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A selection of Art Deco 'depression' glass, various dressing table items, silver plated urn, etc. CONDITION REPORTIn our judgement, overall condition of lot is good.Our team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
A LATE 19TH CENTURY FRENCH BRASS AND COPPER MANTEL WITH ACHILLES BROCOT MOVEMENT, the architectural case with five urn shaped finials, the front of the case with relief decorated copper panels and columns featuring flora and fauna, the silvered chapter ring with Roman numerals, eight day movement, gong strike, stamped with an oval containing 'A*B', numbered '2052 163', height 39cm, with pendulum, no key (Condition Report: generally in good condition, the right hand facing column is loose in the frame, clock runs, winds, chimes)
18th century and later oak court cupboard, lunette carved frieze over panelled front enclosed by two doors, inlaid with floral urn and two chequered lozenges, carved masks over tapering supports carved with feather decoration on lower tier, turned feetDimensions: Height: 131cm Length/Width: 122cm Depth/Diameter: 41cm
Early 20th century Royal Worcester campagna urn, hand painted with a view of Windsor Castle by Harry Davis, signed, upon a fluted socle with stiff leaf moulding to the domed circular foot, with puce printed marks beneath including date code for 1905, and shape no 1926, H18.5cmCondition Report:General wear commensurate with age and use, including some surface scratches and rubbing to gilding in areas.
19th century Dutch marquetry centre table, rectangular top with bone inlaid edge profusely inlaid with satinwood, fruitwood and amboyna, central urn flanked by fruit cornucopias, trailing foliate and flower head motifs, fitted with single frieze drawer, the frieze rails with matched inlays, spiral turned ebonised supports joined by H-shaped stretchers with bone inlay, on turned bun feetDimensions: Height: 76cm Length/Width: 120cm Depth/Diameter: 68cm
Set of three late 19th century Vienna cabinet plates, each finely painted with a quarter length portrait depicting a female beauty to include Louise of Mecklenburg-Strelitz and Mary Queen of Scots, all within burnished gilt urn and floral borders on alternating brown and red ground, all signed Wagner and with underglazed blue beehive and impressed marks and entitled Konigin Louise, La Pens�e and Marie Stuart beneath, D24cm
Three late 19th century Vienna cabinet plates, comprising two finely painted with quarter length portraits of female beauties to include Queen consort of France and Navarre, the third painted with a scene depicting a courting couple being rowed through Venice's waterways, all within burnished gilt and cobalt blue urn and floral scroll borders, all signed Wagner and with underglaze blue beehive and impressed marks and entitled Venedig, Marie de' Medici and Queen of Roses beneath, largest D26cm
A French porcelain pot purri, 19th century, decorated with eastern figures and standing upon four paw feet and a square plinth, h.14cm, together with an English porcelain sauce boat, early 19th century, decorated with a European landscape within an oval cartouche, heightened in gilt, h.10cm, a French porcelain vase, 19th century, having gilt metal mounts and decorated with a bust of a lady, h.7.5cm and a French porcelain urn, 19th century, on swan supports, decorated with flowers, h.7cm (4)Swan pot – hairline to the rim, it would have had a lid originally, gilt quite rubbed, otherwise good.Sauceboat/milk – gilt a little rubbed but otherwise good.Blue with portrait – small crack to the foot, otherwise good.Pot pourri – gilt rubbed, otherwise good.
An English blue and white delftware urn, probably London, circa 1760, the body flanked by press moulded masks, decorated with a rock beside a gate, standing upon a flared foot, h.12.5cm References: Archer M (1997) Delftware, I.15-17, p.370 and Grigsby L (2000) The Longridge Collection, D.370, p.412With the usual losses to the glaze at the extremities.Some nibbles to the rim and footrim.A crack from the rim to the bottom of one of the flanking masks.
Kashan Silk RugCentral Iran, circa 1930The ivory field profusely decorated with birds, trees, and animals centred by an urn issuing flowers enclosed by similar burgundy borders flanked by triple guard stripes208cm by 128cmBoth ends complete and blanket stitched, selvidges original and showing some wear, pile is low and worn in areas, some areas of weakness and cracking
John Broadwood & Sons: A Rare Mahogany and Marquetry-Inlaid Cottage Upright Straight-Strung Piano, circa 1884, numbered 58837, of attractive proportions, the case richly inlaid with trailing leaves, husks and flowers, the hinged lid inlaid with musical trophies enclosing an ivory and ebony keyboard, a moulded panel below with oval patera inlaid with an urn above two foot pedals and flanked by reeded supports123cm by 51cm by 105cmWith non-transferable Standard Ivory Exemption Declaration number 2PRHLC4SPiano case with some slight variations in colour. Generally good based on its age. Some general scuffs and scratches mainly around the base. Small sections of veneer missing or patched around the base (as photographed). The ivory keyboard is very yellowed. Keys working - needs re-tuning.
A pair of Birmingham silver 1909 oval Adam style salts with leaf borders, raised on oval bases, (h 6cm) complete with blue glass liners, a pair of London 1907 silver pepperettes of flared baluster form, with urn style finials, (h7cm) an Edinburgh 1910 silver oval drum mustard retailed by Hamilton & Inches, with pierced foliate sides and blue glass liner on ball feet, (h 4.5cm x 5.5cm) (total 162g)
A Sheffield silver mustard with C scroll handle to side and urn finial, raised on pad feet, a Birmingham silver mustard of similar smaller design, a modern Birmingham silver spearhead style letter opener / desk paperweight (L 8cm x 2cm) and a hand forged white metal spoon with bird finial and rustic style stem, ( including tail L 10.5cm) unmarked (162g) (4)
A Romanesque inspired two handled pottery urn with masks to front, on circular moulded base, shows signs of chips, loss of decoration etc, (h 20cm, top d 18cm) a Chinese terracotta pottery figure of a woman holding a stand on her head, with green glaze, (h 23.5cm, base 7cm) and a Rosenthal Versace circular plate with classical style bust to centre enclosed within a scrolling leaf border, complete with original box, (d 18cm) (3)
J.E. Tindall - a circa 1930 ceramic figural study in the Moroccan taste, modelled as a seated nude bather beside an ornamental water outlet, raised on stepped base, underglaze painted in tones of pink and blue, etched 'J.E. Tindall' and dated 1929 to reverse, h.31cm, w.28cmCrack to front of plinth.Small loss to top of urn handle.Some glaze wear to top.Glaze to body of nude is crazed.
A Late XIX Century French Clock Garniture, the clock with white alabaster case with ormolu mounts, the baluster body with pineapple surmount and raised on a shaped footed rectangular base, the circular white enamel dial decorated with swags of pink roses, black Arabic numerals, the back plate stamped S.H. Paris, the movement striking on a gong, 44cm high and a pair of matching urn shaped side ornaments, key and pendulum present. (3)
PAIR OF GEORGE III IRISH SILVER WAITERS SAMUEL BEERE & JAMES MOOR, DUBLIN 1818 each of circular form with central Heron armorial inscribed MON DIEU EST MA ROCHE, within an engraved border of scrolls, foliage, mythical beast masks, and flaming urn detail, scrolling foliate cast rim, on four paw bracket feet22cm diameterQty: approx. 1184g grossCondition generally good. Softening to engraved detail through years of cleaning. Some minor misshaping to cast detail to rim, again as per age and use. Otherwise no noteworthy damages, though light wear as per age and use. Very slight wobble to one. Additional images now available.
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68904 item(s)/page