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Lot 2056
A late Victorian Mahogany Dressing Chest with shaped bevel plate mirror on square supports with brass urn shaped finials, shaped shelf with two short jewellery drawers and plain top over two short over two full width Mahogany lined Drawers with brass swan neck handles and standing on cabriole legs, 45'' wide x 58'' high x 19'' deep.
Lot 2093
An Edwardian Mahogany Dressing Chest with shaped bevel plate mirror in square supports with urn shaped brass finials, on a single shaped and moulded edge shelf with two small jewellery drawers, the rectangular moulded edge top over two short and one long drawers, Oak lined with ornate brass handles, standing on square legs terminating on castors, 36'' wide x 59 1/2'' high x 19'' deep.
Lot 568
A Victorian alabaster mantle clock, on footed base with scrolls to sides, surmounted by a gilt metal urn with floral garland, on footed plinth base, white enamel dial, roman numerals, movement stamped 4041, with pendulum and key, approx. 27cm high with a bronze oil lamp, of classical form, on stepped plinth base, the lidded body with three spouts, with wick trimmers, stopper and pin suspended from chains to top, approx. 57cm high (2).
Lot 808
A group of six ceramics to include Samuel Alcock & Co. Naomi and Her Daughters-in-Law relief moulded blue jug, another similar with Daniel in the lion`s den, Greek style handled urn, the black enamel ground with print and enamel decoration of figures in chariots and figures making offerings, unmarked, and a tureen, stand and ladle, lid lacking, transfer printed with blossom by Livesey, Powell & Co.
Lot 876
A late 18th Century Dutch mahogany demi-lume fold over card table, with inlaid floral and foliate marquetry in urn with cornucopia and putto, with tulips to legs, fitted two drawers on square tapering supports inlaid with satinwood, with brass and satinwood stringing, 78cm wide, 39.5cm deep, 72.5cm high.
Lot 25
A MID-19TH CENTURY ORMOLU MANTEL CLOCK, the Japy Fréres cylinder movement, numbered 3230 and 13172 and further stamped H.P. & Co., striking on a bell (pendulum lacking), the circular, ceramic dial with Roman numerals, centrally painted with butterflies and flowers, in an elaborately ornamented case, further enhanced with a porcelain figural panel and surmounted by a porcelain urn, on a fabric-covered giltwood stand, the clock 32.5cm high, 37cm high overall
Lot 192
A LEEDS POTTERY CREAMWARE CANDLESTICK, of pierced square section, the pillar supporting an integral nozzle and sconce with balustrated border, on a conforming moulded wheat ear and husk decorated base, impressed mark, early 20th century, 25.5cm high; another with faceted octagonal baluster pillar, impressed mark, early 20th century, 26.5cm high; and another creamware candlestick, the shaped square section pillar supporting an urn nozzle, spreading shaped square base, impressed mark 'Turner', 19th century, 27cm high (3)
Lot 197
A LEEDS POTTERY CREAMWARE URN VASE AND COVER, pierced and moulded with floral swags, foliage and beading, twin female caryatid handles, on a square base with pierced and shaped apron, bracket feet, the cover with flambeau finial, impressed mark, early 20th century, 31.5cm high. See illustration
Lot 363
A rare early 19th century Liverpool Herculaneum vase,the twin winged charioted gilt-heightened handles, centred with a cobalt blue gilt-heightened baluster main body, painted to the front with a hunt's man holding his rifle with gun dogs by his side, opposing a gilt scrolling urn and raised on a black painted socle base, circa 1820. *With provenance*
Lot 143
A CHELSEA-DERBY PLATE painted in sepia and enamels with a neo classical urn in pink scalloped border with swags and pendants, gilt dentil rim, 21.5cm diam, a Derby soup plate enamelled with flowers in lavender ribbon border with green swags and a Derby blue ground plate boldly painted with panels of flowers, unmarked or red printed circular mark, c1780-1815 (3) Chelsea Derby plate with wear to decoration
Lot 161
A DERBY PASTORAL OR FOUNTAIN GROUP ascribed to Pierre Stephan, with a piping shepherd standing beside a sleeping shepherdess before a classical urn and dolphin fountain, the waters cascading into a shell basin, on sprigged rocky mound with a lamb, painted with puce or purple flowers and roses heightened in gilt, 31cm h, patch marks, collector`s label, c1770 Provenance: John H Cottam Collection, No 83. Lot 47 in the Derby Sale Catalogue of 10 February 1773 was "a pastoral group finely modelled with an antique vase, enanel`d and elegantly finish`d£3.2.6d". A similar example is illustrated Bradshaw (Peter), Derby Porcelain Figures 1750-1848, 1990, fig 136. An attractive example of this scarce Derby model in unusually good condition with small restoration to the flute and part of the female figure`s left foot
Lot 164
A DERBY PLATE WITH RARE MARK, painted in sepia and polychrome with a neo classical urn and swags, insects and mauve and violet ribbon border with green swags, in shaped and slightly upturned gilt dentil rim, 23cm diam, crown over anchor in gilt, c1775-77 Light to moderate wear to the gilding around the rim only. A good plate
Lot 170
A DERBY PLATE painted in sepia and enamelled with a neo classical urn with swags of roses in looped husk surround with butterflies, shaped dentil rim, 23cm diam, collector`s label, a Derby blue ground plate and a Derby shanked saucer dish, enamelled with flowers beneath blue and gilt border, crown over D in blue or anchor and D in gilt, c1777-84 (3) Provenance: (first plate) Anthony Hoyte Collection. Ex Hoyte plate in good condition, blue ground plate with wear, scratches and small rim chips, saucer dish riveted
Lot 752
A FRENCH FIN DE SIECLE SPELTER FIGURE OF A YOUNG WOMAN, emblematic of Spring carrying an urn on her shoulder, on circular base, 101cm h, c1900 Weathered from long exposure with organic matter, partly green and with bird lime of convincing lead like appearance, small damage to top of urn but in basically good order and decorative
Lot 766
A REGENCY NEO CLASSICAL JAPANNED MANTEL TIMEPIECE BY THOMAS WEEKS the white enamel dial with Roman and Arabic chapters, giltmetal hands and later movement in gilt brass case with urn finial, the pedestal base of moulded concave form decorated in black and fawn and painted en grisaille with an oval cameo medallion and palmette border, on ogee feet, 25cm h Thomas Weeks was renowned for the mechanical curiosities exhibited at the eponymous Museum and adjoining shop he established in about 1897 at 3 & 4 Titchbourne Street, London. His collection was sold at auction after his death in 1834. The movement an inappropriate 20th c replacement, back edge of case slightly dented, decoration discoloured with age and flaking, one front corner of the base broken off and neatly restuck long ago. The enamel dial undamaged, the metal case retaining practically all of the original gilding. The decoration entirely unrestored
Lot 1201
A 19th century French clock garniture, with painted classical landscape scenes and ormolu mounts, the striking movement stamped Japy Frères and numbered 2835, retailed by R&C of Paris and London, clock 39cm high, urns 28cm high (3) CONDITION REPORT: Clock: minor chip to enamel dial, light wear to numerals, back cover missing, gap at base of clock where it joins the ormolu stand. Urns: gilding rubbed in places, three handles loose, one white enamel 'dot' missing off each urn.
Lot 588
A Regency style inlaid mahogany twin pedestal dining table, with segmented figured veneer to the oval top within a cross banded border, the columns to the pedestals with acanthus carved urn shaped columns 264cm (fully extended) x 120cm.and on fluted and tapered legs with brass claw caps and castors,
Lot 676
A Victorian ebonised pier cabinet, with ornate gilt bronze mounts and a single door inset with hardstones with an urn of fruiting foliage, on a black marble ground, 96cm wide 44cm deep 119cm high CONDITION REPORT: Top scratched, marked and cracked. Door ebonising is discoloured. Some Hardstone inlay detached but present. Hardstone flowers have missing leaves, stalks and flowerheads. Several stalks and fruit detached. Much flat brass stringing to one side of the door sprung and some missing. Stringing missing to the base and sides. Discolouration to gilded finish. Chips to ebonising. We suggest a thorough close inspection.
Lot 150
A George III silver snuffer stand of boat form with beaded edge and pierced urn medallion decorated ends (by Robert Hennell, London 1783), 22 cm x 9 cm, 3.16 oz CONDITION REPORTS Overall with general wear and scuffs, some rubbing to the etched decoration to centre, a few small knocks and dents, the words "George III 1783" have been scratched into the base, hallmarks generally fairly crisp, although there is some slight rubbing to the makers mark.
Lot 253
AFTER GIOVANNI BATTISTA TIEPOLO (CIRCA 1696-1770) "Young man leaning against an urn", black and white etching from a set of ten from "Vari Capricci", 15 cm x 19 cm CONDITION REPORTS Overall with some wear and scuffs. Some undulations to paper. Some slight yellowing. Small nick/tear near top edge of picture (located about 4cm in from the left and 1cm down) The print is sealed within the frame, and has not been removed for inspection. It is not known which edition this print is from. Bears various printed and typed labels verso (please see photos)
Lot 299
An Edwardian inlaid rosewood music cabinet with mirrored shelf back over a single drawer above two panelled cupboard doors with single glazed door below, raised on tapering square legs to castors, the whole with satinwood and ivorine urn and scroll decoration with harebells, 60 cm wide x 40 cm deep x 144 cm high
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68875 item(s)/page