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LLADRO GROUP OF SUNSET IN THE COUNTRY,each holding an urn and flowers, model number 6761, 34cm high, along with a Lladro marriage group, girl with flowers, girl reading, girl with cat and dog, and a Royal Doulton group of Brother and Sister (6)Overall good condition no major damage to the figures. Some of the petals to the flowers have been broken off and are not present. Dust and residue present on all figures.
A coffee potPortuguese silver, D. Maria I style Baluster shaped of horizontal grooves and chiselled foliage dotted decorative band Swan neck spout of beaded frieze with leaf finial, and domed cover of urn shaped pommel Carved wooden handle Eagle hallmark 833/1000 (1938-1984) and same date maker's mark580 g
AN EDWARDIAN SILVER CUP AND COVER, ATKIN BROTHERS, SHEFFIELD, 1907 a scaled down replica race cup, in Neo-classical style as a two-handled pedestal urn, chased with bands of acanthus, the capstan-shaped cover with horse and jockey finial, the body with engraved inscription, on an ebonised wood stand with applied silver plaque 25.5cm excluding stand, 34cm high overall, 747gr (24oz) The inscription to the cup reads: Replica of The Foxhunters' Challenge Cup Presented by Members on Late Cheltenham Steeplechase Committee May 1908. The stand's plaque reads: Won By The Hon. H. Bourke's Coquette, May 21. 1906.
A PAIR OF BLOOR DERBY PASTILLE BURNERS AND COVERS, CIRCA 1820 urn shaped, the rims with roundel piercing and applied masks, the covers similarly pierced below moulded grape leaves and finial, with cobalt blue bands and gilt details, red painted marks; together with a pair of Bloor Derby pastille burners, circa 1830, similar, covers lacking, red printed marks 13.5cm wide (6)
A CONTINENTAL INKSTAND, PROBABLY PORTUGUESE SECOND QUARTER 19TH CENTURY oblong, mahogany base, silver openwork gallery apparently unmarked, on plated bun feet, with three plated urn-shaped containers, two inkwells and covers bolted to the base, the central detachable pounce pot with pierced top 22.5cm long
A GEORGE IV SILVER THREE-PIECE TEA SET, THOMAS ROBINS, LONDON, 1820 urn shaped, richly chased with broad foliate and matted ground bands and applied cast rims, the teapot additionally with cast foliate finial and Green Man masks to spout and top mount to wood handle teapot 26cm long; 1797gr (57oz) all in
A FRENCH ORMOLU MANTEL CLOCK, ACHILLE BROCOT, PARIS, LATE 19TH CENTURY the eight day movement striking the hours and halves on a bell, the cobalt blue 'Sèvres' style porcelain dial with gilt framed Roman numerals surrounding a scene of two putti playing with a goat, the domed case with bud finial with four further pineapple finials to the corners above laurel wreath handles, fluted pilasters and a lozenge-shaped porcelain panel to the base, on toupie feet, with glass cover to backplate, stamped AB in a star and numbered 016, case with the same number and initialled AB, with key and watch key for the suspension regulator, 26cm high; together with a small 'Sèvres' style ormolu-mounted pedestal urn, probably originally one of a pair to form a garniture, cobalt blue, painted with further putti and a goat, 11.5cm high (2)
□ A PAIR OF CONTINENTAL PORCELAIN VASES AND COVERS, RUSSIAN STYLE, CIRCA 1900 waisted urn-shaped on short pedestals, square bases, with white and gilt gadroon and formal foliate borders throughout, the green ground with further gilding reserving rectangular panels of peasant figures, covers with bud finials, with apocryphal St Petersburg Imperial Porcelain Manufactory marks 27cm high
‡ A RUSSIAN SILVER SALT CELLAR, ALEXANDER HILDEBRAND, MOSCOW, 1759 three footed cauldron form, gilt interior, also with Fedor Petrov alderman's mark, 6.5cm diameter; together with a silver trencher salt, German/Austrian, mid 18th century, shaped rectangular on a stepped and domed base, 13 loth (812 standard) and maker's marks, 8cm long; an Austrian silver pepperette, Vienna, early 19th century, urn shaped, engraved band on a hatched ground, screw-on cover, 11cm high; a French silver egg cup on stand, late 19th/early 20th century, 9.5cm diameter; and an electroplate salt spoon (5)
A pair of French faience tulip vases, probably Strasbourg, mid-19th century, of flattened urn shape with scroll handles, painted with floral bouquets beneath three circular apertures, height 13.5cm (faults), together with a similar larger example (restored) and a small group of other tin glazed wares, including a diminutive pair of circular bowls in the form of baskets (faults and restoration).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of Meissen figure groups representing the Arts, late 19th century, the first depicting Drama, modelled after Jüchtzer, as two putti standing before an urn, incised shape No. H39, crossed swords in underglaze blue, height 11.5cm, the second depicting Geometry, modelled after Acier, as two putti with a globe and a sextant, both raised on naturalistic bases with gilt enriched scroll moulded detail, crossed swords in underglaze blue to bases with strikes beneath, height 11.5cm (both with faults and restoration).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A cobalt blue ground 'Vienna' porcelain vase and cover, late 19th century, the urn shaped body painted by A. Heer, signed, with a panel of two classical females, titled in German 'Sehnsucht' (Yearning), within a dotted gilt frame opposing a smaller figural panel, within elaborate gilt foliate scrollwork surrounds, raised on a square pedestal base, underglaze blue shield mark, height 46cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A cut glass sweetmeat jar and cover, circa 1900, of typical urn form, cut with arched panels of strawberry diamonds between stylized fans, with domed cover and square foot, height 29.5cm, together with two similar sweetmeat or bonbon jars and covers, a gilt metal mounted cut glass vase (converted to a lampbase), height 33cm, and a pair of cluck-cluck (Kuttrolf) decanters (minor faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George III 1796 pattern Infantry Officers sword by Bradly, Dublin, the single edge blade etched with a picture of an officer to on side and G R (George III) cypher to the other, brass double shell, folding guard, silver twist wire grip with urn shaped pommel. Together with leather scabbard having brass mounts
A 19TH CENTURY FRENCH MARBLE ORMOLU AND CHAMPLEVE ENAMEL CLOCK GARNITURE, the clock with eight day movement, striking on a bell, white enamel dial with Arabic numerals interspersed with floral swags, the case with urn finials, six column supports on a shaped base, with a pair of urn shaped side pieces. Clock 14ins high.
An Elizabeth II silver wine coaster, with shellwork rim and turned wooden base, by Mappin & Webb, Sheffield 1972, another white metal example, hallmarked with an urn?, a silver circular dish, with repousse decoration of Reynolds angels, by Henry Matthews, Birmingham 1900, and a larger silver dish with repousse scrolling floral decoration, the rim frilled, by Fenton Brothers Ltd, Sheffield 1898, weighable silver 364gms (4) Condition Report:Available upon request
A George V silver capstan inkwell with hinged cover & reeded border, 4” dia., Birmingham 1928; a Victorian plain vesta case, Birmingham 1893; a spiral-fluted vesta, 1891; a continental white metal small box in the form of a classical urn with hinged lid, 2¼” high; a Swedish small box set red paste stones; & an Old Sheffield plated caddy spoon with shell bowl.
Victorian oak and mahogany crossbanded 30 hour longcase clock, the broken arch pediment with brass urn finials, the hood with glazed door flanked by reeded pilasters, the painted dial with anchor spandrels, Arabic numerals, subsidiary seconds dial and bird to the centre, the case with rectangular door and plinth base raised on bracket feet, 204cm wide
A large 19th Century Chinese Oriental ceramic urn vase of baluster form having a lipped rim with waisted neck and shaped handles. Gadrooned body and roundels throughout with all raised on a circular foot. Finished in blue tones. Unmarked. No signs of visible damage. Measures approx; 60cm x 22cm diameter.
An antique mahogany shell inlaid candle box with pierced ornament and lifting lid, 22cm wide, 55cm high, together with an oak Tantalus with three decanters, 35cm wide, and an early to mid-20th century silver plated tea urn, 52cm highThe candle box, possible made up from old parts, with splits to the back panel, old nail holes down the side, the hinge to the lid loose, the Tantalus possibly originally silver plated, key lacking but openable, the decanters themselves in reasonable condition with some minor chips and marks to the stoppers, the tea urn in good condition.
A PAIR OF GEORGE III MAHOGANY AND PARCEL GILT PEDESTAL CUPBOARDSLATE 18TH CENTURY Each opening to a shelved interior incorporating late zinc lining each 94cm high, 53.5cm wide, 53cm deep Provenance: Most likely the collection of Standish Robert Vereker, 7th Viscount Gort (1888- 1975) at Hamsterley Hall, Co. DurhamInherited by The Hon. Catherine Mary 'Kate' Wass, OBE (1942-2021) upon the death of her uncle, the 7th Viscount Gort, in 1975The present pair of pedestal cupboards are possibly en suite to a sideboard illustrated in the Dining Room at Hamsterley Hall (C. Hussey, 'Hamsterley Hall, Durham: The Seat of the Hon. S.R. Vereker, M.C.', Country Life, 21 October 1939, p. 420, fig. 7) Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, chips and losses,The tops are designed to hold an urn or similar fitting, there are unveneered squares of timber and dowels and holes to slot the element in - this element has never been present with Dreweatts.Overall these cabinets are solid and stableAs catalogued each is lined, and has a metal slatted shelf with later baize coveringOne with a piece of skirting detached but present to the rear. Each has a hole to one side - presumably for drainageThe door to one is bowed, each has a lock which appears to be original but there are no keys present Please refer to additional images for visual reference to conditionCondition Report Disclaimer
A PAIR OF PARIS PORCELAIN (DARTES FRERES) BOTANICAL TWO-HANDLED ICE-PAILS, LINERS AND COVERSCIRCA 1830Each painted with specimen flowers, iron-red printed markseach 35cm highProvenance: Property from the estate of the late Joe Constantine. Condition Report: one lid has a rim chip to the underside, one liner has a rim chip and the other has firing faults to the inner rim. One urn has a faint hairline crack through the base. No other serious faults foundCondition Report Disclaimer
A GEORGE III PAINTED PAPIER MÂCHÉ TEA CADDY CIRCA 1790 In the manner of Clay, oval form with urn and swag painted decoration10.5cm wideTOGETHER WITH AN 'APPLE' TEA CADDY20TH CENTURY 9.5cm high (2) Provenance: Property from the estate of the late Joe Constantine. Condition Report: Caddy- colour variance visible in natural light suggesting there has been retouching to surface, handle looks to be right style for the period- but feels later repalcement, interior lining perished, no key or lockCaddy- decorative mild surface wearPlease refer to additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A BRONZE AND GILT TABLE LAMP IN THE NEOCLASSICAL STYLE 19TH CENTURY The bouillotte style shade above later adjustable electrcial three light fitting, original four candle arms below, Bacchic decorated Campana urn body and square section plinth101cm high overall, main body 65cm high, base 13.5cm wideCondition Report: Later electrical fitment- on sliding attachment to tall steel rod- possibly later. The green shade with area of paint loss. Base with some wear and loss to gilding. Otherwise generally goodPlease refer to additional images for visual references to condition which forms part of this condition report.ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A PAIR OF BRASS READING LIGHTS BY VALSAN, LATE 20TH CENTURY Each with hinged light on fixed upper arm section, banded with scrollwork on white ground, red and gold fabric shades, Valsan marks to undersideseach 146cm high to top of urn finialProvenance: Lockerley Hall, HampshireCondition Report: There are some mild marks, scratches, knocks, and wear to surface consistent with age and use. Both with some wear to bases and old polish spill marks.Please refer to additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Condition Report Disclaimer
A FRENCH ORMOLU-MOUNTED MAHOGANY CENTRE TABLEAFTER A MODEL BY JACOB-DESMALTER, 20TH CENTURYSigned indistinctly in pencil 'J Gaut' and '2066 Dessus 2 semblabbs..Saillie 12 m/m'83cm high, 124cm wide, 68cm deepThis table follows the design of a 'console double face' supplied by Jacob-Desmalter in 1808 for the apartment of Caroline Murat at the Elysée Palace, now in the Salon des Aides de Camp at the Grand Trianon, Paris. See D Ledoux-Lebard, Les Ebénistes du 19 Siecle, p. 271.For a related table see Christie's, London, Robert de Balkany Rome & the Cote d'Azur, 22-23rd March 2017, Lot 86 (£40,000) Condition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.The marble top has a patina of fine and distinct scratches, the marble could be later, the moulding underneath it adapted.There are losses and restorations including an inset section of moulding to the top; veneer tears over constructional joints; knocks and rubbing to the wood including the corners; the gilt urn lacking the the bolt to fix the sections in place; the block feet are later.The gilding with some rubbing and aged colour/scratching in places.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
A DOULTON STONEWARE TWIN HANDLED URN ON STANDEARLY 20TH CENTURYOf volute krater form, pedestal with impressed marks to urn and base 138cm high overall, the base 36.5cm wideCondition Report: With marks, knocks, scratches, abrasions consistent with age, handling, cleaning and everyday useWeathering, moss and colour variance in colour from garden use- the body with several patches of what looks to be salt egress- the tops of the bird moulded sections under each handle with crusting- not sure what this is- possibly dirt deposit or it may be surface deteriorationThe plain cylindrical section between floral moulded stem with area of loss- losses also to name stamp on urn and to exposed edgesPlease see additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
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68624 item(s)/page