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A George III silver pepperette, by Robert Hennell & Samuel Hennell, London, 1803, of urn form with engraved initials, 7.5cms; another pepperette, by Jay, Richard Attenborough & Co., Chester; and a silver ashtray, 5.8oz. gross.

A Indo Persian white metal condiment set, comprising: mustard, salt and pepper; a Victorian silver cauldron pattern table salt; a silver urn pattern pepperette with weighted base; an Indo Persian plated metal bowl with floral decoration; a plated three-handled table salt; a set of six Siamese white metal napkin rings decorated with vessels at sea; and another napkin ring.

A reproduction bronze metal urn in the form of The Warwick Vase, cast with Bacchic heads with strap handles, raised on a square plinth, 38cms high.

Two 20th Century mahogany etageres, one with rectangular top, inlaid with urn issuing foliate swags, raised on ring turned supports and turned tapering feet, 61h x 49.5w x 34cms deep; the other with shaped top, inlaid with urn issuing foliate swags, raised on ring turned supports and turned tapering feet, 60h x 17.5w x 27.5cms deep.

A quantity of Herend porcelain, including: a classical style urn planter decorated with fruit and flowers; a pair of small planters with rose trellis design; and a pair of small planters with green leaf bands.

ROYAL WORCESTER LIDDED URN - 280CMS

A PAIR OF TOLEWARE TABLE LAMPS of urn form with lion ring handles and paw feet, each 30cm wide x 75cm high Condition: will need rewiring, shades only balance on top, small soldering area broken

A large ornate green floral encrusted urn on pedestal base

A GROUP OF AYNSLEY COFFEE WARES, VASES AND TRINKETS, comprising 'Pembroke' pattern coffee pot (finial reglued), cream jug (chip to rim inside), four coffee cans (two hairlines) and four saucers (one missing some pattern), twin handled urn, height 23cm (all seconds) and 'Pembroke' posy bowl and small covered vase, a 'Wild Tudor' vase, height 16cm and a pill box (15)

A Derby campana-shaped urn with landscape in reserve, 'Nr Worcester', height 31cm

An early 19th century Georgian needlework Alphabet Sampler worked by Elizabeth Louisa Ogilvie 1812, four rows of letters and numbers above a panel of stylised trees and plant in urn with six sets of crowns and initials above, all within a stylised border, 30cm X 26 in thin ebonised frame

A LOUIS XVI STYLE ORMOLU CLOCK, 19TH CENTURY an urn shaped body, with foliate scrolls shaped as handles, the cover features a bouquet of rosettes, the base of the urn formed from acanthus leaves centered with a garooned shaped pine final, two triton putti flank either side of the urn, each draped in acanthus leaves with a vine of rosettes connecting the two, the clock face with roman numerals and arabic numerals, and a twin-train movement, the hands of gilt metal formed as scrolls, all atop a rectangular base with foliate strapwork on four toupie feet, the interior mechanism stamped 203; overall height of clock: 43 cm (16 7/8 in.); dimensions of clock base: 35.56 x 15 cm (14 x 5 7/8 in.)PROVENANCE Christie's New York, 29 October, 2002, lot 134Acquired at the above by the current owner. CONDITION The clock appears in age-appropriate condition. Overall surface dust visible to the mantle clock. Minor patina visible to the gadrooned pine finial as well as the bodies of the putti's. Should be noted that the clock was not wound and does not appear in working condition. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A FRENCH BRASS AND MARBLE FIGURAL CLOCK, EARLY 20TH CENTURY the brass formed as a cherub riding a chariot led by a lion, the wheel formed from the clock face, the clock face with roman numerals with metal hands and a gilt face, the base formed as a rectangle from marble with a gilt chariot scene featuring a goddess led by horses and a cherub, flanked on either side by a gilt urn, stamped on the interior AI in a oval cartouche and numbered 12954; overall height: 44.45 cm (17 1/2 in.); dimensions of base: 43 x 14 cm (16 7/8 x 5 1/2 in.) CONDITION The clock appears in age-appropriate condition. Overall surface dust and darkening visible to the clock, most notably to the brass figural group. Patina has occurred to the gilt scene in various places. Should be noted the clock does not appear in working condition. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A FRENCH ORMOLU AND CHAMPLEVE ENAMELLED THREE-PIECE GARNITURE, 19TH CENTURY the set with a conforming foliate and floral motif with gold and blue accents, of urn shape the clock body supported by two putti's, handles formed from rossettes, the cover with a pine cone finial, the face with Roman numerals and twin-train movement, on a shaped base with toupie feet, flanked by two armed candelabras formed from branches with a single putto, inscribed E. Henry lower right of clock face; height of clock: 42 cm (16 1/2 in.); height of candelabras: 30 (11 3/4 in.)PROVENANCE Christie's, NY, 28 October, 2002, lot 133 Acquired at the above by the current owner CONDITION The set appears in age-appropriate condition. Scattered patina and rubbing resulting in losses. Overall surface dust and grim visible. The clock is not in working condition and does not wind with a key. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A PAIR OF FRENCH ORMOLU-MOUNTED PORCELAIN CANDELABRA, LATE 19TH-EARLY 20TH CENTURY of urn form, five light candelabras with a cobalt ground and gilt details, the arms formed from acanthus with floral detailing, the body with three terminating goat heads, the rounded foot rim with three putti connected with a floral garland swag, on rounded feet formed from acanthus; overall height: 58 cm (22 7/8 in.) CONDITION The pair appears in very good original condition. Overall surface dust and grim visible to the foot rim and gilt detailing. Scattering dark spots to the goat heads, putti and foot rim. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A LOUIS XVI-STYLE WOOD CARVED BLACK GILT SIDEBOARD, LATE 19TH-EARLY 20TH CENTURY black and gilt wood carved sideboard of elongated rectangular form, with a centered mirrored back flanked by two porcelain portrait plaques each in a gilt acanthus cartouche with foliate and floral branches, three floral porcelain plaques each in a acanthus cartouche, the backboard features a small gilt beaded motif capped at each end with a gilt urn, each portrait plaque is centered on a cabinet, which is flanked by corinthian columns with gilt acanthus leaves, below two open shelves are visible and are flanked by two matching corinthian columns, on squat baluster feet with a foliate and beaded motif; overall height: 140 cm (55 1/8 in.); dimensions: 127 x 45 cm (50 x 17 3/4 in.) CONDITION The sideboard appears in age-appropriate condition. Rubbing and peeling to the gilt accents, most notably to the lower left, and lower center around one of the porcelain floral plaques. Minor surface dust visible to the naked eye. Splitting of wood visible lower left measuring at, 86 cm (33 7/8 in.) and lower right measuring at, 62 cm (24 3/8 in.), visible to the naked eye. Major Splitting of wood visible on upper center verso, measuring at, 56 cm (22 in.), visible to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A SEVRES STYLE PORCELAIN URN, GILLY, LATE 19TH CENTURY a sevres style soft-paste vase of ovoid form, the recto featuring a country scene of two men and a woman, one man and the woman stand together in the background in front of a stone cottage, the other man rides his horse on a dirt path, the scene is centered in gilt cartouche signed Gilly, lower right of scene, the verso scene featuring a landscape with a stone castle with a lake and a wooded landscape, the body features an anthemion motif continuous into the strapwork of the tapered neck and base, the lid features an anthemion motif mimicking the body with a garooned pine finial, all against a vienna cobalt ground,marked with facsimile sevre mark between two double-louis under lid in dark gray overglaze, overall height: 71 cm (28 in.) CONDITION In age-appropriate condition. Overall craquelar visible to the scenes and the base. Rubbing to the gilt rim details. Light surface scratches visible to the body. The vase itself is off kilter but is in stable condition. Inspection under UV shows no apparent signs of restoration. Otherwise no other issues to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A GEORGE III SILVER-GILT URN, WILLIAM BURWASH AND RICHARD SIBLEY, LONDON, 1811 of campana form, two handles formed from coiled snakes who are rising form the head of mercury, the base with a continuous motif of bulrush and acanthus leaves, the rim with patarae and anthemion in strapwork and a gadrooned budding finial, the recto and verso center features a crest flanked by two dogs, with a banner reading, HUMAN I NIHIL ALIENUM;; the urn marked with maker's mark, city mark, date mark and duty mark visible on the interior of cover and base of urn; overall height: 43 cm (17 in.); total weight: 3.85 kg (132 oz.) PROVENANCE Charles 2nd Earl of Talbot thence by descent to The Earl of Shrewbury and Waterford Christie's London, 17 October 1962, lot 139 Acquired at the above by the current owner CONDITION In age-appropriate condition. With overall tarnish resulting in discoloration. Would benefit from a polish, otherwise no other issues apparent to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

AN BRITISH SILVER-PLATED AND CUT GLASS TWO-PIECE EPERGNE, PROBABLY DESIGNED BY AUGUSTE ADOLPHE WILLMS (1827-1899), ELKINGTON & CO., BIRMINGHAM, 1872-1873in Egyptian Revival taste, four-light, with three scrolling arms, the body formed as an urn with three sphinx, supported by three lion's paws, atop a mirrored trefoil support, candelabra stamped under base with maker's marks, date mark L for 1872, lozenge patent mark, numbered 7792, base stamped along sides with maker's marks, date mark M for 1873, numbered 8626; height of candelabra: 62.8 cm (24 3/4 in.), overall dimensions of stand: 7.5 (h) x 36 (w) x 34 (d) cm (3 x 14 1/8 x 13 3/8 in.)LITERATUREFor a related example of this model is Kenneth Crisp Jones, The Silversmiths of Birmingham (1981), p. 166, fig. 165 (illustrated)CONDITION Both the candelabra and base are in age-appropriate condition. Minor tarnishing and attractive rainbow toning in places. Several fine scratches to the mirrored base, the longest measuring 3.5 cm (1 3/8 in.) The set of bowls appear in very good original condition. Minor surface scuffs to one of the small bowls. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

AN AMERICAN NINE-PIECE SILVER TEA SERVICE, MAUSER & CO., NEW YORK, 1887-1903the tray, hot water urn, coffee pot, teapot, covered sugar bowl, creamer and bowl repoussed in conforming grape bunches, with plain candle wick trimmer, all monogrammed HNW (save for candle wick trimmer), each marked with 985 and sterling silver standards, maker's mark, serial number 17002; overall weight: approximately 10.48 kg (337 ozt)comprising: a) a two-handled tray, stamped with serial number 5812B and 13 inch under base; dimensions: 53 x 68 cm (20 7/8 x 26 3/4 in.), weight: 5.75 kg b) a hot water urn, stamped with number 1 and 3 1/2 pint under base; overall height with handle: 26 cm (10 1/4 in.), weight: 1.3 kg c) a hot water stand, numbered 2 under base; overall height: 17 cm (6 3/4 in.), weight: 800 g d) a teapot numbered 2 under base; overall height: 26 cm (10 1/4 in.), weight: 700 g e) a coffee pot stamped 2 1/2 pint under base; overall height: 23 cm (9 in.), weight: 700 g f) a two-handled covered sugar bowl; overall height: 14 cm (5 1/2 in.), weight: 505 g g) a bowl; overall height: 10 cm (4 in.), weight: 294 g h) a creamer stamped 3/4 pint under base; overall height: 16 cm (6 1/4 in.), weight: 274 g i) a candle wick trimmer, numbered 2 under base; overall height: 5 cm (2 in.), weight: 157.5 g CONDITION Overall the service set appears in very good original condition. Minor wear and use to each element. Visible polish residue to some of the elements. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A antique hand finished lidded glass urn. (slight nibbles to rim & rim of lid) Not visible from the exteriorh33cm

Veritas Lamp works, London, brass and copper Hurricane Stove and a copper and brass urn, tallest, 30cm (2)

Ginori porcelain urn with sepia landscape decoration to front and verso with gilt scroll handles, Ginori factory mark to base

A Chinese Ming style crackle glaze urn raised on tripod support 

An impressive silver centre piece having oval cut glass fruit bowl to top, the elongated oval base is domed with two curled griffin either side of the urn shaped centre support - Birmingham 1896 maker Elkington and Company - 70 ozt - length 45 cm, Height 31 cm

Late 19thC Royal Worcester porcelain urn with cover , flaming finial decoration of pixie masks, griffins, column having four dolphins to base on raised circular foot - Ht. 36cm

Four pieces of Vienna porcelain with decoration of gilt borders and classical scenes - 1) Large dish diam. 36cm, 2) Dish diam. 27cm, 3) Dish diam. 25cm, 4) Urn- Ht. 27cm

Wedgwood three colour Jasperware pot pourri urn with bud finial, gadrooned border, ram masks, swags, oval cartouches with nymphs. Ht. 32cm. Impresed mark to base

Victorian chased silver sugar shaker with urn finial - London 1893 - 9.0 ozt, maker G M J

Porzellan, Camaieudekor in Eisenrot, Vergoldung. Modell 920, Neuzierat. Der Rand und die reliefierten Zieraten mit goldradiertem Mosaik und anhängenden zweifarbigen Röschen und Blättern. Im Spiegel, im Inselstil, die feingemalte Darstellung der trauernden Klymene am Grab ihres Sohnes Phaeton. Um die monumentale Grabsäule mit bekrönender Urne und Spruch, die zu Pappelbäumen erstarrten Sonnentöchter, die Schwestern des Phaeton. Im Hintergrund der von Apoll zu einem Schwan verwandelte ligurische König Kyknos. Blaumarke Zepter, Pressnummer 13. D 24,8 cm.Berlin, KPM, 1783.Im Januar 1783 gab der König ein Service bei der Manufaktur in Auftrag, welches ausschließlich seinen geliebten ovidischen Metamorphosen gewidmet sein sollte. Friedrichs Leidenschaft für die römisch-griechischen Mythologien spiegelte sich nicht nur in der Gestaltung von Porzellan, sondern auch in zahlreichen Gemälden und Interieur, wie z.B. im Ovidsaal in den Neuen Kammern oder dem Konzertzimmer in Schloss Sanssouci. Wie bei vielen anderen Servicen hatte der König auch hier exakte Vorstellungen über die Umsetzung des Dekors, welcher der Vorlage des französischen Kupferstichwerks "Les Métamorphose d'Ovide" (1767 - 1771) von Pierre Basan folgte. Bereits im Dezember 1783 wurde das Service auf Schloss Sanssouci geliefert und ist in den dortigen Inventaren der Silberkammer verzeichnet.ProvenienzSammlung Renate und Tono Dreßen.LiteraturVgl. Lenz, Berlin 1913, 2. Bd., Taf. 150, Abb. 708.Vgl. Teller und andere Formteile bei Köllmann, Braunschweig 1966, Bd. 2, Taf. 141. Zur Geschichte des Services s. Bd. 1, S. 306.Weitere Stücke aus dem Besitz der Stiftung Huis Doorn abgebildet im Kat. Kaiserlicher Kunstbesitz, Berlin 1991, Nr. 105.Zur allgemeinen Darstellung ovidischer Szenen auf Porzellan s. Braesel, Ovid auf Porzellan, Speisen und Erzählen, in: Keramos 196/2007, S. 3 - 13.Vgl. Kat. Kronschatz und Silberkammer der Hohenzollern, Berlin-Brandenburg-München 2010, S.46.Model no. 920 with Neuzierat mouldings. The relief moulded rim decorated with gilt etched mosaics and roses. The centre of the well with a finely painted depiction of Clymene mourning at the grave of her son Phaeton. The grave monument, crowned by an urn and an inscription, is surrounded by the sisters of Phaeton – daughters of the sun who were transformed into poplar trees. In the background is Cycnus, King of Liguria, who was transformed into a swan by Apollo. Blue sceptre mark, pressnummer 13. D 24.8 cm.1783.In January 1783, King Friedrich II placed an order with the manufactory for a service which was to be exclusively decorated with scenes from Ovid's Metamorphoses, which he loved. The king's passion for ancient Greek and Roman mythology not only found its expression in porcelain designs, but also in the numerous paintings which decorated the interiors of his castles, such as the concert room and the Ovid Gallery in the New Chambers of Sanssouci. As with his many other services, the king had a precise idea in mind of how he wanted it to be decorated. The designs were to be based on the engravings from the French work "Les Métamorphose d'Ovide" (1767 - 1771) by Pierre Basan. The service was delivered to Sanssouci Palace in December 1783 and is listed in the inventory of the silver chamber.ProvenanceCollection of Renate and Tono Dreßen.LiteratureCf. Lenz, Berlin 1913, vol. 2, pl. 150, illus. 708. Cf. plates and various moulded items in: Köllmann, Braunschweig 1966, vol. 2, pl. 141. For more on the history of the service, see vol. 1, p. 306. Further pieces in the possession of the Stiftung Huis Doorn are illustrated in cat.: Kaiserlicher Kunstbesitz, Berlin 1991, no. 105. For general information on the depiction of scenes from Ovid on porcelain see: Braesel, Ovid auf Porzellan, Speisen und Erzählen, in: Keramos 196/2007, p. 3 – 13. Cf. cat. Kronschatz und Silberkammer der Hohenzollern, Berlin-Brandenburg-Munich 2010, p.46.

19th century Copper and Brass Tea Urn with swing ebonised handle, 39cms high

Victorian cast iron door stop, cast iron urn form door stop and a brass sheep door stop (3). Provenance: The Margaret Bide Collection.

Pair of George ll silver baluster casters, each with a lion and a shield crest, and a domed cover with urn finial, one pierced, on a raised circular foot, by Christian Hillan, London 1735, H. 14.7cm, 404.7 grams (2)

A large terracotta garden urn with three lug handles and incised detail, 66 x 72 cm

A PAIR OF GEORGIAN TOLE CHESTNUT URNS AND COVERS, of pedestal form, with lion mask and ring handles, the sharply upswept cover to a simple acorn knop, picked out with gilt borders and swags. 31cm high The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Alot of paintwork is rubbed off, both on lids and bases, the lids have dents, finials have slight knocks, one urn is not attached to its base, both in need of restoration. 

A DERBY PORCELAIN POT POURRI VASE, CIRCA 1820, urn form with gilt grotesque masks and pierced rim, raised on four claw feet to a square base, gilt foliate scroll decorated on blue and white grounds, red Nottingham Road factory mark to base. 9cm high, 11.5cm wide (lacks cover)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Lacking cover, hairlined to rim, usual rubbing to gilding and crazing. Condition report made 190321.

AN EDWARDIAN INLAID MAHOGANY VITRINE, the string inlaid frieze surmounted by an arch inlaid with an urn and ribbon tied bellflower swags, above a pair of glazed doors enclosing fixed shelves, over a pair of panelled doors inlaid with baskets and scrolling foliage, raised on cabriole legs. 192cm high, 127cm wide, 36.5cm deep

AN EARLY 19TH CENTURY MAHOGANY BOW-FRONTED CHEST OF DRAWERS, the crossbanded top above two short over four long graduated drawers, each fitted with brass urn-backed oval ring handles, raised on turned feet. 122cm high, 118cm wide, 63cm deep

1950's Palissy 'Gayday' ceramics and an urn, along with some other ceramics.

Deckelvase/Duftvase o. Blumensteckvase, Sächsische Porzellanmanufaktur Freital, 2. H. 20. Jh. Porzellan, weiß. Urnenform mit kannelierter Wandung, Deckel kreisförmig durchbrochen. Unterglasurblaue Marke. H. 24 cm Lidded vase/scented vase or flower vase, Saxon porcelain manufactory Freital, 2nd half of the 20th century. Porcelain, white. Urn-shaped vase with fluted walls, circular openwork lid. Underglaze blue mark

Two garden urn flower pots (Largest H46cm)

SELECTION OF GILT DECORATED CERAMICS AND GLASScomprising a Royal Worcester teapot and coffee pot; a Royal Winton urn; a Cauldon centre urn with floral decoration; and a red glass vase (5)

MIXED LOT OF CERAMICSincluding a crested cup and saucer, Royal Stafford Noddy bowl, boxed, Mailing lidded preserve pot, Minton pin dish, boxed, two French comical plates, Carlton Ware ribbed jug, squat jug with a gilt neck and handle, Wedgwood twin handled urn style vase and a Sadler Art Deco style jug

WALNUT OF LONDON PAINTED MAHOGANY BEDROOM SUITEcomprising a wardrobe with a moulded top above two doors with applied urn and floral motifs flanked by canted corners, opening to reveal a fitted interior of a hanging space and glass front cabinets marked for Shirts, Underwear, Pyjamas, Sundries and Socks, above two drawers with a mirror and tie rack to one door, standing on cabriole supports, 193cm high, two matching bedside cupboards, each with two shelves above a cupboard door, on cabriole supports, 78cm high, and a shaped double headboard with built in bedside cupboards, each with two shelves above two drawers, on cabriole supports, 219cm wide

A Georgian mahogany dining chair with pierced urn back

A late Victorian overmantel mirror with urn finials on turned supports, 120cm high x 115cm wide

A decorative pottery urn, an A. Blogg spirit keg and a small Munro's Scotch Whisky jug

A Royal Worcester two handled urn, decorated with fishermen and a bay scene, gilt border, pattern 1684, 18cm.

An early 20th century gilt gesso overmantel, with urn and harebell crest over a ram's head motif and rectangular divided plate, W.137cm H.107cmCONDITION: Numerous losses including right swag to main urn, top left finial, ram's head to the top left corner and foliate banding around the reeded frame, some oxidisation to the plate, overall in need of extensive restoration.

A collection of assorted early 19th century and later carved ivory sewing accessories including tape measures, thimbles and thimble casesCONDITION: - pavilion shaped tape measure with was spool to the base, height 4.5cm, possibly had an additional base and incorporates some bone- acorn shaped tape measure, thread slightly worn as is the base finial, height 4.5cm- flower and roundel carved wax spool, a little dirty, 2cm- small acorn shaped pounce pot, now with wear to black decoration, 2.75cm- pierced ivory urn shaped thimble case, 7cm, a little dirty with the odd fine crack, housing a gilt rimmed ivory thimble, 2.5cm- pierced cylindrical needle case with bone ends, 8.5cm, a little dirty- egg shaped thread casket with hole drilled to one end, 5cm, discoloured- egg shaped oval bead with hole drilled at each end, 4cm- small barrel shaped tape measure, a little dirty, 3cm- egg shaped powder pot, looks to once have been stained red, now of mottled colouring, thread worn, 3.5cm- thimble, 2.5cm - near pair of thimbles with leaf and bead carved bases, 2.25cm and 2cm- egg shaped powder pot, with black enamelled roundel decoration, 3mc- small egg shaped casket, thread stuck shut, 2cm

A late 19th / early 20th century Vienna porcelain inkstand, modelled with a central figure of a standing harlequin flanked by urn shaped wells, painted with a lady and gallant in a garden along with floral scrolls, blue beehive mark, width 33cm height 18cmCONDITION: Overall porcelain and gilt work in good order, the central figure doesn't sit perfectly upon the base and lifts away, some of his fingers are missing, no mark to the underside, both urns have loose lids with the ormolu rims attached to the lids, both wells are loosely attached to the base, one coming away completely showing dirt marks and staining below but should clean and restore to good effect, depth 18cm

A French bronze and marble mantel timepiece, c.1900, with 5cm enamel dial, the elaborate case surmounted by a gadrooned urn, raised on a bow-front plinth flanked by ram's heads, applied with a floral swag and with a moulded white marble base, eight day movement No.21866, height 21cmCONDITION: Overall the gilt finish has been worn and rubbed away down to a dull bronze base tone but still some gilt highlights scattered throughout, dial a little out of alignment and a little dirty but otherwise good, hands oxidised, movement intact but not going, possibly a later replacement anyway, plinth with minor nicks around the edges.

A pair of 19th century French ormolu urn shaped candlesticks, with lions mask ring handles, height 15cmCONDITION: Some wear to the gilding, now overall with a matted tone and some verdigris near the lions masks, feet slightly bent out of shape.

A pair of Old Sheffield plate coasters, with fruiting vine borders, diameter 16.5cm.; an urn shaped hot water jug, engraved with CH monogram, height 23cm; and a rectangular waiter, engraved with crest and initials, width 16cmCONDITION: - coasters - rims worn down to the base metal, sides and inside showing the copper more than the silvering.- hot water pot with light surface scuffing and old repaired glueing to top of handle- waiter - polished down to the base metal

A bronzed urn form table lamp, 43cm

FOLLOWER OF JEAN BAPTISTE MONNOYER (1636-1699) AN URN OF SUMMER FLOWERS Oil on canvas 72 x 58cm. ++ Replaced stretchers; lined; some stretcher bruises and craquelure; a little thin in places; needs a clean

MICHAEL SCHILL (19th Century) AN URN OF MIXED FLOWERS Signed, oil on canvas, oval 74.5 x 62.5cm. ++ Lined; some craquelure, paint separation and bitumen damage; needs a clean

A NEOCLASSICAL STYLE ORMOLU WALL CLOCK, with a 12 cm enamelled convex dial signed 'Leroy A Paris' with an eight day two train 'Japy' type movement stamped L.F.A. 16 striking on a bell, the case surmounted by an urn, with hanging swags and leaf decoration. With key and pendulum, 54cm high.

A LARGE RECONSTITUTED STONE GARDEN URN ON PEDESTAL, the urn with domed top and ball finial on a square pedestal base, 165cm high 58cm wide.

A VICTORIAN STYLE BRASS AND LEATHER CLUB FENDER, of extendable design with a central urn shaped finial, the raised corners with maroon upholstered seat pads, 48cm high, 137cm wide (closed).