Bloomsbury Group, Flowers in a two handled Grecian urn on a table with female figure beyond, watercolour and ink on paper, unframed, 52 x 37cmProvenance: The Estate of Peter Waugh and thence by descent through the family. Peter Waugh was a close friend of the late Duncan Grant and lived in a neighbouring village in Berkshire.
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Pair of 19/20th Century French Sevres Louis XVI style Bleu Celeste Porcelain Covered Urns with Relief Swags, Double Loop Handles, Painted Floral Decoration and Raised Gilt Trim together with a small later Sevres porcelain candlestick. Each urn with painted portrait reserve of a courtier, artist signed C Rochette (Claire Maglin Rochette). Entwined double L's mark to bases. One cover "As Is", rubbing to gilt trim. Measure 16" H, 8-1/2" W. Shipping $145.00 (estimate $1200-$1500)
Royal Copenhagen Hand Painted Porcelain Covered Urn with Hand Painted Topographical Scene of Fredensborg Castle Denmark and Monogrammed Putti Finial. Signed Royal Copenhagen (logo) Under Base, Under Lid as well as Inside Urn. Rubbing, Gilt Loss, Flake Under Base or else Good to Very Good Condition. Measures 10-5/8 Inches Tall and 4-3/8 Inches Diameter. Shipping $48.00 (estimate $500-$600)
Royal Bonn Porcelain Handled Floral Covered Urn. Hand Painted Orchids with a Burgundy Ground. Gold Decorated Cap, Handles and Base. Signed Royal Bonn Germany Brown with the "Royal" above the crown and "Bonn" below the Crest. Good Condition Handles Restored, Top Finial Restored. Some Light Scratching to Body and Rubbing of the Gold. Measures 14 Inches Tall Approximately 6 Inch Diameter. Shipping $75.00 (estimate $300-$500)
Large 19/20th Century Hand Painted Bronze Mounted Sevres Urn with Lid. The Front Panel Depicting a Hand Painted Romantic Scene Signed Bombois. Ornate Gilt Decoration Throughout on Cobalt Ground. Wreath Handles. Unsigned. Light Scratches and Wear to Gilt Décor or in Good Condition. Measures 29" H x 12" W. Shipping $225.00 (estimate $1000-$2000)
A late 18thC mahogany satinwood, ebony, boxwood and sycamore inlaid cellarette, c1790, in the style of Ince & Mayhew, the slightly tapered square shaped cellarette with lift up cover inlaid and engraved with scrolling foliage and central flower medallion, cross banded with satinwood, boxwood and ebony line border, inlaid to the front with a classical maiden playing a triangle surrounded by classical bellflower swags and scrolling foliage with a separate small cupboard to the base inlaid with a classical urn crossbanded in satinwood and ebony, on four slightly splayed legs, with finely case gilt bronze carrying handles, 69 x 44.5 x44 cm approx
A PAIR OF 19TH CENTURY GOLD AND MALACHITE PENDENT EARRINGS, CIRCA 1860Of Etruscan revival design, each articulated earring formed as an oval malachite cameo depicting the face of Venus, suspending a gold and malachite amphora, with applied beading detail, mounted in gold, French assay mark, length 6.8cmEtruscan Revival JewelleryIn the early 1800s archaeologists excavated Etruscan tombs outside Rome, unearthing many treasures that had been buried including jewellery. The most beautiful examples were intricately wrought gold earrings and necklaces bearing rows of pendants in the form of various mythological creatures such as harpies, mermaids and gorgons. Jewellery with such fine gold work had not been seen since the burials themselves many centuries ago.The discovery of these ancient designs sparked inspiration in goldsmiths and jewellers of the 19th Century and by the middle of the century the Etruscan style was prominent in revival jewellery, joining the Egyptian and Renaissance revival designs. The 19th Century Italian jeweller Fortunato Pio Castellani specialised in the recreation of ancient jewellery and he produced many replicas of Etruscan jewellery using ancient techniques. With jewellers such as Castellani emulating this style, it quickly spread throughout Europe and was used to produce elaborate jewellery that was so coveted by Victorian high class society.The spread of ancient civilisation jewellery was accelerated by the mass production of the industrial age, even reaching across the Atlantic to the shores of America. The American Civil War had widowed many woman and orphaned many children thus making Victorian England mourning jewellery particularly appealing. A typical motif seen adorned on mourning lockets was a classical urn in Etruscan style with a lock of the deceased loved one’s hair against a grieving heart.
A pair of James Powell & Sons Whitefriars green glass vases in wrought metal mounts, the urn shaped vases with surface decoration, unsigned, 23.5cm. high (2). Literature Lesley Jackson, Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 101 plate 21 for comparable forms.
An early 19th century miniature portrait showing a half length study of a little girl in blue dress gathering flowers in a garden setting beside an urn, 8 xc 6 cm approx in wide gilt frame together with a silhouette portrait of oval form showing a soldier in 18th century style uniform, 7 cm oval max approx
A cut and gilded ceiling hanging lamp with scrolling framework and three clear glass panelled sides, 52 cm tall approx together with a heavy cast metal lamp of urn shaped form with extensive embossed detail depicting birds in flight amongst foliate surroundings with swept heron bill handles, 40 cm tall approx
A CHAMBERLAIN'S WORCESTER Green-ground porcelain urn- shaped pedestal vase circa 1825-35, iron-red script marks. Of slender form, with gilt dolphin handles, below white beading to the upper rim, painted with a band of flowers, the lower part with radiating gilt lappets on a spreading green stem and cylindrical green and gilt pedestal and square base gilt with anthemion. H265mm. Condition: One handle broken and a piece missing, rubbing to gilding. Provenance: Mrs Mary Stavrou collection, Larnaka. In-house packing & shipping in the EU at €51.
Early 20th century Vienna wall clock, mounted by triple urn finials, moulded cornice, glazed trunk door enclosing circular face, Roman numerals, flanked by baluster columns, stepped base, striking coil, W 46cm, H 110cm, D 22cm CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs
FRENCH KINGWOOD, INLAID AND GILT METAL MOUNTED WRITING TABLE, of serpentine form, the top with a central urn inside a foliate scrolling border above a single drawer and cabriole legs with mask mounts, height 74cm, width 102cm, depth 67cm Provenance: lot 98, Hafod Mansion Auction in late 1940s and then by descent.
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68904 item(s)/page