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Lot 145
PENDULE DITE A TETE DE POUPEE DE STYLE LOUIS XIV EN ECAILLE, ETAIN ET ORNEMENTATION DE BRONZE DORE DEUXIEME MOITIE DU XIXe SIECLEA LOUIS XIV STYLE ORMOLU-MOUNTED TORTOISESHELL AND PEWTER INLAID BOULLE MARQUETRY PENDULE SECOND HALF 19TH CENTURY Of shaped form called 'à tête de poupée', overall inlaid with foliate arabesques motifs, the brass dial with enamelled Arab chapters signed 'DURAND à Paris', the case surmounted by a pediment with flaming urn finials and centred by finial composed of a radiating Apollo's head shield on a lyre and cornucopia base and topped by a astrolabium, and resting on four ormolu sphinxes on a shaped rectangular and draped base, and on a further rectangular shaped banded socle , 34cm wide, 22cm deep, 73cm high (13in wide, 8 1/2in deep, 28 1/2in high). For further information on this lot please visit Bonhams.com
Lot 89
URNE A THE OVALE COUVERTE MONTEE EN ARGENT DORE, MEISSEN, VERS 1755A MEISSEN OVAL SILVER-GILT MOUNTED TEA URN AND COVER, CIRCA 1755Painted with scenes of figures in landscapes engaged at various pursuits, on three gilt-edged scroll feet entwined with flowering branches and mounted with a tap, moulded with a basketwork border around the rim, the cover applied with a rose finial, 16.8cm high, crossed swords mark in underglaze-blue (haircrack) (2)For further information on this lot please visit Bonhams.com
Lot 284
A Hochst porcelain group of Der Berkrantze Schlafer, c.1770, blue wheel mark, modelled by J.P. Melchior, with a sleeping farm boy, a dog beside him and a shepherdess leaning over him to garland his head with flowers, her hoe and satchel nearby, a plinth with an urn behind them, on a rocky grassy mound base, 17cm highProvenance: Works of Art from the Schroder Collection.Note: Another example is illustrated by Horst Reber, “Hochster Porzellan des 18. Jahrhunderts aus Privatbesitz”, Jahrhunderthalle Hoechst December 1984 – January 1985 Exhibition Catalogue, Frankfurt, 1984, p. 116.Overall, the condition for this lot is good. The principal condition issue is a chip to the footrim on the right-hand side of the group – this is relatively small (approximately 4mm. x 14mm). All the remaining issues are very small and minor. There are further very slight and very minor chips to the edge of the footrim. There is a minute chip to the corner of the plinth at the reverse, and another to the reverse edge of the plinth – these are both very small (the largest is 2mm x 2mm). On the garland there are small losses to a flower and the foliage – these are extremely slight and difficult to see. There are small losses to the ribbons and to foliage of the vase (on top of the plinth) – all these are to be expected.
Lot 318
A Russian Nicholas I silver medallion commemorating the Construction of the Blagoveshchensk Bridge over Neva, 1850, the obverse with double-headed eagle flying over the bridge, the reverse with Minerva and Hercules cross water flowing from the urn of a river goddess, the original by A. Klepikov & A. Lyalin, 75mm, weight approx. 166.3g Provenance: Works of Art from the Schroder Collection.Please refer to department for condition report
Lot 115
An early 20th century Arts & Crafts silver and jade goblet by Omar Ramsden and Alwyn Carr, London 1913, the conical jade bowl above a slender stem with spot hammer finish, chased with urn and the motto 'THE WINE OF LIFE KEEPS OOZING DROP BY DROP', on a circular pedestal foot, engraved inside 'Omar Ramsden et Alwyn Carr me fecerunt MCMXIII', 17.5cm high
Lot 214A
A late 19th century Meissen figure group depicting a pair of lovers holding an encrusted floral garland flanking an urn on a fluted column, the front with a young girl seated holding a garland, and the reverse having a pair of doves beside a basket of flowers, underglaze blue crossed sword mark to base, 19cm high
Lot 1805
A William and Mary walnut and marquetry chest. The top inlaid with a flower filled urn flanked by cherubs, fitted with two short and three long drawers with bird and flower inlay and raised on bun feet, height 90cm, width 97cm, depth 59cm. Ivory registration reference KFELTTVTThere are a few veneer losses throughout, especially to the top.The handles are well matched replacements with evidence of filled holes from previous handles, the feet are also probably replacements.Some veneer and crossbanding has been replaced. Please see additional images online.Ivory registration reference KFELTTVT
Lot 629
A 19th Century folk art woolwork memorial panel worked with a graveyard scene depicting a sailor stood leaning against a pillar with weeping willow tree and urn on top, 'To the memory of a mother drowned May 2 1864' with a kneeling figure weeping into a handkerchief and a flying angel above holding out a laurel wreath, all framed with two stylised trees to the sides with smaller scattered trees and headstones, the figure heads in printed paper, framed 51.5cm x 69cm.
Lot 496
A George III circular silver salver, London 1779 by William Turton or Walter Tweedie, with a moulded beaded and harebell border and emblazoned with a monogram and armorial crest. supported by four simple bracket feet. 33 cm diameter. Together with an 18th-century silver and whalebone toddy ladle, a heavy silver hand mirror, a small urn pepperette, a pair of silver capped, cut glass perfume bottles, a heavily embossed silver bread basket, and two silver-backed clothes brushes. 41 ozt gross weight of weighable silver.
Lot 515
A George II style heavy gauge silver gravy boat, London 1934 by Harman & Co, 23 cm wide, together with an Italian "800" silver "Mid Century Vintage" triumphal urn peppermill, a cased set of twelve French silver fruit knives with mother of pearl handles, a cased set of Italian "800" silver circular side dishes with bands of acanthus tongue borders, a set of four modernist silver disc form sterling silver name place holders, London 1934 by Frank Hawkins -Sly, and a white metal tumbler cup (apparently unmarked). 37 ozt gross weight of marked, weighable silver.
Lot 31
Pair of 19th century French neoclassical Egyptian revival Victorian bronze garniture urns with painted black and red decoration. With mask handles in the form of the heads of pharaohs. On a stepped base with a double-headed eagle along one side. One side of each urn with painted and incised decoration depicting various Egyptian motifs and a depiction of Horus on one and Isis on the other.Height: 16 in x width: 6 1/2 in x depth: 6 1/2 in.
Lot 47
Large French old Paris Sevres style porcelain urn. One side painted with a scene of two lovers strolling through a garden; the other with an idyllic countryside. The painting is signed "L. Bertreri." The reserves are framed by ornate gilt scrollwork frames against a deep cobalt blue (beau bleu) ground. With bronze mounts and handles in the form of garlands. The inside of the lid and the base are marked with a Sevres mark indicating a date of 1754.Height: 32 in x width: 11 1/2 in x depth: 9 1/2 in.
Lot 9
Continental elaborately carved and giltwood settee. The pierced back depicting an urn brimming with blooming flowers and surrounded by scrolling foliage. The armrests further decorated with pierced, carved, and gilt foliage. The skirt with a carved garland. The settee rests on five legs, two along either side and one along the front center.Height: 39 in x width: 42 in x depth: 21 in.
Lot 71
Circle of Gerard van Spaendonck, Dutch 1746-1822- Still life of flowers in an ornamental urn on a ledge; oil on canvas, 76.5 x 63.4 cm. Provenance: Private Collection, UK (by descent). Note: The present work is closely related to a canvas held at Anglesey Abbey, Cambridgeshire entitled 'Still Life with Flowers in an Urn and Two Parrots' (NT 515449), which has been attributed to Jakob Bogdani (1658-1724) or Philip Reinagle, RA (1749-1833). The quality of the brushwork in the present work, entirely evocative of the technique of van Spaendonck, is brilliantly displayed: the vase and marble ledge on which the flower arrangement rests effectively create a strong textural contrast with the soft petals and leaves. The canvas is taut on the stretcher and sits well within the frame. Relined. The paint surface is stable on the support. Fine and settled craquelure in areas. Areas of minor paint separation/shrinkage, particularly in the central area of the bouquet. An area of paint loss (roughly 7 irregular spots) lower left, the largest approx. 2 cm. Two minor spots of further paint loss lower right. A minor and unobtrusive retouched loss upper left corner. An area of possible abrasion upper left, to the left of the irises. A cluster of very minor white marks upper centre. Very minor abrasions upper right corner and right edge. Minor marks, some surface dirt, and minor abrasions generally. Inspection under UV light reveals significant areas of retouching across the work, particularly upper centre and centrally, just below the upper roses (see images). Overall, in good retouched condition and ready to hang.
Lot 162
An enamel and diamond memorial panel, the circular convex panel centred with a funerary urn motif, highlighted with graduated rose-cut diamonds in foiled closed-back settings, framed by a row of similarly-cut diamonds, to a blue enamel ground with white enamel borders, (three diamonds deficient), on a later ring mount stamped '9CT', panel diameter 1.85cm, ring size K
Lot 721
An associated suite of dining furniture, originally purchased for Harrods, comprising a continental cream and gilt painted side cabinet, the top with a moulded edge above a plain frieze applied with acanthus carving and three panelled doors each flanked by reeded pilasters with Corinthian capitals, on an inverted breakfront base. 89cm high x 175 wide x 56cm deep, a Continental marble effect dining table, the oval glass top with a bevel edge on elaborate Italianate support with cornucopia shaped parcel gilt supports and urn centre, on a rectangular plinth, retailed by Harrods, 76cm high, 190cm wide, 108cm wide, a French walnut writing table, the top with a brown leather inset above a shaped frieze, lacking drawers, on cabriole legs, 198cm wide, together with six chairs.
Lot 111
Battle of Waterloo. Jackson (W.). Field of Waterloo, 1815, engraved map by Jackson after a survey by S. Wharton taken in July 1815, with contemporary outline colouring, sectionalised and laid on linen, elaborate martial cartouche, compass rose, scale of distance, and index of references, light toning to one or two folds, 64 x 122 cm, marbled endpaper, bound in contemporary blue calf gilt, later reback, slightly rubbed, together with The Kingdoms of Spain & Portugal, compiled & reduced from numerous topographic surveys, the maritime surveys of Don Vicente Tofino &c., Robert Laurie & James Whittle, October 9th 1811, engraved map with contemporary outline hand-colouring, sectionalised and laid on linen, minor offsetting, small pinholes where old folds cross, 62 x 81 cm, plus Dupuis (L.A.). [Carte Generale qui comprend la situation des principaux objets qui ont servis de fondem.t a la description Geom.que des provinces Autrichiennes dans les Pays Bas y compris les Principautes de Liege et de Stavelot, 1777], five (of 10) folding engraved maps with contemporary outline hand-colouring, sectionalised and laid on linen, numbered 6-10, various sizes, in good condition, each with contemporary engraved ducal bookplate of the Duke of York to verso, contained in original calf bookbox with red morocco spine labels, heavily worn, lacking base and topQTY: (3)NOTE:RCIN 735187. - National Army Museum 1988-08-34.Map of the Battle of Waterloo depicting the area from Waterloo Church to the "Ferme du Caillou", where Napoleon's last headquarters were installed the evening before the confrontation on 18 June 1815. The battle that marked the end of the Napoleonic Wars (1803-15), resulted in an Allied victory. Based upon a trigonometrical survey by S. Wharton, who is also renowned for a set of twelve prints of the same battlefield produced by R. Reeve. The title is included in a funerary urn, draped with wreaths and against which are laid flags and pieces of armour, all to commemorate the victims of the battle.
Lot 504
A Georgian memorial gem-set and half pearl locketdesigned as a yellow gold two handled urn set with calibré-cut emeralds, a garnet-set surmount and base, the closed back reverse with hinged compartment (a/f), contemporary ovoid shaped red leather case, together with a later fine trace link chain stamped '9K' locket: 2,2 cm x 1.8 cm, 2.0 g; chain 1.2gCondition: The mount has a few knocks and is not in perfect condition. First hand inspection suggested.The rock crystal to the reverse of the locket has a fracture running across the bottom section with a loss to the bottom right corner and has a flaked chip to the centre (obverse rock crystal appear to be in good order) .Stones untested , reasonably bright and probably foiled as in closed back setting. Upper smaller garnet in loop damaged .
Lot 351
An early 19th century French .950 silver mounted cut glass mustard pot c.1830 and two French .800 silver sifter spoons c.1900Paris guarantee marks 1819-1838, maker mark indistinctthe vase for facet cut glass body mounted with hinged silver dome lid and twin dolphin scroll handles on a square pedestal base on ball feet, second, French guarantee marks, by Page Freres, with pierced bowls and Empire style embossed filled handles, (3)First height 15 cm.Condition:Mustard pot in fair condition chips to rim of glass urn body around silver mount.
Lot 373
An Edwardian silver teapot and cream jugLondon, 1907 by Goldsmiths & Silversmiths Co Ltdof oval half fluted tapering form, the teapot with hinged domed cover, ebony scroll handled and turned urn finial, (2)teapot handle to spout 25 cm., weight approx. 19.47 ozt.Condition:Teapot handled with movement, a couple of small dings and knocks.
Lot 377
A George III silver chamberstickLondon, 1788 by Henry Chawnerhaving a an urn shaped nozzle and detachable drip pan on a stem with cut out for snuffers, circular base with handle, beaded borders, associated conical snuffer, engraved with armorial and crested for Cole diameter 14 cm., weight approx. 7.35 ozt.Condition:Chamberstick is in fair condition. Drip pan is buckle and pushed down with old patch repair to underside. Conical snuffer is misshapen with impacts dents, loss to angular bracket support. Conical snuffer matched with rubbed marks and gadrooned rim but has matching crest
Lot 1218
A LOUIS XVI ORMOLU CARTEL CLOCK WITH QUARTER REPEATBy Godfrey, Paris, circa 1770The substantial cast case modelled with an urn and a pair of caryatid busts, signed 6 1/2in convex enamel dial, the circular plate movement, signed, with rear mounted quarter work, striking on a bell66cm highThe clock is in unrestored condition. There is a pendulum and key. The dial plate has some filled holes and the bezel mount may be a later 19th century replacement as may be the dial. The suspension block is a later 19th century version. The width of the clock at its widest point is 32cm, the depth is 13cm. The movement appears original to the case. The clock does not strike the hour, it repeats the hour and quarters.
Lot 1267
A GILT-METAL-MOUNTED MAHOGANY QUARTER CHIMING AND STRIKING BRACKET CLOCKThe dial and movement signed James Leicester, Drury Lane, part late 18th century and laterThe bell-top case with knopped carrying handle above four urn finials and moulded pediment, with glazed panel door and inset pierced brass frets, the sides each with two glazed panels, on stepped base and brass bracket feet, the 7 ¼ in. arched brass dial with engraved outer edge, chime/silent subsidiary to the arch, above signature line, with silvered chapter ring and chime lever to the III, blued steel hands, the three train chain fusée movement with rectangular foliate engraved plates, later re-trained and fitted with a third train, chiming the quarters on eight bells and striking the hours on a larger bell, adaptions50cm highThe movement appears originally to have been a twin train with pull quarter repeat but extensively rebuilt by the Victorians. The plates appear original to Leicester’s work and have been totally re-trained and a third train added. The original fusée pivot holes, with engraved rose, are filled, together with many other original holes. The dial plate appears original and here again has been adapted; the original dial feet have been removed, but their original holes remain and correspond to filled holes on the front plate. The chime/silent ring is an obvious Victorian replacement, as is the matted centre and silvered chapter ring.
Lot 1445
A GEORGE III SILVER COFFEE POTOf baluster form, with an urn finial to the hinged lid, otherwise with beaded decoration and twin crest engraved, raised on a circular foot with a replacement wooden handle, maker Walter Brind, London 1782, height 31cm, gross weight 903 gmsCondition ReportOverall in good condition, a few minor marks to the body, the handle may have been replaced in the past, there is a part mark lion passant and maker to the lip of the lid, full marks underneath
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68875 item(s)/page