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A good Art Nouveau Walnut mirror back Sideboard having moulded cornice on crown with double corbel and turned supports with reeded urn detail, large shaped bevel plated mirror back, moulded edge top over two moulded edge frieze drawers, over central narrow single carved panel door, flanked by opposing doors with single shaped raised and fielded panels and carved detail, standing on bun feet, copper handles throughout. 60 1/4'' wide x 76 1/4'' high x 22'' deep.
An Edwardian Art Nouveau style silver lidded mustard pot R F Mosley & Co., Sheffield 1910, of urn form with three stylised strap handles extending to form the feet, on a pedestal base, with blue glass liner, 3in. (7.5cm.) high, together with an Arts & Crafts style pepper caster, an American cream jug marked `B B & Co N. York`, a George V shallow sugar basin, a salt spoon and a mustard ladle, silver weight 11.5oz. (6)
A good Edwardian satinwood and marquetry bowfronted pedestal desk in the manner of Edwards & Roberts, the top with bowfronted centre, inset with a gilt tooled green leather, over a central drawer with shaped kneehole beneath with panelled back, flanked by two pedestals each with four graduated drawers, the drawers inlaid with foliate marquetry and boxwood and harewood stringing, with the original oval gilt brass urn escutcheons, raised on turned and gadrooned supports with gilt brass casters, 59¼ x 29¾in. (150.5 x 75.5cm.), 29½in. (75cm.) high.
Wedgwood jasperware covered urn, late 20th Century, globular form surmounted with a putti and with applied foliate scrolls in white against a light blue ground, raised on a square foot, height 22.5cm, also another Wedgwood light blue jasperware vase and cover, 22cm, both late 20th Century (2)
A Victorian and enamelled 3 piece clock garniture. The clock with cloisonne enamelled finial below a cream dial, 8 day movement and strike action, the case embellished with cloisonne enamelled panels, the classical urn shaped vases with applied masks and further enamelled decoration, supported on stepped square bases. 35 cm high (clock)
French portico clock, circa 1890, in white marble with urn surmount, gilt mounts and brass drum enclosing a white dial with painted floral garlands and Arabic numerals, the movement striking on a bell and with sunburst pendulum, within brass capped columns, over a kidney shaped base with brass feet, height 43cm Please note our special conditions of sale regarding clocks and watches
George III mahogany and inlaid bureau, circa 1790-1800, crossbanded throughout with satinwood, the slope with boxwood and harewood inlaid spandrels opening to reveal a fitted interior with central cupboard door inlaid with a classical urn flanked by drawers and pigeonholes, all crossbanded and with original gilt brass knobs, the front with two short and three long graduated drawers, all crossbanded and with later pressed brass octagonal plate handles, raised on bracket feet, width 111cm, height 106cm
An Edwardian mahogany and satinwood inlaid bureau bookcase, in the Sheraton style, the upper section fitted adjustable shelves and enclosed by a single glazed panelled door, the fall front inlaid with a classical urn and opening to reveal an interior of drawers and pigeon-holes, single drawer and cupboards below, raised on bracket feet, 68cm wide x 180cm high
A GEORGE III TEA AND COFFEE SERVICE BY PAUL STORR the form derived from a Roman oil lamp with cast and chased band of double shells alternating with palmettes, beaded shoulder and entwined snake handles on low domed and reeded foot engraved with the arms of the Duke of Manchester, comprising teapot, the domed lid with integral hinge, anthemion spout and carved ivory handle, 17cm h, marked on base and stamped 562/S, sugar bowl, 11cm h, cream jug with anthemion spout, 11cm h, London 1810 hot water jug or coffee pot and lampstand with domed lid, carved body handle, the stand on three incurved acanthus capped lion monopodiae, platform and three feet, shallow urnular lamp with chained cap, 28cm h, marked on base, stand and lamp, London 1810, hot water urn with domed cover with rising cast flower finial with steam vent, the interior with plain cylindrical seamed sleeve with ring handles, cover and hot iron, acanthus clad reed loop handles issuing from lion masks, conforming spout with carved ivory palmette tap, on reeded foot, square plinth stamped RUNDELL BRIDGE ET RUNDELL AURIFICES REGIS ET PRINCIPIS WALLIAE, on outset curling stiff leave paw feet flanked by volutes, 38cm h, marked on base and cover, London 1810, (urn 1809) sleeve and cover unmarked, 348ozs gross Provenance: William Montagu, 5th Duke of Manchester (1771-1843). He married in 1793 Lady Susan Gordon, third daughter of Alexander Gordon, 4th Duke of Gordon. Manchester held office as Governor of Jamaica for nineteen years from 1808, where he prepared the colony for the emancipation of slaves. It is possible that he commissioned the present service from Rundells in connection with his new posting to the Caribbean; thence by descent at Kimbolton Castle until the 20th century and acquired by the present vendor by private treaty in 1996. The design of this elegant serpent handled tea service by Paul Storr was one of the most popular marketed by his firm, Rundell, Bridge & Rundell. Such was the demand that Penzer (1954) recorded no fewer than nineteen examples of the hot water jug or coffee pot alone. The most prestigious goldsmiths of the age, they employed leading artists as designers and their craftsmen were highly skilled in all branches of the craft - raising, casting, chasing and engraving. Based on the ancient Roman oil lamp, its adaptation to the individual forms of a tea service was probably executed by the French painter and designer Jean-Jacques Boileau (1787-1851). His design for a very similar hot water jug or coffee pot is in the Victoria & Albert Museum. Boileau was in England at the time, having been employed by Henry Holland in the redecoration of Carlton House for the Prince of Wales. A similar service in the Gilbert Collection is fully discussed and illustrated Schroder (Timothy B), The Gilbert Collection of Gold and Silver, Los Angeles 1988, pp 371-7. An earlier hot water urn made by Paul Storr for the Duke of Manchester (London 1802) was sold, Christie`s, 16 March 1949, lot 38. It is illustrated Penzer (N M), Paul Storr, 1954, plt XVIII. Each piece in very good condition and complete
A GEORGE III SILVER PURSE VINAIGRETTE with wrigglework decoration and fruit filled urn grille, 2.8cm w, marked on lid, base and grille, by Joseph Willmore, Birmingham 1816, a George III silver octagonal vinaigrette with plain grille, fully marked on lid and base, by Samuel Pemberton, Birmingham 1802, 11dwts and a silver and hardstone vinaigrette of plain oblong design with agate inset lid and base, plain grille, unmarked (3) Purse vinaigrette - somewhat worn, no play in the hinges, the lid not quite closing. The two other items in good condition
A NEALE & CO SOLID BLUE JASPER ROOT VASE finely ornamented in white jasper with a figure beside an urn, a vase to the reverse, between stiff leaf borders, 17.5cm h, c1790, a Wedgwood black basalt rustic flower stand, impressed mark, 19th c and a Wedgwood dry bodied sugar box and cover, ornamented in blue jasper with bands of flowers, impressed mark, c1830 (4) Restoration to the rim of the Neale bulb pot, one handle of the sugar box slightly chipped
A DERBY MOULDED SAUCER DISH AND THREE PLATES, the first in a blue and gilt set pattern, the plates painted with a central rose in blue and gilt border, a sepia classical urn and insects in polychrome and mauve swag border, the third with a group of fruit and flowers, including a sliced lemon and scattered flowers in unfinished, underfired puce border, 20-23cm diam, blue painted crown over D, puce painted mark or unmarked, c1780-90 Saucer dish in good condition, blue and gilt plate broken in two and neatly restuck, plate with urn centre internal crack and wear, unfinished plate in good condition and interesting
A DERBY KEDLESTON PLATE painted in sepia with a classical urn to the centre and enamelled with flowers and swags with gilt bows by Thomas Soare, in blue and gilt palmette border and dentil rim, 24.5cm diam, painted crown over D in blue, c1777-83 Provenance: Probably supplied to Nathaniel Curzon, 1st Baron Scarsdale (1726-1804) and by descent at Kedleston Hall, Derbyshire, until sold, The Kedleston Hall Attic Sale, Neales,13 March 2002, part lot 133. Stacking wear but not cracked, chipped or restored
A FINE PAIR OF WORCESTER SCALE BLUE KIDNEY SHAPED DISHES well painted, probably by `Dr` George Davis, with pairs of `Fancy Birds`, those to the centre beside a classical urn, four further pairs in gilt scrolling panels to the border interspersed with moths and other insects, the rim gilt, 28.4cm w, fretted square in underglaze blue, c1768-72 (2) Provenance: Parkinson Collection. Bought by the previous owner from Winifred Williams of Eastbourne on 25 January 1968 for£850. The quality of the painting on these dishes is particularly noteworthy. For a very similar dish from the Frank Lloyd Collection, see Hobson (R L) Worcester Porcelain, 1910, plt 1, no 1. In exceptional condition. The enamels brilliant, no rubbing, damage or restoration
A 19th century French clock garniture with spelter figure of a reclining female holding a bouquet of flowers together with doves entitled "The Favourites" or Les Favoris Par Ruffony" and raised on a polished marble plinth together with a matching pair of urn shaped side vases with floral detail
Japanese urn Japanese urn, bulbous shape covered in a black glaze, elaborately painted peacock motif, marked, 4.5"w x 6"h; with an Art Pottery vase, bulbous shape with long neck covered in a red glaze, applied silver overlay with laurel leaf design, marked AND, 3.5"w x 6"h (1)lid sealed and will not come off; some minor factory imperfections; stamped “made in Japan” on base/(2) surface scratches; couple of craze lines; tarnish to silver; impressed AND on base; silver with impressed hallmarks
Philip & Kelvin LaVerne occasional table Philip & Kelvin LaVerne occasional table, square bronze, brass and pewter top with acid-etched and carved surface, urn-shaped base, original finish, 18"w x 18"d x 18.75"h, excellent original condition No water rings or stains. No repairs. Sturdy and structurally sound. No problems. Excellent original condition. There are tiny remnants of a paper label.
A Royal Worcester porcelain cabinet plate commemorating the 1953 Ashes series between England and Australia, the gilded facsimile signatures of the hosts to the rim and the tourists to the centre, surmounted with the Ashes urn, all within an embossed gilded rim, printed gilt backstamp and numbered in puce Z526, dia 27cm; and one other showing only the gilded facsimile signatures of the Australian tourists 1953, entitled verso (2)
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68904 item(s)/page