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Lot 1
Four gold vinagrettes, 19th & 20th century first example, Geneve, c.1840, black and white enamel decoration incorporating butterflies and scrolling foliage surrounding a geometric motif, enamel and gold chain; second example, 20th century in earlier taste, shaped rectangular, central engine-turned section with hinged cover; third example, in neo-classical taste, oval, bright-cut engraving incorporating a blank shield on hinged cover; fourth example, 20th century in earlier taste, formed as a classical urn, hinged cover 3.1cm, 1 2/8 in width of largest
Lot 1
An Edward VII silver-gilt model of the Bacon Cup and Cover, Lionel Alfred Crighton, London, 1906 vase-shaped bowl, armorial engraved and inscribed A thyrde bowle made of the Great Seale of England and left by Syr Nycholas Bacon Knygt keeper as an heyrelome to his house of Stewkey 1574, knopped stem, spreading foot with presentation inscription dated 1911, stepped domed cover, urn finial surmounted by Bacon crest, fitted case 29cm, 11.375in high 1343gr, 43oz 2dwt
Lot 1
An Edward VII silver salver, Goldsmiths & Silversmiths Co. Ltd., London, 1903 shaped circular, engraved crest, gadrooned rim, ball and claw feet; together with another by the same maker, 1912, shaped square, engraved crest, four hoof feet; a pair of George V silver sweetmeat dishes, maker's mark G.N over R.N, Chester, 1912, pierced oval bodies, scrolling foliage, embossed swags, floral borders; and a silver-plated tea urn, oval body raised on four reeded legs with claw feet, gadrooned borders, detachable cover and heater core 36cm, 14 1/4in diameter of larger salver 2921gr, 93oz 9dwt
Lot 1
A George III silver coffee pot, Hester Bateman, London, 1780 the baluster body probably later chased, leaf-wrapped handle, urn finial; together with a cream jug, maker's mark unidentified (Grimwade 3693), London, 1749; and another, possibly Joseph Savory, London, 1793; a caster, maker's mark unidentified (Jackson p. 207), London, 1763; a mug, Thomas Wynne (of Bath), London, 1771; a pair of salts, Robert Hennell, London, 1784, with later terminal attachments and central bars; a pair of Irish serving spoons, John Power, Dublin, 1804; a pair of candlesticks, JD&S, Birmingham, 1859; a footed bowl, Edward Hutton, London, 1888; a ginger jar, Nathan & Hayes, Birmingham, 1890; a small boat-form dish, maker's mark ESB, Chester, 1917; a commemorative Coronation dish, Richard Comyns, London, 1936; and six plated table spoons, monogrammed 'I' coffee pot 25.5cm, 10in high 3052gr, 98oz 3dwt all in
Lot 1
A George III silver coffee pot, William Grundy, London, 1775 baluster form, beaded borders, hinged cover, urn finial, probably later chased with rococo flowers and scrollwork, vacant cartouches; together with a George III silver tankard, maker's mark illegible, London, 1766, similarly decorated, crested coffee pot 26cm, 10.25in high 1723gr, 55oz 8dwt
Lot 1
A pair of Meissen allegorical figures of 'Autumn' and 'Winter' circa 1755 modelled by F.E. Meyer, 'Autumn' as a Bacchanalian youth holding a goblet and grapes, clad in a robe decorated with indianische Blumen, with a hare hung fron the strap, and leaning on a gilt-edged rococo urn encrusted with fruiting vines, 'Winter' as a bearded man with a fur-lined purple cloak painted with purple and blue flower sprigs, a goblet and bottle by a small fire on a pedestal to his side, from which grows a branch at the rear, a brazier at his feet, the high scroll-moulded bases edged in gilding crossed swords marks in underglaze-blue 22.5cm., 8.875in. some minor chips (2) Another example of 'Winter' is published by R. Ruckert, Meissener Porzellan, no.991, where it is attributed to Friedrich Elias Meyer.
Lot 1
A Meissen figure of a gentleman gardener circa 1750-55 holding a posy in his right hand and a flower pot in the left, his tricorn under his left arm, wearing a yellow-lined blue jacket, puce breeches and yellow shoes, the scroll-moulded base edged in gilding and applied with leaves and flowers and a flower urn traces of crossed swords mark in blue 14cm., 5.5in. very minor chips
Lot 1
A rare pair of Meissen miniature figures of male and female River Gods circa 1755 each reclining on an upturned urn issuing water on a scrollwork base edged in gilding with reeds at the rear, both with a laurel wreath on their heads, clad in puce and yellow floral drapery, respectively crossed swords marks in underglaze-blue to rear of bases, painted collector's number 34. to both his left arm and right leg restored, her left arm restored, some minor restoration to tips of reeds (2) 8.5cm., 3 3/8 in. across approx.
Lot 1
A Georgian style salver, by Tessiers of London 1959, of shaped circular outline with stepped borders raised on three hoof feet; a low comport, Sheffield 1922, with pierced scalloped edge gallery and Adam style swag and urn motifs, raised on a stepped spreading foot rim; also an oval twin-handled bowl, London 1957, with reticulated design, raised on four hoof feet (3) 33oz total
Lot 1
An oak cased eight-day longcase clock, Thomas Kefford, Royston, circa 1750 The five-pillar rack and bell striking movement with 12 inch square brass dial with calendar aperture and subsidiary seconds dial to the foliate engraved matted centre within an applied Roman numeral chapter ring with fleur de lys half hour markers, Arabic five minutes and signed Thomas Kefford, ROYSTON to lower edge, the angles with bird and urn pattern spandrels, the case with domed caddy above blind fret frieze and integral pilasters to hood, rectangular trunk door and on reduced plinth base with bracket feet, 207cm high. Thomas Kefford is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Royston during the early 18th century.
Lot 1
A carved oak eight-day longcase clock, Jno Richards, Wisbech, 18th century The four-pillar rack-striking movement now sounding on a gong, with 12 inch square brass dial with calendar aperture, star centre engraved subsidiary seconds dial and silvered oval plaque signed Jno Richards Wisbech within an applied silvered Roman numeral chapter ring with Arabic five minutes and bird and urn cast spandrels to angles, the case with swan neck pediment above shaped-top trunk door and conforming plinth base, now carved with foliate designs throughout, on ogee bracket feet, 227cm high.
Lot 73
A Cromwellian brass lantern clock, the verge escapement striking on a bell within a hook and spike pillared frame, to a 6.25in (16.5cm) chapter ring, the rose and tulip engraved centre inscribed 'Thomas Knifton at the 'Crossed Keys' in Lothbury Londini,' with a single hand, the case with urn finials and pierced shield and foliage crestings and turned feet, 15in (38cm) high.
Lot 1
Binding. The Pleasures of Memory, with Other Poems, new ed., with Engravings on Wood by Mr. L. Clennell, from Drawings by T. Stothard, 1810, half-title present, letterpress vigns., a.e.g., contemp. vellum, by Bartholomew Frye of Halifax, rubbed, and a trifle dusty, with vellum lifting sl. in places, spine divided by gilt roundel and star roll between rope rolls, second compartment gilt lettered on a blue ground, remainder with bird and urn tool in centre and drawer handle cornerpieces, sides with border of Greek-key roll between rope roll and single fillets, on a blue ground, inner foliate roll, each side with hand col. circular stipple eng. onlaid to centre, covered by transparent vellum, each with a different scene of classical figures, onlays within gilt radiating leaf border, 8vo. Gerhard Bartholomaus Frye was an immigrant from Osnabruck in Germany. He is thought to have worked for Edwards of Halifax, but it is known that he had established his own workshop at the Causeway in Halifax by 1816. The surviving books he bound at this address are printed between 1793 and 1811, and contemporary records show Frye to have been a Freemason in Halifax in 1809. From 1818 until 1821 he appears in the Manchester directories, and by 1825 he was in Liverpool. His speciality was using onlaid oval or circular engravings or paintings which were protected by transparent vellum, an idea he could have based on the bindings of Edwards without infringing the patent. cf. Maggs Bookbinding catalogue 1075, part 2, p.121 (Greek-key roll), and Maggs Bookbinding catalogue 1212, part 2, p.105 (radiating leaf roll around onlays). (1)
Lot 1
A Sheraton style 19th Century rosewood davenport with classical bow and urn inlay and decorative brass gallery. The writing slope having a tooled leather top opening to reveal a maple interior with two fitted drawers. Three drawers to the right and dummy drawers to the left. Top gallery opens to reveal fitted letter rack. Four ceramic castors (in top gallery).
Lot 1
A collection of mourning jewellery, comprising of a Georgian mourning ring with a white enamel centre, to a black band border, monogram 'MRA MAT ROBT ARNOTT . OB24. APR. 1800 AE 79, a mourning ring that reads Robt Gillow Ob. 22 Sep 1795 AE 48, with a Georgian shield shaped ring, with an enamelled forget me not , to scroll shoulders, together with a Georgian mourning brooch, and an oval bead decorated with grapes, vine leaves and turquoise, a Victorian mourning brooch, with a hardstone cameo of an urn beneath a weeping willow, to a black enamel border, engraved Ann Gillow OB 6 Jan. 1841 A 75, together with an oval plaque engraved 'Amicable Society Rob Gillow Lancaster'
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68875 item(s)/page