A late 19th Century French gilt spelter and porcelain mantel timepiece, the porcelain circular dial with central landscape framed by black Roman numerals and puce border, the case with flower charged urn surmount above a pair of drop handles on an egg and dart moulded base and scroll feet, height approx 29cm, with pendulum key and giltwood stand.
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A late 19th Century brass cased mantel clock with eight day movement striking on a bell via an outside countwheel, the embossed dial inset with white enamel hour plaques with black Roman numerals and inscribed `Louis Levy a Reims`, the case with urn finial above cast and pierced scrolls, height approx 39.5cm, with pendulum and winding key.
A late 19th Century French bronze and parcel gilt mantel clock with eight day Japy Frères movement striking on a bell, the circular dial applied with blue enamel hour markers with gilt Roman numerals, the urn shaped case flanked with foliate scrolls beneath a shallow dish and cover surmount, the base with cast lunette and foliate border on pierced anthemion and talon feet, height approx 32.5cm, with pendulum and winding key.
A Derby porcelain vase, early 19th Century, the ogee body painted with floral sprays, on a square base, painted factory mark including `33` and impressed `No 138` to base, height approx 21.5cm, together with a porcelain urn shaped vase decorated with a biscuit floral band above painted sprays of flowers, on a circular foot, height approx 12cm (faults).
A mid/late 19th Century French brown patinated cast bronze lamp base in the form of a classical urn, decorated in relief with a continuous band of figures, on an acanthus leaf spreading foot, bearing `Réduction Mécanique A. Collas Breveté` foundry plaque to underside, height approx 24cm (converted to electricity).
A collection of silver dressing table items, including A collection of silver dressing table items, including: a jewellery case by Deakin & Francis, Birmingham 1918, the cover engraved `M.C.`, on four scroll feet, 17.5cm, with a velvet liner; a circular trinket box by William Henry Leather, Birmingham 1915, the hinged cover with a gadrooned border and engraved with an urn, on three trefoil feet, 8.3cm diameter; and a matched five piece silver mounted dressing table set by Mappin & Webb, London 1923 and 1930, the hand mirror with gadrooned and reeded borders, engraved `MC` and a bell shaped terminal, 26.5cm long; and other items View on Bloomsbury.com
A late Victorian silver shaped circular salver by Solomon Hougham, London 1894 A late Victorian silver shaped circular salver by Solomon Hougham, London 1894, with a gadrooned border and on three claw and ball feet, 21.5cm diameter; a circular pedestal sugar bowl by Cohen & Charles, Birmingham 1967, on a circular pedestal foot, 10.5cm diameter; a late Victorian oval straight-sided mustard pot by George Nathan & Ridley Hayes, Chester 1900, with an urn finial to the domed cover, a shell thum piece, a scroll handle and a gadrooned border, 10cm long, with a blue glass liner; five oval napkin rings; and an Indian silver coloured small hexalobed bowl, Calcutta, circa 1900, embossed with foliate sprays, an elephant, a figure and fish, 10cm diameter, 435g (14 oz) gross View on Bloomsbury.com
Two George III silver mustard pots, comprising Two George III silver mustard pots, comprising: one drum shaped by Robert Hennell I, London 1783, with worn engraving to the cover, a pierced thumb piece and a double-scroll handle, 8cm (3 1/4in) high, with a blue glass liner; the other navette shape by William Abdy II, London 1801, with an urn finial to the conical cover, an S-scroll handle and bright-cut engraving, 10cm (4in) long, 222g (7.15 oz) weighable View on Bloomsbury.com
A George III silver urn shaped caster by Hester Bateman, London 1789 A George III silver urn shaped caster by Hester Bateman, London 1789, with a baluster finial to the double domed and pierced cover, engraved with foliate decoration, a reed band and on a square foot, 16.5cm high, 110g (3.55 oz) View on Bloomsbury.com
A Regency rose cut diamond and enamel urn stickpin, circa 1810 A Regency rose cut diamond and enamel urn stickpin, circa 1810, the red and white enamelled urn with rose cut diamond accented finial, lid trim and foot, with scrolled handles; together with a pearl set stickpin; a seed pearl set vine leaf stickpin; a turquoise and diamond stickpin; a turquoise matrix set stickpin; and a seed pearl and garnet accented stickpin View on Bloomsbury.com
An Italian silver urn on stand, 1872 - 1933 optional mark An Italian silver urn on stand, 1872 - 1933 optional mark, the half lobed urn with a floral band and twin handles, mounted on a cylindrical column to a square stand with a stiff leaf border and on four paw feet, 16.5cm high, 239g (7.7 oz) View on Bloomsbury.com
Henri II style carved oak buffet, circa 1890, the three door superstructure centering a panel with a carved urn and flourishes, above a niche with a beveled mirror, flanked by glazed compartments fronted with Doric columns, the lower case with three drawers above three doors with raised paneled fronts, the center door carved with flourishes, flanked with fluted columnar supports, and rising on a molded base, the whole resting on compressed bun feet; 91""h x 68""w x 24""d (key in office)
Italian polychrome decorated and partial gilt eight light chandelier, each arm with acanthus reserves accented with crystal prism drops continuing to the urn form support with Greek key frieze, 22""h x 32""w (some prisms lacking). Provenance: Property from the Estate of N. Lee. B. Herbst-Gruhn, San Francisco, CA (Fixtures removed from the Herbst-Gruhn Residence, 2800 Pacific Ave, San Francisco)
A large Dresden or Meissen covered urn, mid 18th or early 19th century, decorated with very finely painted panels of lovers in the manner of Watteau and with panels of flowers set in a blue ground. Some evidence of misfiring. The base with a blue mark, probably a misfired crossed swords and with impressed numerals typical of Meissen manufacture. Significant chips and wear to gilding.
A 19th Century French ormolou mantle clock, the architectural body with champleve enamel of classical palmettes and stylised foliage, the stepped plinth base raised on bun feet, flanked by two cupids, freestanding pillars to angles one holding laurel spray, the centre ofthe clock with seated female cherub with butterfly wings pouring an urn into a cup, possibly representative of Hebe, the dome above flanked by grotesques, marked to back of mechanism Le Roy et FIls N 8J50 A Paris, with key and pendulum, approx. 54cm high.
A small tortoiseshell veneered toilet mirror with turned ivory urn finials, height 34.5cm. Condition Report: A section of tortoiseshell on the top surface of one of the scrolling feet has gone opaque together with a lower section of the frame near this same area. Slightly opaque cracking to one of the ivory urn finials. The silver to the mirror has flakes in areas. The mirror sits twisted in its frame.
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