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An ornate French gilt metal six light candelabra, a two handled urn holding a central post decorated with Madonna lilies, grape vines with grapes and ears wheat, tripod base, later converted to electric 92cms (af); a pair of barley twist mahogany & pewter candlesticks (af); a mahogany slender column table lamp etc.
A 19th-century Chinese porcelain urn form vase, with gilt twin handles and oval vignettes depicting landscapes, supported by a pedestal foot, excluding fitting 37cm high (a/f)Handles lacking and restored, main body of the vase in two and visibly restored, some slight losses to the beaded mouldings and gilt wear
Silver jug with half-reeded decoration the cover with urn finial, wood handle, with cancelled George III mark, LAO hallmarks for 2022, gross weight 895 grms, 28 ozs. 26 cms highCondition Report: Engraved with a presentation inscription.Light rubbing to decoration.There is a mark that can be seen inside and out around the area of the handle.
George III silver tea caddy of oval section with beaded rims and urn finial, by Robert Hennell I and David Hennell II, London, 1800, and a silver caddy spoon, gross weight 25.5oz, 793g,Condition Report: Overall in good condition, slight dent around the keyhole and to the side, some tarnishing.
Pair of large Victorian Country House hallmarked sterling silver three light table candlesticks, the two detachable branchwork leaf and acorn cast scroll arms with urn sconces, on plain columns with acorn and oak leaf collars, stepped circular vine cast bases by George Angell & Co, London 1860, (A/F) H54cm (2)
18th/19th century Chinese saucers - A blue and white plate decorated with an urn of flowers, hand painted mark to base, diameter 15.7cm, another similarly decorated with a foliate and floral band, hand painted beetle like mark to base, diameter 14.5cm and another decorated with two stylised birds amongst trees, hand painted mark to base, diameter 13.5cm.
A 20th-century heavy sterling silver coffee and tea set by Merciel of Mexico of urn form with auricular handles and swan neck spouts on a pedestal base. The set comprises a coffee pot, teapot lidded sucrier, and milk jug 98 ozt gross weight, 26 cm high the coffee potA few minor dentsThe teapot sits "On the Wobble" perhaps being trapped on the pedestal foot.
An 18th Century Dutch marquetry inlaid Bombe bureau, the interior fitted with drawers centred by a cupboard and a well enclosed by a fall decorated with an urn, two birds and floral design, conforming sides over three long drawers, brass handles, gilt handles and escutcheons, on bracket feet, height 110cm x depth 51cm x width 94cm.
Andalusian School of the 18th century."Calvary of Christ".Wear and tear due to use and the passage of time. Old xylophages in the frame. Two golden mouldings missing from the lower part.Polychrome stucco.Measurements: 54 x 43,5 x 11 cm (panel); 58 x 48 x 13 cm (frame-box).Polychrome stucco panel, with the representation of the bust of Christ carrying the cross, on the way to Calvary. Christ is realistically depicted and the polychromy is very well preserved. His eyes are made of glass and his eyelashes are made of natural hair. It is framed in a wooden urn-box. The glass is missing. In the scene, the Nazarene carries the Cross with great effort, which rests heavily on his back. In order not to fall to the ground, Christ has to lean on his legs, resting his right hand on his left knee. He is depicted in a purple robe, the colour of the Passion. Drops of blood fall from the crown of thorns, staining his face.
Andalusian School of the 18th century."Sorrowful Virgin".Polychrome stucco.Wear and tear due to use and the passage of time. Old xylophages in the frame. Two golden mouldings are missing from the lower part.Measurements: 54 x 43,5 x 11 cm (panel); 58 x 48 x 13 cm (frame-box).Polychrome stucco soffit, with the representation of the bust of the Sorrowful Virgin, it is made with great realism and the polychromy is very well preserved. The eyes are made of glass and the eyelashes are made of natural hair. It is framed in a wooden urn-box. The glass is missing. In the scene, the Virgin is bust-length and slightly turned to her right, her eyes reddened by the tears she has shed.
SHAKESPEARE (WILLIAM)The Plays... Notes by Samuel Johnson and George Steevens. The fourth edition revised and augmented (with a glossarial index) by the editor of Dodsley's collection of old plays [Isaac Reed], 15 vol., half-titles, plates and tables (with some foxing), contemporary tree calf, sides with gilt Greek key pattern border, gilt panelled spines with Greek urn motifs and red and green morocco labels, spines rubbed at head, upper joint of volume 1 cracked, large 8vo, T. Longman, B. Law, C. Dilly [et al], 1793This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
A 19th century French gilt-brass champleve enamel 8-day mantel clock, by Japy Freres, brass dial with hand painted Arabic numerals, architectural case with enamel decoration and urn pediment, case height 36cm, no key or pendulum, untestedMovement - untestedDial - some minor surface wear to numeralsGlass - cleanHands - cleanCase - a few very minor chips to enamel and general tarnishing to brassNotes ? no key or pendulum
Maltese School, 18th century A parrot with fruit near flowers in an urn; and A hen on a nest in a basket near flowersoil on canvas44 x 62.5cm, 45 x 63cm, a near pairProvenance:Maltese collection, 1933Framed 52.5 x 71cmFramed 55 x 74cmThe paintings are executed in oil on canvas supports. The painting of the chicken has been lined. The canvas tension is good and the picture is in plane. The picture of the parrot has not been lined, small damages have been repaired from the reverse with canvas patches. The canvas has deformations across the surface. Both paint layers have a network of age cracks which appear dark. There are areas of wear of abrasion on both paintings. There are scattered losses and localised areas of retouching.
A figured walnut longcase clock, mid 18th century, the pagoda hood above 12inch brass dial with name boss above signed ' Boyer Glover, London', silvered chapter ring, seconds dial and date aperture, gilt urn spandrels, trunk with break arch door, plinth base with added lower skirting, with five pillar 8 day movement236cm high
A Regency mahogany bookcase, the broken triangular pediment with central urn finial above a pair of glazed doors enclosing adjustable shelves over a pair of cupboard doors raised on splayed bracket feet 265 x 170 x 35cmProvenance:Crepping Hall, SuffolkSome old repairs to veneers with missing areas of moulding and stringing
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