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LATE NINETEENTH CENTURY, FRENCH GILT METAL MOUNTED ALABASTER MANTEL CLOCK, the 3 1/2"" enamelled Roman dial powered by a bell striking drum shaped movement, housed in a case with two handled urn surmount, lion mask captive ring handles to the sides, figural painted panel beneath the dial and paw feet, raised on a moulded shaped oblong giltwood base, the clock, 12 1/4"" (31.1cm) high, the whole set beneath a glass dome with rounded oblong ebonised base, 19"" (48.3cm) high, overall

BLOT AND DROUARD, PARIS, LATE NINETEENTH CENTURY PATINATED SPELTER AND BLACK SLATE FIGURAL MANTEL CLOCK, the 4"" carved roman dial, powered by a bell striking drum shaped movement (No. 189), housed in a waisted case with garlanded urn finial, flanked by a pair of figures representing music and the arts on an oblong base with splayed bracket feet, 18"" (45.7cm) high

PAIR OF LATE 19TH/EARLY 20TH CENTURY FRENCH GILT BRONZE AND SEVRES STYLE PORCELAIN MOUNTED CANDLESTICKS, each with stiff leaf cast urn, shaped scene above a w vase shaped column with hand painted floral and gilt lined panels to the pink porcelain centre section, on a wet leaf cast circular base, 8 3/4"" (22.2cm) high (2)

LATE NINETEENTH/EARLY TWENTIETH CENTURY CHINESE CARVED PADOUK AND PINK MARBLE URN STAND, the shaped circular top with pink veined marble inset centre above a floral pierced frieze and raised on mask capped square cabriole supports with claw and ball feet, 15 1/2"" (39.4cm) high, 14"" (35.6cm) diameter

POMEROY FREDERICK WILLIAM (BRITISH) (1856-1924), bronze study of a satyr playing pan pipes mounted on an urn, unsigned, all-over dark brown patina, green marble plinth (loose), height of bronze 27cm (Provenance: Includes a letter from the artist’s grandson Desmond Loftus. Pomery designed and made The Scales of Justice Sculpture atop The Old Bailey Law Courts, London)

A George III Silver pedestal Mustard of round form, fitted with hinged lid, with vase finial, the pierced body with swept handle and bright cut decoration, raised on spreading circular foot, fitted with a blue glass liner, hallmarked London 1785, 5 ½? high Condition:One of hallmarks on lid badly rubbed, some all over wear to fine detail also has pin to lower terminal of handle (may or may not be later) Finial on cover has small hole to rim below urn.Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis.No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”.Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid

A small Wedgwood urn shaped white and lavender Jasper Ware vase on a khaki ground, impressed marks, early 19th Century, 4" high Condition:Paint mark on base otherwise generally good condition.Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time; cover all aspects of an item(s) condition. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”.Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.

A small collection of Wedgwood Wares: circular covered Pot, typically decorated pate sur pate with maiden and putto and the base similarly decorated with a line foliage, together with a similar rectangular covered Box and small urn shaped circular Vase, 3 ½? high, 3 ¾? long and 2 ½? high respectively (3) Condition:All pieces with areas of amatuer restoration.Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time; cover all aspects of an item(s) condition. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”.Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.

A late 19th Century Walnut cased Vienna style Wall Clock, the arched pediment with urn finials, glazed front and sides, circular face with white enamelled chapter ring, black Roman numerals and secondary minutes dial, weight driven movement, 41? high

A 19th Century Mahogany Wheel Barometer H Ransome of Norwich, swan neck pediment with central urn finial over dry/damp dial, (pointer loose), twin scale below and circular face, 39? high

An ornate Gilded Brass and Spelter Garniture, the centre Clock with urn finial and the circular face with black Roman chapter ring, flanked on either side by Satyrs clutching a swag, the pair of matching six branch Candelabra also applied with winged putto mounts, joined by garland swags, all approx. 24? high, (3)

A late 19th/early 20th Century Walnut cased Bracket Clock, moulded cornice crested with urn finial, with two similar finials below (large finial probably replacement), square Brass face applied with Rococo spandrels, Hamburg American Clock Company (Wurttenberg), 14-day strike movement, 19? high

A decorative gilt Brass and grey Marble Clock Garniture comprising a central Clock with urn finial, with pull-off cover, over a circular face with gilded Roman chapter ring, strike on bell movement, together with a pair of matching four branch candelabra, 14? high, (3)

An early 18th Century Walnut and Marquetry inlaid 8-day Long Case Clock, Samuel Macham, London, circa 1700, the lift-off hood with a moulded cornice to an applied and pierced frieze panel over three-quarter Ebonised barley twist columns and floral mask, to an ogee throat, and long trunk door with a central glazed lenticle, to a stepped plinth base, with an all over inlaid tulip and pink detail, and further bird and urn decoration to the door and Boxwood strung panel detail to the sides, to an engraved 11? square Brass dial with cast and applied cherub spandrels, enclosing a silvered Roman and Arabic chapter ring with outside minute track and inside quarters and further half-hour markers, to a matted centre, with applied subsidiary seconds, rose engraved centre, ringed winding squares over a date sector and fitted with pierced and blued steel hands, the movement with plated united by five knopped and fined pillars with count wheel, pull repeat and anchor escapement with strike on a bell, supplied with bill of sale for £70 from ?Malcolm Gardner, 12 Earnshaw Street, London WC2 and dated February 12th 1943, published ?English Domestic Clocks Cesciniski and Webster? Page 139, 81 ½? high NOTE: This Lot may be viewed in Furniture Section adjacent to Lots 2238 and 2241) Condition:Face - Some slight marks to silvering on dial.Movement - Appears recently (last 20 years) cleaned and restrung.Hood - Crack to right handside glass. Damage/lifting to metal trim above door and loss to front corner of cornice. Tops of barleytwists loose. Some minor cracks/lifting to veneers.Case - Door hinges/lock appear replaced. Cracking/lift of veneer on door and throughout.**** Viewing is recommended ****Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis.No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”.Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.

A Queen Anne style Mahogany Wall Mirror, the two uprights crested with Brass urn finials and the base fitted with three drawers on ogee bracket feet, 19 ¾? wide

A large 19th Century Coalport Urn formed Vase, decorated with floral encrusted lid finial, the body with painted floral detail and gilt highlights, raised on a spreading scrolled foot, 18? high

A George III five bottle silver cruet set, by James Stamp, London 1779,the pierced circular frame decorated with urns, strapwork and foliage, resting on three bifurcated claw and ball feet with beaded borders and central loop handle with urn finial, fitted with a pair of oil and vinegar cruets and three casters,26cm high

A silver sugar caster,by Wakely & Wheeler, London 1911,of baluster form with moulded girdle on collet foot, the pierced domed cover with baluster finial and bayonet fitting,21cm high, andanother silver sugar caster,by Sibray, Hall & Co, London 1909,of panelled urn form on circular foot, the pierced domed cover with urn finial,20.5cm high, 17oz (2)

A Georgian memorial ring, in the form of a cut hair urn, decorated with two colour gold, beneath a glazed cover. A border of cushion shaped amethysts in cut down collets to a flat section shank with black champlev? enamel to read in `in memory of Peter and Mary Harris`. Finger size approximately K CONDITION REPORT: Light scratches to the glazing.One amethyst chipped with wear to the crown facets under 10x magnification.Light scratches to the enamel with one small area of loss.

A Dutch five-piece silver-mounted blue glass cruet set,by Jan W Pas, Nijmegen 1795/1811,comprising:four salts,of boat shape on pedestal oval feet with beaded borders, with plain scroll handles and reeded upper rims, 9cm high and 11.5cm long, anda two handled mustard of urn shape,the domed cover with reeded knop finial, 13cm high,with a silver mustard ladle,in addition a set of three silver mounted glass coasters,of plain circular form with fine beaded borders, 11.5 cm diameter (9) CONDITION REPORT: Some nibbles to glass bodies. Top rim of mustard is coming away from the blue glass lines. Appears to have been re-glued, with some damage to rim of glass. Two salts have repaired splits to rims. Areas of tarnish to all salts. All salts have the silver rims coming away from the glass and loose bases. Dishes have scratches and rims are loose and worn in placed. Please view additional images (upon request).

A pair of Royal Worcester figures of the Cairo Water Carriers c.1897, each holding a large urn with gilt decoration, their clothing highlighted in gilt lustre, printed marks, 24cm. (2)

A Sèvres two-handled tray date code for 1780, finely painted with birds in flight about a covered urn draped in bright flower garlands, reserved within an elaborate gilt cartouche on a bleu de roi ground, interlaced LL and cc mark, three dots and a large LG, 32cm.

A Sèvres biscuit figure of a boy 2nd half 18th century, seated on a tree stump and playing the flageolet, a Sèvres part-glazed figure of a putto pouring an urn of water out for a small duck by his feet, and a Sèvres-style biscuit figure of Le Jeune Suppliant after Pierre Blondeau`s model of a boy with hands clasped in supplication, a basket of flowers by his side, some faults, 19cm max. (3)

A pair of Royal Crown Derby bone china pin trays decorated in the Derby Posies pattern together with a twin handled Coalport bone china urn shaped vase and a Limoges china jar and cover.

A pair of Royal Crown Derby bone china pin trays decorated in the Derby Posies pattern together with a twin handled Coalport bone china urn shaped vase and a Limoges china jar and cover.

Late 18th / early 20th century Grand Tour-style centimetre silkwork picture, visitors admiring a classical urn amidst ruins, gilt frame, 75cm x 60cm CONDITION REPORT Severe wear to top two corners, frame in untouched condition

D. Caira, Italian School oil on board in gilt frame - still life of flowers in a classical urn upon a marble plinth, signed, 91cm x 60.5cm

Late 19th century mantel clock with eight day French movement striking on a gong, back plate signed - L. Marti & Cie. no. 130048, gilt metal dial with Arabic numerals and cloisonné enamel panels and similarly decorated classical urn finial, 35cm overall height (key and pendulum present)

Georgian bracket clock with eight day quarter striking, twin fusee movement and anchor escapement chiming the quarter on eight bells, silvered break arch dial with Roman numerals, signed - John Chater, London, in an ebonised case with pierced side frets, inverted bell top with brass carrying handle and four gilt metal urn finials, on four gilt metal bracket feet, 47cm overall height (key and pendulum present). John Chater was known to be working in London in the middle of the 18th century

Late 19th century mantel clock with eight day French movement with outside countwheel striking on a bell, signed - Hny. Marc, Paris, porcelain dial with Roman numerals and decorated with classical figures, signed - Hny Marc, Paris, in a decorative gilt metal case with porcelain panels, foliate borders, wreath dial surround and two standing putti, surmounted by gilt metal mounted porcelain urn, on a gilt wood plinth, 39.5cm overall height (key and pendulum present)

Pair of neoclassical-style oval wall mirrors in giltwood frames with urn cresting and beaded decoration, 97.5cm high x 54cm wide

Vienna-style two-handled pedestal urn, cover typically decorated with gilt framed classical panels - blue beehive mark, 40cm CONDITION REPORT Knop broken, re-glued. Some wear to gilded edge

19th century Irish cut glass cream urn and cover, faceted knop above a domed cover, the body cut with stylised leaf band, raised on a square foot

Early George V silver sugar caster of octagonal urn form, detachable octagonal cover with pierced decoration, on a stepped pedestal foot (Birmingham 1911), maker - S. W. S. & Co. All at approximately 5ozs, 18cm overall height

Late Victorian silver mounted cut glass decanter with strawberry cut decoration, plain silver mount with reeded border and loop handle, hinged domed cover with urn finial (Sheffield 1897), Roberts & Belk, 23cm overall height

Victorian silver plated samovar of urn form, with reeded rim and reeded loop handles, tap with shaped ebony handle, slip-in pedestal cover with turned ebony finial, standing on four classical reeded column and paw feet on a shaped base with four bun feet, separate spirit burner, 35.5cm overall height

1940s silver three piece tea set comprising teapot of compressed urn form, with fluted decoration, angular ebony handle, hinged domed cover with ebony finial, on a shaped stepped foot, matching sugar and cream (Sheffield 1940), maker - H. A. All at approximately 31ozs, teapot 28.5cm across

Edwardian silver open wirework sugar vase of urn form, with swing-handle and blue glass liner, on a stepped pedestal foot (Chester 1905), maker - E. J. H. / N. H. All at approximately 4.5ozs, 16cm overall height including handle

Pair of decorative gitlwood and metal two-branch wall sconces, each with scroll leaf backs flanking urn of flowers, 57cm long

Chinese jade urn, shouldered handles with ring loops, body carved with stylised leaf motifs, 6cm high together with a jade clip, the top carved with pierced flower and leaves, 10cm long CONDITION REPORT Good condition

Early 20th century carved alabaster figure of a classical maiden at a well, modelled standing holding an urn, on a stepped base, indistinctly signed, 69cm high

A Vienna style brass-mounted porcelain urn, late 19th Century, the fixed cover with bud finial, the ovoid body painted with a signed panel of Classical figures and with twin handles, raised on a square-section socle, cast with scrolling foliage and bands of leaves. 25cm

An 18th Century brass wax jack, the urn finial above a scroll scissor-action holder with divided circular pan, raised on a plain turned stem issuing from a circular base with scroll thumbpiece, some losses. 13.5cm

A George V silver hot water pot, Martin Hall & Co Ltd, Sheffield 1923, of tapering cylindrical form with stepped base and hinged cover with urn finial. 17.5 troy ozs, 21cm

A George IV silver two-handled vase, Paul Storr, London 1825, the urn with flared rim over a band of fruiting vine with twin reeded and foliate cast handles below, above a lower section chased with flowers and leaves, raised on a stepped circular foot, chased with band of leaves, the interior retaining some gilding. 26.3oz, 21cm

An Edward VIII silver sugar caster, William Hutton & Sons Ltd, Sheffield 1936, octagonal, the domed cover with urn finial. 2.3oz, 15cm

A George V silver sugar caster, Martin Hall & Co Ltd, Birmingham 1924, of baluster form with pierced and engraved domed cover with urn finial. 4.5oz, 16.5cm

A George V silver sugar caster, Birmingham 1912, of simple form with domed cover and urn finial. 3.6oz, 12.5cm

A Sheraton style kingwood crossbanded mahogany urn stand, the moulded oval crossbanded top strung with boxwood and ebony, above a conforming crossbanded frieze, raised on moulded square-section tapering legs, terminating in spade feet. 60.5cm by 35cm by 25.5cm

A fine French ormolu and champleve enamel garniture de cheminee, 19th Century, the clock with arch-top case and two-handled urn finial, flanked by a pair of flaming torches tied by laurel wreaths and continuing to serpent masks, the breakfront plinth centred by a seated putto holding an arrow, embellished with blue enamel panels of scrolling foliage, the two train movement striking the hours and half hours on a bell, movement stamped and numbered 32758, the chapter ring with Roman numerals and signed BAILLY LYON, with key; the pair of three-light candelabra with two leaf-cast scrolling branches issuing from a stem cast with a putto, above a plinth with an enamel frieze and Vitruvian scroll cast base. (3) Height of clock 36cn

A Dutch five-piece silver-mounted blue glass cruet set,by Jan W Pas, Nijmegen 1795/1811,comprising:four salts,of boat shape on pedestal oval feet with beaded borders, with plain scroll handles and reeded upper rims, 9cm high and 11.5cm long, anda two handled mustard of urn shape,the domed cover with reeded knop finial, 13cm high,with a silver mustard ladle,in addition a set of three silver mounted glass coasters,of plain circular form with fine beaded borders, 11.5 cm diameter (9) CONDITION REPORT: Some nibbles to glass bodies. Top rim of mustard is coming away from the blue glass lines. Appears to have been re-glued, with some damage to rim of glass. Two salts have repaired splits to rims. Areas of tarnish to all salts. All salts have the silver rims coming away from the glass and loose bases. Dishes have scratches and rims are loose and worn in placed. Please view additional images (upon request).

A George III five bottle silver cruet set, by James Stamp, London 1779,the pierced circular frame decorated with urns, strapwork and foliage, resting on three bifurcated claw and ball feet with beaded borders and central loop handle with urn finial, fitted with a pair of oil and vinegar cruets and three casters,26cm high

A silver sugar caster,by Wakely & Wheeler, London 1911,of baluster form with moulded girdle on collet foot, the pierced domed cover with baluster finial and bayonet fitting,21cm high, andanother silver sugar caster,by Sibray, Hall & Co, London 1909,of panelled urn form on circular foot, the pierced domed cover with urn finial,20.5cm high, 17oz (2)

A Georgian memorial ring, in the form of a cut hair urn, decorated with two colour gold, beneath a glazed cover. A border of cushion shaped amethysts in cut down collets to a flat section shank with black champlev‚ enamel to read in `in memory of Peter and Mary Harris`. Finger size approximately K CONDITION REPORT: Light scratches to the glazing.One amethyst chipped with wear to the crown facets under 10x magnification.Light scratches to the enamel with one small area of loss.

A pair of Royal Crown Derby bone china pin trays decorated in the Derby Posies pattern together with a twin handled Coalport bone china urn shaped vase and a Limoges china jar and cover.

A pair of Royal Worcester figures of the Cairo Water Carriers c.1897, each holding a large urn with gilt decoration, their clothing highlighted in gilt lustre, printed marks, 24cm. (2)

A Sèvres two-handled tray date code for 1780, finely painted with birds in flight about a covered urn draped in bright flower garlands, reserved within an elaborate gilt cartouche on a bleu de roi ground, interlaced LL and cc mark, three dots and a large LG, 32cm.

A Sèvres biscuit figure of a boy 2nd half 18th century, seated on a tree stump and playing the flageolet, a Sèvres part-glazed figure of a putto pouring an urn of water out for a small duck by his feet, and a Sèvres-style biscuit figure of Le Jeune Suppliant after Pierre Blondeau`s model of a boy with hands clasped in supplication, a basket of flowers by his side, some faults, 19cm max. (3)

A Vienna style brass-mounted porcelain urn, late 19th Century, the fixed cover with bud finial, the ovoid body painted with a signed panel of Classical figures and with twin handles, raised on a square-section socle, cast with scrolling foliage and bands of leaves. 25cm

A fine French ormolu and champleve enamel garniture de cheminee, 19th Century, the clock with arch-top case and two-handled urn finial, flanked by a pair of flaming torches tied by laurel wreaths and continuing to serpent masks, the breakfront plinth centred by a seated putto holding an arrow, embellished with blue enamel panels of scrolling foliage, the two train movement striking the hours and half hours on a bell, movement stamped and numbered 32758, the chapter ring with Roman numerals and signed BAILLY LYON, with key; the pair of three-light candelabra with two leaf-cast scrolling branches issuing from a stem cast with a putto, above a plinth with an enamel frieze and Vitruvian scroll cast base. (3) Height of clock 36cn