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Lot 2182
An Edwardian mahogany bureau, the fall flap inlaid with urn and swags above three long drawers, on bracket feet, height 95cm, width 78cm, together with a George V mahogany bowfront display cabinet, on cabriole legs and claw and ball feet, height 127cm, width 117cm, depth 40cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2637
A 20th century cast concrete garden urn, on a square pedestal base, height 85cm, together with a pair of scallop shell bird baths, width 39cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 92
A late 19th Century French gilt metal and bevelled glass regulator mantel clock, the case surmounted by a twin handled urn with acanthus scroll mounts and hoof feet, enclosing an eight day movement striking on a gong and with mercury compensated pendulum, stamped Samuel Marti et Cie, numbered 2700 411, with white enamelled dial, raised to a gilt wood serpentine fronted base, height including base 42cm, S/D.
Lot 157
Jan Van Balen - Still Life with Flower-filled Urn and Bee, 20th century oil on canvas, signed, 75cm x 60cm, within a gilt composition frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 124
A collection of small silver, a late Victorian miniature silver pepper pot, of baluster form with an urn shaped finial on a pedestal base, Birmingham 1899, a silver bud vase with a flared twisted rim, Sheffield 1899, two napkin rings and a glass match strike with silver collar, weighable silver 2¼oz.
Lot 5
Pair of early 20th Century Austrian Vienna porcelain urn shaped two handled vases, both standing on square bases, on a cobalt blue ground with gilt decoration and painted figural and horse scenes. Together with another porcelain white ground floral flared tapering vase. (3)(B.P. 21% + VAT) Is some wear to all of the gilding in various places, one of the Vienna vases does not have a lid. Both vases are a bit loose on the bases.
Lot 2546
A yellow metal mourning ring in the form of an urn, set with an 8.5 x 6.4mm oval garnet cabochon, with engraved foliate shoulders, engraved inside the head with a crest depicting a lion rampant above a shield engraved with griffins and with a partial name 'Jane 1738 Died Oct 12th 1783', size S½, gross weight 4.6g, not marked but tested as 9ctCondition report: Garnet is loose.Signs of porosity inside shank.Some evidence of re-sizing.
Lot 296
A REGENCY NEEDLEWORK MEMORIAL SAMPLER BY ELIZABETH HARRISON worked with polychrome silks and beads on a linen ground, commemorating the death of Queen Charlotte, with a sarcophagus, inscribed 'Mrs Charlotte Died November 6 1817 Aged 22', with an urn issuing leaves, with a pair of weeping willow trees, birds and squirrels, inscribed 'On The Death of Her Royal Highness The Princess Charlotte of Wales', signed and dated 'Elizabeth Harrison's Work 1837', in a glazed burr oak frame 35.5 x 31.5cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.177 for a discussion of this sampler.
Lot 141
A GEORGE II WALNUT MONTH GOING LONGCASE CLOCK BY CLAUDE VIET LONDON, C.1725 the brass month going movement with four turned and finned pillars and with an anchor escapement striking on a bell, the twelve inch arched dial with a silvered chapter ring with Roman and Arabic numerals and with a matted centre with a subsidiary seconds dial and date aperture, the winding holes with moulded edges, with pierced and scroll blued steel hands, with gilt mask spandrels, the arch with cornucopia spandrels and with a signature panel 'Claude Viet London', the burr veneered case with a moulded and fret carved hood with urn finials and with a pair of columns, the arched quarter veneered trunk door above a panelled plinth base 253.5cm high Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Catalogue Note Claude Viet was a Huguenot clockmaker originally from Orléans who moved to London. In 1698 Viet was free from the Watchmaker's Company. He was active between the end of the 17th to the early part of the 18th century and was watchmaker to Queen Anne. He died in 1734.
Lot 288
A GEORGE III QUAKER NEEDLEWORK SAMPLER FRAGMENT EARLY 19TH CENTURY worked with polychrome silks on a fine linen ground, the motifs in two directions around a horizontal axis, one half with part medallions, an urn with vines and leaves, a wreath enclosing a tree motif and a medallion with the initials 'HP', the other half with a part medallion border, with urns, vines, leaves, flowers and a bird, in a glazed ebonised and gilt frame 12.3 x 14.2cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller. Literature The Feller Needlework Collection: 2, p.32 for a discussion of this sampler.
Lot 316
A REGENCY NEEDLEWORK SAMPLER EARLY 19TH CENTURY worked with polychrome silks with cross stitch on a canvas ground, with two verses from Ann Taylor's poem 'My Mother', the word mother replaced with 'Dear Ann', above birds and stylised flowers with a central urn, below two figures and their dogs flanking a building, with a pink ribbon edge, in a glazed ebonised and gilt frame 16.1 x 22.6cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.
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68904 item(s)/page