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Click here to subscribeA 19thC Roccoco style giltwood and gesso framed oval Mirror, glass replaced, with central oval surrounded by marginal panel, surmounted by an urn, the whole with swags, scrolls and twisted garlands, some losses, total height 65in x width 35in (165cm x 89cm). Note: this mirror has been screwed into a packing case ready for transport, the back is not visible.
A silver trophy cup by Elkington & Co. Limited, Birmingham 1924, of urn shape with lobed lower body, knopped stem, pair of looping handles, a pineapple finial, on stepped pedestal base inscribed 'Douglas & Clydesdale Amateur Boxing Club Challenge Cup Presented by the Officers of the Cameronians Scottish Rifles 1926' and with two winner's names 'Thomas Hunter, Welter 1926 - 27 and John Jarvie, Feather 1927 - 28', 29cm high, 26oz
Handel Reverse Painted "Daffodil" Lamp, c. 1915, shade signed "Handel, 7122" and artist monogram "A.P.", domical shade in "chipped ice" finish, the interior painted with continuous daffodils, red flowers and foliage on a black, green and pale blue ground; three socket cluster, over bronzed Neoclassical urn base, incised "Handel", h. 24 in., dia. 18 in Reference: De Falco, Robert; Carol Hibel, John Hibel. Handel Lamps, Painted Shades & Glassware, New York, H & D Press, 1986, pg. 169
Pair of French Dueling Épées, 19th c., triangular blades, shagreen and twisted wire grips, urn pommels, kidney form guards, remnants of leather and brass scabbards, blade l. 34 1/2 in. Provenance: Gaspar Cusachs, entrepreneur, historian and collector, (1855-1929); The Gaspar Cusachs Collection, loaned to the Louisiana State Museum, New Orleans, LA (c. 1909-2016).
AN EARLY 19TH CENTURY MAHOGANY CHEST ON CHEST, inlaid with boxwood and ebony stringing, having a moulded cornice above two short and three long graduated and cockbeaded drawers above three further drawers below, urn shaped ivory escutcheons and thistle embossed oval back plates and swing handles, shaped apron and on splayed bracket feet, 113cm wide x 56cm deep x 193cm high. See illustration
A LATE 19TH CENTURY FRENCH GREEN ONYX AND GILT BRASS CLOCK GARNITURE, the clock with classical urn finial applied with swags and dolphins, on scroll feet, white enamel dial with foliate swags, together with a pair of five light candelabra, the clock 43cm high, the candelabra 45cm high (3). See illustration
A pair of 19th century Grand Tour bronze urns, each with marble plinth. Height 22 cm (see illustration). CONDITION REPORT: These are both in generally good condition. As you will see from the images they have lost much of their original gilding. There is however no damage to the external body of either urn and only very minor nibbles to the marble bases. The inner lining of one urn has a 2 cm stress fracture to the liner bottom.
A late Victorian black slate mantle clock, with a pair of accompanying urns. Clock height 41 cm, width 32 cm. CONDITION REPORT: The clock case is in generally good condition with only very minor scuffs and chips as one would expect for an item of this age. There are no serious problems with the case. The brass bezel to the front door is a little tarnished but in good condition as is the glass. The dial is in good order. The clock movement is complete and we have the pendulum. The movement strikes correctly when advanced and appears to be ticking away. The accompanying urns are not quite a match to the clock. They are generally very dirty but have no significant problems. They both have minor nibbles and scuffs to the slate as one would expect. One urn has slightly more chips and scuffs than the other and the losses are a little more significant but not substantially problematic.
A matched pair of late Victorian silver candlesticks, both Sheffield, Hawksworth Eyre & Co. Ltd. 1894 and Harrison Brothers & Howson, 1898, in the Adam manner, of fluted oval form, with reeded borders, weighted bases, 8 3/8in. (21.25cm.) high, gross weight 24.3 tr.oz. (2), * Condition: Harrison Brothers & Howson: Has a matched drip pan. A few tiny dings to lower edge of base., Hawksworth, Eyre & Co.: Probable repair to joint of stem and urn mount to base. A few tiny dings to lower edge of base.
A large French baroque style mantel clock garniture by A. D. Mougin of Paris, early 20th century, the outside countwheel, bell strike movement signed 'A. D. Mougin Deux Medailles', no. H567, with Roman porcelain dial, the elaborate baroque style case with part silvered finish, covered urn surmount on stepped top with pierced foliate brackets and maiden mask cartouche, over a heavily decorated floral base with lion mask swing handles, over a platform base with lion mask appliqué and foliate paw feet, 23in. (58.5cm.) high, with a pair of matching four branch candelabra. (3)
A pair of French patinated bronze and ormolu candlesticks, second half of 19th century, the foliate urn sconces on patinated tapered and reeded columns with gilt acanthus capitals and urn mounts to gilt foliate circular bases, 11¾in. (30cm.) high, later converted to lamps, 16½in. (42cm.) high overall, complete with pale grey pleated silk shades. (2)
An inlaid slate cased mantel clock, late 19th century, white enamel Roman dial, marked 'Dufet A' Nantes', eight day bell strike movement signed for Vincenti, 1855, within a waisted form central body, with slate and Eretria marble top with bronze covered urn surmount, decorated with rose florettes and thorned stem handles, on wider base bearing Eretria marble inlay, 13in. (33cm.) high, 8¼in. (21cm.) wide.
A Greek buff terracotta Kantharos, of urn form, wide collar with everted rim, applied loop handles to sides, ovoid lower section on shallow counter stem into domed and channelled circular foot, 4½h x 5w in. (11.5 x 12.3cm.)., * Condition: 20mm and 5mm chips to rim, nibbling to rim, white latex type residue to bottom of foot, 6mm dimple to side, rubbing to slip decoration.
A 19th century Dutch marquetry fold over card table, the swivelling top with inlay of a central urn flanked by two birds, flowers and foliage, opening to reveal the baize lined surface surrounded by meandering inlay of flowers and leaves above the oak lined well, standing on four square tapered and inlaid legs.
A French late 19th century gilt brass cased mantel clock with Sevres style porcelain panels, the movement signed JBD (Jean Baptiste Delettrez), no. 3020 16-2, striking the hour and half-hour, the Roman dial with floral decoration to the centre, over a dished rectangular porcelain panel with painted putti, the case with acanthus moulding surmounted by an oval porcelain urn, standing on a shaped giltwood stand, 11½in. (29.25cm.) wide, 16¼in. (41.25cm.) high.
A pair of George III silver pedestal salts, London 1817, maker's mark partially rubbed, of circular urn form, gilt washed interiors, the pedestal foot with reeded band, engraved crests, 2in. (5.1cm.) high, weight 4.15 tr.oz. (2), * Condition: Maker's mark partially rubbed to both. Some rubbing to other marks but still legible. Otherwise good condition.
A Greek Hellenistic spindle perfume flask, everted rim over lightly tapering cylindrical neck to ovoid middle section narrowing to circular foot, 3¼in. (8.3cm.) height, together with an attic glazed terracotta wine cup, of urn form, large flared rim over narrowing body, supported on waisted stem to circular foot, 2½h x 2¾w in. (6.4 x 7cm.). * Condition: 4mm chip to rim of flask, 3mm chip to foot of flask, 25mm and 18mm chips to rim of wine cup.
A pair of Continental carved and stained beech three light wall appliques, mid 20th century, the electrical fitments above urn sockets with beaded drip pans, on metal arms with foliate carved mounts issuing from acanthus carved backplates, each with Prince of Wales' feathers finial and bellflower terminal, 66cm high, 39cm wide, 24cm protuberance
Frans van der Mijn (Dutch, 1719-1783) Portrait of a lady as a shepherdess, in a blue velvet and gold dress, three-quarter length, standing in white with a blue bodice, pearl bracelets and holding a basket of flowers and a huette, beside an urn upon a pedestal, oil on canvas, in a painted carved frame, 50 x 41 cm oil on canvas 50 x 41cm (20 x 16in) Provenance: Baron Ash, Wingfield Castle, Suffolk; thence by descent in the Leader family, Monks Hall, Syleham, Suffolk. Exhibited: Birmingham, The City Museum and Art Gallery, Jubilee Commemorative Exhibition, 1934 (when lent by Baron Ash). Lined canvas. Areas of raised craquleure which are vulnerable to flaking, but no large paint losses. Uneven and yellowed varnish layer. Frame in good condition, a few small cracks in the veneer.
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