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Lot 44
Raison & Thomas - A French 19th century circa 1880s red marble & slate mantle clock garniture. The 8 day movement clock having a white face with Roman numerals to the chapter ring. Slate & red marble bod with floral shaped carved patterns. The clock having an urn shaped finial atop with shaped handles to sides. Raised on paw feet. Stamped 'Medaille d 'argent ' and dated 1889 to the movement. The garnitures in the shape of four arm candlesticks with urn shaped pedestal. Raised on marble & slate base. Clock measuring approx. 46cm x 24cm x 15cm. Provenance - part of a collection from Netheravon House, in Netheravon, Wiltshire. The house was built after 1734 by Henry Somerset, 3rd Duke of Beaufort, on a commanding part of the chalk bluff that overlooks the Avon Valley, to the south of the 11th-century village church and close to where a Roman villa stood. The grounds were laid out by the landscape architect and astronomer Thomas Wright and published in Universal Architecture in 1755 and 1758.
Lot 273
SALEROOM ANNOUNCEMENT - this has a second hairline under the chin.A late 19th century French automaton of a girl in bath tub, probably Roullet & Decamps with Jumeau head, blue glass eyes, heavy brow, closed mouth painted with slight gap, pierced ears, strawberry blonde mohair wig on cork pate, carton body with papier-mache arms, original yellow silk satin bathing dress and hat with lace trim, seated in a wooden tub with artificial trailing geranium around the front, key wound musical mechanism causing head to urn and arms to move up and down —13 1/2in. (34.5cm.) high (no key, one of switch stuck, so operation not tested, but a key turns, hairline to side of head, some flaking to one hand, wig a little sparse) - purchased from Sothebys as lot 357 in June 1997
Lot 1546
Modern Kieninger three train four glass mantel clock, the movement with platform escapement striking on eight copper rods and the back plate inscribed Kieninger, Made in Germany Eleven (11) Jewels Unadjusted, no. 1300319806, the 4.5" silvered chapter ring enclosing a skeletonised centre with subsidiary seconds dial, within a brass pillared case with mahogany stepped plinth, the cornice with three urn finials and a carrying handle, 11" high (key)
Lot 1842
Good Scottish mahogany and inlaid eight day longcase clock, the 12" brass arched dial signed Jonathan Carmichael, Greenock on a silvered engraved convex boss to the arch, the silvered chapter ring enclosing a foliate engraved centre with subsidiary seconds dial and calendar aperture, the case with medium length crossbanded door inlaid to the centre with a classical urn enclosed by stylised foliage, the base also inlaid with a central panel depicting birds hovering over a tureen, the hood surmounted by a moulded swan neck pediment, 85" high (pendulum, two weights and keys)
Lot 1315
English ebonised triple fusee boardroom clock, the 8" rounded arched dial signed Lambert, Coventry Street, London on a silvered shaped plate attached to the matted centre under twelve o'clock, with subsidiary chime/silent and Cambridge chimes/chime on eight bells dials to the arch, with applied pierced gilt foliate cast mounts on the dial plate, the movement chiming on a nest of nine bells and striking the hours on a large gong, with foliate engraved back plate and locking pendulum, within a rounded arched stepped case with fluted brass pillars and surmounted by four flaming urn finials, 18.25" high (pendulum)
Lot 1513
French brass four glass two train mantel clock striking on a bell, the S. Marti movement back plate signed Maple Co. Ltd. Paris, the 3.75" white dial within an ornate bevelled glazed pillared stepped case surmounted by a rounded arched cornice, four flaming finials and a classical urn finial to the top, 16" high (pendulum and key)
Lot 1521
Good French white onyx and gilt metal mounted two train mantel clock garniture, the movement striking on a bell, the 3.25" blue chapter ring with Roman cabouchon enamel numerals, within an ornate breakfront case modelled with recumbent winged mythical beasts to either side and surmounted by a classical flat urn, 16" high (pendulum); also with a pair of matching side pieces, 10.75" high
Lot 1524
French black slate and painted spelter figural two train mantel clock, the Japy Freres movement with outside countwheel striking on a bell, the 3" dial within a drumhead casing surmounted by a classical urn and attended by the standing figure of a peasant boy, upon a stepped base sgraffito with stylised gilded foliage, 18" high (pendulum)
Lot 77
A gilt-metal furniture mount display, 19th century, French, with various mounts to include bucranium, flaming torch and urn examples, all fixed to a painted pine board complete with pencil annotations,154 x 68.5cmProvenance: Formerly in the collection of Dan Gallen.Condition ReportSome are missing, one ribbon torch example is slightly bent. The right side plank is split. Wear marks and losses to the paint throughout. Wear to the mounts.
Lot 155
A good pair of Elizabeth II silver candlesticks in the Adam taste - Barker Ellis Silver Co., Birmingham 1991, with detachable beaded drip-pans on swagged and stiff leaf decorated urn nozzles, raised on tapered, square section columns with ram's head and husk swagged decoration, the stepped mounts with stiff leaves and lappets to square bases with clipped corners, repoussé decorated with foliage and urns, loaded, 31 cm high, gross weight, 2,253 g.* Condition: In VG condition - clear marks, just a few minor dings to the edges and corners of the bases. Matching marks to drip pans.
Lot 488
An antiqued brass double bed in the 19th century style - the head and foot boards with central decorative pierced ovals and foliate pendant decorated slats, the uprights with urn finials, (LWH 204 x 140 x 147 cm), complete with a Forty Winks Ltd. 'Crown Orthopeadic' mattress (barely used), plus a valance, cushions and bedspread upholstered in 'Alderley' fabric by Clarke & Clarke.
Lot 172
A pair of late-Victorian silver dwarf candlesticks in the Adam style - Barker Brothers, Birmingham 1899, the detachable beaded drip pans on husk swagged and foliate decorated urn form stems, on weighted beaded square bases, 11.2 cm high, gross weight 819.5g, one repaired.* Condition: Marks clear and matching marks to drip pans. Glued repair to joint between urn and base on one candlesticks. The other with a small piece of silver missing from the bottom pedestal of the urn. Slight dents to both drip pans, and to the edges and corners of the base. One of the corners with a larger dent.
Lot 420
An Edwardian mahogany and marquetry display cabinet - the fretwork lattice gallery top with husk carved borders and urn finials, over a marquetry husk swagged frieze and single astragal glazed door, enclosing two gold velvet lined shelves, raised on square tapered legs with spade feet and fan patera corner brackets. (LWH 61.5 x 37 x 158 cm)
Lot 465
A George III style mahogany washstand - second half 20th century, the circular bowl frame raised on turned supports with a central tier with two drawers and a lidded urn shaped box above, the triform base on three cabriole legs with pad feet, 86 cm high, with later blue and white jug and bowl set.
Lot 84
An Edwardian silver sugar basin - Walker & Hall, Sheffield 1909, of circular urn form with twin scroll handles and flared foot, 9.2 cm high; together with two similar silver sauce boats, Sheffield 1928 and Birmingham 1939, boat form with cut card rims and hoof feet, one with flying scroll handle, the other a plain scroll handle, the larger with repairs to rim, 14.75 cm long, 360.5g.
Lot 596
A pair of 18th century style brass urns - early 20th century, with twin floral scroll handles and beaded rim, on a domed, stepped foot with lead weighting, 24 cm high.* Condition: One is in good condition overall, with no faults noted. The other has been indented downwards on one side of the rim, causing a little creasing to the urn bowl beneath. There is also a ding to the other side of the rim. Both handles are a little bent.
Lot 161
An Elizabeth II silver coffee pot in the George I style - Wakely & Wheeler, London 1963, of tapered cylindrical form, with domed cover with urn finial and gadrooned thumbpiece, faux-grained composition handle, engraved armorial with the mottoes 'fiat lux' and 'malis mederi nemini nocere', 24.75 cm high, gross weight 725 g.* Condition: In very good condition, with no faults apart from some wear to the faux graining on the handle. Clear marks to base.
Lot 656
EDWARDIAN INLAD MAHOGANY BOOKCASE, EARLY 20TH CENTURY with two glazed doors over two cupboard doors, inlaid with boxwood stringing and urn motifs212cm x 140cmThe bookcase split for ease of moving it. The crown has some damage. The locks have been removed. The bookcase is in a good overall condition with some signs of wear as per age and use.
Lot 232
A very good heavy Victorian brass and metal Dog Grate, in the Adams stye, with raised decorated arched back, over a large basket grate with pierced apron, on brass fluted and tapered legs with large classical urn finials, Registration stamp on reverse, 85cms high x 86cms wide (33 1/2'' x 34''). (1)
Lot 162
CIRCA 1815 in the Etruscan style, the body suspended by metal chains from a metal corona, in the form of an urn shaped oil lamp with a band of Greek key pattern to the rim and issuing six branches fitted with candle holders 106cm high, 51cm diameter Note: Designers from the neo-classical era were inspired by the antique bronze lamps discovered in the 18th century. Thomas Hope used light fittings of this form for his interiors at Duchess Street; see, for example, Household Furniture, London, 1807, pl. 4. The use of wood for such an object is highly unusual but not unheard of. A ‘boat-shaped’ hanging light, in wood, is illustrated in Margaret Jourdain, Regency Furniture 1795–1820, London, 1948 edn, fig. 197, and another, formerly with Temple Williams, is shown in Splendor and Elegance, ex’n cat., Boston, 2009, no. 75. Both lamps, and the present example, are constructed with a raised central holder for a ‘flame’ or, as here, for a candle.
Lot 251
LATE 19TH CENTURY the gilt break arch dial with silver chapter ring with Roman numerals and Arabic five minute markers, signed ‘Mackay, Cunningham & Co, Edinburgh’, the arch with subsidiary ‘Chime/Silent’ and ‘Westminster Chimes/Chime on 8 Bells/Chime on 10 Bells’ dials, the large bell top case with flaming urn finials, the front dial flanked by caryatid appliques, the sides with pierced Rococo style gilt brass grills and a pair of swing handles, on cast scroll bracket feet, the triple train chain fusee movement striking the hour on a large coiled blued steel gong, striking the quarters on four coiled blued steel gongs and playing on a pin wheel activated nest of ten bells 37cm wide, 62cm high, 30cm deep Provenance: Property from an East Lothian deceased estate
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68624 item(s)/page