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VICTORIAN ROSEWOOD, MARQUETRY, AND IVORY INLAY DISPLAY CABINET BY MARSH, JONES & CRIBB CIRCA 1880 the superstructure with a moulded broken arch scroll pediment above three bevelled mirror plates and display shelves; the lower part with a bow front galleried recess flanked by cupboard doors and glazed side doors opening to green baize lined shelves, over an open undertier raised on fluted square columns on a plinth base, the whole with scrolling foliate, garland and flowering urn marquetry, bearing a paper label to the reverse `Marsh, Jones & Cribb (late Kendall & Co) 152cm wide, 249cm high, 50cm deep
LOUIS XV STYLE GILT BRONZE AND PINK GROUND PORCELAIN CLOCK GARNITURE LATE 19TH CENTURY the dial painted with a butterfly and flowers, the 8-day movement striking on a bell within an ornate cast case surmounted by an urn, the shaped base with three further porcelain panels painted with figures in a garden, the flanking urns with bud finials and socle bases ending in toupie feet; with stands clock, 33cm high, urns, 36cm high
GERMAN POLYCHROMED TERRACOTTA FIGURE OF A MOORISH FRUIT SELLER 19TH CENTURY the figure wearing a head scarf and a red tunic while holding a basket and standing before an urn on a low wall, on an octagonal plinth base inscribed URIELA COLOGNE 2517 101cm high Provenance: Collection of Basil Hodson
A good French porcelain mounted ormolu mantel clock, the striking movement by Japy Freres in a break arch case with bowed sides, the whole set with plaques of hunting scenes against a dark blue ground, the dial and urn finial similarly decorated, acanthus cast case with scrolled foliate mounts, circa 1880, 19½in (50cm) high.
A French porcelain mounted ormolu mantel clock, movement by Japy Freres numbered 203, numbered pendulum, in a waisted, case the porcelain dial signed Hall & Co, Manchester decorated with putti, the scrolled base set with plaques decorated with putti and flowers against a pink ground, lion mask drop handles and urn finial, 1ft 4in (40cm) high.
A George III mahogany verge bracket clock, the 7 inch silvered dial signed Willm. Johnson, London, the arch containing Strike/Silent between engraved floral swags, knife edge verge escapement, the striking movement with trip repeat, the back plate monogrammed W.J. within engraved foliage, in a bell top case with brass mounts, urn finials and scrolled feet, surmounted by carrying handle, circa 1780, 1ft 8in (50cm) high.
A George III striking mahogany bracket with automaton, the 7 inch brass dial signed on a recessed silvered plaque in the matted centre Robert Henderson, London, date aperture, scrolled foliate spandrels, Strike/Not lever at 9 o`clock, the shallow arch painted with a scene of two blacksmiths shaping a horseshoe on an anvil, both with automaton arms and hammers, alongside a loosebox with a third farrier shoeing the rear fore of a horse, being his name Conundrum on a plaque behind, the movement with verge escapement, the foliate scroll engraved backplate centred with a basket of flowers, half hour passing strike, the two train fusee movement with trip repeat, in a mahogany bell top case flanked by brass caryatids, urn finials and ogee feet, surmounted by carrying handle, 1ft 7½ in (50cm) high. Provenance - Given to George John Scott on his retirement in 1934 as Treasurer of the Bank of Scotland.
A Victorian two-handled presentation cup, by Charles Boyton, London 1898, engraved with inscription "Shooting Challenge Cup presented to the permanent Staff Sergeants 3rd Durham L.I. by the tradesmen to the regiment 1889", engraved winners and dates to reverse, urn-shaped with scroll handles and central band, on domed foot, 7in. (18cms) high, 20.5oz.
A George V two-handled presentation cup and cover, by the Goldsmiths & Silversmiths Co. Ltd., London 1913, urn-shaped with fluted mid rib and engraved inscription 'Tyne Garrison Athletic Sports (North Section) Points Cup presented by Brig. Gen. H.G. Fitton C.B.; D.S.O.; A.D.C. Commanding Tyne Garrison, Won by 4th Batt. the Durham Light Infantry", and light infantry insignia, engraved to reverse "Inter-Platoon Athletic Cup" and single date below, with leaf-capped scroll handles and domed cover, 10in. (25cms) high, 30.3oz. gross.
Two Edwardian two-handled presentation cups, by A. & J. Zimmerman Ltd., Birmingham 1902/3, each of urn form with scrollwork handles and engraved inscription "Presented by C. Freville Surtees Honorary Colonel of the 3rd Durham Lt. Infantry to Sergts Mess 3rd DLI for best shop of Militia N.C. Officers/best team of 4 Privates in each Coy", also engraved names and dates of winners, 8in. (20cms) high, 25.2oz. gross.
A pair of George V candlesticks, by The Goldsmiths and Silversmiths Co Ltd, London 1910, in the classical style, the oval urn-shaped nozzles with detachable drip pans, above tapering stems, on oval filled bases, each engraved with inscription "Presented to the Officers, 4th (late 3rd) Durham LI by Major & Hon. Lt. Colonel W.K. Trotter Shooting Cup 1909/1910", 12in. (30cms) high.
A pair of Edwardian candlesticks, by the Goldsmiths & Silversmiths Co. Ltd, London 1905, in the classical style, the oval urn-shaped nozzles with detachable drip pans (one associated), above tapering stems, on oval filled bases, each engraved with inscription "Presented to Officers 3rd Durham Light Infantry by Lieut. Colonel Powys Greenwood on retirement 1905" and ;3rd Bn Durham Light Infantry' insignia on opposing side, 11 3/4in. (30cms) high.
Two Victorian candlesticks, one by Gibson & Langman, London 1894, the other by Thomas Bradbury, London 1895, in the classical style, the oval urn-shaped nozzles with detachable drip pans, above tapering stems, on oval filled bases, each engraved with inscription "Officers Shooting Prize won by Capt. T.C. Sowerby, Deerbolt Camp July 1894", the other engraved "Capt. W.H. Briggs, Deerbolt Camp July 1895", both with 'Presented to Officers' above '3rd Bn The Durham light Infantry' insignia on opposing side, 12in. (30cms) high.
A pair of Edwardian candlestick, by the Goldsmiths & Silversmiths Co. Ltd, London 1908, in the classical style, the oval urn-shaped nozzles with detachable drip pans, above tapering stems, on oval filled bases, each engraved with inscription "Presented to the Officers 3rd (Militia) Durham Light Infantry by 2nd Lt. M.K. Wardle 1907/by Major & Hon. Lt Col. W/T/ Trotter, 1908', 12in. (30cms) high.
A pair of Victorian candlesticks, by Thomas Bradbury, London 1897, in the classical style, the oval urn-shaped nozzles with detachable drip pans, above tapering stems, on oval filled bases, each engraved with inscription "Presented to Officers by Capt. H.J. Sowerby" and also to reverse 'Durham Light Infantry 3rd Bn' insignia and engraved "Officers Shooting Match Strensall Camp, July 1897" below, 12in. (30cms) high.
An Edwardian coffee pot and sugar bowl, by The Goldsmith & Silversmiths Co Ltd, London 1905, both of half fluted typical form and with engraved initials, the coffee pot with fluted domed cover mounted by wood urn finial and wooden handle below, the sugar bowl with two fluted handles, coffee pot 9 1/2in. (24cms) high, 24oz. gross.
An Edward VII pepper mill, by William Hutton & Sons, London 1906, the body of hobnail cut glass, with plain silver screw and base, 3in. (8cms) high; together with a set of four early 20th Century plated table salts, of half fluted oval urn form with two handles each and raised on spreading feet. (5)
A Victorian cameo and gold brooch, c.1870, the oval shell cameo elaborately carved with five frolicking putti around an urn with vine decoration, within a plain collet gold mount and outer undulating partly engraved gold mount, brooch pin fitting, cameo 5.1 x 4.1cms, with frame 6.9 x 5.8cms.
A late Georgian oak and mahogany longcase clock, the painted roman dial signed Wm. Hain, Burslem, subsidiary seconds dial and date aperture, with moon phase to the arch, two train movement with anchor escapement, the case with swan neck pediment, urn finials, arched glazed door flanked by turned columns, the shaped waist door flanked by fluted quadrants, panel base, 90in. high.
Japy Freres & Cie: a 19th Century French onyx and champleve enamel four-glass mantel clock, with enamelled arabic dial, two train movement striking on a gong, with mercury pendulum, case with urn finial surrounded by four outer finials, leaf pattern columns below, four rounded supports, 15 1/4in.
J. Bishop, Maidstone: an 18th Century brass lantern clock, with silvered roman chapter ring centred by maker's name and engraved acanthus scrolls, later two train fusee movement, the case with urn finial above a bell and dolphin patter frieze, hinged side doors, on globular shaped feet, 15in. high. See illustration
An Edwardian rosewood inlaid envelope card table in the neo classical revival taste, the triangular flaps with boxwood stringing and central urn, opening to reveal a baize and leather-lined playing surface and four counter wells, fitted a single inlaid frieze drawer, raised on ivory strung shaped legs united by a shaped platform terminating in brown porcelain castors, 23 x 22 1/2 x 29in. (closed).
A 19th century French gilt bronze and porcelain mantel clock with 8-day movement, striking on a bell, the white enamel dial with blue Roman numerals and black outer Arabic minutes, indistinctly signed, the case surmounted by a gilt trimmed blue enamel urn, the sides and front with inset Paris porcelain panels, raised on square pillar feet, 37 cm high Condition Report Glass plate to back cracked, good condition but dusty across and slightly tarnished Some losses to porcelain panels
A 19th Century walnut and ebonised Vienna wall timepiece, the eight-day single-train movement with having ebonised pendulum with brass bob and cylindrical brass weight, brass-mounted enamel dial with subsidiary seconds dial, roundel-pierced hands, in full-glazed case surmounted by turned urn in broken arch pediment. 120cm high
A WILLIAM IV SILVER PLATED TEA URN of classical form with urn finial, scrolling hands and band of Greek Key decoration and further floral decoration, turned finial to the handle and standing on a square base with bun feet, all on a square silver plated glass inset stand with scrolling dolphin feet, the tea urn stamped beneath D*S for James Dixson & Sons, 20 1/2" high overall This tea urn was purchased by the grandfather of the current owner at the sale of the effects of Lord Kelvin following his death in 1907. The grandfather at the sale asked his housekeeper which of the objects for sale were heavily used by Lord Kelvin and she pointed him to the tea urn and said `Lord Kelvin used it every day`. The tea urn was then passed down through the current vendors family where is was affectionately known as `Aunt Sabina`.
A 19TH CENTURY SILVER PLATED STAND with gadrooned edge and lion mask ring handles, all standing on three shaped supports terminating on paw feet and platform base with centrally mounted gadrooned urn with flame finial and all standing on ball feet, mounted with associated hobnail cut glass dish, the dish 11 1/2" in diameter and standing 11" tall overall
A WEDGWOOD POTTERY TABLE LAMP of classical urn form with trailing ivy decoration, 10" high, together with an early to mid 20th Century beech wood and alligator skin handbag and also a leather covered travelling photograph frame, an early Victorian small photograph later framed and a tile panel of a vase of flowers (5)
A large French 19th c, style Mantle Clock with spelter style figure of a Greek story teller next to an architectural clock case with adjoining urn on black slate base with cherub decoration, standing on bun feet, lion mask handles, eight day pendulum movement and stamped 1167 and 69, also etched P1516, P19055, P7703 and 105. With lower circular stamp, lettering indistinct with central Maltese cross under crown.
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68875 item(s)/page