hanging light is in the Victoria & Albert Museum (CIRC.522.1962). Condition Report: Saleroom Notice- please note this is a six light chandelier- not 4 as in the printed catalogue.Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Overall generally good but with surface dirt and rubbing to gilding- notably lower more exposed areas. The chains with glass insets which are probably later.Areas of discoloured gilding throughout, has not been cleaned and restored Shades are later as are electrical fittings- ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 61
A COLLECTION OF SILVER ITEMS To include: a baluster castor by Harrison Brothers & Howson, Sheffield 1933, with an urn shaped finial to the pierced domed cover, a girdle and on a circular moulded spreading pedestal foot, 19.5cm (7 3/4in) high; a cased pair of napkin rings by Adie Brothers, Birmingham 1933, with engine turned decoration, 4cm (1 1/2in) wide; a pair of Edwardian berry spoons by Charles Boyton (III), London 1902, the handles engraved with foliate swags and the bowls embossed with fruit, 21.5cm (8 1/2in) long; a pair of bamboo knife rests; a sauce boat; a pair of toast racks; and a mustard 737g (23.7 oz) gross
Lot 71
A RED AND GILT PAINTED URN SHAPED TABLE LAMP MODERN 44cm high Together with a brass student lamp with a green shade, 56cm highAnd a bronze table lamp in the Chinese style, of angled baluster form on lotus base, base 34cm high 43cm high to top of fitment Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. First- modern decorative, some loss to gilding from use/handling and with some spotting to plinth Second- chips to shades and colour variance to body from cleaning Third- has a fitted electrical mount into top with composite/cement fixing. Some of this has dried and lamp 'rattles'. some edge wear and colour variance from handling and use ELECTRICAL GOODS. All sold with a portable appliance test (PAT) certificate January 2024 Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 191
Fore-edge paintings. Wedgwood (Josiah). The Life of Josiah Wedgwoodfrom his private correspondence and family papers in the possession of Joseph Mayer, Esq, F.S.A, Miss Wedgwood, F. Wedgwood, Esq, C. Darwin, Esq, M.A, F.R.S and other original sources with an introductory sketch of the art of pottery in England by Eliza Meteyad…, 2 volumes, London: Hurst and Blackett, 1865-1866, engraved portrait frontispieces of J. Wedgwood and Thomas Bentley, title pages in red and black, numerous wood engraved vignettes throughout, hinges cracked to volume 1, burgundy morocco gilt bookplate of W. A. Foyle, Beeleigh Abbey to front pastedown of each volume, all edges gilt, each volume with a contemporary fore-edge painting, both showing a pair of Wedgwood vases and volume I showing an additional portrait, contemporary dark green-blue morocco by Fazakerley of Liverpool, spines elaborately panelled and gilt decorated showing motifs of Wedgwood ware, Wedgwood style urn impressed in gilt on upper and lower covers, gilt turn-ins, slight wear to extremities, 8voQTY: (2)NOTE:Provenance: W. A. Foyle, Beeleigh Abbey (bookplate).
Lot 20
An early 19th century old Sheffield-plated four-branch candelabrum centrepiece,unmarked circa 1830,baluster column form, with a central bowl support, with four detachable foliate scroll arms each supporting an urn capital with chased scroll decoration, on a raised circular base, engraved with two armorials, on four foliate scroll bracket feet, later glass dish, height 52cm.
Lot 644
A George III silver argyle, by William & Aaron Lestourgeon, London 1770, plain circular form, the scroll handle with a hinged cover for the hot water compartment, gadroon border, the cover with an urn finial, engraved with a crest, length handle to spout 19cm, approx. weight 10.8oz.Provenance: A Private Collection. The crest is a variant of Cann.
Lot 44
French white painted four poster bed, carved cornice with turned finials, turned and fluted columns, upholstered head and footboard, the headboard with floral urn pediment, width 164cm, depth 205cm, height 220cm, and a pair of bedside pedestals, cylindrical with three drawers, cabriole legs.Qty: 3
Lot 1
A George III silver sauce tureen and cover possibly by John Scofield, London 1796, of plain circular urn shape, with twin handles, engraved with a crest to the cover and body, of an arm holding an arrow above clouds, with a plain knop, on a square plinth, 17cm high22.5cm wide20.3oztCondition ReportMarks worn to the makers marks. Some minor knocks to the body and cover.
Lot 1018
A weathered cast composition stone garden urn the circular lobed bowl with egg and dart flared rim raised on a loose socle on square pedestal with stepped base and repeating rose relief, the urn 44 cm diameter x 52 cm high x 93 cm (full height), together with 4 further weathered planters of varying size and design
Lot 778
Nine framed works to include: Gartland - 20th century country scene, oil on canvas, 42 x 52 cm; Flowers in an urn, indistinctly signed lower right, pastel on paper; Indian painting of Elephant, camel and horse in ceremonial dress; together with six reproduction prints of flowers, horse racing and charcoal figural studies (9)
Lot 189
Charles Gray Graves (1783-1852); The Bell Tower, Widford Church, inscribed and dated Sept 27th 1841, watercolour, 10 x 16cm; Francoise V Clarke Fort (b.1914), Ickleton church, Essex, signed, further signed, inscribed and dated Dec 1961 verso, oil on canvas, 49.5 x 75cm; A Rigden-Read (1879-1955), 'The Mandarin', signed, watercolour, 29.5 x 38cm; 'The Toby Jug', 25.5 x 37cm; another watercolour by H Warren - Figures reclining by a classical urn, two further watercolours, and a pair of coloured prints by John Leech
Lot 394
A small group of ceramics and ornaments consisting of a small lead urn; an ancient pottery small vase; a Worcester or Caughley blue and white tea bowl; and further ceramicsQty: qtyWear to the gilding on the ceramics. The lead urn with dents and marks. The ancient vase with a small chip to the rim.
Lot 48
English Silver Hallmarked traveling Communion set, comprising of Chalice, Salver and urn wine vessel with Victorian London hall marks , a later urn shaped anointing vessel, an associated wafer tin, 2 latter wooden crosses and an embroidered cloth contained in a plywood box, silver approximately 254.24g
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68875 item(s)/page