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Lot 503
A PAIR REGENCY STYLE PATINATED AND GILT METAL THREE LIGHT TORCHERES OR FLOOR LIGHTS (2)Modern Each with central lidded urn above three fluted branches with tulip-shaped glass shades supported by three pelicans, the stands with rams’ head masks above monopodia supports on paw feet, 177 highProvenance: A House on Belgrave Square - Part I See Bellmans website article for further details.Condition report:We cannot guarantee the working order of these items, but they have been wired for electricity. They would need to be rewired. General marks, scratches and wear as expected. Some small chips to the extremities and patches of dicolouration and residue as photographed.
Lot 520
THREE PAIRS OF BRASS ANDIRONS AND ANOTHER CAST-IRON PAIR (8)Early 20th Century and Later The first with pierced urn finials and uprights, 51cm high; the second scallop-shell cabriole leg with claw and ball foot, 41cm high; the third with urn finials on tapering shafts, 59cm high; and a pair with cast female bust finials, 16cm highProvenance: A House on Belgrave Square - Part I See Bellmans website article for further details.
Lot 540
A FRENCH ORMOLU MANTEL CLOCKLate 19th Century The case with monopodium mounted urn and flanked by fluted pilasters with pineapple finials, the dial with Roman hour enamel chapters and inscribed ‘C. J. Levy Rue Sevigne Paris’, the twin-train movement with strike on bell, stamped E.B and numbered with medallion, pendulum and key, 58.5cm highProvenance: A House on Belgrave Square - Part I See Bellmans website article for further details.Condition Report:We cannot guarantee the working order of this timepiece or that it keeps good time. Variation in the patina throuhgout suggesting that some parts have had the gilding refreshed, some parts have possibly been lacquered and then had it removed - we would recommend viewing and looking closely at the photographs provided.
Lot 552
AN ITALIAN 16TH CENTURY STYLE BRONZE PATINATED CAST METAL MOUNT OR DOOR KNOCKER (4)With a Bacchaic Satyr mask mount, 25cm high; Together with a steel dagger, possibly Tula Russian, 19th Century, the handle with faceted decoration and urn finial, the tripartite tapering blade with engraved blade, 34cm long; together with a pair of bronze griffin knife restsThe door knocker is 19.5cm wide.
Lot 612
A PAIR OF LOUIS XVI STYLE GILT AND PATINATED METAL MOUNTED FOUR LIGHT CANDELABRA (2)20th Century Each with writhen scroll acanthus candle-arms terminating in a cockerel’s head above urn and tripod monopodiae, on red griotte marble base, 51cm highProvenance: A House on Belgrave Square - Part I See Bellmans website article for further details.
Lot 669
A FRENCH LOUIS XVI STYLE GILT-BRONZE CARTEL WALL CLOCKLate 19th Century The case with urn finial, flanked by goats’ head mask and swagged with a Hercules’ lion pelt, the enamel dial with Roman hours and Arabic minutes, the twin train count-wheel strike on bell movement by Samuel Marti, bronze medallion stamp, pendulum and winding key, 77cm highProvenance: A House on Belgrave Square - Part I See Bellmans website article for further details.
Lot 9
Three 20th century collectables. Comprising a vintage blue glass perfume bottle, H10cm, a Dresden porcelain urn with ram head handles and gilt floral decoration, H17cm, and a 19 th century tin tray, hand painted with flowers, L38cm Condition Report: the scent bottle is blue glass with a gilded brass hinge top. no stopper , gilded edges only slightly worn ( 10 %) in places otherwise good, no cracks, chips or repairs to report
Lot 660
An Oak Chiming Table Clock, circa 1890, case surmounted by urn finials, gilt metal mounts, front scroll and mask decorated canted corners, pierced side sound frets, claw shaped feet, 9-inch arched brass dial with a silvered Roman and Arabic chapter ring, arch with fast/slow and chime/silent selection dials, triple spring barrel movement with an anchor escapement and quarter chiming with four hammers on four gongs and striking a further gong for the hours, 72cm highCase applied mounts are very slightly discoloured in parts, base with minor dents in parts, dial slightly discoloured, movement in going order, with pendulum.
Lot 704
Armitage & Sons, Manchester & Sheffield: A 20th Century Reconstituted Stone Garden Urn, of classical form with moulded rim and tracery-decorated body, the moulded socle and square base on a graduated square column baseurn 62cm diameter, 84cm high overallGreen and weathered condition throughout, traces of paint to the body. No apparent cracks, but two large chips on the base as photographed
Lot 713
A Pair of Victorian Painted and Weathered Garden Urns, late 19th century, of campana-shape form with egg and dart moulded border above scrolled lobed bodies with a stiff leaf moulded base, each on graduated plinth basesurns 50cm diameter, 115cm high overall and a matching urn on associated base (3)
Lot 2097
A Georgian Enamel and Split Pearl Swivel Mourning Brooch the rectangular plaque enamelled to depict an urn and weeping willow, within a split pearl frame, in yellow claw settings, with a locket compartment to the reverse measures 2.5cm by 1.7cmThe brooch is in good condition with slight wear commensurate with age. It fastens with a pin and c-hook catch. Originally with ivory plaque to the reverse inscribed 'Adml Ld Nelson Frances D 21 Oct. 1805' which has been removed. It bears no hallmark nor stamp but in our opinion would test as gold. Gross weight 6.8 grams. CR made 07.11.23.
Lot 1212
Three Walnut Cane-Back Dining Chairs, comprising:an early 18th century example with shell-carved top rail above a single-cane back support and upholstered seat, on cabriole forelegs joined by a wavy flattened stretcher50cm by 43cm by 122cman early 18th century high-back chair with scrolled and moulded top rail above a cane back support and solid splat, the single-cane seat above a wavy-shaped seat rail, on cabriole forelegs joined by a turned H stretcher46cm by 55cm by 116cman early 18th century walnut-back dining chair in the manner of Daniel Marot, with scrolled top rail centred by an urn above a single-cane and shell-carved back support above an upholstered seat, on cabriole forelegs joined by a flattened H stretcher50cm by 50cm by 119cm
Lot 1234
A Victorian Mahogany and Marquetry-Inlaid Dressing Table Mirror, late 19th century, of sheild-shape form with bevelled glass mirror plate, the frame decorated with trailing leaves and husks, the serpentine base inlaid with an urn, three mahogany-lined drawers below, on bracket feet64cm by 19cm by 87cm
Lot 1298
A 19th Century Dutch Mahogany and Marquetry-Inlaid Bowfront Free-Standing Corner Cupboard, richly inlaid with an urn issuing flowers and trailing leaves above a central cupboard door inlaid with a cavalier flanked by leaves and flowers enclosing two removable shelves, all between inlaid stiles, on bracket feet66cm by 45cm by 85cm
Lot 1319
A Late 19th/Early 20th Century French Brass Firescreen, of cartouche-shaped form with steel mesh centred by an urn issuing flowers and ropes flanked by a foliate border of flowers, vines, cornucopia and griffins, surmounted by urn-shape finials and a grotesque mask handle93cm by 80cm by 33cmMesh with some slight bruising/faults (see images). Structure is slightly weak, probably due to the design. General tarnishing throughout metalwork - particularly to the top, but overall good.
Lot 116
A Royal Worcester Porcelain Potpourri Urn and Cover, by Paul English, with pierced domed cover having pointed knop, further inner cover, with gilt ozier mould bands to the cover and base, painted with peaches, apples and grapes, signed, printed black mark28cm high, boxed and with certificateGood condition. No damage or repair.
Lot 127
A Wedgwood Jasperware Pedestal Urn and Cover, early 20th century, pale blue ground, with saytr mask handles, acanthus and anthemia borders and sprigged with a parade of maidens joining hands, impressed mark and inscribed "Made for Charles Bellows"39cm high (2)Knop restored, large chip to socle. Some engrained dirt
Lot 163
~ A Chinese Porcelain Octagonal Plate, Qianlong, painted in famille rose enamels with two peacocks in a garden landscape with peonies and under formal borders with scattered sprigs 23cm wide Two Similar Plates, painted with cranes and with pairs of geese interspersed in the border 22cm wide A Near Pair of Circular Plates, painted with a garden landscape 23cm diameter A Further Plate, painted with an urn overflowing with flowers 22cm diameter (6)Provenance: Terry Family of York (Terry's Chocolates) One of the near pair cracked, last plate listed with a star crack.No restoration throughout, some expected fritting and minor chips.
Lot 17
A Pair of Cut Glass Table Lustres, in Regency style, the urn-shaped sconces on circular drip pans hung with various drops, on panelled columns and geometric cut domed circular bases 37cm high A Similar Taller Example 45cm high (3)Provenance: Dutton Manor, Lancashire The three pedestals are matching an of the same size. Components above appear to be married. Lustre drops with chips and some replacements. Pair - sconces chipped around top and lower rims. All components loose. Heavy chipping around the bases. Single - large section og the top rim re stuck, heavy chipping around the base.
Lot 18
A Baccarat Glass Twin-Light Candelabrum, modern, with obelisk finial flanked by two branches, the circular fluted drip pans hung with prismatic drops, on an urn-shaped stem and domed circular foot, with tulip-shaped storm shades etched with scrolling foliage58cm highA Similar Candlestick, with storm shade (2)Candelabrum - good condition throughout.Stick - base free from chips and cracks, shade socket detached but retained. Shade in good condition.
Lot 340
A 17th Century Iron Implement, possibly a spit, the spindle with circular disk on two uprights and stepped rectangular oak plinth51cm longA Shove-Halfpenny Board, stamped 29405 WHITACKERS HALIFAX 3643.5cm highA Small Hanging ShelfA Silvered Twin-Handled Urn-Shape Finial (4)Spit - wooden plinth minor splits, notable corner wear and some very light wood worm damageBoard - wear and edge chipsShelf - backboard crackedFinial - damaged and with losses
Lot 406
A French Gilt Metal Bouillotte Lamp, restoration, circa 1830, with wreath finial, adjustable toleware shade over three leaf-sheathed scroll branches and urn sockets, on a cylindrical column and dished circular base, adapted for electricity53cm highTwo core cable fitted with small three-pin plug.
Lot 445
~ A Pair of Giltwood and Gesso Three-Light Wall Sconces, with foliate-sheathed scroll branches issuing from a fluted urn backplate 42cm high A Set of Four Giltwood and Gesso Twin-Light Wall Sconces, with ribbon-tied fruit and flowers 43cm high (6)Provenance: Terry Family of York (Terry's Chocolates)
Lot 188
A collection of silver comprising two sugar casters, a mustard pot and and a mustard spoon. Comprising a Victorian blue glass lined mustard, marked for Henry Holland, London, 1863, approximate silver weight 118.5 grams/3.80 OzT; a mustard spoon hallmarked for William Eaton, London 1833, approximate weight 12.1 grams/0.38 OzT; a Elizabeth II pierced work caster with columnar form with gadrooned base, hallmarked for Barker Ellis, Birmingham 1989, approximate weight 176 grams/5.65 OzT; and an Elizabeth II flat top sugar caster, with flower design in a footed urn form, hallmarked for H Clifford Davis Ltd, Birmingham 1969, approximate weight 128.7 grams/4.13 OzT.
Lot 223
Late 19th century French alabaster and gilt-bronze mounted mantle clock Late 19th century French alabaster and gilt-bronze mounted mantle clock, 8-day movement signed S.H. Paris, striking on a single bell, white enamel dial with Arabic numerals behind convex glass, housed in an urn-shaped case surmounted by a boy holding a moth to a flame raised on toupie feet34cm high
Lot 145
A group of three Shelley Queen Anne trios, to include two trios in the Garden Urn pattern, one trio in the Blue Iris pattern, together with a Queen Anne teacup and saucer in the Butcher's Rose pattern, each with painted and printed marks to underside (11) Dark blue-rimmed trio - The largest plate has a collection of dust and some markings with a small glaze bubble on the base. The smaller plate has some marks on the rim and top surface, removing decoration in some areas. Very shallow fracture marks in two areas. The teacup with some fracture marks with rubbing to the decoration. Purple-rimmed cup and saucer - both have minor markings with rubbing to the paint. A shallow hairline fracture across the centre of the saucer. The green-rimmed set - One teacup has a discoloured hairline crack in the base and roughness to one corner of the rim. The other teacup has a small disocloured nick on the rim - see images. The two smaller plates have discoloured markings to the surface. The larger plates have discoloured markings and some scratches to the surface.
Lot 358
A FRENCH LOUIS XVI STYLE ORMOLU AND WHITE MARBLE MANTEL CLOCK GARNITURERETAILED BY MAPLE AND COMPANY, PARIS, LATE 19th CENTURYThe circular eight-day two train bell striking movement with anchor escapement regulated by sunburst-mask cast pendulum and incorporating Brocot-type pendulum regulation to suspension, the backplate stamped with trademark MAPLE & Co. LTD, PARIS over S. Marti et Cie, MEDAILLE D'ARGENT, 1889 and stamped number 535, 5 2 to lower margin, the circular white enamel Roman numeral dial with Arabic five minutes beyond the minute track and fine scroll-pierced gilt hands set behind a hinged engine-milled convex-glazed bezel, the case with foliate bud finial to the gadroon-capped oval urn surmount draped with rose swags over arched top with egg-and-dart cornice, the front with basket of fruit and lambrequin centered scroll cast mount applied to bevel-glazed panel beneath the dial within a lappet leaf cast surround, the sides with conforming acanthus mounts applied to further glass panels and free-standing gilt stop-fluted marble pilasters capped with foliate-knop decorated finials above, on breakfronted cavetto moulded base applied with ribbon-tied vine leaf mounts flanked by rosettes within recessed panels to front over disc feet; the candelabra each with five branches naturalistically cast a rose blooms issuing from a central urn raised on a gilt stop-fluted white marble column upright, on stepped cavetto mounded skirt base inset with gilt foliate mounts to each side over disc feet, (3).The clock 48cm (19ins) high, 33cm (13ins) wide, 15cm (6ins) deep; the candelabra each 48cm (19ins) high, 26.5cm (10.5ins) wide. Provenance:Long term single private-family ownership, probably since new.
Lot 409
A GEORGE II/III MAHOGANY EIGHT-DAY LONGCASE CLOCKTHE DIAL WITH A SIGNATURE FOR RICHARD PECKOVER, LONDON, MID TO LATE 18th CENTURYThe four finned pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass dial with subsidiary seconds dial and calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with diamond lozenge half hour markers and Arabic five minutes to outer track, with scroll-pierced steel hands and twin-bird-and-urn cast spandrels to angles beneath added arch applied with a domed engraved silvered boss engraved Richard Peckover, London flanked by dolphin cast mounts, in a solid heavy mahogany case with concave-sided 'pagoda' superstructure fronted with a shaped foliate pierced fret over moulded break-arch cornice and hinged glazed dial aperture applied with three-quarter columns to angles, the sides with rectangular glazed windows and conforming quarter columns set against bargeboards at the rear, the trunk with break-arch door applied with complex edge mouldings over a plain plinth base with ogee top mouldings.229cm (90.25ins) high, 48cm (19ins) wide, 24cm (9.5ins) deep. Richard Peckover is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working first in 'Change Alley' in 1735 and then Royal Exchange in 1751 until around 1754. He is believed to have taken-on Quare and Horseman's business in 1733. Condition Report: Movement is complete and in working condition with no visible alteration to the mechanism, it is however a little dirty/neglected hence a clean and overhaul is advised. The dial has an 'added arch' suggesting that it originally was a square dial clock and later converted to arch dial. Bearing this in mind we cannot offer any assurances that it is by Peckover. The dial is a little dirty/tarnished but undamaged. The case has veneer patch repairs to the around the fretwork aperture to the superstructure - the curved top moulding has also been replaced with a simple curved strip (rather than the original cavetto profile). The base is lacking a skirt otherwise case is in sound condition with faults limited to relatively minor bumps and scuffs.Clock has two weights, winder, pendulum and a case key.Condition Report Disclaimer
Lot 669
A STONE COMPOSITION URN ON PLINTH 20TH CENTURY 120cm high overall, the urn 50cm high, 54cm diameter, the base 49cm wide, 49cm deep Provenance: Widden Hill House, Gloucestershire Condition Report: Top with three vertical cracks running from top rim, some surface wear and loss to details, weathering and moss- damp. Some scuffing and wear from transport- notably to top of base, some edge wear and corner chips to base Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
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68624 item(s)/page