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Click here to subscribeAn Edwardian pair of silver candlesticksMartin Hall & Co, Sheffield 1902 In the Adam style, urn shaped nozzles (lacking drip-pans), tapering square columns terminating on spreading square bases with cut corners, embossed with festoons, rams masks, urns and stiff leaf motifs, loaded bases, height 30.3cm. (2)For further information on this lot please visit Bonhams.com
A pair of silver candlesticksNathan Bloom & Son, London 1942 In the George III style, part fluted to the urn shaped nozzles, slender baluster form stems and spreading circular bases with reeded bands, loaded bases (lacking drip pans), height 27cm. (2)For further information on this lot please visit Bonhams.com
19th Century French mantel clock 19th Century French gilt ormolu and porcelain mantel clock, eight day movement striking on a single bell, brocot suspension. Decorative blue and white enamel face with gilded Roman numerals. Body is surmounted with a large decorative twin-handled urn and flanked by gilt ormolu swags. Standing on four scroll feet and comes with an oval, blue velvet-topped, gilded wood stand.clock 23cm wide, 41.5cm high. Stand 39.5cm wide, 25cm deep.
Late 19th Century french marble and ormolu mounted mantel clock Late 19th Century french marble and ormolu mounted mantel clock, eight-day movement striking on a bell, brocot suspension, backplate stamped 'f que d'horlogerie & bronzes', and numbered 356. White marble face with Roman numerals. Case of neoclassical design, surmounted by a floral twin-handled urn, each side of the clock with a cast female bust, stands on six adjustable ormolu disk feet. Underside has a paper label for Cve Sandoz, Palais Royal 147, Paris.28cm wide, 35cm highIn good overall condition, clock ticks and strikes the bell. Some of the roman numerals on the face have been reglued. Please note that we do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece. Comes with a key.
A London Delft circular dish, circa 1740, polychrome painted with a stylized central foliate medallion, the rim with foliate detail divided by scale panels, diameter 34cm, together with a British Delft tile, painted with an urn of flowers, 13.5cm square, a 15th century Medieval jug and a white glazed jug and cover (faults and restoration).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of Carl Thieme Potschappel porcelain two-handled vases and covers, late 19th century, each urn shaped body painted with courting couples and encrusted with fruit and foliate garlands, on circular feet, raised on similarly decorated plinth bases, underglaze blue marks to bases, height 46.5cm (some faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A large and very impressive early 20th century mahogany and boxwood strung library bookcase in late 18th century style: the broken swan-neck pediment centred with a carved urn above a key fret frieze with Hepplewhite style arcading; two 16-panel glazed doors with shaped astragal glazing bars enclosing shelves and further over two half-width quarter-saw cupboard doors below; raised on bracket feet (151 cm widest x 46 cm deepest x 245 cm high)
A heavy cast iron and brass-mounted serpentine-fronted fire grate in late 18th century style: the back decorated with a central urn and harebell swags in Robert Adams style, two neoclassical-style brass finials above a pierced frieze centred with an anthemion motif and flanked by further scrolls, the turned brass legs headed with further conforming finials (fitted for gas) (65 cm widest x 34 cm deepest x 70 cm high)
A heavy late 19th / early 20th century brass fire curb of neo-classical inspiration: finials above swags and harebells and flanked by two decorative pierced ovals with further scrolling foliate style decoration, the piece mounted with six columns terminating in urn style finials (external dimensions 137cm wide x 38cm deep x 31.5cm high) Condition Report: Brass Fender appears to be in good order With minor rusting to steel and minor pitting to brass surfaces
A very fine hallmarked-silver desk stand: having a central urn with circular hinged lid, flanked by two cut-glass inkwells with hinged silver-plated mounted covers, the three items raised on a higher raised plinth with egg & dark style moulding, down sweeping to pen trays below and the plinth style base with Greek key fret style border raised on four bun-style feet with lappet style capped tops, maker's mark JD&S, assayed Sheffield possibly 1880 (mark's rubbed) (32.5cm wide including bun feet x 19.5cm deep (also including bun feet) x approx. 20cm high to tip of urn, total weight of stand (not including cut-glass inkwell approx. 1071g)Condition Report: Good general condition with surface scratches and assay marks rubbed. No inscriptions, minor chips to glass inkwells on bases and 3 mm chip to top of one inkwell. No liner to central urn.
A group of four comprising:a pair of early 19th century urn-style vases hand-gilded and decorated with various flowers and with unusual gilded mask-style handles (8.25cm high); a 19th century continental circular porcelain potpourri and cover encrusted with flowerheads and various birds, raised upon four gilded scrolling feet and with blue printed mark to underside; a modern crisply hand-cut cameo-style glass, signed to the underside 'Dior' (14.75 cm).Condition Report: 19th-century Continental circular porcelain pot pourri. Five firing cracks to base - Minor losses to some floral petals - wear commensurate with age and use
A late 18th century memorial ring of elongated oval design, the seed pearl border containing a mother of pearl plinth and urn decorated with seed pearls, the inscription to the reverse dated 1791 (a/f) (ring size N, 7.7g)Condition Report: Condition Report: pearl decoration on inner vase detached. Mother of pearl handles on inner vase detached, mother of pearl column detached inner urn stand, sold as found.
A mid-19th century framed and glazed oval portrait miniature silhouette of a young girl, signed 'Leon' lower right; a smaller oval farmed and glazed watercolour portrait miniature of a young girl; a silver-plate-framed miniature needlework study of flowers in a glass vase; two similar oval gilt-framed and glazed watercolour / gouache still life studies of flowers in a lobed urn and a wicker basket (5)
A mixed group of four miniature blackware ceramics (terracotta vessels), probably Greek circa 3rd to 1st century BC, comprising: two small jugs with handles, one decorated with a band of four concentric circles (7.5cm), the other with a winged Sphinx-style beast, together with a taller, neo-classical urn shaped vase and one further, smaller terracotta bottle vase (not blackware and undecorated) (tallest vase 10.5cm) (condition commensurate with burial in earth) (4) Provenance: acquired 1960s and prior by the present Vendor's Parents
A two-handled tureen of urn form and with cover and stand. Together with two large matching plates of square form, each piece hand-gilded and centrally decorated in enamels with a wild rose. Red pattern mark (1381) to underside of plates and tureen. (3)Condition Report: Two cake plates - there are some scratches to the centre of the plate on the glaze and where the sides are rising from the flat surface the ridges are slightly more worn/gilding is away. The central decoration appears good. 1st plate underside is dirty but no cracks or chips noted, 2nd plate similar but worn 'ridges' as before. Both plates have the red painted '01381' mark. Tureen stand - some scratches on the flat recessed circular area, gilding generally good, quite a thin, dark hairline 8cm around the edge of the circular foot. The tureen cover has a matchhead sized piece away to the end of the inner lip (near the spoon hole), the gilding and decoration is good. The finial is dirty but no restorations of problems noted. The two-handled tureen has bright gilding to the outside, there is a large hairline to be seen to the underside (1cm from the handle, approx 8cm long) visible from the inside correspondingly, the circular foot has the same red painted '01381' and decoration is good, some glaze crazing to the underside of the bowl, handle appears in good order.
A tea and coffee set with trayPortuguese silverTeapot, coffee pot, milk jug and sugar bowlNeoclassical style of part fluted decoration to body and coverVolute handles and urn shaped pommelsResting on oval basePlain tray of fluted tab and plain protruding handlesBoar hallmark 833/1000 (1887-1938) and same date maker's markHeight: 31 cm59x40,5 cm4975 g
A tea setPortuguese silver, 19th centuryNeoclassical decoration. Teapot, milk jug, sugar bowl and drip bowlOval shaped part fluted and grooved engraved bodyFluted dome cover of urn shaped lid pommelCarved wooden handles of leaf finialOporto assay-mark (P-25.0) and maker's mark (P-304.0) attributable to Henrique José dos Santos referred 1809-1822Literature:F. Moitinho de Almeida/Rita Carlos"Inventário de Marcas de Pratas Portuguesas e Brasileiras"séc. XV a 1887pp. 221, 279Height: 19 cm2205 g
λ MARY FEDDEN (BRITISH 1915-2012)STILL LIFE OF FLOWERS IN AN URN, BIRDS AND A CUT LEMON IN A SUMMER LANDSCAPE Oil on board Signed and dated 1955 (lower right)47 x 56cm (18½ x 22 in.) Most likely framed in the artist's original frame or that belonging to Julian Trevelyan, her husband. Provenance:Dr Richard & Mrs Lavinia Emanuel, Private Collection (most likely acquired directly from the artist in 1955) Thence by descent to the present owner Literature:Woman's Journal, December, 1983, p. 91 (illustrated)Condition Report: In overall good original condition. The varnish is slightly uneven in places. There is no evidence of retouching visible under ultra-violet light.Condition Report Disclaimer
λ MARY FEDDEN (BRITISH 1915-2012)STILL LIFE OF FLOWERS IN A BLACK URN WITH BIRDS IN AN AUTUMNAL LANDSCAPE Oil on canvas Signed and dated 1955 (lower left)51 x 61cm (20 x 24 in.)Possibly in the artist's original frame or that belonging to Julian Trevelyan, her husband. Provenance:Dr Richard & Mrs Lavinia Emanuel, Private Collection, (most likely acquired directly from the artist in 1955) Thence by descent to the present owner Literature:Homes & Gardens, January 1966, Psyche Pirie, Collectors At Home, The London House of Dr & Mrs Richard Emanuel, p. 46 (illustrated) Condition Report: The canvas is not relined. There is no evidence of retouching visible under ultra-violet light. In overall good condition.Condition Report Disclaimer
* Lace. An infant's shirt with Hollie Point lace dated May 3 1768, handmade infant's shirt of fine white cotton lawn, with inserts of Hollie Point lace incorporating the words 'Fear God and keep' / 'his laws May 3 1768' on left and right shoulder respectively, inserts flanked by eyelet embroidery and buttonhole stitch loops, round neck and short gathered sleeves, length 23.2 cm (9.25 ins), together with:A pair of fine white cotton lawn cuffs, mid 18th century, each with insert of Hollie Point needle lace depicting an urn with branching flower stem, trimmed with lace and buttonhole stitch loops, edged with lace, 8.5 x 9.5 cm (3.5 x 3.75 ins)QTY: (3)NOTE:Three delicate items of minutely-worked early Hollie Point lace, one bearing what is presumably the birthdate of the cherished infant wearer.
* Chocolate Pot. An Edwardian silver chocolate pot, makers mark obscured, London 1907, of urn form engraved with a family crest depicting a crown with the motto 'Persevero', scroll spout and ebony handle, 22.5 cm high, gross weight 432g, together with an Edwardian silver hot water jug by George Unite, Birmingham 1901, engraved with the same crest, on three cabriole feet with fruitwood finial and handle, 19 cm high, gross weight 263gQTY: (2)
A Victorian silver pepper, London, 1898, Hawksworth, Eyre & Co Ltd, of urn form with pierced domed top with finial over a reeded body with paterae and swags, on stepped square base, 11cm high; together with an Edwardian silver pepper, Sheffield, 1905, Harrison Brothers & Howson, with finial, on stepped circular base, 6.8cm high, total weight approx. 3.5oz (2)Please refer to department for condition report
A Swiss cylinder music box, late 19th century, the rosewood and ebonised case with hinged top decorated with musical instruments, urn and flowers within boxwood stringing, the song sheet to interior marked MADE IN SWITZERLAND and listing 20 airs, with 19cm long cylinder, approx. 19cm high, 61cm wide, 29cm deepPlease refer to department for condition report
Three pairs of brass candlesticks, 19th century, comprising a pair with barley twist stems, 21cm high; a miniature pair with knopped stems; and a pair of chambersticks with ring handles; together with a mahogany writing slope, 39cm wide; and a George III style toleware twin handled urn and cover, 31cm high (8)Please refer to department for condition report
A French dwarf pewter candlestick, with urn sconce on spreading stepped circular base, stamped to underside, 10cm high, together with silver plated pocket watch, with white Roman dial and quartz movement, 5.8cm wide (2)Provenance: the Estate of the late designer Anthony Powell (1935 – 2021)Pewter candlestick - with numerous dents, gouges and scratches. Pocket watch - case is heavily worn and tarnished. Tarnishing to bezel. Scratches throughout.
A brass table lamp, 20th century, the faux candlestick electrical fittings with large sconce atop baluster neck, the body with central support and tripod scrolling legs, atop circular stepped base, 82cm high overall, together with a brass six light chandelier, issuing from an urn form stem with pierced foliate decoration, with cut glass sconces, approximately 39cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report
A marble urn shaped lamp base, 19th century, with reeded neck and rope twist to the shoulder, the body with swags of drapery and panelled lower half, atop a socle with acanthus leaf capital and rope twist base, to a stepped square base, converted for electricity, 44cm high excluding electrical fittings, together with a slender granite urn shaped lamp base, with waisted neck and panelled lower third, with two applied ring handles to the body, atop a socle and bevelled square base, converted for electricity, 53.5cm high excluding electrical fittings (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for useEach lamp in overall good condition with surface marks and dirt consistent with age.
A pair of modern faux marble resin lamps, in the classical style with spiral gadrooned bodies, 60cm high, together with a modern faux marble resin classical style urn, 24cm high (3) (VAT charged on the hammer price)It is the buyer's responsibility to ensure that electrical items are professionally rewired for useThere is a break to the urn, with large piece present.
A group of silver plate, comprising: a circular tray, 35cm dia.; four mustard pots having covers with urn finials; four pepperettes, with three missing blue glass liners; two salt-cellars; three open salts with gadrooned rims and stepped bases, two missing blue glass liner; three cylindrical salts, one missing blue glass liner; five salt spoons and a mustard scoop; a cigar cutter, and an oblong tray, 30.5cm x 23cm (lot)Please refer to department for condition report
A group of silver and silver plate, late 19th and 20th century, comprising: a pair of four division toast racks, Birmingham, 1901, Hukin & Heath, 10.2cm wide; an armada dish, London, 1965, 12.2cm dia., a match box holder, London, 1913, Elkington & Co Ltd 7.7cm wide; a Victorian silver mounted vanity brush, Birmingham, 1893, 25.5cm long; a pair of silver napkin ring with reeded borders, London, 1929, Goldsmiths & Silversmiths Co Ltd; a napkin ring with repeating stylised floral motifs, Chester, 1902; a set of six silver plated napkin rings; another silver plated napkin ring; a silver plated articulated fish, 21cm long; two brass menu holders; and a silver plated urn, 12.5cm high, total weighable silver approx. 12.3oz (19 in total)Please refer to department for condition report
A group of white metal oddments, comprising: a mesh purse, with white metal and black enamel suspension loop and mesh wrist strap, with swan punch marks, approx. 20cm high; a medal commemorating the dredging and installation of lighted buoys on the rivers La Plata, Parana and Uruguay, 1904; a tapered seal embossed with floral swags and urns, 8.7cm high; a small scent bottle, with pierced white metal case with religious vignettes within scrolling foliate design, having glass inner bottle, lacking stopper, 4.5cm high; a seal in the form of a woman holding her hat to her head, 5.6cm high; a novelty Israeli cruet in the form of an urn, 4.8cm high; and an oval plaque with repousse decorated Classical scene, 4.4cm wide; a filigree inkstand with one glass inkwell, 11cm wide; and an oblong plaque with repousse figure of a boy carrying a tray of drinks, 10.2cm high (9)Please refer to department for condition report
A group of German porcelain, 20th century, comprising: a Meissen dish in the shape of a flowerhead, decorated to the centre with deutsche blumen, blue underglaze crossed swords and incised no. 67 to underside, 28.5cm diameter; a Meissen oval scalloped dish decorated with floral sprigs, blue underglaze crossed swords and incised no. 2101 to underside, 25cm long; a Nymphenburg oval twin handled dish decorated with pink highlighted handles and floral motifs, green printed factory mark to underside, 37cm long; a pair of Dresden twin handled urns with covers, of cobalt blue ground with gilt highlights and cartouches decorated with scenes after Watteau, the tallest 27cm high; and a further group of Dresden porcelain including a twin handled jardinière decorated with floral motifs, the handles modelled naturalistically as intertwined branches, 17.8cm high; a tazza with applied floral encrustations and crenelated rim, 9cm high; two small pierced and floral encrusted baskets; and an ashtray; together with a Limoges porcelain cream ashtray with gilt border and panther to the interior, 13cm long (11) The two urns are each missing one handle, the cover of one urn is missing its finial, but all the pieces are present with the lot. The body of one urn is heavily restored. All other pieces are in good overall condition with light wear to gilding and minor losses to floral encrustations.
An Edwardian silver twin-handled urn and cover, Goldsmiths & Silversmiths Company, London 1906, of baluster form upon knopped stem and circular foot with scrolling handles, detachable cover, decorated with embossed acanthus leaves and scrolling foliate detail, 21.5cm high, weight 9.20ozt (at fault) CR; There are many mid-sized dents throughout the urn, concentrated to the baluster body and foot. The foot appears to have been broken and subsequently repaired with solder. The embossed detail has lost definition and has small dents to the highpoints. Heavy scratching and wear throughout. Heavy splitting to the cover, and signs of subsequent repair. Moderate denting, genera scratching and wear throughout cover. Urn wobbles on a level surface. The urn has a noticeable lean to one side. The cover does not sit in the collar, due to misshaping. See pictures for illustration.
A Derby Imari pattern vase, early 19th century, of classical urn form with twin loop handles each modelled as a snake, red painted mark to base, 17cm high, together with a selection of Royal Crown Derby 2451 pattern Imari ware, early 20th century, comprising four coffee cups, five saucers and six side plates, printed maker's marks for 1915 (one side plate 1914) (16)
A reconstituted stone garden urn, of neo-classical form upon a bombe shaped plinth, total height 78cm, a reconstituted garden urn of bowl form applied with relief swag detail, 33cm high, a pair of garden urns, each of lobed tapering form, 33cm high and a shallow rectangular trough/planter, 60cm wide (5)
A late 19th century gilt metal and porcelain mantel clock by Pinchon Fils Aine, the case surmounted with a twin handled urn above the 11cm blue porcelain dial, applied with Roman numerals and painted with a courting couple within a woodland landscape, flanked by conforming side panels and enclosing the two train movement impressed with the makers name and striking on a saucer bell, 42cm high, with pendulumCondition reportGeneral light tarnishing to case, minor chips and nibbles around both key apertures, light rubbing to gilt detail.Clock runs when wound however this is no guarantee of working condition.
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