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Lot 413
AN EARLY 18TH CENTURY WALNUT AND MARQUETRY LONGCASE CLOCK, the 11" break arch dial with silvered Roman chapter ring, Arabic five minutes and sword hilt half hour markers signed R Williamson, London, the matted centre with subsidiary seconds, shell engraved date aperture and rung winding holes, mask spandrels and tempus fugit disc to the arch centred by a rocking figure of 'Old Father Time', flanked by dolphin mounts and five ringed pillar movement. The dome top hood with three giltwood ball and spike finials over a cavetto throat moulding and long door with lenticle, urn bird and floral inlay and stepped base, 256cm high
Lot 430
A 19TH CENTURY FRENCH MANTEL CLOCK with convex white enamel Roman dial, Arabic five minutes, signed Cronier, Paris, pierced gilt hands, drum movement with bell strike, the white marble and brass case with urn finial and foliate scroll mounts flanked by fluted columns and turned feet, 32cm high
Lot 1549
Silver, comprising; two circular salts, each raised on three feet, London 1910 and 1919, with blue glass liners, three Victorian urn shaped pepperettes, each with embossed decoration and on a square base, London 1884 and another similar pepperette, apparently unmarked, five circular salts and three pepperettes, all detailed Dadah Nuggur, probably Indian.
Lot 407
GERMAN OAK BRACKET CLOCK, BY WINTERHALDER & HOFFMEIER LATE 19TH/ EARLY 20TH CENTURY with gilt metal urn finials above the silvered and gilt dial and subsidiary dials, with further gilt metal mask mounts and four paw feet, the movement striking on a bell and five gongs and stamped with maker's marks 72cm high
Lot 473
FRENCH GILT METAL AND PORCELAIN MOUNTED MANTEL CLOCK LATE 19TH/ EARLY 20TH CENTURY the urn shaped finial with cast flower swags above the painted porcelain dial and flanking plaques, raised on a bowed base with an inscription to verso, the movement signed LEROY & FILS/ PARIS/ 210, striking on a bell 27cm wide, 40.5cm high
Lot 503
DUTCH BURR WALNUT LONGCASE CLOCK BY WILLIAM GIB, ROTTERDAM LATE 17TH / EARLY 18TH CENTURY the high caddy top above a hood with blind fret carved arched frieze and brass urn and eagle finials, the pierced arch brass dial with Roman and Arabic chapters, subsidiary seconds dial, date aperture and three winding holes, engraved WILLIAM GIB/ ROTTERDAM above the long trunk with an arched door with a star etched lenticle, on a plinth base raised on turned bun feet, the eight day movement striking on nine bells 46cm wide, 252cm high, 26cm deep Provenance: The Contents of Mullanhead House, Balfron
Lot 505
DUTCH WALNUT MARQUETRY FALL FRONT SECRETAIRE 19TH CENTURY the rectangular top with outset square corners above a long frieze drawer, over a fall front opening to small drawers, cubby holes and a leather insert writing surface, over a pair of cupboard doors, raised on square tapered legs, with flowering urn, bird and flower marquetry throughout 93cm wide, 148cm high, 42cm deep
Lot 506
DUTCH WALNUT MARQUETRY BUREAU ON STAND EARLY 20TH CENTURY in two parts, the slant front over a long frieze drawer; the lower part with a long drawer and raised on cabriole legs ending on pad feet, with flowering cornucopia, figures, and urn marquetry throughout 79cm wide, 111cm high, 49cm deep
Lot 133
French 3 colour gold and Turquoise vinaigrette The cover set with a central turquoise flower on a matted ground surrounded by rose and white gold flowers with lemon gold leaves the pierced and engraved grill with an urn and scrolling foliage. PLEASE CLICK HERE TO VIEW 360 DEGREE IMAGESCondition: Old repair on base otherwise good condition
Lot 103
An interesting matched pair of figural spill vases, one a Staffordshire pearlware example c.1800, of a Classical maiden seated with a funerary urn on her knee, perhaps Antonia clutching the ashes of Germanicus, and a hard-paste porcelain copy of the figure's pair, often called Poor Maria, of a girl crying while her dog looks on, 20cm max. (2) Provenance: from a private collection in London. Lot labels for Christie's, 22nd October 1998, lot 34.
Lot 187
An impressive Minton porcelain vase and cover, c.1830, the urn shape richly applied with a variety of flowers, painted to one side with a panel of figures on a bridge before a castle nestled in a valley, the reverse with a finely painted floral panel, the reticulated cover surmounted with a putto finial, cracked, 44.5cm. (2) Provenance: from a private collection in London.
Lot 234
A Sèvres teapot and cover, c.1765-75, finely painted by Mme Pierre with an urn and a basket containing fruit and flowers, reserved on a rich blue ground, the spout entwined with floral garlands, interlaced LL mark, painter's mark and gilder's mark for Chauveaux ainé, the cover perhaps associated, 18cm. (2)
Lot 186
A French electroplated casket with intricately embossed symmetrical decoration depicting flower heads, foliage, pine cones and other scrolling detail, set within further embossed borders, cornered by fleur de lys type detail, produced by L Oudry (Pre Editeur), stamped to the left hand side panel, also stamped by the retailer Asprey & Son, 166 Bond St, London, 17 cm diameter x 22 cm tall x 10.5 cm deep together with an accompanying inkwell in the form of an urn with hinged lid, pointed finial, set upon a circular plinth, raised on a short pedestal base, with matching concentric decoration, also stamped Asprey & Son, 166 Bond St, London to the underside, 15 cm tall approx, also together with a small silver plated tray, wine bottle holder, etc
Lot 609
A substantial cast metal urn of classical form with scrolling applied handles and central decoration in deep relief depicting revelling male and female figures, set above a pedestal foot with concentric embossed foliate and other decoration with matching embossed detail to the cylindrical rim, 27 cm tall approx
Lot 128
A George III silver figural taperstick, maker William Cafe, London 1762: with foliate decorated and urn shaped nozzle, supported by a female pastoral figure mounted on a domed circular scroll and foliate decorated base, 16cm high,together with a similar taperstick, maker William Cafe, London 1761, repaired, 15.5cm. high, total weight of silver 13.03 oz.
Lot 154
J. Barber, Winster, a silver pair-cased pocket watch: the chain fusee movement having turned finned pillars, a verge escapement with a pierced and engraved backcock depicting an urn with flora and a silvered regulation disc, engraved with the maker's name J. Barber, Winster, N 439, the dial with black Roman numerals, spade hands and decorated with a hunting scene to the surround, the silver pair-case hallmarked on both inner and outer for London, 1782, with the case maker's initials I.W, diameter 50mm. * Biography Jonas Barber of Winster was a member of the renowned clock making family and is regarded as one of the greatest of the Cumbrian clock and watchmakers.
Lot 856
A.D. Mougin, Paris, a porcelain panelled clock garniture: the eight-day duration movement striking the hours and half-hours on a gong, the backplate stamped with the mark of the maker A.D Mougin, the round white enamel dial with black Roman numerals, decorative floral swags to the centre and decorative gilt-brass hands, the gilt-metal case having a pagoda top surmounted with a porcelain urn held by two winged putti, the case with various blue porcelain panels decorated with romantic and rural scenes with the matching pillars having two cherubs at play to either side, standing on a shaped gilt-wood base, with a pair of matching side urns standing on gilt-wood bases, height 56cm (clock) 44cm (side pieces)
Lot 868
Thos Baker, Falmouth, a mahogany longcase clock with rocking ship: the eight-day duration movement striking the hours on a bell, with the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals, the centre having a subsidiary seconds dial, date aperture and engraved with a scene depicting a cottage and ruins on a river bank, with cast-brass urn spandrels to the four corners, the arch having a silvered rocking-ship automata with a lithograph scene set behind depicting boats at anchor, the top of the arch engraved with the maker's name Thos. Baker, Falmouth, the mahogany flat-top case with fretwork to the hood, a break-arch moulding to the top of the trunk door and a plain base, height 227cms. * Thomas Baker is recorded as working in Falmouth from before 1810.
Lot 931
A 19th Century Scottish mahogany, satinwood banded and inlaid sideboard:, of bowed breakfront outline, bordered with boxwood and ebonised lines, the shaped back with reeded fan and anthemion crestings and a central marquetry panel with cornucopiae of flowers flanking a central urn, containing two short frieze drawers and recessed arched apron drawer below, flanked by a deep drawer and enclosed cupboard of bowed outline, on square tapered legs, terminating in spade feet, 186cm (6ft 1in) long.
Lot 935
An early 19th Century mahogany and ebonised drum top library table:, the top inset with a panel of tooled leather, having an ebonised reeded edge, containing alternate frieze and dummy drawers, on turned, reeded and fluted urn shaped central column, square platform with ebonised reeded edge and quadruped reeded splayed legs, terminating in ebonised feet, 131.5cm (4ft 3 3/4in) diameter.
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68904 item(s)/page