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A pair of George III silver candlesticks, with matching plated three-light candelabra over, the reeded urn nozzles each with gadrooned detachable sconces, the knopped and tapering sticks on loaded bases, maker John & Thomas Settle, Sheffield 1816, h.46cm No breaks or significant damage.Both stand well.Some small dents to extremities only.Two candle holders lack sconces.Marks good.
A circa 1900 Chinese 'rosewood' and rouge marble inset large urn stand, having a lobed top, all-over floral relief detail, and raised on grotesque mask carved and shaped supports with circular dish platform undertier, h.59cm, dia.54cmMarble is very scratched.Some splits emerging.Some minor losses to the extremities of the carving, but generally intact and sturdy.
An 18th century brass lantern clock, the dial signed Rich(ard) Rayment Bury (St Edmunds), the pillared case with ball feet and urn finials with pierced and engraved cresting, surmounted by a strapped bell with knopped finial, the 6.5" Roman chapter ring having leaf engraved centre, pierced steel single hand, the twin train striking movement with anchor escapement, h.38cm, with weight and long pendulumWith weight and pendulum.Appears complete and all original.One spike to rear missing.One side door with small hole.Generally good to very good condtion.
A George V silver Capstan Inkwell, hallmarked Birmingham 1910, makers mark obscured, with hammered decoration, lacking liner, weighted base, 11cm diameter, together with a late Victorian silver bon bon dish, hallmarked Birmingham, 1899, of navette form with foliate pierced decoration, three other bon bon dishes, and a pair of small silver urn shaped vases, all with knocks and dents, weighable silver 11ozt (7)
A 19th century French gilt-metal-mounted and porcelain eight-day mantle clock: the domed top decorated with a recumbent female in country surroundings and below a two-handled classical-style urn finial; the 'jewelled' porcelain dial with Roman numerals and signed 'Raingo Fres - Paris' and with further hand-decorated scene of a shepherd and shepherdess below; two fluted classical-style columns flanking and the porcelain sides further 'jewelled' and decorated with an arrow quiver, a shield, rivens and similar allegorical ornament; the glazed circular door opening to reveal gilded interior signed 'Japy Frere'; the movement striking on a bell and with original pendulum numbered 1453 and corresponding to the numbered movement and also the back of the front porcelain panel (also numbered and annotated), on four squat circular tapering feet (38cm highest x 18.75cm widest)Condition Report: The clock is a little dirty, the gilt has 'dulled down' to good finish. Some of the gilt panels have moved or dropped and are no longer in the centre (could be rectified easily). The porcelain appears to be in good general condition with no major problems. The painting is good and it is noted that the movement - the lower back end of the case on the outside (and the pendulum also) are marked 1453.
Pair of 'Vienna' porcelain urns, of typical urn form with gilt scroll handles, cobalt blue ground and gilt bands painted with continuous scenes of 'Paris and Helena' & 'Diana im Bade', the other painted with similar scenes, titled beneath, raised on square bases, beehive mark in blue, H23cm
A COALPORT PORCELAIN URN painted with a scene of Loch Tay, 30cm high, a Coalport porcelain ewer painted with a girl and fishing rod, titled Industry to base, by J Keeling, 25cm high, together with a flower painted cabinet plate, a Spode Campanula plate and a further flower painted cabinet plate Condition Report:Loch Tay light crazingIndustry - has been broken to top part of handle and glued, broken below knop at baseplates all in good order, some rubbing to gilt
the urn mounted top with griffin handles, upon a rectangular cushion plinth, the front corners with caryatid supports, the rear corners with acanthus topped columns, each with with fruit and vegetable topped urn finial, the dial with roman numerals, the whole upon acanthus scrolled feet, the candelabra garnitures each with four candle arms and classic female head masks, the movement with monogram and stamped 2106, clock 59cm high Condition report: "There are 15 images available to view on Easylive.The clock does not wind, but does have a key and pendulumThere are a couple of chips to the enamel around the winding holes. The clock is quite dusty and the ormolu mounts discoloured."
A Late XIX Century French Ormolu Mantle Clock, of roccoco form, the rectangular body with floral swags to the sides and laurel ring handles to each corner and urn finial, inset with Sévres style ceramic panels, the similar dial with black Roman numerals pendulum present, 38cm high.Lot 1458 - no guarantee if the clock works, key present.
A French Sevres style ormolu mounted clock garniture, circa 1880, the enclosed case with cherub painted dial, decorated with raised jewels and gilding on a blue ground, panels of Classical romantic landscapes and Allegorical scenes below an acanths moulded dome, surmounted by a garland strapped urn finial similarly decorated, the platform base with laurel banding and jewelled panels, flanked by a pair of pedestal vase four branch candelabra, each with five lights, 52cm high
A French brass clock garniture, circa 1870, the breakfront case of Baroque architectural form with urn and pineapple finials, flanked by twin handled campana urns, incorporating champleve enamel throughout, 10cm dial with Arabic numerals, bevelled glazed case withbowfront sides, stepped plinth, the movement stamped A.G. Mougin and striking on a gong, 43cm high, on gilt wood and red velvet stands (6) (key and pendulum)
A small, late 18th century Scottish silver waiter (at fault) together with nine 20th century silver condiments, a Continental silver urn-form trophy cup, nine salt/mustard spoons, a tea strainer and stand, a silver taste-vin, three light candlestands ( at fault) and other wraes. Various dates and makers
A Roman blue glass cinerary urn Circa late 1st Century A.D.With vertical folded collar rim, two 'H'-shaped thick trailed handles rising from the shoulder, the piriform body tapering to a concave base, the cover with folded rim, the domed centre rising to a pierced cylindrical finial, 34.4cm highFootnotes:Provenance:Mrs Gudrun Johansson Collection.Anonymous sale; Sotheby's, London, 10 December 1996, lot 24. The Nico F. Bijnsdorp Collection (NFB 048), acquired from the above sale.Published: Antiek Glas 2001, video film Allard Pierson Museum of Antiquities, Amsterdam.J. v.d. Groen & H. van Rossum, Romeins Glas uit Particulier Bezit, Utrecht, 2011, p.122.Exhibited:Allard Pierson Museum of Antiquities, Amsterdam, 'Antiek Glas, de Kunst van Het Vuur, '17 May - 16 September 2001, exhibition no.53.Thermenmuseum, Heerlen, NL, 'Romeins Glas uit Particulier Bezit', 29 April – 28 August 2011, exhibition no.275.It is a matter of discussion among glass scholars as to whether these glass cinerary urns represent re-used storage vessels, possibly from the household of the deceased, as with the prismatic bottles, or whether they were made specifically for burials, with the practice of cremations being favoured more in the Western Empire in the early Imperial Period. The lids are usually loosely fitted and when their discovery is recorded the lids are frequently placed upside down into the vessel. As these urns are frequently found in covered stone cylinder containers the inverted lid could simply be a means to fit them inside.Many examples of this type of cinerary urn were found in a Roman cemetery in Zadar, Croatia, dated from the middle to the second half of the 1st Century A.D., see Anamarija Eterović Borzić and Berislav Štefanac, Ancient Glass. Catalogue of the Permanent Exhibition of the Museum of Ancient Glass in Zadar (Zadar 2021), pp. 212-27, nos 727-57 (including lids). Isings form 64.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
An early 20th century gilt lacquered brass and mahogany cased calendar bracket clock, the brass four pillar twin fusee movement with verge escapement striking hours and repeating on a bell, the 7-inch brass breakarch dial with rolling moon to arch above a matt centre and silvered chapter ring with black Roman hour numerals, outer Arabic minutes and inner date ring, inscribed 'James Cuthbert London', the arched case with carrying handle above pierced fret panels to the arched top, flanked by four urn finials, four turned columns and glazed doors and sides, on a mahogany plinth with brass bracket feet, height 37cm, with case key.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Victorian rosewood and brass inlaid mantel timepiece, the Empire movement with platform escapement, the circular enamelled dial with black Roman hour numerals, the octagonal case with urn finial above foliate inlaid decoration, flanked by a pair of loose ring handles, on a rectangular plinth, inlaid with a cut brass scene of a rider standing on the back of two horses, chasing three further horses ahead, on bun feet, height 52.7cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late 19th century ormolu mounted white marble mantel clock with eight day movement striking on a bell, the enamelled circular dial inscribed 'Deniere FT de Bronzes a Paris', the backplate similarly stamped, the case with urn surmount above foliate scrolls and arched pediment above scallop shell, flowers and mask, on foliate cast feet, height 56cm, with pendulum and winding key.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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68904 item(s)/page