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Pair of Victorian Jacobean Revival heavily carved oak armchairs, the pediment with central cartouche flanked by pierced and carved griffon motifs, the padded back surrounded by oak and scrolling acanthus leaves with flanking spiral turned uprights, back and sprung seat upholstered in red and gold urn patterned fabric, the arm terminals in the form of dog masks, on barley-twist supports united by spiral turned stretchersDimensions: Height: 132cm Length/Width: 68cm
Edwardian inlaid mahogany and satinwood corner cabinet, the upper section with sloped broken dentil pediment, the frieze inlaid with central urn with extending linen swags, enclosed by two astragal glazed doors, the lower section with matching linen swag inlaid frieze over double cupboard, the panelled doors inlaid with scrolling leafy branches and flower heads, on bracket feetDimensions: Height: 219cm Length/Width: 82cm
A fine Georgian black dot paste cameo mourning pendant, circa 1810, the relief panel beneath convex glass depicting lady with an urn and cherub playing horn, within cut-down collet set paste surround with closed-back settings, apparently unmarked, 32.9mm, 4.5gGlass has 1 tiny edge chip, surface of inner panel slightly stained and dirty, all stones present, general wear to facet edges, unmarked
A Continental Biscuit Porcelain Figural Tablelamp, 20th century, gilt metal mounted and modelled as three musical putti around a central urn, with glass drop pagoda shade, painted monogram, 63cm highSome damage and repair to the cymbal player. Some losses to the drum. Would need to be re wired.
A late 19th century French metal and red tortoiseshell mounted bracket clock with eight day movement striking on a gong, the embossed gilt dial with inset enamel hour plaques, the case with cockerel surmount above applied urn finials, mask, flowers and foliate swags, on tapered foliate feet, height 46.5cm, with mask and sunburst pendulum and winding key.
A late 19th century French gilt spelter and Sèvres style porcelain mantel clock with eight day movement striking on a bell, the case with porcelain urn surmount, dial, columns and front panel, painted with flowers and landscapes within gilt and bleu céleste borders, height 33cm, with pendulum and giltwood stand, the glass dome with ebonized base.
Y A GEORGE III MOURNING LOCKET PENDANT CIRCA 1790 The oval ivory panel painted en grisaille with mother standing by a three dimensional funerary pyramidal tomb with half pearl finial, with two sections appearing to fall revealing two children inside, one raising a rose cut diamond accented crown to winged putti, memento mori skull to the base and rope twist gold coloured wire and seed pearl accents, trimmed hair decorated ground, under domed glazed panel painted in reverse with a weeping willow, within a black enamelled and gold setting with gilt foliate detail, reeded gold suspension loop, with glazed compartment verso, unmarked Size/dimensions: 7.8cm long Gross weight: 37.6 grams Please note Dreweatts have applied for a de minimis exemption licence for the ivory in this lotRef: 3E6D3DZZ Y Indicates that this lot may be subject to CITES regulations when exported. The import of lots that are subject to CITES regulations are banned in certain countries. Please check your country's import regulations before bidding. Condition Report: Unexamined out of sealed frame- there is a small piece of wire that has dropped from the urn, a wire at the base of the urn has dropped slightly, but it is in situ. Frame with wear from use and some loss to gilt detailing to left hand side of frame where it has been handled. Condition Report Disclaimer
A SILVER TEA URN UNMARKED, CIRCA 1760 With a baluster finial to the domed cover, the body with twin beaded scroll handles, engraved with an armorial, chased with grape vine decoration, on three scroll legs terminating on foliate feet 53.5cm (21 1/4in) high 2217g (71.29 oz) grossProvenance: From the Collection of Pablo Bronstein Condition Report: Stands wellEngraving is crispMinor knock to the cover rimSlight gap to the coverDecoration goodEnd of one foot missingLight scratches and wear commensurate with age and useCondition Report Disclaimer
A Group Of Four Watercolours To include Henry Warren (1794-1879): Elegant figures reclining by a classical urn, signed; Charles Gray Graves (1783-1852): The Bell Tower, Widford Church, Oxfordshire, inscribed and dated 27 September 1841; and two coastal/lake landscapes signed J C Jones and C W Johnson (4)
A 19th century French alabaster cased mantel clock surmounted by a squat lidless urn with gilt metal mounts and blue and gilt painted rim, bell strike movement with bell strike and the dial with blue painted decoration and gilded Roman numerals, on a giltwood stand, the clock 15in. (38cm.) high.
A late Victorian silver sugar shaker of baluster form Fenton Brothers Ltd, Sheffield, 1897, embossed with scrolling foliate decoration, the pierced pull-off lid, urn finial, 6 1/8in. (15.6cm.) high, 4.76 tr.oz., together with a silver mounted glass inkwell. (2) * Caster with bend to finial, otherwise pieces good.
A pair of Louis XVI style twin light gilt metal wall appliques 20th century, with flaming torch and urn back plates issuing acanthus leaf scrolling arms, 13in. (33cm.) high, 10in. (5.4cm.) wide, together with two brass and one copper finger plates with acanthus decoration. (5) * Needs wiring.
A matched pair of late Victorian silver candlesticks both Sheffield, Hawksworth Eyre & Co. Ltd. 1894 and Harrison Brothers & Howson, 1898, in the Adam manner, of fluted oval form, with reeded borders, weighted bases, 8 3/8in. (21.25cm.) high, gross weight 24.3 tr.oz. (2) *Harrison Brothers & Howson: Has a matched drip pan. A few tiny dings to lower edge of base. Hawksworth, Eyre & Co.: Probable repair to joint of stem and urn mount to base. A few tiny dings to lower edge of base.
A good pair of early 19th century Voneche cut glass urn shaped jars and covers lemon squeezer base, pointed pineapple finial, 12¼in. (31.2cm.) high. (2) * Provenance: Delomosne & Son Ltd., Chippenham, Wiltshire, June 2000. Original invoice with lot. * One with tiny flea-bite nibble to tip of finial, both with tiny nibbles to bottom section of square base corners, doesn't distract and hard to notice.
A pair of Sevres style porcelain urn shaped lidded vases ormolu mounted, hand painted with elegant figures promenading, the other with a country girl, the former signed "Luigi", pseudo circular blue mark beneath "Sevres 1844" and circular red mark "Chateau des Tuileries" together with "S.37", 22in. (55.9cm.) high. *Restored.
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68904 item(s)/page