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LOUIS XIV STYLE GILT BRONZE MANTLE CLOCK, BY SUSSE FRERES, PARIS 19TH CENTURY the circular signed white enamel dial with Roman and Arabic chapters and twin winding holes, in an architectural case with lion mask loop handles, acanthus, laurel trails and an urn finial, raised on paw feet on a shaped platform base; the eight day movement striking a bell and stamped 1482(55cm high, 35cm wide, 20cm deep)
LARGE FRENCH GILT AND PATINATED BRONZE MANTEL CLOCK 19TH CENTURY the circular white enamel dial with Roman and Arabic chapters and twin winding holes, in a cylinder case surmounted by an urn with pinecone finial, flanked by seated putti holding flower garlands, on a shaped rectangular base with a shell motif and raised on scroll feet, the eight-day movement striking a bell(56cm wide, 67cm high)
FRENCH MARBLE AND GILT BRONZE THREE PIECE CLOCK GARNITURE LATE 19TH CENTURY the cream enamel dial with Arabic chapter and two winding holes, in a cylinder case set between tapered columns surmounted by urn finials and hung with flower garlands, the eight-day movement striking a bell; the matching candelabra with twin scrolling candle arms and central flaming urn, on square stepped bases with bun feet(clock 27.5cm wide, 51cm high, 11cm deep)
PAIR OF FRENCH MARBLE, BRONZE, AND GILT METAL GUERIDONS LATE 19TH CENTURY/ EARLY 20TH CENTURY the circular brass banded white marble tops raised on in-curved legs surmounted by rams' masks and ending in hoof feet with castors, with a conforming undertier and united by stretchers with a central urn finial(71cm wide, 71cm high)
LATE GEORGE III SATINWOOD AND INLAID BOOKCASE, IN THE MANNER OF WILLIAM MOORE OF DUBLIN LATE 18TH with a dentil moulded stepped cornice, above a rosette inlaid frieze, the astragal glazed doors enclosing shelves, above a lower concave frieze drawer flanked by two further drawers, inlaid with flowers and interspaced foliage, the central concave doors flanked by further doors centred by an oval panel decorated with a classical urn draped in laurel swags, raised on square tapering legs and spade feet(146cm wide, 195cm high, 48cm deep)
COLLECTION OF REGENCY AND REGENCY STYLE GLASS 19TH CENTURY AND LATER comprising: a set of eight double lipped glass rinsers, the lower body cut with flutes, 11cm high; a set of four 'batwing' salts with diamond cut scalloped edges on an oval star cut foot, 6.5cm high; a set of four boat shaped salts cut with a band of diamonds with a crenelated rim, on a diamond shaped foot, 9cm high; and a pair of salts of urn shaped form, with out-turned rim, on a square foot(8cm high)
A set of four 18th century style French glass wall sconces, in the manner of Maison Bagues, each modelled as a foliate urn, with twin branch light candle sconces/light fittings, 53cm high (4) Provenance: Ruyton Hall, Shropshire Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition report; Extensive tarnishing to metal branches, behind the glass urns, leaves and flowerheads, twisting to some branches, possible bead losses with minor chips and nibbles to glass beading and leaves, two branches lacking candle effect fitting, see further individual images.
After Sir Godfrey Kneller (Lubeck 1646/9? London 1723),Portrait of Louise Renee de Penencoet de Keroualle, Duchess of Portsmouth (1649-1734),Three quarter length, wearing a green dress and red cloak with a Grecian urn to her left and an Italianate landscape to her right,Oil on canvas,127cm x 100cmNote: The original painting is in the National Trust Collection at Sudbury Hall, Derbyshire Provenance: Ruyton Hall, Shropshire CONDITION REPORT:The picture has been relined at some point in the past. The paint surface shows expected surface cracking and visual evidence of restoration, particularly to the chest and lower areas, confirmed by UV inspection. The frame shows some small losses to the gesso, an open joint between the back and front sections and an open joint to the top left corner, together with crazing and small losses to the gilt painted finish throughout.Framed dimensions: 144.5cm x 120cm
A pair of Victorian silver pepperettes by John Aldwinckle & Thomas Slater, London 1888, each of urn form on stepped bases with bright-cut decoration and pierced pull-off lids, 8.2cm high, together with a continental silver pepperette, of globe and shaft form on circular foot, 9.5cm high, and a George V silver pepperette 8.3cm high, gross weight of group 5.44ozt (4)
A Victorian silver tea caddy Pairpoint Brothers, London 1896, of plain polished octagonal form with urn shaped finial to hinged cover, 9.7cm high, weight 5.21ozt Provenance: Ruyton Hall, ShropshireCondition Report; Overall very good. There are a few small dents to some of the corners on the cover, but no other major dents, splitting or signs of repair. Hinged cover is in good order, opening smoothly and sitting flush. There is moderate wear to the maker's mark, but the rest are crisp and clear. Caddy sits flat on a level surface.
A pair of George V silver pepperettes by S Blanckensee & Son Ltd, Birmingham 1914, each of urn form on spreading circular feet with pierced pull-off cover, each 8.9cm high, together with a pair of silver open-salts by William Devenport, Birmingham 1898, gross weight of group 6.63ozt (4)Provenance: Ruyton Hall, Shropshire
Garden pots and urns: A substantial Doulton stoneware urn on stand, late 19th century, 200cm highPart of the Irish Collection of Garden Statuary and Ornament, see lot 35 for further informationAlthough the firm of Doulton was established by John Doulton in 1815, it wasn’t until the latter half of the 20th century that the company expanded its line of ceramics into decorative wares including a range of garden ornaments including figures fountains and urns.Sir Henry Doulton died in 1897 and his son Henry Lewis Doulton took charge of the company. A limited company was formed on 1st January 1899 called Doulton & Co. Ltd. The company was granted the Royal Warrant in 1901, which gave it the right to use the word ‘Royal’ in its title, hence Royal Doulton.
Garden pots and urns: An rare Doulton stoneware urn, late 19th century, 91cm highPart of the Irish Collection of Garden Statuary and Ornament, see lot 35 for further informationAlthough the firm of Doulton was established by John Doulton in 1815, it wasn’t until the latter half of the 20th century that the company expanded its line of ceramics into decorative wares including arrange of garden ornaments including figures fountains and urns.Sir Henry Doulton died in 1897 and his son Henry Lewis Doulton took charge of the company. A limited company was formed on 1st January 1899 called Doulton & Co. Ltd. The company was granted the Royal Warrant in 1901, which gave it the right to use the word ‘Royal’ in its title, hence Royal Doulton.
An extremely fine large 19th Century French gilt Console Table, of triple breakfront outline with white veined marble top, above a frieze with a series of interlaced ribbon form ovals, all centred with a partrae, the frieze centred with a winged classical female figure seated and issuing leaf sprays raised on six baluster bead moulded fluted legs headed with leaf capitals united by a conforming shaped stretcher with a centre two handled urn and flanked to either side with a seated cherub holding an olive branch, 38"h x 102"w x 25"d (97cms x 260cms x 64cms). (1)Provenance: Clonmannon House, Co. Wicklow, Sir Alfred Chester Beatty. (Lot 100 May 21st, 1968, conducted by James Adams & Sons)
A fine quality 20th Century copy of the gilt-metal mounted, burr walnut siphon-tube Barometer, in the Royal Collection at Hampton Court Palace supplied by Thomas Tompion, surmounted by a large flaming urn finial on a moulded plinth over a trunk set with a mounted Doric pilaster on a plinth flanked by a pair of scroll side pieces over a pair of columns and shaped bow fronted lower section set with an engraved silvered inverted scale ranging from 28" to 31" with seven weather predictions, signed Tompion, London, the recording nibs operated by a pair of rack and pinion knobs below, further set to the base with two silvered calendar dials registering the date and month, 1.1m (3'8") high. (1)* This barometer is a faithful copy of the one that Thomas Tompion supplied to Hampton Court Palace in the early 18th Century. The original is illustrated and discussed in Goodison, English Barometers 1680 - 1860, Potter 1968, plates 140 - 142.
A Regency-style mahogany cheval mirror,the rectangular bevelled plate on supports topped by an urn finial, terminating in swept to square tapering legs and brass castors,59cm wide62cm deep156cm highCondition report: Sunbleached, watermarked, veneers cracked in places.Losses to ebony stringing in places.Finials later replacements.
A pair of Chinese elm bedside tables or urn stands,early 20th century, each with a square top over a shallow drawer, on square legs united by a shelf and latticed undertier,37cm wide37cm deep77cm high (2)Condition report: Watermarked and stained, polished-in dinks and scratches, solid structural condition with cosmetic wear commensurate with age and use.
A Mayer creamware pedestal tureen and cover,c.1800, of urn form, painted in green and brown with anthuriums and line decoration, on a circular to square base,30cm high,a Wedgwood creamware comport, c.1800, decorated with a border of violets,32cm wide12cm high,two Wedgwood dishes,with leaf decorated borders, 18cm wide15cm deep2cm high, anda small lobed dish,with conforming decoration,17cm diameter (6)Condition report: All with professional restoration.
A Wedgwood creamware urn,c.1820, the reeded body with a scrolling handle to either side and on a circular spreading foot,32cm high, anda Wedgwood creamware stand,decorated with a blue and gilt feather border,28cm diameter7cm high (2)Condition report: Stopper restored, stand appear free from damage.
Collection of English and continental pottery and porcelain figures, 19th century and later, including a pearlware figure of an egg collector, a Minton figure of a man in fashionable dress standing before an urn, 20cm high, a pearlware model of a sheep, a figure of a shepherdess and others (7)
A 19th Century Victorian extending dining table having an oval top with extendable leaf, raised on cab legs with carved acanthus leaf decoration to the top raised on ball and claw feet, together with four chairs including two carvers and two dining chairs each having drop in leather pad seats, with urn back back rests and raised on cab legs. Measures 74 cm H x 177 cm W x 106 cm D
A pair of antique heavy cast iron campagna garden urns on matching cast iron bases. Approximately 82cm tall. The urns seem to have been repainted in the last 15/20 years. They are generally in good condition with age-related wear and tear. One urn has damage/ a small section missing to one rim as shown in the photographs.
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68904 item(s)/page