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Click here to subscribeA Pair of Fine Baccarat Pressed Glass Candelabra. Each candelabrum having a central lobed & petal-edged candle-cup raised above three surrounding candle-cups on upswept arms with petalled drip trays hung with facet -cut pendant lustres. The candle branches emanating from an hexagonal urn with down-swept petal edge above lobed baluster column leading down to round beaded base, impressed BACCARAT underneath, 19 ins (45 cms) in height.
Pieter Casteels II (1684-1749). An 18th Century Flemish Oil on Canvas: Still life depicting an urn cascading flowers on a stone pedestal, 32½ ins x 26½ ins (83 cms x 67 cms). Mounted in a 19th Century cavetto moulded gilt frame with foliate corner ornamentation 43½ ins x 37 ins (109 cms x 94 cms).[From a Maharaja's Palace in Rajisthan]
A Napoleon III Gilt Bronze Clock Set by Jean à Rennes. The drum case having an ornately cast gilt bronze dial inset with enamelled numeral cartouches beneath a convex glass door with a bevelled edge and lobed border. The raised pedestal top surmounted by an urn with flame finial above lavishly scrolling sides bearing caryatids festooned in garlands of bell flowers. The break front elongated oval base centred by a cartouche and raised on flared pedestal and paw feet. 17 ins (43 cms) in height, 7½ ins x 23½ ins (19 cms x 62 cms). The matching electrified candelabra having four lights with white opaque glass candle-form sheathes. The s-scroll branches enriched with foliage above flared & fluted columns; the bulbous centres applied with female face masks wearing feather head dresses. Standing on circular bases with paw feet. 27 ins (69 cms) in height, 9½ ins (24 cms) in width.
An Exuberant Louis XVI Style Cloisonné & Gilt Bronze Mantel Clock, having an eight day movement striking a bell. The cloisonné dial set in a round cushion-front case with a gilt brass beaded border surmounted by an urn finial elevated on square column and flanked by winged caryatids; their torsos rising from lavish scrolls of foliage with voluted terminals. The flared rectangular cloisonné pedestal adorned with a satyr's face mask above a break- ended plinth base raised on gilt bronze acanthus leaves terminating with lion paw feet, 20 ins (51 cms) in height.
A Pair of Louis XIV Style Cloisonné & Gilt Bronze Candelabra. The central gilt finial issuing floral blooms & fruit flanked by the two upwardly scrolling arms centred by urn form candle cups with a band of cloisonné. The cut glass baluster columns rising from a moulded quatreform base with curved corner proturberants above the cloisonné blade knop feet. 12 ins (30 cms) in height, 8 ins (20 cms) in width.
A 19th Century Gilt Bronze Clock Set in the Louis XV Style. The decoratively cast gilded dial inset with enameled numeral cartouches housed in a Rococo case surmounted by a Bacchanalian cherub sat amidst crested scrolls entwined in garlands of fruiting vine, with a further infant reveller & a goat to the base, 20½ ins (52 cms) high. The candelabra each having five foliate cast scrolling candle branches surrounding a raised finial urn cascading fruit, 22½ ins (57 cms) high.
A Splendid 19th Century Colonial Four Poster Bed of Generous Proportions. The head board having a moulded dome top rail above a fine fret-carved centre splat flanked by turned urn-knopped spindles and surmounted by a pierced pediment incorporating a rampant lion & unicorn either side of a crowned cartouche amidst scrolling flowers & foliage. The foot board with a horizontal stop-fluted rail above a row of spindles and bulbous octagonal corner posts supporting the elegant tapering pillars leading up to the moulded canopy rails. 72 ins (183 cms) in width.
A Pair of Pretty 19th Century Painted Satinwood Tables. The octagonal tops decorated with female portrait ovals bordered by strings of pearls, with a raised moulded edge enhanced with a painted floral border. The sides having having slide out candle stands above the slender tapered legs enhanced with a pendant garland of flowers & joined by urn shaped X-stretchers. 26½ ins (67 cms) in height, 12 ins (30 cms) in depth.
A Large 18th Century Masonic Oak Armchair. The swan neck split pediment top carved with rosette terminals and centred by an urn finial. The back panel having a shaped top & flanked by columns upon plinths adjoining the outwardly curved arms. The large seat resting on column turned legs joined by a slim H-stretcher.
An 18th Century Walnut Pole Screen. The rectangular tapestry screen depicting a huntress & hound in a moulded frame with carved foliate corners. The pole surmounted by an urn finial and standing on a tripod base; the outswept legs carved at the hip with a shell motif and terminating on pointed pad feet. 63¾ ins (164 cms) in height.
A Fine Set of Eight Walnut Chairs; including two carvers, of good colour & patination. The burr wood top rails issuing rosette terminals with foliage & bell flowers along the swept uprights flanking the urn form central splat. The floral tapestry padded seats above cabriole legs carved at the hip with scrolls of foliage and terminating on ball & claw feet.
A Good Quality 20th Century Mahogany Kneehole Sideboard having brass rail back, with urn, ribbon and scroll decoration, gadroon rim having centre drawer with raised carved fruit and floral motifs above kneehole, flanked by 2 short drawers and 2 panelled doors, on 8 short cabriole legs with carved claw feet, 2m wide
Briant a Paris. A marble and ormolu mantel clock, the eight-day duration movement striking the hours and half hours on a bell, the backplate stamped with the mark of the roulant blanc maker 'Etienne Maxant, Paris', the white enamel dial has black Roman numerals, Arabic outer numerals and signed by the maker 'Briant a Paris', with decorative pierced and engraved gilt brass hands, the ormolu pillar case having classical female figures draped either side, with various ormolu mounts and a frieze to the front depicting putti within a scientific setting, surmounted by a classical urn, all standing on a white marble base inset with further ormolu mounts, height 57cm. * Etienne Maxant is recorded as working at Rue de Saintonge, Paris, in the mid 19th century.
Japy Freres, Paris. A French ormolu and porcelain mantel clock, the eight-day duration movement striking the hours and half hours on a bell, the blue porcelain dial having black Roman numerals, spade hands and signed 'Miroy Requier & Co', with floral and bird painted decoration to the centre, the ormolu case having applied mounts with lion's head handles to the sides, a blue painted plaque to the front depicting a gentleman and lady on a bridge and surmounted by a painted gilt and blue porcelain urn, height 35cm. * Japy Freres were the most productive of the French movement makers, the business having been started by Frederic Japy in Beaucourt in the late 18th century. * Miroy, Requier & Co were retailers recorded as being in London circa 1875.
A French ormolu and porcelain mantel clock, the eight-day duration movement striking the hours and half hours on a bell and stamped to the back with the retailer's name 'Wassell, 43 Fenchurch Street, London', the painted porcelain dial having black Roman numerals, spade hands and floral painted decoration to the centre, the ormolu case having half round sides inset with curved pink porcelain panels decorated with musical representations, a further plaque to the front depicting two cherubs at rest, surmounted by a porcelain urn, height 35cm. * Wassell & Halford are recorded in London circa 1875.
A 19th century mahogany and inlaid sideboard of bowed breakfront outline and large size, having a brass gallery rail with urn finials, the front banded in satinwood bordered with boxwood and ebony lines, having a concave centre fitted with a drawer in the arched apron, flanked by an enclosed cupboard to either side and a further enclosed cupboard of bowed outline to either end, on turned and reeded tapered legs, 230cm (7ft 6½in) long.
An early 19th century Dutch mahogany and floral marquetry rectangular card table, bordered with boxwood lines, the hinged top decorated with birds amidst flowers and foliage radiating from a central urn, decorated on the underside with playing cards and a roundel of floral foliage, on square tapered legs, 82.5cm (2ft 8½in) wide.
A late 18th/early 19th century Dutch walnut and floral marquetry bow-fronted corner cabinet on later base, bordered with sycamore lines, the top decorated with birds and a butterfly amidst flowers and foliage, enclosed by a pair of moulded panel doors, each decorated with a bird and insects amongst flowers and foliage radiating from an urn, the ebonised stand on square section legs, 82cm (2ft 8¼in) across.
A French ormolu mounted porcelain vase, 19th Century, probably Sèvres, the bleu-du-roi glazed urn shaped body applied with a bead and leaf rim, the shoulders with stylised Anthemion band flanked by a pair of foliate capped scroll and twist handles terminating at a stiff leaf and berry border, the fluted foot framed with an acanthus wreath on a square base, height approx 33cm.
Early 20th Century Garniture, comprising a mantel clock, with silvered dial, inscribed, "English case\German movement", striking on a gong, contained within a brass case with urn finial, cast cornice and Moorish front, North African arched form and with a cast and painted scene of Arab figures and an elephant, on a rectangular base and scrolled feet and a pair of matching Side Vases, each with an appliqué panel, decorated with a hunting scene, one of a lion, the other rhinoceros, each piece with impressed number.
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