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A very fine hand-knotted Persian silk mixture Prayer Carpet, the central 'arrow' against a predominantly cream ground and decorated with various stylised patterns, flower heads etc., all within varying coloured and sized borders with similar repeating stylised motifs and the borders with urn-style symbols, 293cm x 185cm
A Victorian burr walnut, amboyna, marquetry and ormolu pier cabinet, the rectangular top over a frieze with ribbon tied floral and foliate marquetry, over a single panelled door with central marquetry urn and amboyna cross banding, enclosing a claret red velvet lined interior with single shelf, flanked by ormolu caryatid brackets and floral marquetry urn stiles, over a wavy plinth base, 31 x 12½in. (78.75 x 31.75cm.), 42in. (106.5cm.) high.
A George IV mahogany wheel barometer by A. Carioli of Sheffield, the boxwood and ebony strung case with ebonised broken arch pediment with gilt brass urn finial, over a silvered hygrometer dial, alchohol thermometer, mirror in reeded slip, main 8in. silvered dial and signed level, 39in. (99cm.) long.
A pair of French 19th century patinated bronze candlesticks, the foliate, urn form nozzles with gadrooned detachable drip pans, on foliate banded tapered stems with pierced anthemion pendant collar, on a rosette mounted square lead-weighted base with foliate, beast and paw feet, 9 3/8in. (23.75cm.) high. (2)* Condition: Good condition, with no faults. Attractive patination with some lighter colouring to stems from handling.
A matched pair of 17th century carved oak mask corbels, 5½in. (14cm.) high; together with other 17th / 18th century oak carvings, including a pair of caryatids of winged cherub musicians over lion masks, 11in. (28cm.) high; a matched pair of swan and floral urn carved panels, the larger 9¼in. (23.5cm.) high; an armorial shield, 8in. (20.25cm.) high; another caryatid carving, 13in. (33cm.) high. and bracket with Bacchus mask, 8in. (20.25cm.) high. (9)
An impressive silver Garrard & Co. commemorative wine cooler, Garrard & Co. Ltd., London 1973, commemorating 'Queen Elizabeth II Silver Wedding Anniversary', inscribed ER with crown above and 'Silver Wedding' to one side and '1947-1972' beneath crown and scroll to the other, in the George III style, of campana urn form with gadrooned border, cast relief grape vine decoration throughout, lion mask drop handles, pull out liner and lid, 10½in. (26.6cm.) high, gross weight 99.4 tr. oz.* Wine cooler and liner hallmarked, lid not marked but tests as sterling silver.** Condition: In very good condition overall. Slight dent to inner top of cooler, clear hallmarks.
A William IV silver chamberstick by Paul Storr, London 1837, also marked with retailer's mark, 'Storr & Mortimer', the urn form nozzle with detachable petalled drip pan on a five lobed circular base with reeded, foliate and crossed ribbon border, flying scroll handle and matched early Victorian snuffer, 6¾in. (17.2cm.) diameter, weight 13.1 tr.oz.* Condition: Marks clear to stick and drip pan. Snuffer a matched replacement - has a ding to silver towards top. Expected scratching to base from use. No other faults - good overall.
A George II silver baluster pepper caster, Samuel Wood, London 1743, with reeded borders, foliate and dot pierced domed cover and urn finial, 5¾in. (14.5cm.) high, weight 4.6 tr.oz.* Condition: Marks clear to base and cover. Good condition overall. Some wear to engraved decoration to cover and heavily worn engraved armorial / monogram to body. Small dent to top of one foliate pierced panel to cover.
A Doulton Burslem cabinet vase and cover by G White, the urn shaped vase with applied mask handles, painted with a classical woman in diaphanous robe sitting by a lake, the reverse with a swan swimming on the lake amongst flowering water-lily, in colours, highlighted in gilt, with peppermint green bands, printed factory mark, painted G White signature, 33cm. high
A rare Della Robbia Pottery three-branch candlestick by Marian de Caluwe, modelled as four bare-breasted classical maidens supporting urn sconces on their heads, wearing green and yellow costume, on stepped circular base, glazed in shades of yellow, green and cream, painted DR, MdeC, and 5, incised 241 and X cipher, 37.5cm. high Peter Hyland The Della Robbia Pottery Birkenhead 1894-1906, Antique Collector's Club, page 165 figure 175 for a comparable three-branch candlestick also by Caluwe. Provenance Hannah Jones (Della Robbia artist), thence by descent when purchased by the present collector in 1971.
A pair of Chippendale period carved giltwood girandoles,each surmounted by a flaming Adam-style urn over a cartouche-shaped mirror, two candle sconces, now wired for electricity, and a mirrored apron within an ornately carved frame,44cm wide110cm high (2)Provenance: The Estate of Mrs Annabelle Comery.
A George III mahogany bureau bookcase,the broken arched pediment centred with an urn, the plain panelled cupboard opening to reveal shelves and a blind fretwork frieze over a slope front with pigeonholes, and drawers over two short and three long graduated drawers, flanked with blind fretwork chamfered corners, on ogee bracket feet,117cm wide 59cm deep 220cm high
A French gilt bronze mantel clock,by Philippe Mourey (1840-1920), the enamelled dial with Roman numerals, striking the half hour, fitted in a spherical case surmounted with an urn and flanked with griffins, on a shaped stand with Greek key decoration, centred with a mask, impressed '5PH. Mouray 62', on a velvet and ebonised plinth under a dome,28.5cm high44cm overall
A LATE 19TH CENTURY FIGURAL GILT METAL AND WHITE MARBLE MANTEL CLOCK, cast with a male figure holding a piece of fruit and a knife beside the dial with urn of fruit surmount and side support of cornucopia with musical devices, circular white enamel dial (cracked) with Roman numerals, eight day bell strike movement marked 'BREVETE S.G.D.G 6236', lacks cover to back, on a shaped base with foliate and mask mounts, s.d., height approximately 46cm, with pendulum
A 19TH CENTURY GILT METAL AND PORCELAIN MOUNTED MANTEL CLOCK, urn surmount above an oval painted plaque of a lady within a foliate scrolled frame, the circular dial with turquoise porcelain ground and blue Roman numerals with central band of flowers, the dial flanked by two further oval plaques painted with floral sprays, the shaped oval base with rectangular plaque painted with a bird in a landscape, eight day movement with bell strike, the clock on a separate gilt wood stand and with a glass dome with ebonised base on bun feet, height of clock including gilt wood stand 37.5cm, height of dome 42.5cm, with key (glass dome has some cracks, the clock case has some evidence of repairs)
Royal Doulton twin-handled urn shaped vase, scene painted by George White, of a violin lesson with two ladies and a dog, on a pale green and cream ground with gilt handles, signed by the artist, 35.5cm. Provenance: part of The Stephen Furniss Collection . General surface marks, minor scratches and wear consistent with age and use. Large repair to the foot. Crazing evident to body.
A French late 19thC gilt metal and porcelain clock garniture, the clock mounted with an urn above a ceramic dial painted with Roman numerals, flanked by stylised pillars, headed by flowers, the shaped base on tapering feet, and a pair of two branch candelabra, each on a domed foot, the clock 36cm high, the candlesticks 21cm wide
A late 19th/early 20thC Meissen figure group, possibly modelled by Michel Victor Acier in the form of a lady carrying flowers and a bird, a lady with a bird cage and a gentleman beside a two handled urn, the circular base picked out in gilt, blue cross swords to underside, incised F94, 20.5cm high
Philip Betteridge, Walsall. A 19thC longcase clock, the arched dial decorated with Robert Adam style swags, patera etc., the mahogany and checker banded case with elaborate marquetry trunk, central urn with an oval to the door, the base with shell and spandrels, on bracket feet, 226cm high overall
An impressive Garrards silver wine cooler, Garrard & Co Ltd, London 1964, of plain polished campana urn form with gadrooned and shell cast rim, two acanthus leaf capped loop handles and raised on circular pedestal foot, all housing silver liner and collar, 26cm high, total weight approx 112.3oz
A George III silver ewer,Henry Chawner, London 1789,the urn-shaped body engraved with floral garlands, below a band of alternate scrolling foliage on a linear ground, and a 'bat-wing' edged, vacant rectangular cartouche, wooden handle,32.5cm high, 22ozProvenance: The Estate of Mrs Annabelle Comery.
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68904 item(s)/page