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Lot 1
A George III oak mahogany crossbanded and boxwood inlaid longcase clock, late 18th/early 19th century, the broken scroll pediment centred by a boxwood urn motif over an arched door flanked by reeded gilt brass pilasters and enclosing 14" white painted arched enamel dial marked 'Artinstall? Drayton' with Roman numerals, subsidiary seconds dial and date aperture painted with flowers to the corners and with rolling moon phase in the arch painted with an English frigate and country cottage, eight-day movement striking on a bell over a three-quarter length trunk door with boxwood and harewood conche shell motif flanked by reeded brass capped quarter pilasters over a conforming base board and bracket feet, distressed, 83" high
Lot 1
A gilt brass clock garniture, early 20th century, in rococo revival style, the 4" circular dial with enamel chapters and Roman numerals, the case surmounted by a covered urn and applied with foliate brackets, German bell striking drum movement, the cased raised on bracket feet, and a pair of matching six-light candelabra, the clock 24" high, the candelabra 23" high
Lot 1
A 19th century oak longcase clock, the 31cm brass dial with silvered chapter ring, Roman and Arabic numerals, subsidiary seconds dial, inscribed Wainwright, Nottingham, 30 hour movement, striking on a bell, brass pierced foliate spandrels, later arched painted with swans and trees, the hood with break neck pediment, with dentil border, centred by urn and ball finial, shaped door to waist, plinth base, 220cm high
Lot 1
A Portuguese Palissy Ware 'puzzle' urn attributed to Manuel Mafra, the baluster body with raised lattice neck supported by serpent handles, the heads of which protrude from a hollow grass encrusted rim, the body applied with moths, insects, lizards and toads on a mottled brown body, 42cm. high, circa 1880.
Lot 1
A late 17th century brass striking lantern clock, the 16cm. dial signed 'John Ebsworth at ye cross keys in Lothbury, Londini fecit', above engraved flowerheads and with a single hand and central alarm disc, the weight-driven movement with anchor escapement, the frame with slender tapering corner posts, urn finials, dolphin frets and top mounted bell, 39cm. high with later restorations, together with a wooden wall bracket.
Lot 1
A Fine Inlaid Mahogany Chiming Pedestal Clock on a square tapering column with moulded plinth base. The clock having a domed pediment inlaid with an urn of flowers and scrolling foliage framed in satinwood crossbanding, with pendant bellflowers chains to the canted sides and trailing scrolls of foliage to the moulded case. The silvered dial engraved with a mass of acanthus leaves and having three rings to the top; chime/silent, slow/fast & Westminster/silent set in a row, and a small retailers plaque engraved Finnigans Manchester within the chapter ring. Overall 71 ins (181 cms) in height.
Lot 1
A Regency Free-standing Mahogany 'Waterfall' Bookcase. Each side fitted with three shelves of graduated depth flanked by ropetwist columns above two cross-banded drawers to one side and corresponding dummy drawers to the other retaining their original brass knop handles. The reeded lyre-shaped end supports on sabre legs terminating with brass caps and castors, and united by an arched understretcher. The top flanked by urn finials, 58 1/2 ins (148 cms) in height, 34 ins (86 cms) in width.
Lot 1
A pair of 19th Century Vienna porcelain two handled urn shaped vases and covers of classical form, each with two circular vignettes enamelled in colours with lovers in garden scene, on a yellow and gilt decorated ground with pink borders, 7ins high (beehive pattern mark in underglazed blue to base - one handle restored)
Lot 1
An Elizabeth II sugar castor of Georgian design with urn pattern body and moulded girdles, the pierced domed cover with turned finial, 7ins high, Birmingham 1963, a plated rectangular vegetable dish and two handled cover, 11ins x 8ins, a plated octagonal bulbous sugar castor, 7.5ins high, a 19th Century Bohemian amber tinted overlay and cut-glass goblet, 5.75ins high (footrim chipped and repaired), and a small selection of souvenir china, various
Lot 1
An Edward VII electric table lamp of Neo-classical design, the fluted tapered column surmounted by an urn embossed with oval paterae and acanthus leaf swags, the square stepped and moulded base embossed with swags and with bead mouldings and leaf capped corners, 21.5ins high, by Walker & Hall, London 1907 (will need to be rewired by a qualified Electrician).
Lot 1
A late 18th Century Staffordshire enamelled oval patch box, the lid decorated with two birds on a branch and worded "I Love Too Well To Kiss and Tell", 1.75ins x 1.25ins, and one other Staffordshire enamelled circular patch box, the lid decorated with an urn pattern memorial and worded "A Present from a Friend", .875ins diameter
Lot 1
A late 19th Century French mantel timepiece with 3.5ins white enamelled dial with Roman numerals to the eight day movement, contained in bronze and ormolu case of two-handled urn pattern, the leaf capped handles with dog's head finials and applied acanthus leaf swags, the rectangular base with a basket of flowers to front, on ball feet, 13ins high
Lot 1
A 19th century mahogany longcase clock, with swan neck pediment and brass urn finials, painted arched dial with black Roman numerals Arabic five minute divisions, subsidiary seconds and calendar aperture, inscribed 'Goldsborough, Scarborough', within scrolled spandrels, bracket feet, eight day movement striking on a bell, dial 42cm high, 220cm high overall.
Lot 1
A fine quality Flight, Barr & Barr Royal Worcester porcelain urn, the flow blue ground decorated with fine gilt work and hand painted cartouches portraying castle ruins and figures on a river. Possibly decorated by Samuel Smith. Cartouches entitled "On the Derwent, near Matlock Bath, Derbyshire" & "Ragland Castle", Monmouthshire, together with a related saucer. 3" high.
Lot 1
Pair of Continental vases painted with a lady and gentleman within gardens, the square bases, scroll handles and flaring necks all in ormulo decorated with cloisonne style enamelling, (probably lacking lids) Also a Paris porcelain urn shaped vase, painted with ribbons and roses, with ormulo ribbon mounts, Also a porcelain flaring cup mounted on a Renaissance revival style scrolled ormulo triform base, all mid 19th century (4).
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68904 item(s)/page