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Click here to subscribeA DUTCH WALNUT AND MARQUETRY CHEST LATE 18TH / EARLY 19TH CENTURY of bombe form, inlaid with scrolling leaves, flowers and birds, the top with an urn, a pair of figures and a ribbon border, above four long graduated drawers, on lion's paw feet, the sides with conforming decoration 80cm high, 103cm wide, 57cm deep Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
AN ELIZABETH I OAK TESTER BED C.1580 AND LATER the panelled headboard inlaid with holly and bog oak with a chevron band above urn and flower panels, with lobed and leaf edges flanked by male terms and leaf corbels, with relief carved front cup and cover supports, with bands of guilloche, lunette and scrolling leaf decoration, with panelled rectangular supports, with branded owner's initials 'RS', supporting a panelled tester with carved decoration, with leaves and guilloche bands, with a later lunette cornice 205.8cm high, 158.3cm wide, 228cm deep Provenance William H. Stokes Antiques, Cirencester, 5th February 1986. Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
AN ARMENIAN NEEDLEWORK SAMPLER IN BRISTOL ORPHANAGE STYLE BY SOURPIK KEDRASIAN worked with alphabets, numbers, a monstrance, an urn of flowers, with inscriptions some in French, in a later glazed ebonised frame 43.9 x 56.7cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.83 for a discussion of this sampler.
A DUTCH BRASS WARMING PAN LATE 17TH / EARLY 18TH CENTURY with a bobbin turned fruitwood handle, the lid pierced with an urn of flowers and leaves together with another brass warming pan with a steel handle (2) 109.7cm long (max) Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
A RARE GEORGE I NEEDLEWORK ST CLEMENT DANES CHARITY SCHOOL BAND SAMPLER BY SUSANNAH WATSON worked with polychrome silks on a linen ground, with various stitches and techniques, including: cross, double running, satin and Algerian eye, with an alphabet and numerals, with 'boxer' type figures and flowers, a verse above crowns, an anchor flanked by a pair of swans, the base with a man and woman flanking an urn of flowers, inscribed, signed and dated 'Susannah Watson of the Charity School of St. Clements Danes aged Thirteen Years Begun This Sampler August The Third Anno Dom 1722', in a later glazed bird's eye maple frame 42.8 x 23cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Catalogue Note A similar sampler from the Dr. Glaisher Bequest can be found in the Fitzwilliam Museum, Cambridge.
λ A NEEDLEWORK SAMPLER ANONYMOUS, LATE 18TH / EARLY 19TH CENTURY worked with gold, green and blue silk on a fine linen ground, in cross stitch, with candelabra, an urn, a basket of fruit, dogs and trees with birds and a psalm, in a glazed rosewood frame 26.4 x 18cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
AN EARLY VICTORIAN NEEDLEWORK SAMPLER BY ELIZABETH SARAH WHEELER worked with various stitches, including: satin and cross stitch with polychrome silk floss, with a pair of pillared tablets of the Ten Commandments flanking a central gilt urn of flowers, the corners with Berlin woolwork motifs, including a temple, a house in a parkland setting and a small boy riding a mastiff, signed and dated 'Elizabeth Sara Wheeler Aged 12 Years 1848', in a glazed bird's eye maple frame 47 x 49cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.7 for a discussion of this sampler.
A WILLIAM IV NEEDLEWORK SAMPLER BY HARRIET HADLEY worked with polychrome silks on a canvas ground, with cross, satin and split stitches, in a honeysuckle and leaves border with large dog roses in the corners, the centre with a child's prayer 'Give to me thy early Grace', flanked by an urn of flowers with a bird and a maiden holding a rose, above the picture of a couple in a tender embrace, surrounded by trees and a profusion of blossom, above the signature and date 'Harriet Hadley's work done 1837', the top centred with a floral spray with leaves and twisting vines, in a later glazed ebony and gilt frame 31.5 x 32.5cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.8 for a discussion of this sampler.
A GEORGE II BLUE JAPANNED LONGCASE CLOCK BY CONYERS DUNLOP LONDON, C.1740 the brass eight day movement with four turned pillars and an anchor escapement striking on a bell, the twelve inch arched dial with a silvered chapter ring with Roman and Arabic numerals and with a matted centre with a subsidiary seconds dial and date aperture, with gilt urn spandrels, the arch with dolphin spandrels and a circular signature panel 'Conyers Dunlop London', the case decorated in gilt on a blue ground with chinoiserie, with figures, buildings and trees, the pagoda hood with a Chinese stye fret panel and giltwood cone finials 246cm high Provenance Witney Antiques. Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Catalogue Note Conyers Dunlop was apprenticed in 1725, becoming a member of the Clockmakers Company in 1733. He became Master of the Company in 1758 and died in 1779.
A DELFT POTTERY VASE MID-18TH CENTURY of baluster form painted with a lady in a landscape bedside an urn on a plinth, with flowers and leaves, a Delft vase painted with a man fishing and signed with initials 'B P' together with four items of blue and white pearlware, comprising: a Davenport wash bowl, a Stone China plate and two footed stands / dishes one with a river scene with boats and a bridge (6) 30.8cm (max) Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
A PAIR OF WILLIAM IV SILVER TWO-HANDLED WINE COOLERS BY THE BARNARDS LONDON, 1836 of lobed campana urn form, foliate scroll borders and side handles, the fronts with an armorial for the Rathbone Family, with detachable liners, on raised lobed circular bases (2) height 28cm, approx. weight 154 troy oz. Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
A PAIR OF ITALIAN GILTWOOD ALTAR CANDLESTICKS 18TH CENTURY with classical urn stems carved with stiff leaves, the triform base with laurel swags, on bun feet, the back un-gilded, later converted to electricity (2) 77.5cm high Provenance William H. Stokes, Cirencester, 5th February 1986. Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
A VICTORIAN BEADWORK PICTURE MID-19TH CENTURY worked with colourful beads on a linen ground, with a flower border of roses and forget-me-nots, decorated with two birds above a crown, flanking a colourful urn of flowers and a parrot on a branch flanked by trees, the centre with the inscription 'Sarah Wakenell born September the 29th 1845 -', in an ebonised and gilt frame, together with a small needlework picture, worked with polychrome silks on a gauze ground, with cross and satin stitch, with a zigzag border, decorated with flowers, butterflies and birds around a tree motif, the centre with a verse, in a glazed wood frame (2) 14.5 x 14cm and 15.7 x 11.4cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.180 and p.205 for a discussion on these samplers.
A GERMAN NEEDLEWORK SPOT SAMPLER DATED '1792' worked with coloured silks on a fine linen ground, with the Imperial double-headed eagle, symbols of Christ's Passion, an urn of flowers, a monkey offering an apple to a parrot in a tree, swans and with medial basting lines, with date and initials in an ornate cartouche 'APD 1792', unfinished, in a later glazed ebonised frame 20 x 37cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.244 for a discussion of this sampler.
A REGENCY MAHOGANY CHEVAL MIRROR IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY the rectangular plate in a ring turned baluster and column frame with ebonised decoration, with urn finials and on brass caps and castors 181.7cm high, 84.3cm wide, 64cm deep Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
REPRODUCTION OAK GRANDMOTHER CLOCK, twin weight pendulum driven chime strike movement behind a gilt brass and silvered dial set with Roman numerals, the case with broken swan neck pediment and urn finial above a single glazed door and long glazed trunk door on a stepped base, pendulum and weights included, 183cms overall H, 36cms W
A George III silver urn-shaped mustard pot, by Robert Hennell (I), London 1790, with reeded border, the high-domed, hinged cover applied with a ball finial, decorated throughout with fine wrigglework bands, the front engraved with a crest, a gilt interior (no liner), together with a late 18th century glass and part-marked silver preserve pot of vase shape, London 1796, 13.5 & 16.5cm high, weighable silver 4.1oztProvenance: The Peter and Pat Crofts CollectionCondition report: First pot - No obvious major faults. Crest a little worn.Second pot - restoration to hinge, part-marked on rim and thse marks are rubbed.
Silver plated items, including a campana shaped urn with an inscription dated 1898, 18cm high, a pair of candlesticks with integral sconces, 23.5cm high, two oval entrée dishes and covers, 27 & 30cm long, an entrée dish & cover with no handle, four mussel shell-shaped dishes, 15cm long, eleven lobster picks, etc (qty)Provenance: The Peter and Pat Croft CollectionCondition report: Inscription to urn rubbed, otherwise largely good.
A GEORGIAN INFANTRY OFFICER'S SPADROON, 81cm clean blade etched with a small panel to either side containing a crowned QLV cypher, Greenwick Loval Volunteers?, regulation copper gilt hilt with D-shaped knuckle guard, urn pommel, reeded ivory grip, contained in its copper mounted leather scabbard, complete with knot.
George III Derbyshire fluorspar Blue John urn, of squat baluster form on spread socle and square black marble base, total height 23cmProvenance: Christie's London 24 February 2009. Lot 101. The Lady Elizabeth Shakerley Collection.Condition report: Please note that the mineral is fluorspar, not feldspar as originally stated. Loss to knop, chips to rim of uppermost projection. chips and crack to top of stem and large break to foot, both with some associated losses, presumably some repair and possible infilling, shall chips elsewhere including various to widest rim, small chips to base
George III Derbyshire fluorspar Blue John niche urn, of slender form, raised on plinth base, total height 31cmProvenance: Christie's, London, 24th February 2009, Lot 107. The Lady Elizabeth Shakerley Collection.Condition report: Please note that the mineral is fluorspar, not feldspar as originally stated. Numerous small chips. Repair near the top. Repair at the bottom of the urn with some areas filled in above. Probably a small old repair to the base with some filled in cracks, there is damage at the thinnest part of the stem with slightly loose elements
A PAIR OF REGENCY EBONISED, RED LINED AND GILT WINDOW SEATS, the outward scrolled ends with carved gilt ends above rectangular panels painted with griffins facing towards an urn, with double button arch supports, later swab cushions on bergere seat, on four sabre legs, height to top of side 77cm x maximum length 86.5cm x depth 34cm, height to seat excluding cushion 37cm (2) (condition: general wear to the gilding, in good usable/restored condition, frames and seats are sturdy)
Catalogue Amendment: it now appears that this is a composite set made up of two or more originals - the difference in the colours of the baize, and the seemingly 'incorrect' style of the bishops and knights, indicate that it might not be completely original.A composite large sized late 19th century Northern Upright / Edinburgh Upright chess set, likely European, natural boxwood and ebony with weighted and green baize bases, the Kings with urn shaped finials, 4.3 by 12.3cm high, similar Queens, 12.2cm high, Bishops with ball finials, 9.7cm high, Knights as carved horses' heads with flowing manes, 7.8cm high, Rooks as turrets, 6.7cm high, Pawns with ball finials, 2.9 by 5.7cm high, full set with one additional black pawn, in period wooden box with sliding lid, two '1' paper labels affixed inside, King 12.3cm (4.8") high, together with a handmade wooden chess board.
A Victorian rosewood envelope topped games table, with urn, scroll, and swag marquetry inlays, the four triangular flaps opening to reveal a green baize lined surface and four wells to each corner for gaming chips, single frieze drawer with line inlay and brass knobs, raised on tapering square section legs, united by a lower tier shelf, and brass castors, 55.5 by 55.5 by 71.5cm high.
A French Sevres-style pink-ground gilt-metal mounted striking mantle clock, late 19th century, the rocaille case stamped 'W Charles/ VV' to reverse, surmounted with an urn, the 'jewelled' dial decorated black Roman numerals to pink enamelled dial, flanked by small urns, with lower landscape panel and gilt-metal mask of Minerva, raised on drill and foliate feet, the clock 37 cm high, on giltwood and ebonised bases, with key
A cut glass claret jug, having a silver plated mount with Bacchus mask spout, with a Crown Staffordshire porcelain decanter collar for Claret; a Coalport vase and cover, of urn shape, on a blue ground hand-painted with a river landscape and shore scene to the opposing side, having printed mark verso (cover heavily damaged); Capo di Monte type figures etc
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![A Large Arts and crafts brass planter urn bowl. [40x50x41cm]](https://cdn.globalauctionplatform.com/8872a794-6182-4daa-9fc8-add300d6ea6b/71e98eb1-d4ab-4e79-8223-add400accc6e/468x382.jpg)
