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Click here to subscribeAn early 19th century French forty-three stick fan, printed and then overpainted in colourful tones of gouache with a musical soirée in a pastoral setting, the aristocrats and musicians in typical dress, the flanking black sticks ornately gilded with lyres within scrolling cartouches, foliage and trellis, mother-of-pearl guards boldly carved and centred by a flowering urn with female supporters, the sides with cornucopia and foliage, 55cm wide, framed
A French late 19thC white marble and ormolu clock garniture for A Lavasseur, the barrel clock with urn surmount, enamel dial bearing Roman and Arabic numerals, eight day movement with bell strike by Japy Freres et cie, raised on twin columns and a rectangular base, with key, 37.5cm high, and a pair of three branch candelabra.
A collection of crested china to include Grafton china cow with Dorchester crest, Goss model of a Celtic urn dug up near Avebury with Ilfracombe crest, Goss Windsor Castle jug, Arcadian St Paul's Cathedral with Wembley crest, Arcadian china sundial with Portsmouth crest, Locke & Co wall pocket with City of Winchester crest
Coalport Nice Quality Pair of Finely Painted Porcelain Twin Mask Handle Urn Shaped Vases circa 1960's. the central panels with painted floral images within a fancy gold border. The gold extends to pineapple finials, handles and bases on a white ground, printed mark for 1960's. Each vase stands 8.25 inches high. Wonderful condition both vases.
A gold mounted oval shell cameo pendant, carved as a seated figure with a classical urn, within a cannetille surround, with a 9ct gold curb link neckchain, on a sprung hook shaped clasp, a 9ct gold mounted oval shell cameo pendant, carved as the portrait of a lady, with a 9ct gold neckchain, two gem set pendants, with gold neckchains and a silver gilt and gem set pendant necklace, with two cases, (5).
An Edwardian mahogany, satinwood and marquetry inlaid quarter chiming triple train longcase clockThe case with an arched pediment surmounted by a pair of brass finials, flanked to each side by fluted Corinthian columns, with glass door and side panels, above the trunk flanked by a Corinthian quarter column to each side, inlaid with partial sunburst rays, the arched door centred by an oval inlaid panel of a scantily clad maiden holding a floral wreath, with husk and foliate scrolls about, the plinth inlaid with a ribbon-tied urn, the 12in. arched brass dial, with pierced and cast spandrels, subsidiary in the arch for 'CHIME ON EIGHT BELLS / CAMBRIDGE CHIMES', with silvered chapter ring, matted centre and seconds subsidiary and calendar aperture, the triple train movement with four substantial turned pillars, anchor escapement and quarter striking on nine bells and hour striking on a gong.222cm high. 3 weights. 1 pendulum. 1 case key. Illustrated
A French ormolu cartel clockIn the Louis XVI style, circa 1870The shaped case surmounted by an urn with laurel festoons and three pineapple finials, above the 6in. white enamel dial with Arabic chapters and with iron red fifteen-minute markers, indistinctly signed, with pierced and engraved brass hands, the twin train rectangular shaped movement with countwheel strike on a bell62 cm. high. 1 pendulum. Illustrated
An unusual French ormolu and Sevres-style porcelain mounted mantel clockCirca 1880Modelled as an urn, with slender spiral decorated blue and white tapering neck and berried finial, flanked to each side by a female caryatid, centred with a panel painted with Venus reclining, a dolphin at her side and with her attendants, the reverse with a floating basket of flowers, on a waisted socle and stepped base, raised on a table platform, centred by a wreathed dial, with painted centre, the twin train movement striking on a bell, on fluted tapering legs with toupie feet58 cm. high. 1 key, 1 pendulum. Illustrated
A late Louis XVI/Directoire ormolu and white marble mantel clockBy Grebertz, ParisThe case flanked on one side by a seated satyr, and on the other an urn, centred by an arched case surmounted by a pair of ribbon-tied oval profiles, with trailing vine, the white enamel dial signed 'Grebertz a Paris', with pierced gilt hands and Arabic numerals, the twin train movement with countwheel strike on a bell31cm. high. No pendulum. IllustratedPierre-Marie Grébert, mâitre in 1787 and recorded at rue Neuve St-Marc in 1789 and lastly at rue des Vieux-Augustins in 1815.
A late Louis XVI ormolu and white marble mantle clockThe case surmounted with a foliage-filled urn, above the drum case with laurel festooned musical trophy apron below, flanked to each side by a feather finial above black sectional column, the shaped base with a painted portrait roundel of a lady, on stepped foot and a bow-fronted plinth, with toupie feet; the white 4 ½ in. enamel dial with Arabic numerals and pierced moon hands, with twin train fusée movement and anchor escapement, striking on a bell52cm. high overall. 1 pendulum. IllustratedA very similar clock is in illustrated in Tardy, French Clocks The World Over, Part Two, 5th Edition, Paris 1981, p. 66 and is in the collection of the Musée d'Art et d'Histoire, Geneva.
A 19th CENTURY MAHOGANY AND MARQUETRY INLAID BED, the rectangular headboard decorated with a classical urn amongst scrolling foliates flanked by a pair of turned columns headed by flaming capitals with conforming bed end on tapering supports with brass toes and castors joined by rectangular panelled sides,119cms x 211cms x 164cms.
A 19th CENTURY MAHOGANY AND MARQUETRY INLAID LONG CASE CLOCK the hood with a broken arched pediment decorated with foliate motifs the white painted dial signed James Booth 51 Capel Street Dublin with a glazed panel door flanked by fluted brass mounted columns the trunk decorated with a classical urn raised on a rectangular outset base with shaped brackets 219cm x 46cm x 23cm
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