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Lot 378
An Italian gilt metal standard lamp, mid 20th century, stamped 'F.B.A.L Italy' to underside of base, the urn shaped finial above four cast scrolling foliate arms, upon a reeded architectural column and relief cast octagonal plinth base, 171cm highLighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 426A
A reconstituted stone campana garden urn, of typical lobed form, moulded in relief with scrolling foliate detail, raised upon a trumpet shaped plinth base, 67cm high, upon a conforming stepped pedestal of tapering square section, 66cm high, total height 133cm (at fault)Condition reportOne handle missing, the other replaced, chip to handle lug, very minor chips to plinth.
Lot 528
Attributed to William Owen RA (1769-1825),Portrait of a lady, three quarter length in a landscape, wearing a white dress with a yellow shawl, beside her an urn on a plinth,Oil on canvas,140cm x 111cm,Gilt framed Provenance: The Estate of Lord Kenyon, Gredington. CONDITION REPORT:The picture shows evidence of re-lining, re-stretching and reframing. There are small tears to the canvas, areas of paint loss, crazing and wear throughout. UV examination shows several small retouches and and evidence of possible restoration at the bottom edge of the dress. The frame shows various losses, chips and nibbles to the gilt finish and the gesso.
Lot 592
A late 19th century Aesthetic movement slate mantel clock, the rectangular case with incised spandrels enclosing the 13cm enamelled dial applied with Arabic numerals and centred with a classical foliate urn, the two train movement stamped 'A & N 17545' strikes on a coiled gong, above a conforming enamelled plaque, raised upon integrated stile front feet, 38cm high, Pendulum bob only lacking rod
Lot 107
A fine late 17th century French 'contra-partie' brass inlaid clock of long durationDaniel Clavier, ParisThe case possibly attributable to Andre Charles Boulle and decorated allover with cut brass over tortoiseshell and silvered inlay in the 'contra-partie' technique, the arched cresting flanked by a pair of pedestals and surmounted by three swagged urn flambe finials, the long door with a beaded bezel over a shaped drapery cartouche flowing over the base between the cast ball feet, the sides set with arched windows framed by seven geometric panels of tortoiseshell within silvered line borders, the arched black velvet-covered dial with silvered Roman chapter ring with each minute hand engraved to the edge, with good pierced and engraved gilt hands, set over an applied Baroque style signature plaque centred by a female mask, the rectangular plates united by five pillars (four vase-shaped in brass and one facetted steel) pinned through the backplate, with verge escapement to a light pendulum with lenticular bob suspended on silk between cycloidal cheeks, the strike train with numbered outside countwheel, decorative steel stopwork, striking the hours and the half-hours on the bell above, signed in a flowing script to the lower edge Daniel Clavier a Paris. Ticking and striking, together with a winding key and door key. 58cms (22.5ins) high. Footnotes:Daniel Clavier is recorded as working in La Cite, Paris from 1679 until 1685. His neighbours included Pierre Du Chesne, Samuel Panier, Joseph Baronneau, Isaac-Paul Du Hamel, Pierre Gaudron, Pierre Langlois and the Martinot family - many of them clients of Andre Charles Boulle. Another clock by him is illustrated in Plomp, 'Early French Pendulum Clocks' figure 128.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 70
A fine and rare late 17th century Chinoiserie table clockGeo Tyler, Popeshead Alley, LondonThe highly decorated case surmounted by a knopped and foliate handle on bold internal pommels, the caddy depicting a pair of figures in a landscape over a balustraded lower section framed by four urn finials, rectangular glass side panels on a moulded plinth base and block feet, the 7 inch square brass dial with silvered Roman and Arabic chapter ring with half quarter markers and fettled blued steel hands to the matted centre with recessed signature plaque and date aperture (now filled), all framed by winged cherub head spandrels, the twin chain fusee movement united by five knopped pillars, now converted to anchor escapement and simple hour strike on a bell, the backplate with single line border framing a symmetrical pattern of foliate scrolls and a harebell lambrequin framing the signature. Ticking and striking, sold with two case keys and an associated winding key. 45cms (17 1/2ins) high (5)Footnotes:George Tyler had premises in Pope's Head Alley, Lombard Street, London until around 1720. He was apprenticed in 1692 through the Clockmaker's Company to Robert Dingley (see lot 76 in this sale) and was a member of the Company 1699-1723.For further information on this lot please visit Bonhams.com
Lot 84
A rare second quarter of the 18th century quarter chiming lantern clockEdward Hemmins, BicesterSurmounted by a strapped bell with fancy cast pieces between the straps, supported on four urn finials flanked by pierced and engraved frets over an arcaded balustrade, tapering Doric columns on ball feet, with two side doors and brass rear plate, the 6.5inch diameter Roman chapter ring with delicately engraved half-hour markers and innner quarter-hour track, the centre signed 'Edw. Hemins of Bister' over foliate scrolls, with a single blued steel hand, the weight driven movement with short verge pendulum to the going train, a brass countwheel for the hours and further chiming every quarter on eight hammers and bells mounted in the gallery above via a 2.5 inch pinned barrel mounted centrally between the movement bars. 41cms (16ins) high.Footnotes:Provenance:Single family ownership for 30 years. Purchased from 'Clocks of Distinction Antique Gallery', Hunters Hill, NSW, Australia, April 1991. Edward Hemmins worked as a clockmaker and bell founder in Bicester, Oxfordshire, from circa 1720. His casting mark was the initials EH above a fleur de lys. He died in 1744.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 96
A fine and rare late 18th century satinwood bracket clock with original wall bracketGrant, Fleet Street, London, Number 321The tall arched case surmounted by an urn finial on a caddy over reeded scroll supports with foliate boss terminals, the front with recessed shaped panel, the rear solid door with silk-backed circular sound fret, on a bow fronted plinth, on the matching wall bracket with single shaped support, the signed white enamel Roman dial with dotted minute track and matching hands, the twin chain fusee movement with thick plates united by five heavy knopped pillars, with anchor escapement and rack strike on a bell mounted below the plates, the hammer activated by a brass linkage mounted on the signed and numbered backplate The clock case 34cms (13.5ins), the bracket a further 17cms (6.75ins) high. Total height 51cms (20ins) high.Footnotes:John Grant of Fleet Street was active from 1781 and died in 1810. A similar satinwood clock with enamel dial but no wall bracket is illustrated in Barder, R.C.R. (1993) The Georgian Bracket clocks 1714 – 1830. Suffolk: The Antique Collectors' Club, plate VI/17.For further information on this lot please visit Bonhams.com
Lot 60
19th century Sevres porcelain presentation tazza or ‘Coupe Cybele’ for the Paris Exposition 1878, awarded to a Prize Bull, circular with everted rim, the centre with pate-sur-pate portrait of Cybele, decorated with scrolling foliage and wheatears on yellow ground, cream, gilt and royal blue scroll and motif in a border, the exterior border decorated with circular roundels and gilt motifs, fruit, floral and wheatear garland to bleu celeste ground, with panel inscribed ‘Exposition Universelle Paris ’78, on urn-shaped column with scroll supports, laurel leaf garland, all in royal blue and gilt, stepped circular base with four yellow shaped medallions, inscribed ‘Sevres, 1878, Paris Exposition’, 37cm diameter x 26.5cm high Condition ReportSome light surface marks, minor wear to areas of gilt, two small chips to base. No signs of repair or restoration under UV light. General wear and tear, see photos
Lot 138
A large silver sugar caster, Charles Edwards, London 1917, urn-shaped, 19.5cm; another sugar caster, Henry Williamson Ltd, Birmingham 1924, 15cm; a silver toast rack, Mappin & Webb, Sheffield 1964, four sections; silver condiments; spill vase; other small silver items; plus a white metal beaker marked T100; total weighable approx.
Lot 89
Seven various historical medals: Death of Benjamin Hoadley 1761, AE, 37mm, bust right, rev. mitre and crosier on a plinth below a tree, by J. Kirk (E 697), good very fine; Death of Princess Charlotte 1817, AE, 49mm, bust with crown of roses, rev. Britannia in mourning beside an urn, by T. Webb (E 1097), nearly extremely fine; Death of George III 1820, AE, 48mm, armoured bust left, rev. legend within a wreath, by C.H. Küchler (E 1121), good very fine; Return of Caroline to England 1820, AE, 40mm, laureate bust left, rev. Britannia welcomes an approaching ship, by P. Kempson (E 1130), nearly extremely fine; Death of John Flaxman 1826, AE, 62mm, head left, rev. classical female figure leaning on a column with a ribbon inscribed 'TO GREAT MEN' (E 1185), good very fine or better; Death of George Canning, another from the same series as the last, good very fine; together with: Roger Bacon Memorial 1294, AE, 41mm, bust right, rev. inscription, by R.Gayrard Paris 1818 (E 9), about very fine. [7]
Lot 111
Eighteenth century halfpenny tokens: Southwest and Midlands, including: Bath, Botanic Gardens 1794, edge plain; Ilchester Gaol, W GYE PRINTERS BATH (Withers p.319); Bath, bust of Bladud, rev. tea urn, edge F HEATH BATH; Shropshire, Coalbrookdale, view of Iron Bridge 1792, rev. Inclined plain at Ketley 1789, edge COALBROOK-DALE AND KETLEY (Withers p. 316); and six others; together with two token farthings, Bath and Birmingham, grades vary from fine to very fine. [11]
Lot 341
Staffordshire Regiment: a Flight Barr & Barr Worcester lidded ice bucket, urn shaped on a square foot with twin handles, the lid with a botanical finial and lifting to reveal a removable liner, decorated in gold and green and transfer printed to each side with a crowned Staffordshire knot within a wreath, c. 1820.
Lot 211
A Wiltshaw & Robinson Carlton Ware urn vase and cover, c. 1920-1926, of baluster form with Chinese landscape decoration on a yellow ground highlighted in gilt, with a foo dog finial cover, printed marks underside, with an associated wood stand (damaged), 61cm high including coverCondition report: Some losses to gilt particularly to the finial and rim, four cracks to vase's rim, the associated stand in a few pieces but still fully functional, losses to printed marks underside.
Lot 347
A Continental walnut parquetry commode, 19th century, possibly French, with three drawers, each with fronts veneered with pearwood, with moulded circular brass handles, each depicting an urn, the sides with inlaid veneers in the shape of compass roses, 119cm wide, 58cm deep, 83cm highCondition report: With scratches, wear and marks. The top with faint old traces of woodworm (inactive).
Lot 410
A FINE 32-BORE FLINTLOCK RIFLE WITH GILT AND SILVER DECORATION AND MADE FOR A BOY, SIGNED 'VERSAILLES', no visible serial number,undoubtedly the work of Boutet, Manuf. de Versailles, early 19th century, with 16in. swamped octagonal multigroove-rifled sighted barrel decorated over its entire length with gilt foliage, classical ornament, lines and stars against a matt blue-black ground, engraved tang and bright flat bevel-edged shaped lock, the latter decorated with a griffin on the tail and signed below the pan 'MANUF. DE VERSAILLES', figured moulded walnut full stock (some minor repairs) with raised cheek-piece, chequered grip and fore-end, cast and polished silver mounts decorated in low relief in the neo-classical Empire style including trigger-guard with urn finials, and ebony ramrod with ivory tip, the whole expertly restored to museum condition, overall length 31in., weight approximately 3lbs.
Lot 355
A VERY LARGE FRENCH 19TH CENTURY FIGURAL JARDINIERE, the lidded two handled urn cast with scrolling foliage, supported by the figure of a putto standing on a naturalistic base, the integral plinth cast with scrolls, masks and shells. 152cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The piece is made from bronze. There has probably been some re-gilding at some point. The piece is in generally very good condition commensurate with age.
Lot 510
Artist: Bartolome Esteban Murillo (Spanish, 1617-1682). Title: "Priest with an Urn". Medium: Black and brown chalk heightened with white. Date: Composed c1660s?. Dimensions: Image size: 16 1/8 x 10 in. (410 x 254 mm).Lot Note(s): Annotated "Murillo" in pencil upper left, not in the artist's hand. Thick grey laid watermarked paper. Good to very good condition; creasing inherent in the paper; minor foxing. Provenance: Private collection, Seattle, Washington. Comment(s): Murillo was a Baroque painter best known for his religious works. He also produced a considerable number of paintings of contemporary women and children. [24545-3-2400]
Lot 78
A 19th Century antique British Infantry Officer's George III / 1796 pattern sword. The sword having an urn shaped pommel with acanthus leaf decoration and finely ribbed grip with knuckle guard. The folding crossguard (AF) having one side faintly engraved for an Honorary Reward Cadet and dated 1811. The long straight blade housed in a black leather scabbard with bradd furniture. Measures approx
Lot 2006
Pair of late 19th century Sevres style jewelled porcelain and gilt metal ewer vases, decorated with cherubs and romantic continental scenes, on white marble bases, h19.5cmCondition Report: Marks throughout gilt metal. Urn 1: single red bead missing to decoration on both sides. Urn 2: single red bead missing to one side only.
Lot 2033
Royal Worcester pair of urn vases, painted by John Stinton with highland cattle scenes, with applied swags, ties and mask handles, reticulated neck, early 20th century, purple printed marks to base, h57cm circa 1908 and marked for shape 1410, signedCondition Report: Vase 1: Overall condition good. Some surface marks. 5mm blemish to the green reeded pedestal. Light wear to gilt on moulding. No chips, cracks or restoration found.Vase 2: Visible damage to the reverse body comprising a 19cm crack running vertically from where the body of the vase meets the reeded pedestal, and a 9cm crack diagonally in the same area. Some surface marks. Possible light rubbing to some of the gilt. No other damage found.
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68904 item(s)/page