Mahogany eight day longcase clock by Samuel Newness, Whitchurch (active circa 1790), swan neck pediment with three turned urn finials over reeded columns flanking a brass arched 13'' dial, with silvered chapter ring, Roman numerals and engraved centred, subsidiary seconds and date aperture, winged masked spandrels, painted moon phase, the movement striking on a bell, over a trunk with flame mahogany door within reeded pilasters and a flame mahogany box base, raised on bracket feet, height 242cm Please note our special conditions of sale regarding clocks and watches
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George III mahogany bureau bookcase, circa 1770, the top with a broken cavetto arched cornice centred with an urn shaped finial over two recessed arched panel doors, opening to pigeonholes and small drawers, raised on a base opening to an interior with a sliding well, stepped drawers and pigeonholes, the front with three upper false drawers, two real short drawers and two long drawers, each with brass swan neck handles, raised on ogee bracket feet, width 102cm, height 224cm, depth 60cm
A LATE VICTORIAN SILVER MUSTARD, maker Nathan & Hayes, Birmingham 1893, of oval form, the double "C" scroll handle with open thumb-piece, the hinged domed cover engraved with a monogram and urn finial, the pierced arcading with foliate engraved swag, 4" wide overall, 3ozs 9dwts, with blue glass liner and EPNS Rat Tail spoon (2) (Est. plus 18% premium inc. VAT)
A ROYAL WORCESTER CHINA CAMPANA URN, 1919, painted in polychrome enamels by Harry Stinton with two Highland cattle grazing in a misty mountainous landscape, over a stiff leaf moulded base, on fluted socle and domed foot, signed, puce mark, shape 1926, 7 1/2" high (Est. plus 18% premium inc. VAT) (Illustrated)
A ROSEWOOD DESK, late 19th century, of oblong form with stringing, Renaissance Revival marquetry panels and painted with trailing flowers and ribbon pendants, the top with inset green leather, the raised open arched back with turned spindles and applied with carved roundels and urn finials and fronted by a central fitted stationery compartment with hinged sloping lid, central frieze drawer flanked by applied festooned drapes, raised on square tapering legs and china castors, 42" x 21 1/2" x 41 1/2" (Est. plus 18% premium inc. VAT)
A LOUIS XVI STYLE KINGWOOD AND EBONISED FOLDING GAMES TABLE, late 19th century, of earred oblong form with foliate marquetry panels and gilt metal mounts, the banded swivel top centred by an urn with fruit and opening to a green baize with fitted compartment below, raised on slender fluted baluster turned supports joined by a shaped stretcher within central urn, 24 1/2" x 16 3/4" x 30 3/4" (Est. plus 18% premium inc. VAT)(Illustrated)
A French 48 bore flintlock sidelock pocket pistol, c 1770, 7" overall, round tapered barrel 3", the plain rounded lock having swan neck cock, the dark walnut fullstock having carved panels around the lock and mounts and scrolls behind the barrel tang, the steel mounts include long spurred buttcap, flat sideplate and trigger guard with urn shaped finial. GC (slightly worn overall with light pitting to metalwork, the action AF).
A VICTORIAN WALNUT GALLERY TOPPED CANTERBURY, the fretwork sides with urn corner finials, turned supports and three section fretwork panelled magazine centre with lower single drawer on turned supports with white pot castors, 103.5 cms high, 56 cms wide, 43.5 cms deep (areas faded, some veneer work required top centre)
TWO LARGE RUSSIAN PORCELAIN CAMPANA URN PLANTERS, in cobalt blue and gilt with painted panel of Prussian horsemen and green and gilt with opposing painted panels of floral displays, probably Kusnetzoff, Werbiliki Factory, circa 1900, with underglazed blue Gardner backstamp, both with inverted rims and twin handled with circular column stem on quatrefoil bases, 50 cms high, 41 cms diameter tops, fairly heavy gilt wear to the rim and re-attached column with further gilt wear to the cobalt example, slight gilt wear to the rim
Thomas Taylor of Holborn. A late 17th century walnut and floral marquetry eight day longcase clock, the 11 inch square brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture, signed at 6 o'clock, the case decorated with an urn, flowers and birds, H.6ft 9in.Thomas Taylor recorded 1678-1710.
Two cut glass fruit bowls, a large green cabbage leaf serving dish, a Scandinavian dish marked 'Norway', a Royal Doulton 'Grantham' dish, a Royal Doulton 'Under the Greenwood Tree' dish, various Florence figurines (Guiseppe Armani), a blue glass vase overlaid in gilt, a black cobalt ceramic urn and assorted items
A George III silver oval sugar basket, with reeded mount and bale handle, embossed with ribbons and floral swags, on oval footrim, 6.35ins x 4ins, 4.75ins high, by Francis Howden, Edinburgh date letter rubbed, (monogrammed), and a George III silver urn pattern cream jug, with bead mounts, embossed with scroll, floral and spiral fluted ornament, reeded high scroll handle on square base, 6.5ins high, London 1785 (monogrammed and with repair) (combined weight 12oz)
A George III gentleman's mahogany wardrobe/secretaire chest, the front later painted with figures in a landscape and putti within oval panels, urn, ribbon, floral swag, scroll and leaf ornament, the upper part with moulded dentil cornice, fitted four sliding trays enclosed by a pair of panelled doors, the base fitted fall front secretaire drawer, enclosing pigeon holes and six small drawers, two short and two long drawers under, on bracket feet, 58ins wide x 25ins deep x 81ins high (slight damage)
A pair of late Victorian silver pillar candlesticks with urn sconces, octagonal knopped stems and moulded base, 7ins high (makers mark rubbed), London 1894 (one sconce damaged), silvery metal mounted and turned horn two-handled quaich, 5.5ins (handle to handle), six silver fiddle and shell pattern teaspoons, London 1861, and a small selection of other silverware and pocket watches, various (combined weighable silver 17ozs)
A late Victorian silver ovoid sugar caster of "Neo-Classical" design, the pierce domed cover with reeded finial, the body embossed with ribbon, oval cartouche and swags, within fluted borders, on circular footrim, 5.5ins high, by Thomas Bradbury & Sons, London 1887, a George VI small silver octagonal sugar caster of panelled from, 5ins high, by Vander & Hedges, London 1837, a George III silver oval mustard pot, 3ins high, by Henry Chawner, London 1791 (weight 12ozs), and a Continental silvery metal mounted and slice cut glass two-handled urn pattern mustard pot, 4.25ins high
A 19th century French slate mantel clock. Surmounted with a bronze urn with bird finial, with enamel dial signed Lefebvre, Rue de Rivoli 106. Housing an 8 day cylinder movement striking half hourly on a bell, 37.5cm. Condition Report. To be used as a guide only. Bronze oxidised. Chip to the enamel dial near the left winding hole. Some chips to the slate. Sold with pendulum, no key.
A Rockingham dessert plate having gadroon with acanthus leaf and shell moulding. Finely gilded, with maroon ground border and enamelled to the centre by John Creswell with a large urn of flowers in a landscape. Printed red griffin mark c1826-30 pattern 463. 24cm wide. Condition Report. To be used as a guide only. Slight wear. No damage or repair.
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68875 item(s)/page