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A George V five piece silver cruet set, comprising two open salts, a mustard pot, and a salt and pepper shaker, the bodies with pierced openwork decoration, urn vignettes, and engraved floral garlands, all with blue glass liners, by William Comyns & Sons Ltd, London 1935, and a silver mustard spoon by Walker & Hall, weighable silver 290gms (6) Condition Report:Available upon request
Four trays of china, to include: six Imperial Fine English trios, a collection of ginger jars, mostly Masons ironstone various patterns; 'Paynsley', 'Oxburgh' etc, Aynsley 'Just Orchids' and 'Pembroke' lidded jars, various Staffordshire enamelled pin boxes with animal decoration, one boxed Spode 'Oriental Spray' design, seven Kingsley enamels boxed cut glass and enamel pin boxes and one Halcyon Days enamels, green Wedgwood Jasperwar' trinket box, Wedgwood dresser jug and ginger jar, Royal Worcester floral 19th century squat vase, Minton's miniature urn etc. (4) (B.P. 21% + VAT)
Two boxes of assorted china to include: floral and gilt three part teaset, lustre part coffee set, panda figurines, German porcelain fruit design butter dishes, Crown Devon gold lustre water jug, Delft pedestal urn with lid, Wedgwood 'Napoleon Ivy' design two handled soup bowls and stands etc. (B.P. 21% + VAT)
Collection of Mauchline ware sewing accessories Collection of Mauchline ware sewing accessories to include two floral patterned cotton balls, one labelled Clark & Co's Anchor Sewing Cottons, a pin cushion in the form of an urn and an Ashworth's spool box with a child portrait to the lid and a fortune telling game to the perimeter with a spinning wheel.tallest 8cm high
Henry Watson, Longcase Clock Henry Watson, mid 18th century longcase clock, 8-day movement striking on a single bell, square brass dial, chapter ring with Roman and Arabic numerals for hours and minutes, subsidiary date aperture with urn and eagle spandrels to the corners, mahogany case, canopy with swan neck pediment and central carved shell finial, glazed door flanked by two gun barrel turned columns, long scalloped linenfold door to trunk with carved shell motif to the top, quartered columns, box base on bracket feet.49cm wide, 26.5cm deep, 220cm high
George III Mahogany gilt brass mounted table clock signed Yeldrae Notron, London George III mahogany gilt brass mounted table clock, signed Yeldrae Notron (Eardley Norton), London, No.1276, circa 1760. Twin fusee movement, striking on a single bell, bob pendulum, backplate with engraved scroll work and numbered 1276. Brass dial with silvered Roman and Arabic chapter ring, matted dial centre with date aperture, signed and numbered on a silvered recessed plaque, the arch with strike/silent selection. Inverted bell top surmounted by a gilt brass carrying handle, four urn finials, glazed side viewing windows and pull repeat cord, moulded base raised on gilt brass bracket feet.29.5cm wide, 20cm deep, 50cm highClock ticks however it stops after a couple of minutes. The clock strikes on the hour and the strike/silent selection is functional. Repeat cord not working. Case in good order, no breaks to the glass.
George III Mahogany Sheraton Style Sideboard George III mahogany Sheraton style sideboard, bow-breakfront form with a raised stage-back surmounted by three brass urn finials, the top with satinwood cross-banding and boxwood stringing to the perimeter, above a long frieze drawer to the centre over a shaped kneehole drawer with marquetry spandrels, flanked by two deep drawers, all with cross-banding, stringing and fitted with brass bail handles, raised on six tapering square section legs to spade feet.169cm wide, 60cm deep, 108cm highGood overall condition, some minor wear to the top surface
A late 19th century Austro-Hungarian silver 12-piece dressing table set, mark of Josef Carl Klinkosch, Dianakopf 3rd standard for 800/1000 standard silver, Vienna, Double Headed Eagle marked, each piece decorated with a band of foliate engraving, comprising a wooden backed table mirror, an oval tray, a chamberstick, a hat pin cushion, 3 rectangular fluted glass containers with rounded edges and detachable friction fitting covers, 2 round fluted glass containers with detachable friction fitting covers, a double sided hand mirror and 2 urn shaped fluted glass scent bottles with ground glass stoppers, silver collars and friction fitting detachable silver covers, maximum dimensions of mirror 54 x 46cm, 31.8ozt weighable silver Josef Carl Klinkosch (1822-1888) is widely regarded as one of the finest Austrian silversmiths of the late 19th century. His clients were drawn from the upper middle classes and the elite nobility of Europe. From 1855, Klinkosch held the Imperial Warrant to Emperor Franz Joseph I of Austria and fulfilled numerous commissions for the Austrian Royal Family. He was knighted in 1879, after which he became known as Joseph Carl Ritter von Klinkosch. He retired in 1884 and the company passed to his two sons, Arthur and Isidor. In 1918, the company was acquired by Arthur Krupp and was incorporated under the name 'J.C. Klinkosch AG'. The company was deleted from the Commercial Register in 1972.
A Victorian silver plated candlestick converted to a table lamp, mark of Walker & Hall, circa 1892, in the Neoclassical style, loaded square base with beaded border and decorated with swags, tapered reeded square column, urn shaped upper and circular floral top, presented with a cream coloured shade, 18 x 18cm at the base, 47cm to the light fittingProvenance: From the estate of the late Julie Cecil (1942-2022)
A pair of George III 18th century silver candlesticks, possible mark of John Carter II, London 1775, in the Neoclassical style, each loaded square base decorated with urns and foliage, tapering column and urn shaped sconce similarly decorated (wax pans lacking) 13 x 13cm, 30cm high, initialled to the rim of the baseOverall in fair to good condition with no obvious sign of repair. Some surface scratches, minor pitting and bruising as to be expected and commensurate with use, particularly around the rim of the bases. Sconce rims a little out of shape and the wax pans are lacking. Hallmarks and engraving clear and readable. Wooden undersides (probably later) a bit discoloured with polishing residue, and the loading to both the bases 'rattle'. Both sticks vertical with minimal lean.
A George III 18th century silver hot water urn and cover, mark of Daniel Smith & Robert Sharp, London, 1770, of traditional pear shaped form with gadrooned waist and two fixed reeded shell mask hook handles, fluted spigot terminating in a lion mask and with fluted ivory tap, engraved to the front with the arms of MONOUX impaling RIDDELL, and to the back with the arms of at present an unidentified family impaling FRANCKLIN quartering MONOUX, unmarked friction fitting domed cover with gadrooned rim and foliate decoration terminating in an acorn finial, lower rim with bayonet fitting to the base with locating flange, capstan upper with gadrooned rims, engraved with matching MONOUX/RIDDELL arms as above, on a square base, each side with an applied rosette, 13.5 x 13.5cm at the base, 46cm high, 111.7ozt grossProvenance: From the estate of the late Barry Lock (1934-2021)The arms to the front of the urn and on the plinth, given the date of hallmarking, commemorate the marriage of Sir Philip Monoux, (circa 1739 - 1805), the 5th Baronet of Wootton, Bedfordshire and Elizabeth Riddell (circa 1739 - 1814). Philip and Elizabeth were married on 22nd June 1762. He was the only son of Humphrey Monoux and his wife, Mary Savage, whilst Elizabeth was the daughter of Ambrose Riddell, of Eversholt, Bedfordshire. Philip’s great grandfather was Humphrey Monoux, of Wootton and was created as a Baronet, styled ‘of Wootton’ on 4th December 1660. Philip succeeded his cousin, Sir Humphrey Monoux, the 4th Baronet of Wootton on 3rd December 1757. Philip was admitted as a Member of Gray’s Inn on 18th July 1754. He also served as a Major in the Bedfordshire Militia and served as the High Sheriff of Bedfordshire for the year 1763 – 64The arms to the back of the urn commemorate a marriage of an unnamed gentleman to a daughter of the Francklin family. Given the evidence of the earlier Monoux arms, it appears that this urn came down through the family to an unnamed granddaughter of Sir Philip Monoux, the 5th Baronet of Wootton and his wife, Elizabeth. This granddaughter would have been probably the child of Judith Riddell Monoux (baptised 1st April 1774 died 9th May 1813), the daughter of Sir Philip and Elizabeth. We know that Judith married a gentleman by the name of Richard Francklin (died 1843) at the Parish Church of St. Swithun on the 26th February 1807. Sadly, due to the lack of genealogical information, it has not be possible to identify with any certainty Richard and Judith’s daughter or the identity of her husband.This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate Ref No: YK8VT7S9Overall in good condition with no obvious sign of damage or repair. Some surface scratches and very minor bruises as to be expected and commensurate with age and use. The unhallmarked cover is a good fit. Tap a little stiff but turns in both directions. Minor cracking to the ivory at the junction with the silver. Bayonet fitting to the base firm and positive. Flange to the base a little out of shape but this does not affect the fitting. Hallmarks and engraving clear and readable. Not tested for leakage and the tap has not been tested.
A George III silver two handled cup and cover, mark of Solomon Hougham, London 1800, of traditional urn shape, lobed lower, the upper with an engraved foliate band around two cartouches, one with an engraving of Magdalen hospital, London, the other engraved TO JAMES SIMPSON ESQ. A SMALL TOKEN OF THE HIGH SENSE WHICH THE GOVERNORS OF THE MAGDALEN HOSPITAL ENTERTAIN OF THE ATTENTION AND ABILITIES WITH WHICH HE HATH GRATUITOUSLY DISCHARGED THE DUTIES OF ONE OF THE SURGEONS OF THIS HOSPITAL ANNUAL GENERAL COURT 1800, 2 reeded and leaf capped scroll handles, fully marked friction fitting domed cover decorated with a similar engraved foliate band and topped with an artichoke finial, gilded interior, raised on a bright cut engraved short pedestal foot, 24cm over the handles, 34cm high, 37.2oztProvenance: From the estate of the late Barry Lock (1934-2021)Magdalen hospital opened on 10th August 1758 as a safe place for 'fallen girls and women' in 18th century London, where they could be 'rehabilitated and resume a good and honest life'. By its 10th anniversary, some 1,036 women had been admitted. To correct and to train rather than to punish seemed to be the order of the day, and although it was not a surgical hospital, doctors and surgeons from nearby hospitals could be called upon if required. The hospital adapted to change over the years and finally closed its doors in 1966. James Simpson held the title of Honorary Surgeon at Magdalen from 1783 to 1805.Overall in good condition with no obvious sign of damage or repair. Some light surface scratches, as to be expected and commensurate with age. Hallmarks a little worn but the engraving and decoration are clear and crisp. fully marked cover a good fit. Some very, very minor nicks to the rim of the cover. Interior gilding in good condition.
A Victorian silver coffee percolator, mark of Alfred Ivory, London 1862, the lower section of tapering form capped and reeded scroll handle with ivory insulators, short spout with hinged cover, the side engraved with a crest, friction fitting upper section with decoratively pierced base and two removable pierced inner sections, fully marked friction fitting domed cover topped with an urn shaped finial, 10cm diameter at the base, 21cm high, 26.3ozt grossProvenance: From the estate of the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate Ref No: GYGR5PUQ
An Edward VII Britannia silver porringer and cover, retailed by Tessier, mark of C. J. Vander (Henry & Arthur Vander), London 1909, of traditional baluster form, the sides decorated with a repoussé lion and unicorn amongst foliage, two decorative scroll handles, fully marked friction fitting detachable cover similarly decorated and topped with an urn shaped finial, marked to the underside E. TESSIER 96 NEW BOND ST.W., 10cm in diameter, 12cm high, 11.7oztProvenance: From the estate of the late Julie Cecil (1942-2022)Overall in fair to good condition with no obvious sign of repair. Some surfaces scratches as to be expected. Some minor denting and bruising to the body within the decoration. Rim slightly out of shape. Lip to the cover out of shape, as is the locating flange, with the result that the cover is not a perfect fit to the body.
A cased pair of Edward VII silver casters, mark of S. W. Smith & Co., Birmingham 1909, each of plain tapered cylindrical form with reeded waist, the part marked detachable friction fitting cover with decorative piercing topped with an urn shaped finial, 17cm high, 11.8ozt gross, presented in a green leather and gilt tooled case lined in cream satin and purple velvet, retailed by Carrington & Company
A George V silver bachelor's teapot, mark of Alfred James How, London 1910, in the Turkish style, of octagonal panelled form, part marked piano hinged domed cover topped with an urn finial, brown handle, 10.4oztOverall in fair to good condition. Some surface scratches and minor bruising as to be expected. Evidence of a bruise and minor repair to one of the panel joints. Cover opens and closes satisfactorily and the hinge does not appear to be strained. Finial leans a little as a result of being pushed slightly into the cover with associated dishing to the cover in the area. Handle secure in the sockets. Very minor wobble when on a flat surface. Hallmarks a little worn but clear. 15cm high, maximum diameter 9cm.
A pair of George VI silver coffee pots, mark of Nathan Bloom & Son Ltd., London 1942, each of plain tapering form and in the George II style, part marked piano hinged and flat topped cover topped with an urn shaped finial, brown handle and facetted spout, 22cm high, 56.1ozt grossProvenance: From the estate of the late Barry Lock (1934-2021)
A DANISH WALNUT VENEERED AND PARCEL-GILT STANDING CORNER CUPBOARD circa 1740, with a moulded swan neck pediment centred by a giltwood urn finial mounted with flowers over an arched door set with a bevelled mirror within a parcel-gilt border moulded with leafy scrolls and rocaille-work on a pounced ground, the base with a crossbanded cupboard and shaped bracket feet, 218.44cm high x 94cm wideProvenance: Duke's Athelhampton House, Auction on the premises, 9th October 2019, Lot 40.
A MAHOGANY AND MARBLE TOPPED DEMI-LUNE SIDE TABLE IN NEOCLASSICAL TASTE 19th century, the marble top (repaired) decorated with a swagged urn, above a frieze adorned with gilt metal wreaths and further foliate swags, on tapered block legs to spade feet, 82cm high x 89.5cm wide x 38cm deepProvenance: Wilsford manor, Wiltshire, by repute.
A GEORGE III PINE AND GESSO FIREPLACE SURROUND IN ADAM STYLE 18th century, the inverted breakfront mantel over a frieze centred by a classical urn motif, each side with a fluted column terminating in corinthian capitals, the surround measures 140cm high x 167cm wide x 27cm deep, the aperture measures 104cm high x 100cm wide
G.B. - Mixed 18th century copper tokens to include Wales Anglesey, Anglesey Druid's Head Penny 1787 GVF (N.B. Dalton & Hamer Ref: 83, Rarity 3), Half Pennies - Essex Hornchurch, Romford & Havering GVF/AEF (Ref: D & H 33), Middlesex, Lackington's Mailcoach GVF (Ref: D & H 33), Somerset, Bath Rev: Tea urn edge engraved F. Heath Bath 1794 E.F (Ref: D & H 39) and others (9 coins)
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68875 item(s)/page