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Lot 373
A LATE VICTORIAN SILVER SUGAR DISH AND COVER, by C S Harris and Sons, the ovoid body cast with paterae between bead borders, ringed swags and foliate calyx, raised on three animalia monopieds, joint by flat stretchers, the swept domed cover with foliate detail around a bead urn finial, London 1899, 16.5cms high, 10oz
Lot 1064
An early 20th Century Louis XV style gilt metal and onyx clock garniture, the clock with eight day movement striking on a bell, the circular enamel dial with Arabic numerals, the case with urn surmount above foliate, festoon and mask decoration, together with a pair of two branch candelabra, on circular bases and disc feet, height of clock approx 33.5cm.
Lot 1610
A pair of Minton `Haddon Hall` pattern jardinières, each with flared body and scalloped rim, a Mason`s Patent Ironstone plate, decorated with a flower charged urn in the Imari palette, a Beswick two handled dish, a Royal Doulton stoneware bottle vase, decorated with blue and white enamel on a lace effect ground, and a collection of decorative ceramics (faults).
Lot 2001
A mid-19th Century Neoclassical Revival amboyna and gilt metal mounted centre table, the circular moulded top with a central amboyna panel within a satinwood border inlaid with berried laurel leaves within further borders of burr walnut and kingwood crossbanding, raised on three turned supports with cast gilt metal bands united by a drum shaped platform surmounted with an urn finial and with mask and leaf mounts, terminating in three outswept sabre legs inlaid with stylized bellflowers and applied with cast metal shell feet, diameter approx 133cm.
Lot 2003
An early 19th Century French figured mahogany sideboard, the gilt brass gallery rail with urn finials above a grey marble top pulling forward to reveal a rising shelf, the base fitted with pull-out slides and two frieze drawers above a cupboard enclosed by two doors with brass beading, flanked by two square tapering pilasters with mask capitals and anthemion mounts, on gilded paw feet, width approx 131cm.
Lot 2601
After Clodion - a pair of 19th Century French cast gilt bronze figural candelabra of neoclassical design, each fitted with two circular sconces on acanthus scroll branches supported by an urn beside a classical maiden, cast with signature and `F. Barbedienne`, raised on white marble canted square bases with fluted decoration and applied beaded and berried leaf bands, height approx 50cm (drilled).
Lot 886
A GEORGIAN EBONISED TABLE CLOCK, Provincial, 18th Century, unsigned, the movement with verge escapement striking on the hour, the back plate engraved with rococo style foliate scrolls centred by an urn, 7" white enamel dial with Roman and Arabic numerals, the moulded case with domed cresting and brass carrying handle and pineapple finials, glazed sides, on brass bracket feet, 19" high (Illustrated)
Lot 890
A LONGCASE CLOCK by William Radford, Leeds, the eight day movement with anchor escapement striking on a bell, 14" arched dial, painted with flowers and with Arabic numerals, moonphase with rural and shipping scenes, the inlaid oak and mahogany case with swan neck pediment having brass urn surmount on reeded pillars, arched door flanked by fluted quarter columns, panel base and later bun feet, 96" high
Lot 894
A FRENCH GILT METAL AND PINK PORCELAIN MANTEL CLOCK, c.1900, the twin barrel movement striking on a bell, the back plate stamped Japy Freres, No.1706, 3" porcelain dial painted with flowers and with Roman numerals, the case with urn surmount, applied masks to the sides, oblong base with bud finials and scrolled bracket feet, conforming gilt wood stand, 13 3/4" high, under glass dome with ebonised base
Lot 895
A FRENCH GILT METAL AND PORCELAIN MANTEL CLOCK, 19th century, the twin barrel movement striking on a bell and stamped P.R. 630352, 4" gilded porcelain dial painted with cherubs, in urn shaped porcelain vase flanked by cherubs and painted with lovers in a garden, pineapple finial on domed lid, female mask loop handles, moulded rounded oblong base with central cartouche, on bracket feet, 26" high (Illustrated)
Lot 972
A VICTORIAN PAINTED MAHOGANY TOILET MIRROR of bowed form crossbanded with stringing, the shield shaped bevelled plate with brass urn finial raised on scrolled supports, the base painted with floral festoons and urns and containing three drawers with turned brass handles, raised on brass lion paw feet, 21 1/2" wide
Lot 997
A MAHOGANY QUADRANT CORNER WASHSTAND, early 19th century and later, with raised back, bowl aperture now with fixed banded and chequer inlaid top, waved frieze, undershelf with drawer having brass drop handle, ring turned and square section uprights, shaped feet joined by a shaped stretcher, centred by an urn stand, 23 1/4" wide, 44 1/4" high
Lot 18
A Regency mahogany bowfronted cistern tube stick barometer. Barrauds, London, early 19th century. With cavetto moulded caddy upstand above glazed rectangular silvered vernier register, annotated and calibrated in inches, with mercury Fahrenheit thermometer and signed Barrauds, LONDON to upper right corner, the trunk with ivory vernier adjustment disc and ebony line inset edges above ebonised urn-shaped cistern cover to the rectangular base with ebony line inlaid canted angles and cavetto moulded underside, 99cm high. Paul Philip Barraud is recorded in Baillie G.H Watchmakers & Clockmakers of the World as working 1796-1820, he, in partnership with W. Howells and G. Jamison, was charged with making Mudge’s marine timekeepers. The firm was continued by his sons becoming Barraud and Lund in 1839.
Lot 59
A French porcelain inset ormolu mantel clock. Henry Marc, Paris, late 19th century. The eight-day bell-striking movement with circular white enamel Roman numeral dial in a drum-shaped case with pink ground gilt decorated urn surmount and lion mask ring side handles above acanthus cast support fronted with a lambrequin inset with panel of a classical female, on shaped platform base inset with further gilt hightened panels and foliate cast feet, 33cm high.
Lot 95
An ormolu mounted white marble and biscuit porcelain ‘Venus’ mantel timepiece. The design attributed to Benjamin Vulliamy, late 18th/early 19th century. The French eight-day movement with platform lever escapement vertically mounted on the backplate and white enamel Roman numeral chapter ring to the engine turned-gilt dial within a rope-twist bezel, in a case with gilt compressed urn surmount above shaped upstand housing the movement and dial, raised on a half rotunda temple-form base with conforming ovoid pedestal vase finials above the gilt-capped Tuscan columns enclosing a figure of a semi-clad Classical female holding forth a dove flanked by male and female putti, the former with a basket of fruit the latter with a birdcage, the figures set on a shaped gilt plinth with mirror behind, the whole on stepped curved base, some restoration, 49cm high. Provenance: Christies, King Street Out of The Ordinary The Discerning And Individual Taste of Christopher Gibbs And Harris Lindsay 10th May 2006 lot 236. Where the case is attributed to Benjamin Vulliamy and the figures to Derby. The design of the current lot clock is perhaps related to the model celebrating the triumph of Love with Euterpe produced by Vulliamy with Duesbury Derby figures modelled by Johann Jacob Wilhelm Spangler in the early 1790’s. Both share the use of bisque porcelain figures within a well conceived and detailed temple-form case. The proportions and refined detailing of the current lot confirms the fact that this clock was conceived by someone highly versed in Classical Arts and Architecture such as Vulliamy.
Lot 66
A pair of Minton majolica style jardiniere and pedestals, 20th century, the jardinieres of urn form with greek key band above lobed shoulders with rams head handles, the body with trailing ribbon, fruit and berry swags and applied oval portraits over four crouched cherubs upon a circular base, the square waisted pedestals with panels of cherubs and fruit, no marks, total height 137 cm, (2).
Lot 370
A matched pair of Epns Neo Classical style twin handled pedestal tureens, of oval form, the first with reeded leaf finial handle, the body with trailing leaf swags with central cartouche and loop reeded handles upon an oval beaded base, height 25 cm, the second example with urn finial lid above leaf loop handled upon an oval beaded base, height 27 cm, (2).
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68904 item(s)/page