We found 68875 price guide item(s) matching your search

Pair of 19th century black slate garniture urn form side ornaments, H28cm

A 19th century English porcelain sauce tureen and cover together with a continental porcelain twin handled urn, porcelain plates, Imari etc

WILLEM VAN LEEN (DUTCH 1753-1823)STILL LIFE WITH ROSES, TULIPS, CHRYSANTHEMUMS AND OTHER FLOWERS IN A CLASSICAL URN, WITH FRUIT AND A BIRD'S NEST IN A NICHEOil on canvasSigned (lower right)108 x 74cm (42½ x 29 in.)Provenance:Hazlitt, Gooden and Fox Ltd., London

CIRCLE OF JACOB GERRITSZ. CUYP (DUTCH 1594-1652)PORTRAIT OF A YOUNG GIRL, FULL-LENGTH, HOLDING TULIPS SPROUTING FROM A GARDEN URN Oil on canvas108.5 x 82.5cm (42½ x 32¼ in.)Provenance:The Desmond Heyward Collection from Haseley Court, OxfordshireSale, Cheffins, Cambridge, 29 September 2021, lot 148Exhibited:London, Sotheby's, Loan Exhibition, Childhood, 2nd-27th of January 1988, no. 1 as 'English School, 17th Century' Please note an amendment to the cataloguing. Provenance:The Desmond Heyward Collection from Haseley Court, Oxfordshire 

Trumeau Mirror, With Painted And Parcel-Gilt Finish, Having A Stepped Cornice, Over Decorative Panel Outcarved With A Flower-Filled Urn, Flanked By Acanthus And Scrolls, In Gadrooned Border, Surmounting Its Rectangular Looking Glass In Moulded Frame 68 x 125cm

Attractive print on canvas board, summer flowers in an urn on stone ledge and a small bird

London Almanacks. London Almanack for the Year of Christ 1772, printed for the Company of Stationers, [1771], engraved view of The New Excise Office on 4 adjacent pages, title with red duty ink stamp, textblock lightly cockled, close-trimmed at rear (clipping few headlines), original pink silk wrappers, with contemporary ink manuscript decoration to covers, front cover with ink manuscript date, rear cover with ink manuscript monogram E.L. (?), somewhat dusty and faded, spine with some splitting and minor loss, 55 x 33 mm, in original Dutch floral covered slipcase, with lift-off lid, rubbed and darkened, small loss to lower edge of lid, together with London Almanack for the Year of Christ 1793, engraved 4 page view of the New House of Correction for the County of Middlesex, duty stamp to title, close-trimmed at foot, clipping few bottom lines of text, all edges gilt, original green morocco, gilt scrolling floral tool on spine, covers with red, cream, and blue onlays, with various decorative gilt borders, and central gilt tools of a bird on foliage, and of an urn with a flower, with various small tools, lightly rubbed, a little wear to foot of spine and one corner, 56 x 33 mm, in original matching slipcase, rubbed and slighlty darkened, plus London Almanack for the Year of Christ 1798, engraved 4 page view of Westminster Abbey, duty stamp to title, all edges gilt, original red morocco, gilt scrolling floral roll on spine, covers with cream and blue onlays, with various gilt borders, and numerous gilt small tools including a bird flying over a small house (apparently tooled upside-down), lightly soiled and rubbed in places, 57 x 34 mm, in original matching slipcase, rubbed and a little darkened, contained in (possibly original?) card box with lift-off lid, somewhat rubbed and dust-soiled, the base lacking its top edge, the lid with decorative floral label in gilt and green (corners split), 63 x 42 mm, and three other London Almanacks, for the years 1815, 1824, and 1834, each with 4 page engraved view, all edges gilt, original red or maroon morocco gilt, two with cream and black onlays, all elaborately gold-tooled, two somewhat rubbed and darkened, each in original matching slipcase, one darkened and lightly rubbed, one a trifle rubbed, one darkened and wornQTY: (6)NOTE:Bondy, pp.39-41 & 164; Welsh 4563, 4586, 4593, 4617, 4626 respectively, and see 4641 for the small square format version of the final item.

A Wedgwood Jasperware trinket pot and cover, boxed; others, urn vase, Christmas 1975 mug, Easter eggs, bells, thimbles, tea cups and saucers, trinket dishes, egg cups, white glazed Christmas tree decorations, State Seal Series plates, assorted plates including Valentines day and Mother's Day, all boxed; large qty

A pair of Victorian Etruscan revival earrings, each formed as a Classical urn suspended on 'A' frame with central drop, length 54mm, unmarked, gross wt. 6.7g, with associated box. Condition - unmarked but likely high carat, general wear including light dings and scratches, possible old repair to each at the top of the 'A' (see images).

A French late 19th century ormolu mounted clock garniture, urn height 32cm. Condition - one urn with damage/repair to bronze, same section is also slightly loose, clock not currently running, otherwise fine, general wear including losses to gilding etc. 

A Victorian silver pepper, London, 1898, Hawksworth, Eyre & Co Ltd, of urn form with pierced domed top with finial over a reeded body with paterae and swags, on stepped square base, 11cm high; together with an Edwardian silver pepper, Sheffield, 1905, Harrison Brothers & Howson, with finial, on stepped circular base, 6.8cm high, total weight approx. 3.5oz (2)Please refer to department for condition report

A Continental gilt metal table or desk-top centrepiece, 19th century, the tray with rococo style border and rail supporting five attributes including a letter holder, a candlestick, an oil lamp and a covered urn, surrounding a centrally placed tazza with a pierced rim featuring winged angels, knopped stem, and issuing scrolling volutes adorned with cherub heads, the candlestick and letter holder stems modelled as kneeling satyrs, the oil lamp and dish stems modelled as winged lions with paw resting on vacant shields, 30cm high, the tray 39cm x 40cm Please refer to department for condition report

A brass table lamp, 20th century, the faux candlestick electrical fittings with large sconce atop baluster neck, the body with central support and tripod scrolling legs, atop circular stepped base, 82cm high overall, together with a brass six light chandelier, issuing from an urn form stem with pierced foliate decoration, with cut glass sconces, approximately 39cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report

A marble urn shaped lamp base, 19th century, with reeded neck and rope twist to the shoulder, the body with swags of drapery and panelled lower half, atop a socle with acanthus leaf capital and rope twist base, to a stepped square base, converted for electricity, 44cm high excluding electrical fittings, together with a slender granite urn shaped lamp base, with waisted neck and panelled lower third, with two applied ring handles to the body, atop a socle and bevelled square base, converted for electricity, 53.5cm high excluding electrical fittings (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for useEach lamp in overall good condition with surface marks and dirt consistent with age.

A group of silver plate, comprising: a circular tray, 35cm dia.; four mustard pots having covers with urn finials; four peppers, with three missing blue glass liners; two salt-cellars; three open salts with gadrooned rims and stepped bases, two missing blue glass liners; three cylindrical salts, one missing blue glass liner; five salt spoons and a mustard scoop; a cigar cutter, and an oblong tray, 30.5cm x 23cm (lot) Please refer to department for condition report

A pair of German candlesticks, Berlin, c.1830, by Georg Friedrich Fournier, with urn surmount above baluster stems with acanthus leaf and foliate decoration on square base, approx. 30.5cm, total weight approx. 21.8oz (2) Please refer to department for condition report

A collection of ceramics and glassware, 19th century and later, to include: a pair of Staffordshire Dalmatians, each modelled standing with a brocade support atop a green and yellow glazed base, one with brown patches, each approximately 15.5cm high; a Staffordshire pearlware figure of a lamb, seated atop a rocky outcrop against a green flowering brocade, 11cm high; a Staffordshire seated lamb, 7cm high; a Staffordshire seated ram, 7cm high; three Staffordshire flatback figure groups, the largest modelled as a mantle clock with two figures seated atop the case and holding flowerpots, 22cm high, the second largest with a seated lady and a standing gentleman, 18.5cm high, the third as two children each holding a garland, 14.7cm high; two Staffordshire poodles, each modelled with a flower basket in their mouth, atop cushion bases, each 11cm high; two Scottish black faced rams by Castle Wynd Pottery, one modelled standing and the other seated, each approximately 15cm long; a large floral encrusted twin handled urn, the handles modelled as spiralling gilded ropes, atop a socle base, approximately 24cm high; a small tulip form vase, modelled with miniature seated figure atop a tulip bud, 12.8cm high; a large stylized ram’s head vase, with blue and silver glazed horn handles and silver eyes, 21cm high; a group of scalloped rim dessert plates with floral sprays to the centre and pink and yellow borders, 22.5cm diameter; a group of circular dessert plates with floral sprays to the centre and turquoise borders, with a similarly decorated tazza, 23cm diameter; a wrythern moulded pot pourii in pink and cream with painted floral sprays, with brass collar decorated with swags, 13.5cm diameter; an Italian flower shaped vase with chicken and chicklets to the base, 15cm diameter; an Empire Porcelain Co. oval dish decorated with flowers, 33cm long; three goblets with etched landscapes featuring grouse to the cranberry glass bowls, atop clear glass stems, 19.8cm high; a German waisted red dram glass with gilt highlights and enamelled floral sprays; and a large red glass bell bowl goblet on graduated knopped clear glass stem, 15.5cm high (lot) Some cracks and losses to the Staffordshire figures, some losses to the encrusted flowers of the large urn, otherwise most pieces in good overall condition

A quantity of British and European ceramics, 20th century, comprising: a pair of Wedgwood 'Wild Strawberry' tureens with covers, 22.5cm high; a Wedgwood Jasperware blue and white urn with floral swags between lion masks and classical maidens, 20.5cm diameter, 18.5cm high; two pale green Wedgwood Jasperware commemorative armorial pin dishes for the Tercentenary of Lloyds of London, each 11.2cm diameter; a large Coalport baluster jug decorated with floral sprays and gilt highlights, green printed mark to the underside, 30cm high; a smaller jug with moulded and painted flowers, with a similarly decorated wash bowl, the bowl 24cm diameter; a Swansea porcelain spill vase with twin mask handles and decorated with floral sprays, gold trident mark to underside, 23.5cm high; three Royal Crown Derby 'Derby Posies' pin dishes, one of pentagonal lobed form and two of quadrilateral form, the largest 11.5cm diameter; a circular Royal Worcester pin dish decorated with floral spray to the centre, 11.5cm diameter; an Aynsley 'Pembroke' hexagonal baluster vase with gilded rim, 12.7cm high; an Aynsley mug retailed by T. Goode & Co., decorated with floral sprays and gilded rims, 8cm diameter; a Coalport 'Caughley Mask-Head' commemorative jug, 12.5cm high; a spill vase decorated with floral sprays, 15cm high; two Limoges Charles Ahrenfeldt tazzas with gilt highlighted green borders and floral sprays, 22.5cm diameter; a lozenge-shaped dish with floral sprays and gilded rim and highlights, 27cm long; and a cobalt blue glazed circular box and lid, 11cm diameter (lot)The 'wild strawberry' tureens heavily crazed

An Edward VII silver four piece tea service, with part fluted body and urn finial, with acanthus leaf terminal to the handle, Barker Brothers, Birmingham 1904, 50½oz gross.

A Wedgwood black basalt urn, on black ground with white dancing figures on a stepped foot lacking cover, 18cm high. (AF)

A pair of Continental urn clock garnitures, each with acorn finial the vases on a royal blue ground, depicting country houses and figures, 33cm high.

A group of copper and brass wares, comprising a Victorian copper kettle, copper tea urn and a brass jam pan. (3)

A group of copper and brass wares, a Victorian copper kettle, copper tea urn and a brass trivet. (3)

A late 19thC French style gilded cast iron wall clock, with a urn and oak leaf cast top, with weather white ceramic Roman numeric dial, eight day movement, together with an aneroid barometer dial, and thermometer, 63cm high x 24cm wide.

A 19thC French onyx and ormolu mantel clock, inscribed Cie Cle Des Marbres, Onyx D'Algerie Paris 12, for Howell Jones & Co, eight day movement with bell strike, with urn top, on a shaped foot with rococo style panels and lion mask handles, 34cm high, 22cm wide, 13cm deep.

A BLASHFIELD STYLE GARDEN URN ON STAND LATE 19TH/EARLY 20TH CENTURY Apparently unmarked 91cm high, the base 33 x 32cmProvenance: Private Collection, London Condition Report: Marks, knocks, scratches, abrasions consistent with age and useSignificant old splits and cracks, signs of frost damage, signs of old repairs to the urn elements, the base with cracks alsoOverall in a condition reflecting its long-term storage and use in an exterior setting, the surface with lichen, algae, moss growth Please refer to additional images for visual reference to conditionCondition Report Disclaimer

A GROUP OF VARIOUS MODERN GARDEN ORNAMENTS To include a fibreglass imitation 'terracotta' urn with ram's-head decoration, 80cm high, 94cm wide, a fibreglass imitation lead 'George and Dragon' planter or cistern, dated 1995, 65cm high, 95cm wide, 46cm deep, and a fibreglass urn and stand in the manner of the Medici vase, 150cm high overallProvenance: Private Collection, Oxfordshire, previously purchased from Capital Garden Products Ltd, Ticehurst, E. Sussex in 1995

A PAIR OF PATINATED METAL TABLE LAMPS IN NEO-CLASSICAL TASTELATE 19TH OR EARLY 20TH CENTURYEach modelled as a swagged urn on an octagonal plinth base, with facetted shades92cm high overall

A MAHOGANY URN STAND CIRCA 1780 AND LATER IN THE MANNER OF THOMAS CHIPPENDALEWith slide to one side 64cm high, the top 30 x 30xm Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, especially to the top, also marks and stains and some bowing/warping here alsoSome spandrels appear original, some are replacements,There are no castors, nor any sockets or holes where they may have been placed Indentations around the lower portion of one leg look like 'puppy' chew marksThis has previously had an under tier, there are old plugs where this has sat and been removed later Please refer to additional images for visual reference to conditionCondition Report Disclaimer

A FRENCH EMPIRE ORMOLU AND PATINATED BRONZE FIGURAL MANTEL CLOCK, THE DIAL SIGNED FOR LEPAUTE, PARISTHE CASE AND DIAL PROBABLY CIRCA 1810, THE MOVEMENT LATER Fitted with a circular eight-day two train countwheel bell striking movement with anchor escapement regulated by disc bob pendulum incorporating Brocot type regulation to suspension and stamped with ..Japy Fils, Medaille d'argent, 1844 1849 roundel over number 283, the circular white enamel Roman numeral dial inscribed LEPAUTE A PARIS to centre and with blued steel moon hands within a milled bezel, in a case modelled with a patinated bronze figure of Zeus cradling the infant Bacchus stood beside a tree stump adorned with fruiting vines and a crooked staff, the rectangular plinth base applied with mount cast with fine triple fruiting swag decorated baton beneath an urn with serpent handles to fascia, over stylised lotus leaf cast ogee moulded skirt base over rosette and scroll cast bracket feet, (case and dial probably circa 1810, the movement later)50cm (19.75ins) high, 35.5cm (14ins) wide, 16cm (6.25ins) deepThe current lot is cast with Zeus holding his infant son Bacchus (or Dionysus) who was a product of his affair with Semele. Zeus killed Semele by revealing his true form (a bolt of lightning) and Bacchus came forth from Zeus's thigh. Zeus took the infant who, despite being half mortal, was considered a god. Bacchus represented fertility, wine and hedonism and travelled with his followers of Maenads, Satyrs, and the drunken portly Silenus.Condition Report: Dreweatts have not tested the movement and cannot make any guarantees or comments as to accuracy or if the movement is working we suggest getting the clock appraised by a professional clock restorer prior to use. Movement appears to be just about working but is dirty hence a gentle clean/service is required. As catalogued the mechanism is not original to the dial and case hence the winding hole protrude a little further than normal and the left hand is slightly off-centre in the hole. The movement has not been removed from the case to assess how much alteration has been done to the back of the dial to facilitate fitment of the present movement. The dial enamel has some noticeable chipping and scratching around the right hand winding hole and very light chipping to the edge above the I numeral. The case retains original gilding with overall only light wear however the flat side and rear sections have oxidised/discoloured.Clock has pendulum but no winding key.Please see additional images for visual reference to conditionCondition Report Disclaimer

A Dihl et Guerhard Neoclassical porcelain vase,late 18th to early 19th century, of urn form, decorated with Classical figures in black enamel with gilded highlights, with integral mask handles, underglaze blue 'Dihl' mark and incised '5',13cm high,together with a Davenport porcelain urn vase,c.1820, with figural handles, printed mark,15.5cm high,and a similar Neoclassical vase,19th century, decorated with a band of figures in black enamel,12.5cm high (3)Condition ReportDihl) Wear and extensive rubbing to the gilding and decoration. Nibbles and wear to the masks.Davenport) Extensive wear, rubbing and losses to the gilding and decoration.Chips to the edge of the foot rim.Neoclassical vase) Chip to the rim which has a small hairline running from it. Wear and rubbing to the decorationPlease see the additional images.

A collection of ceramics,comprising a Davenport twin handled bough pot, impressed marks, 10.5cm high, a Spode style sauce tureen, cover and stand, stand 21.5cm long, a twin handled sugar bowl and cover, 16.5cm wide, together with four urn vases, the first Vienna porcelain, 24cm high, a Dresden porcelain example, 15.5cm high, and a pair Continental examples, each with a cover and floral decoration, 20.5cm highCondition ReportDavenport) Cracks to the handles and body. Wear and losses to the decoration.Pair of urn vases) One heavily cracked and glued. Both with wear and rubbing to the decoration.Vienna) With cracks to the handles. Worn decoration.Dresden) Foot loose. Wear to the decoration.Sauce tureen) Wear to the decoration. Crazing, particularly to the lid. 

A collection of blue glassware,19th century and later, to include a pair of Victorian hand vases with gilt decoration, 22cm high, a pair of Victorian air trap vases, 17cm high, a pressed glass urn and cover, 32cm high, and a collection of opaline glass, including a pair of goblets, 12cm high (qty.)Condition ReportLarge chip and crack to one of the opaline goblets. Wear to the gilt decoration throughout. The remainder with small nibbles but no apparent chips or cracks.

A faux tortoiseshell and brass urn on stand,early 20th century, the half-ovoid urn on a triform base,32 cm hightogether with a copper preserve pan,late 19th century,36cm diameter and a pair of brass wall sconces, 20th century, in the ecclesiastical style,20cm high (4)Condition ReportUrn on stand: good visible order with no evidence of chips or cracksPreserve pan: good visible order with no evidence of chips or cracksWall sconces: good visible order with no evidence of chips or cracks all having minor surface scratches and tarnishing

An Aluminium Two Gallon Urn with Tap

A Mintons bone china dessert service, 1874, the plates painted with rectangular etched gilt framed landscape panel, apparently all by the same hand, beneath a flower filled urn and festoons, on a pale green ground, the rims gilt, comprising nineteen plates and one low stand, 24cm diam, impressed marks, painted pattern No G1529 (20) One of the plates broken and restuck, several plates with localised light crazing of the glaze but most fine

A MID/LATE 18th century FRENCH DOUBLE-BARRELLED FLINTLOCK PISTOL, the stepped locks with swan-neck cocks with engraved scroll decoration, with walnut half stock and engraved iron furniture including spurred butt cap and trigger guard with urn-shaped finial, 12¼” long.PROVENANCE: Purchased at the Hever Castle auction; Sothebys, 5th May 1983

Two early 20th century Edwardian circa. 1910's inlaid bedroom chairs. The first having shaped swan neck top rail and both having inlaid bouquet and urn type decoration to central pierced back splat over seats upholstered in a striped fabric over sabre supports united by stretchers. Measures approx. 83cm x 42cm x 41cm.

Three 19th Century Hepplewhite-style mahogany elbow chairs, each with shield-shaped backs, centred by pierced urn and leaf pattern splats, outsplayed arms with beaded decoration, serpentine seat rails on chamfered square tapering legs, 65.5 across arms, depth of seat 43 x 96.5cms high.

A Caverswall pedestal urn vase and cover, painted with fruit and foliage on a yellow ground, gilt borders and twin handles, with stamped and painted marks to underside, signed D. Millar, dated 1978, approximately 50cms high.

A selection of silver-plated wares, including: silver-plated samovar or tea urn, of small proportions, with brass tap, 34cms high; four branch candelabra; galleried oval tea tray; rose bowl; and other items.

An Oriental twin handled enamelled bronze urn vase, with enamelled bands of stylised animal motifs, and moulded stylised dragons head handles, 24.5cms high.

Early 19th century cut and moulded glass three piece garniture comprising an urn flanked by two candlesticks, with lemon-squeezer bases, to/w a cased glass bonbon basket, Caithness Extravaganza paperweight, two M'dina weights etc

Victorian silver oval urn-shaped coffee pot with composite finial, on weighted stemmed foot, W&G Sissons, London 1881, 22.9oz gross, 25cm high, to/w a half-reeded milk and sugar pair, Carrington & Co, London 1891, 13.8oz (3)

Cased silver two-handled Christening bowl and spoon, Birmingham 1930, to/w a late Victorian cased pair of gilt-lined oval salts with spoons, Birmingham 1900 and a cased pair of Adam Revival urn-shaped pepperettes, Chester 1899 (3), 4.8oz total; Christening bowl engraved from crew of HMS Herald, SingaporeCondition - Christening bowl engraved from crew of HMS Herald, Singapore 

Engine-turned silver cigarette box, Birmingham 1926, to/w cased set of silver-handled tea knives, cased set of four ep open salts, Urn-shaped coffee pot and other ep wares (box)

Davies & Napper. A Regency cut brass inlaid rosewood bracket clock, of arched architectural form, with urn finial and brass ring handles, painted Roman dial and unsigned twin fusee movement, width 32cm depth 19cm height 55cm***CONDITION REPORT***Case of a good rich reddish brown tone, brass inlay all in good order, original painting to the dial now worn and faded, movement looks to be in good clean condition and comes with a pendulum and key.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A late Victorian Adam Revival oval wall mirror, with urn, foliate scroll, ribbon and harebell motifs, and bevelled glass plate, width 119cm height 118cm***CONDITION REPORT***Numerous small old cracks and losses particuarly throughout the very delicate borders, some areas of restoration where the original gesso has been replaced, typically these are showing as a darker bronze colour, the plate looks original but is oxidised.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A 19th century ornate French pierced silver two handled urn shaped vase and cover, with peacock finial and dolphin and leaf decoration, on square base with winged paw feet, lacking glass liner?, 1819-1838 mark, overall height 28.7cm, 21.3oz.***CONDITION REPORT***Engraved crest to the lid. Wobbles very slightly on a flat surface. Overall condition is otherwise good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A pier glass with urn-shaped console, Empire manner, mahogany and burr-mahogany veneer with gilt carvings, base and top with mirrors, marble top, Portuguese, 19th C. (1st half), later mirrors, restoration, minor faults and defects, Dim. - 262 × 130 x 45 cm

SEVRES HAND PAINTED URN - SMALL CRACK TO BASE A/F

Three paintings and a print to include: Dutch School - Still Life with Urn of Flowers, oil on canvas panel, 32 x 24.5 cm; G/C.G. Chichester - 'H.M.S. Pilot Training Brig off Eddystone', watercolour and pencil on paper, signed and titled 'G.G.C, H.M.S. Pilot, April 95', 17 x 31 cm; Marion Broom - Vase of Flowers, watercolour on paper, signed lower right, 27 x 33 cm; 'Sinking of the Lusitania', print, framed and glazed (4)

Nine unframed artworks to include: Henry Charles Brewer (1866-1950) - Dockland scene, signed and dated '1907' lower left, artists names inscribed verso, 25.5 x 35 cm; Henry Hundley - Still life with grapes, oil on canvas board, signed lower right, 54 x 74 cm; After Henri de Toulouse-Lautrec - 'Mademoiselle Marcelle Lender, en buste', pastel and paint on card; Grecian woman holding urn, pencil and chalk, indistinctly inscribed 'Benneau?, new mt' verso; wall mounted ceramic sculpture of two figures holding lilies, unsigned, 31 x 45 cm; Still life with vase of flowers, oil on canvas, unsigned; 'Saw Mill' pencil and watercolour, titled below, dated '1876?'unsigned; Nude study, pencil on paper, indistinctly signed and dated '43'; R. Kingman - 'Free Jazz', oil on board, signed lower right, 60 x 50 cm, framed (9)

A miscellaneous collection of items including a pair of brass candlesticks, a Tole ware urn with cover, a copper bowl, teapot, a wooden cricifix, a wooden box with an inlaid cherub to the lid and a selection of sea shells.

A weathered cast composition stone circular garden urn and combined socle with swag detail, raised on associated glazed stoneware pedestal, 40 cm diameter x 68 cm (full height) (af)

A weathered cast composition stone garden urn of circular form, raised on squat pedestal with stylised dolphin detail, 43 cm diameter x 57 cm high together with one other with painted finish (2)

A weathered cast composition stone circular lobbed garden urn and combined socle raised on an associated square pedestal, 44 cm diameter x 94 cm (full height) af

A weathered cast composition stone campana shaped garden urn with flared egg and dart rim, fixed socle, possibly associated square cut pedestal, 40 cm diameter x 115 cm (full height)

A weathered cast composition stone garden urn, raised on square based socle, approx 60 cm diameter x 70 cm high (af)

A weathered cast composition stone garden urn, 62 cm in diameter raised on an associated circular based socle, (af)