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Lot 110
A Victorian gilt metal mantel clock under glass dome, the clock surmounted with a neo-classical pedestal urn, the dial with proud convex white enamel Roman numerals, twin winding holes for a brass eight day cylinder movement, having outside countwheel and striking on a bell, h.33cm, the glass dome housed on ebonised plinth, gross h.41cm
Lot 104
A late Victorian veined rouge marble and gilt metal mounted three piece clock garniture, the clock with gilt metal mounts, white enamel dial, twin winding holes for a brass eight day cylinder movement having outside countwheel and striking on a bell, h.43cm, the garniture each as five-light candelabra supported on pedestal urn, h.40.5cm
Lot 1282
A Marble Striking Portico Mantel Clock with Garniture, 20th century, urn shaped finial, Arabic enamel dial, twin barrel movement with outside countwheel striking on a bell, 41cm high, with urn shaped marble and gilt metal garniture, 28cm high 13.12.18, Clock case and garniture with minor chips to the marble surfaces, gilt metal surfaces are slightly discoloured in parts, dial is dirty and one winding hole metal ring is missing, dial has been chipped at 12 and has been filled and touched up to the 12 numeral, movement needs cleaning.
Lot 1275
A Gilt Metal and Porcelain Mounted Striking Mantel Clock with Garniture, circa 1890, urn shaped finial, pink ground porcelain panels depicting flowers and figural scenes, side masks, Roman numeral porcelain dial, twin barrel movement stamped Japy Freres, raised upon a gilt wooden base, 38cm high, with a later pair of three-light gilt metal and porcelain mounted candelabra, 34cm high14.12.18, Gilt metal surfaces are slightly discoloured in parts, porcelain dial and panels are clean, movement is clean, bell is missing, wooden base with small chips, later garniture with scratches to the porcelain surfaces and slight rubbing to the scenes, both garniture with two flower heads missing from the threaded stems.
Lot 1258
A Gilt Metal Porcelain Mounted Striking Mantel Clock, signed Hry Marc, Paris, circa 1890, urn finial, central blue porcelain cherub panel, acanthus and floral mounts, Roman enamel dial signed, twin barrel movement with outside countwheel striking on a bell, raised on a gilt wooden base and beneath a glass dome, 35cm high13.12.18, Gilt metal surfaces are discoloured in parts, porcelain panel is clean, movement needs cleaning, velvet cover to the base is faded and worn in parts, gilt wooden surfaces are rubbed in parts, glass dome is complete.
Lot 220
A Pair of Green Glass Spirit Decanters and Stoppers, circa 1800, of mallet form, inscribed in gilt RUM and BRANDY in rectangular cartouches with urn crestings, the stoppers with initials, 24cm high; A Similar Rummer, with gilt rim, monogrammed GJ (?), 14cm high; and A Triple Ring Necked Blue Glass Decanter and Matched Stopper, inscribed BRANDY, 28cm high (4)
Lot 87
A Grand Tour bronze miniature urn with boy wrestling goose surmount on a Sienna marble base, together with an Indian figural oil lamp, Indian brass cobra lamp, three small brass crawling figures, Indian peacock figure, bell metal candlestick and a circular brass dish, together with an Indian inlaid pewter beaker and cover on stand
Lot 59
A Victorian style turned mahogany table stand 16cm diameter, collection of Kashmiri painted paper mache jars, pair of African carved wooden busts, cast iron campana shape urn, carved wood flower basket box, other decorative boxes, a set of table mats and a reproduction solitaire board and marbles (qty).
Lot 50
A Royal Worcester vase, in the form of an urn on stand, registered number 301166, puce mark to base, height 21 cm. CONDITION REPORT: The vase has a puce printed mark. The shape number is 1948. The date code is 1898. There is an additional impressed number 82. There are inscribed initials TS. An inscribed number 61. Unfortunately the vase has been broken off the pedestal at some point in its life and has been restored. There is very light gilt rubbing throughout on the high points of the vase and pedestal. The interior centre of the vase has numerous light surface scratches, these do not appear to be cracks because when viewing the vase using a high powered torch the body appears to be intact.
Lot 631
A pair of 19th century Victorian silver hallmarked candlesticks raised on gadrooned square bases with acanthus leaf and scrollwork. Central urn columns decorated with relief scenes of classical maidens, wreaths and swags. Hallmarked for London 1883 makers Robert Hennell I & David Hennell II. Weighs 655 grams gros. Measures 12cm high.
Lot 230
An 18th century black japanned longcase clock by Joseph Grey of Durham, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the arched dial with a silvered chapter ring and seconds dial, with Roman and Arabic numerals, with a date aperture, with scrolling foliage, masks and dolphin spandrels, signed 'JOSPH GREY DURHAM', the case decorated in gilt with chinoiserie scenes of figures, birds, pagodas and trees, with blind-fret carved panels and giltwood urn finials, 260.5cm high. Provenance: W. A. Pinn & Sons, Sible Hedington, Essex, 5th March 1990. Baillie records Joseph Grey as working before 1756 and died in 1768.
Lot 180
A George III painted satinwood demi-lune card table in the manner of George Brookshaw, the hinged fold-over top decorated with ribbon tied swags of roses, hung with classical portrait medallions, with scrolling leaves and flowers, an urn and a basket of fruit, the giltwood base carved with paterae and on fluted tapering legs, 72.6cm high, 98.3cm wide, 48.2cm deep. Provenance: The Collection of Sir Jeremy Lever.
Lot 120
A rare pair of 'Queen Anne' white and polychrome japanned side chairs in the manner of John Ball, with parcel gilt decoration and painted with scrolling leaves and flowers, each with a pierced leaf and scroll carved cresting, the serpentine caned back with a central splat decorated with red diaper panels and bands of intertwined husks, above a caned seat, on stylised shell and leaf capped cabriole legs and square pad feet united by moulded stretchers, with a flaming urn finial, early 18th century. (2) Provenance: Purchased by the vendor's parents from Mallett's, c.1972. The above chairs are illustrated in Lanto Synge, Mallett's Great English Furniture, p.65. See Christie's,Thomas Hope & The Neoclassical Vision & The Collector of Collections, 24th April 2008, lot 182 for an identical pair of chairs probably from the same suite. A similar design of chair appears on the 'Cane Chair' manufacturer John Ball's trade card. John Ball traded at 'The Crown & Three Chairs' in the Minories, near Little Tower Hill. The pattern of the above lot with serpentine frames and ribboned splat is influenced by the fashion for Indian and Chinese designs brought back by the East India Company. The japanned decoration is carried out in the manner prescribed by Stalker and Parker, 'A Treatise of Japanning and Varnishing', Oxford 1688.
Lot 254
A late 19th century French rouge griotte marble mantel clock, the eight day brass cased drum movement with an outside countwheel and striking on a bell, the backplate numbered '629' and with a pastille for 'A. D. MOUGIN', the circular dial with Arabic numerals and signed 'Hre PACQUIER', the case with an urn surmount and with lion's masks issuing garlands, on paw feet, 49cm high.
Lot 318
Two similar Dutch marquetry open armchairs, walnut and mahogany, each with a Rococo carved arched top rail, above a vase shaped splat inlaid with an urn of flowers, with birds and one with a butterfly, each with a drop-in seat, on shell capped cabriole legs united by wavy stretchers, late 18th / early 19th century. (2)
Lot 246
An early 18th century style walnut and brass portable stick barometer after Daniel Quare, the silvered dial with two vernier scale pointers adjusted by rack and pinion by the urn finials, with floral engraved decoration, the stop fluted stem above a spiral twist base and on four folding supports decorated with swags and masks, mid-20th century, 101.8cm high. Provenance: The Collection of Sir Jeremy Lever.
Lot 100
A Victorian fabric collage picture, with a printed background and features, depicting a family reading a book, in a glazed and giltwood box frame, together with a silkwork picture worked en grisaille with a still life of an urn with flowers, in a gilt composition frame, 38.7 x 33cm (max). (2)
Lot 229
A George III mahogany longcase clock by William Smith of London, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the arched dial with a chapter ring and seconds dial, with Roman and Arabic numerals, with a date aperture, with scrolling foliage, urn and dolphin spandrels, with strike/silent dial, signed 'Wm Smith LONDON', the arched pagoda hood with brass finials and a later fretwork panel, above a moulded edge trunk door and a plinth base, 248.5cm high.
Lot 493
Richard Hackett of Harringworth. A George III mahogany longcase clock, square brass dial with embossed urn spandrels, circular dial bearing Roman and Arabic numerals, date aperture, two train eight day movement with bell strike, the case with brass embellished open neck pediment, over a hood with fluted columns, plain trunk and base raised on bracket feet. 220cm H, 47cm W, 23.5cm D
Lot 242
A George IV mahogany wheel barometer, inlaid with boxwood and ebonised stringing, the glazed 12in silvered dial engraved with an urn and scrolls, above a bone adjustor and a spirit level signed 'J. Bolton Plymouth', with a thermometer and dry/damp dial, the swan neck pediment centred with a brass urn, 120.4cm high. Provenance: The Collection of Sir Jeremy Lever.
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68875 item(s)/page