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Click here to subscribeA silver three piece cruet set in the 18th century bright cut oval style, comprising a mustard pot with a domed lid set an urn finial over a pierced body with a scroll handle, two cylindrical peppers with pull off lids and a plated mustard spoon, with blue glass liners, Sheffield 1896/7, 97grams
A Georgian diamond set and guilloche enamel mourning brooch of lozenge form, the central panel set with diamond encrusted urn on a blue ground, within a pearl and blue enamelled stepped beaded border, the other side with engraved decoration to back and hair, the central pear cut diamond approx 0.75 carat, 6 cm long, approx 22 g CONDITION REPORTS The pear shaped diamond in the centre is approx 8 mm long x 5 mm wide. With a x8 lens there appears to be some kind of inclusion to the very back of the diamond which is visible to the naked eye as well. The central diamond also appears quite white although unable to comment professionally as not a qualified gemologist. There are some small knocks / roughness to the edge of the enamel but nothing major. There is a loss of one white enamel dot. Surface scatching, etc, all conducive with age and use.
19th Century Vienna porcelain two handled urn shaped vase having ormolu mounts, painted decoration depicting classical maidens, standing on four paw feet with a circular base, the underside with script 'Traumerei', 28.5cm high, together with a French porcelain jardinière having a band of gilt highlighted maroon and white foliate scroll decoration Condition:
A porcelain model of a peacock with gilt and painted detail above moulded flowers to shaped base with further gilt detail, unmarked, height 15.5cm, and a painted Classical style female figure beside urn on plinth with printed numerals to octagonal base, height 22.5cm (af) (2). Additional InformationThe floral moulding of the peacock with damage and losses in numerous places, crazing visible, some rubbing to the gilt and some surface pitting, the female figure with numerous cracks to the base, similar rubbing to the gilt, a hairline crack halfway up the figure on the reverse side, firing cracks and manufacturing imperfections, crude finish in places most noticeably to the joints of the plinth to the figure and towards the base of the urn.
A late Victorian silver rose bowl, William Comyns, London 1899, of globular urn form, with frilled flared rim, half-reeded and fluted decoration and flared foot, 8in. (20.25cm.) high, weight 23.7 tr.oz., *Condition: Marks a little rubbed but clearly legible. A few small dings to lower body. Otherwise good.
A Victorian silver punch bowl, Goldsmiths & Silversmiths Co., London 1892, of bun urn form, with slightly flared upstanding rim and rope twist and foliate collars, the spreading pedestal foot with flowerhead border, 9½in. (24.2cm.) diameter, 7¼in. (18.5cm.) high, weight 36.8 tr.oz.; together with a modern silver punch ladle, S. J. Rose & Son, Birmingham 1975. (2), *Condition: Bowl - marks very slightly rubbed through polishing but remain clearly legible. A few small dings and one patch of tiny dings (which is probably a dent which was hammered out). The ladle is in good condition, but lacks the silver terminal to handle.
A pair of Chinese porcelain Imari decorated baluster vase table lamps, the vases late 18th / early 19th century, later converted to lamps, the vases decorated in the Imari palette with birds, flowering peonies and bamboo issuing from a rocky outcrop, within diaper, ruyi and foliate pendant borders, on gilt bronze Empire style bases and urn socles, 16¼in. (41.25cm.) high to top of urn socle. (2), *Condition: Vases have not been removed and therefore could not be examined fully. There is no damage to the visible porcelain. There is some gilt wear to the decoration and some small scratches to the glaze. The upper lamp fittings are of two different types. The lamps have old wiring and will require rewiring before use as lamps.
A French gilt metal mounted ebonised, kingwood and marquetry jardinière stand, late 19th century, the flared urn top with pierced brass gallery and scroll, floral and anthemion marquetry decoration, raised on three shaped ebonised supports with circular undertier and outset legs with gilt metal mounts, 34½in. (87.5cm.) high.
A late 19th century boulle work mantel clock by Hatton of Paris, the balloon shaped case with red tortoiseshell and brass inlaid veneers, gilt metal foliate and cherub mask mounts, surmounted by a floral urn finial, enclosing a 2¾in. white enamel dial with blue Roman numerals and Arabic outer minute track, signed 'HATTON PARIS', fronting an eight day movement by Japy Freres, signed 'Hatton Paris', striking the hours/half hours on a bell, with outside countwheel and original bob pendulum, 11¾in. (30cm.) high., *Condition:Winds and runs. Strikes correctly. Gilt metal mounts regilded. Brass inlay lifting slightly in a couple of places but good overall. Dial VG. With key.
A pair of French Empire style 19th century parcel gilt and patinated bronze three light candelabra, the urn nozzles on foliate style arms, on a fluted column candlestick with palmette and foliate decorated circular base, 16¼in. (42.25cm.) high. (2), *Condition:Some tarnishing to gilt parts. One candelabra section slightly loosely fitted together - the threaded rod holding it in one piece has worn threads to either end, meaning that the section cannot be screwed together firmly. No other faults. On the same example the candlestick is bent over a little on the base and therefore stands at a slight angle.
A pair of patinated bronze Baroque style five light candelabra, late 19th century, mid-brown patination, the five scroll branches with swagged urn form nozzles, on an urn form column with twin beast mask handles and lion mask, fruit and gadrooned decoration, raised on a waisted circular base with gadrooned and foliate decoration, raised on two pairs of foliate scroll feet, 24in. (61cm.) high. (2), *Condition:Very good overall, with original patina with just light wear to edges and raised detail.
A 19th century Paris style twin handled porcelain urn, painted with six reserves, three with Turks, the others with floral displays in urns, on a blue celeste ground enriched with gilt, below a floral guilloche border, the interior, handles and foot gilded, 4¾in. (12cm.) high., *Condition: Chip to stem above foot. Rim unglazed so probably originally had a cover. Decoration very good overall. Small firing crack to top of one handle.
ATTRIBUTED TO SHRIGLEY & HUNT, LANCASTER AESTHETIC MOVEMENT TILED PANEL, CIRCA 1880 the arched panel painted with an urn issuing lilies within a rosette border and enclosed within mahogany frame, bears collection label BEAULAH COLL. CAT. NO. 1313 panel 161cm x 46cm, with frame 174cm x 59cm Provenance: The G.K. Beaulah Collection of Tiles, sold Bonhams, Knightsbridge, January 25th 1995, lot 251.
A George II silver coffee pot, the body later chased with flowers and foliage, the spout with acanthus terminal, S-scroll handle, the hinged cover with gadroon border beneath urn shaped finial, Richard Burcombe, London, 1731, 19.98 ozt (621.5 grams) condition report: marked on base, makers mark & date letter rubbed, inside rim of cover with dents, otherwise condition good
A George V matched three piece silver tea service comprising teapot, sugar bowl and milk jug, of ovoid form with curved semi-fluted decoration, the teapot with ebonised C-scroll handle and urn shaped finial, gilt interiors, Atkin Brothers, Sheffield 1921 & the sugar bowl 1928, 32.58 ozt (gross weight 1010.3g). (3)CONDITION:good condition
A George IIII Neo-Classical silver claret jug, urn shaped plain body with beaded borders on rim, central section and foot, engraved with a large crest, the hinged cover with closed flower bud finial, ebony C-scroll handle with acanthus leaf terminals, John Scofield, London, 1779, 25.2 ozt gross (778.3 grams)CONDITION:marks good, mark on underside of foot rim
A George III yellow gold mourning ring, oval glazed head to a panel of ivory painted in monochrome with an urn and plinth, the band black enamelled with raised gold lettering to exterior JAMES SHERWIN, OB JAN 16, 1777, AE 64Condition Report: Overall good, some wear fading to painting, small minor loss to black enamelAge related wear, enamel loss, not hallmarked probably a minimum of 14ct gold, size P, no modification or repair CONDITION:The setting featuring an urn is approx 13mm x 11mm in size. There is some age related wear scratches and marks to the gold setting surround and minor scratches to the rock crystal. Enamel is featured all around the band, and the enamel is slightly damaged in areas, because the enamel runs all the way round the band it cannot be re sized
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