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A vintage brass automobile horn together with a brass powder flask with stamped detail to mount Sykes Patent with embossed double struck detail, a 19th century urn shaped mortar and related pestle with horizontal banded decoration, a trio of 19th century graduated bell shaped weights, a cased electrical assembly within a locking mahogany case with hinged lid, etc
A late 19th/early 20th Century French gilt brass three piece clock garniture, the clock with 3.75ins diameter gilt dial with Arabic numerals to the eight day two train movement striking on a gong, contained in gilt brass case of architectural design with turned finials and flanked by standing figures of Roman Senators, 12.5ins high, and a pair of matching two-handled urn shaped ornaments with flambe finials and masks to front and with leaf mounts, on square bases, 12ins high, each complete with gilt metal plinths
A late 19th Century French gilt metal and onyx cased three piece clock garniture, the clock by Japy Freres, No. 5940, the 4.25ins silvered chapter ring with Arabic numerals to the eight day two train movement striking on a gong, contained in onyx and gilt metal mounted case of architectural design flanked by standing classical figures, 14.25ins high, and pair of matching two-handled urn shaped ornaments, on square stepped bases, 11ins high
A pair of late Victorian silver oval sauce boats of Georgian design with shaped rims, leaf capped flying scroll handles, and each on three lions mask and paw feet, 6.25ins overall, by William Gibson and John Langman, London 1896 (with splits to sides), a George V urn pattern sugar castor of Georgian design, with moulded girdle and footrim, 8.5ins high, by Mappin & Webb, Birmingham 1924, and a pair of late Victorian silver rectangular four division toast racks, 4ins x 2.5ins x 3.25ins high, Birmingham 1898 (combined weight 30.5ozs)
19th century French mantel clock with eight day movement, striking on a bell, porcelain dial with Roman numerals and central painted scene of cottage by a bridge, gilt metal hands, in a decorative gilt metal case with painted porcelain panels and columns, surmounted by a figure of a cherub seated on a classical urn, all on a giltwood and velvet plinth, 39cm overall height (pendulum present, key lacking)
18th century longcase clock with eight day five pillar movements, twelve inch square dial with pierced classical head spandrels, wheat ear border, matted centre with engraved dove and flower decoration, subsidiary second dial and calendar aperture, silvered chapter ring signed - Henry Thornton, London, in a green chinoiserie lacquered case, caddy top hood with three urn finials, 244cm overall height (weights and pendulum present, winding key and door key lacking) CONDITION REPORT General overall condition is good. Movement is dirty. Appears to be in working order, although we have not had it going. No evidence of major damage or repair. Rack strike. Dial is good, minor cracks to border on right hand side. Case is quite good, some restoration and upper part of back board has been replaced. Lacquering is good, although one area on front door above lenticel is damaged. Gold finish is worn in places. Hood is good, door is secured by hook that has damaged decoration. Gold finish has been retouched
19th century mantel clock with French eight day movement striking on a gong, brass dial with individual painted Arabic numerals and decorative filigree centre, in a brass case with blue chinoiserie enamel decoration, similarly decorated domed top surmounted by a classical urn and four turned finials, 35cm overall height (winding key present, pendulum lacking)
19th century French mantel clock with eight day spring-driven movement signed - Robert Holt and Cie A Paris, silk suspension and slow / fast regulator, white enamel dial with Roman numerals signed - Robert Holt and Cie A Paris, in a gilt metal case with scroll and face mask decoration and five pink Sèvres-style porcelain panels, signed on reverse and decorated in the classical taste, with cherubs and trophies surmounted by a classical urn and standing on two hoof feet and four other feet modelled as bunches of grapes, 34cm overall height (key and pendulum present)
Victorian 'Grand Tour' style mantel clock with French eight day movement striking on a bell, gilt metal dial with individual blue enamelled Roman numerals and gilt metal hands, in a classical-style black slate and bronze mounted case with lion mask handles and surmounted by a bronze classical urn with face mask decoration and four finials, standing on four stylised wing and paw feet, 32.5cm overall height (bell detached but present, key and pendulum present)
Victorian mantel clock with eight day movement with outside countwheel, striking on a bell, signed - Japy Frères, white enamel dial with gilt metal filigree centre and Arabic numerals, in a classical ornate cast brass case with human mask and scroll decoration and urn finial, on four heavily scrolled feet, 48cm overall height (key and pendulum present)
Good quality antique neoclassical influence brass and steel fire grate with a cast iron fire back and serpentine front with pierced engraved brass panels with urn finials on square taper supports, 74cm high x 77cm wide overall CONDITION REPORT Back plate large crack and repair plate to both. Believed to be late 19th century
Late 19th century Chinese blue and white ginger jar, painted with panels of furniture, urn and scrolls, prunus and cracked ground, with a carved and pierced wood cover and stand, 28.5cm high including top and cover CONDITION REPORT Small crack to top of vase running from edge of rim for about 3 inches. Lid has two drill holes on top. Has been re-glued all the way along one side edge and some pieces of carved scrolls missing. Base has nail hole on one edge, otherwise good condition
1930s silver biscuit barrel of baluster form, with gadrooned border and swing handle, separate domed cover with urn finial, on a circular foot, engraved presentation inscription (Sheffield 1930), Martin & Hall Co. Ltd. All at approximately 25ozs, 21cm overall height including handle CONDITION REPORT General overall condition very good. Minor surface wear, dents and scratching. Swing handle is loose at one side. Marks clear
Early 19th century Continental silver wirework cake basket of oval form, with pierced flower-head and urn decoration, pierced swing handle, on a similar pierced oval foot, engraved armorial crest and motto 'Recta Pete' (seek what is right), Fletcher, marked on rim above crest and opposite side, possibly Portuguese. All at approximately 26ozs, 37cm across
George V silver seven piece condiment set comprising four two-handled salts of urn form, with raised floral swag and bead decoration, on pedestal feet, with glass liners, matching mustard and two peppers, four salt spoons and a mustard spoon in a fitted case (Birmingham, Chester and Sheffield 1913), William Hutton & Sons Ltd. All at approximately 10ozs, salts 9.7cm across handles (11)
Romano-British Bronze Urn and Ceramic Cup Burial Group 2nd century AD. A funerary container group comprising: a squat bronze jug with flared rim, remains of attachment of a ferrous handle; within the jug, a small burnished ceramic jar with narrow foot, ribbed neck; beneath the jar, an iron nail. 616 grams total, 8-14cm (3 - 5 1/2"). Ex Lincolnshire collection; found at Beechamwell, Norfolk, UK, 2011. See Alfayé Villa, S. Nails for the Dead: A Polysemic Account of Ancient Funerary Practice, in Magical Practice in the Latin West. Papers from the International Conference Held at the University of Zaragoza 30 Sept - 1 Oct 2005, Leiden, 2010. The Greek (and later, Roman) practice of placing an iron nail in a funerary deposit has been discussed at some length in the scholarly literature. The nails are associated mainly with single cremations. They have been interpreted as talismans designed to protect the dead from the dangers of the journey to the Underworld. More recently, opinion has come to include the notion of the nail as a symbolic 'fixing point', a means of ensuring that the dead person could not return to the world of the living. Both ideas constitute a form of protective magic. [2] Fine condition; bronze vessel dented at base.
Large 19/20th Century Hand Painted Bronze Mounted Sevres Urn with Lid. The Front Panel Depicting a Hand Painted Romantic Scene Signed Bombois. Ornate Gilt Decoration Throughout on Cobalt Ground. Wreath Handles. Unsigned. Light Scratches and Wear to Gilt D‚cor or in Good Condition. Measures 29 Inches Tall, 12 Inches Wide. Shipping $225.00
Large 19/20th Century Hand Painted Bronze Mounted Sevres Urn. The Panels Depicting Hand Painted Cherubic Scenes. Ornate Gilt Decoration Throughout on Cobalt Ground. Figural Handles. Signed with Painted Sevres Mark. Wear to Gilt D‚cor or in Good Condition. No Lid. Measures 25 Inches Tall, 12 Inches Wide. Shipping $225.00
Monumental 19/20th Century Hand Painted Bronze Mounted Sevres Urn. The Panels Depicting Hand Painted Cherubic Scenes. Ornate Gilt Decoration Throughout on Cobalt Ground. Wreath Handles. Signed with Intertwined L Mark. Bolt missing from One Handle, Wear to Gilt D‚cor, Light Crazing on Lid or in Good Condition. Measures 42-1/2 Inches Tall, 17 Inches Wide. We will not ship this item due to its size. We will happily recommend a list of outside vendors upon request.
Large and Impressive Antique Chinese Carved Ivory Lidded Urn. Finely Carved and Reticulated in Deep Relief, Depicting Dragons, Mythical Beasts, Rings, Flowering Trees, and Figures Throughout. Signed on Bottom with Carved Calligraphy Signature on Both Lid and Bottom. Good Condition or Better. Measures 23-1/2 Inches Tall, 6 Inches Diameter. This item will only be shipped domestically and was legally imported into the United States. Shipping to California and New York is Not Available for this Lot. Shipping $95.00
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68875 item(s)/page