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Lot 649
A VICTORIAN GILDED BRASS CLOCK GARNITURE, the two train movement striking on a gong, 4 1/2" dial with Roman numerals and scrolled embossed centre, the pierced and embossed square case with urn finial on domed top, ribbon tied floral festoons hanging from dragon corner finials on fluted columns, mask roundels to the side, flared base and lion paw feet, 22 1/4" high, on ebonised stand and glass dome, ensuite with a pair of square tapering vases on circular stands, lacking domes (Est. plus 21% premium inc. VAT) (Illustrated)
Lot 714
AN EDWARDIAN INLAID SATINWOOD OCCASIONAL TABLE of oval form, crossbanded with stringing, the radially veneered top with central patera, frieze with ribbon tied foliage, raised on square tapering legs with splayed feet, joined by a raised cross stretcher with urn finial, 21 1/2" x 17 1/4" x 27 1/2" (Est. plus 21% premium inc. VAT)
Lot 734
AN EDWARDIAN PAINTED MAHOGANY SIDE TABLE of rounded oblong form with stringing, the top with floral festoons centred by an urn within a broad band of flowers and foliage, frieze drawer with brass drop handles and shelf below, raised on square tapering legs joined by a concave sided undershelf, 24" x 15 3/4" x 28" (Est. plus 21% premium inc. VAT)
Lot 103
GEORGE III INLAID MAHOGANY AND SATINWOOD SERPENTINE SIDEBOARD LATE 18TH CENTURY the serpentine crossbanded top centred by an urn inlaid medallion, above a centre drawer and arched recess with fan spandrels, flanked by two deep drawers, raised on square tapering legs ending in spade feet 162cm wide, 91cm high, 74cm deep Provenance: Ex Wynches, Much Hadham, Hertfordshire
Lot 263
FRENCH MAHOGANY AND MARBLE TOPPED CENTRE TABLE IN THE MANNER OF ADAM WEISWEILER 19TH CENTURY the shaped oval white marble top over gilt metal mounted frieze raised on tapered fluted legs joined by an interlaced stretcher centred by an urn finial and ending in toupie feet 102cm wide, 76cm high, 60cm deep
Lot 388
FRENCH GILT BRONZE AND PORCELAIN MOUNTED THREE-PIECE CLOCK GARNITURE, GAY VICARINO & CO., PARIS LATE 19TH CENTURY the clock with a flowering urn finial above a bleu celeste dial panel decorated with figures and interlaced designs with flower swags, the eight day movement stamped; with a pair of four-light candelabra, ensuite (3) Clock 48.5cm high, 44cm wide; candelabra 51cm high
Lot 61
PAIR OF GEORGE III GILTWOOD ARMCHAIRS LATE 18TH CENTURY the curved oval padded backs in rope-twist carved frames with urn finial crestings, above part-padded arms with acanthus and trailing husk carving, the wide serpentine stuff-over seats raised on stop fluted tapered legs ending in toupie feet, in black moire silk upholstery (2) 60cm wide, 99cm high, 50cm deep
Lot 79
GEORGE III STYLE MAHOGANY BREAKFRONT SECRETAIRE LIBRARY BOOKCASE, BY ERNEST WILLIAM VARLEY CIRCA 1913 the pagoda cresting with a pierced fretwork gallery surmounted by urn finials flanked by conforming side galleries, above a dentil moulded and blind-arch cornice above two pairs of glazed doors with Gothic astragals opening to shelves, the central doors flanked by stop-fluted turned columns with gilt brass Corinthian capitals, the outer doors with blind fret chamfered angles; the lower cabinet with a gadrooned edge over a carved tassel frieze and secretaire drawer fitted with drawers and pigeon holes and tambour fronted cupboard flanked by stop-fluted pilasters with gilt brass capitals, over a pair of moulded cupboard doors flanked by stop-fluted columns and banks of five graduated drawers with blind fret carved angles, on a gadrooned base with foliate carved bracket feet; the centre backboard carved 'E. W. Varley, Whitby, 1913' 244cm wide, 263cm high, 63cm deep Provenance: Most likely commissioned by Sir Edward Mortimer Mountain, 1st Bt. (1872-1948) Thence by descent Purchased Christie's, London, Nov. 2013, lot 73
Lot 268
19th Century Wedgwood blue and white Jasper comprising a pair of twin handled pedestal vases and a lidded twin handled urn of Campana form, each piece decorated with Classical figures and floral designs, height 20cm each. Condition - urn with chip to interior rim and one vase with handle broken off and repaired, this vase also has a replacement pedestal screw.
Lot 57
A Chelsea Derby shallow bowl, anchor and D mark in gold, c.1775, Broad Smiths blue border with gilt palm leaves and pearls, centred shaped grey urn and swags of pink flowers, three polychrome flower sprays and small scattered sprigs gilt band to foot rim on green flower groups to the centre, 23cm dia.
Lot 1787
A pair of lead garden urns, campana shaped with swags and raised on square bases. Diameter 41 cm, height 52 cm (see illustration). CONDITION REPORT: One urn has clearly been dropped and there is a buckle at the bottom of the socle foot above the square base. This should be visible in our image. Both urns have a drilled hole at each corner of the square base as if they have been perhaps attached to something at some point. Both have traces of some form of painted finish which is largely now missing. The only minor issue really is the slight buckling already mentioned which makes one urn slightly off square.
Lot 1415
A 19TH CENTURY GILT METAL AND PORCELAIN MOUNTED MANTEL CLOCK, urn surmount above an oval painted plaque of a lady within a foliate scrolled frame, the circular dial with turquoise porcelain ground and blue Roman numerals with central band of flowers, the dial flanked by two further oval plaques painted with floral sprays, the shaped oval base with rectangular plaque painted with a bird in a landscape, eight day movement with bell strike, the clock on a separate gilt wood stand and with a glass dome with ebonised base on bun feet, height of clock including gilt wood stand 37.5cm, height of dome 42.5cm, with key (glass dome has some cracks, the clock case has some evidence of repairs)
Lot 233
English School, late 18th Century,head and shoulders miniature portrait of a young man wearing a ruffled shirt and blue coat,oval, 58x48mm,the reverse with hair lock border, blue enamelled centre and decorated in seed pearls and gold thread with an urn, initials WG Lt., 31 Regiment, gilt metal frame.
Lot 432
2nd-3rd century AD. A schist relief frieze depicting a large stupa in the centre with three tiers of parasols to the top and streamers flowing out; dome of the stupa decorated with bands of floral and geometric motifs, resting on a square base with rosette decoration; to either side of the stupa three monks in long robes, two at the top waving fly whisks and one at the lower left holding a burning censor; large column to the right with figure of a lion to the top; mounted on a custom-made stand. 61.2 kg, 60cm wide including stand (23"). Property of a London gentleman; acquired before 1995. The stupa is the oldest Buddhist religious monument. Stupas originated as pre-Buddhist tumuli in which kings were buried in a seated position. After the death of the Buddha, his remains were cremated and the ashes divided and buried under eight mounds with two further mounds encasing the urn and the embers. The earliest archaeological evidence for the presence of Buddhist stupas dates to the late 4th century BC in India. In early Buddhist art the stupa would often stand as a representation of the Buddha himself as the Buddha strictly informed his disciples not to make images of him and worship them. This changed with the arrival of the Greeks into Central Asia and India and the introduction of Hellenistic art styles and the emphasis on depicting the human body. The shape of the stupa represents the Buddha, crowned and sitting in meditation posture on a lion throne. His crown is the top of the spire; his head is the square at the spire's base; his body is the vase shape; his legs are the four steps of the lower terrace; and the base is his throne. Fine condition.
Lot 592
5th-6th century AD. A broad ceramic funerary urn, globular with broad sloping shoulder and irregular everted rim; circumferential lines to the neck and shoulder; two bands of horseshoe stamps to the shoulder and sets of three stamps at the base of the neck. See Leahy, K. Interrupting the Pots: The Excavation of Cleatham Anglo-Saxon Cemetery, CBA Research Report, Cambridge, 2007 for discussion. 1.1 kg, 22 cm (8 1/2"). Excavated from an Anglo-Saxon cemetery in Cambridgeshire, UK, in the late 19th century. Cremation was the preferred burial rite of the Angles and other peoples of eastern England. Once the body had been burnt on a pyre, the remaining bones were recovered and placed in a specially prepared urn, often with small personal items such as a comb, knife or nail-cleaning set. The personality and social identity of the deceased was perpetuated in the form and the decoration of the urn, which formed the only permanent record of the individual. Good condition, re-assembled and repaired.
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68904 item(s)/page