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![A pair of reconstituted stone urn planters. [2] This lot must be paid for and collected (or despatched) no later than close o](https://cdn.globalauctionplatform.com/d235d88e-a572-4039-9966-ab0600ea3424/3b903658-7604-41be-8b10-ab1500e9b505/468x382.jpg)
Lot 227
AN ENGLISH RAPIER, CIRCA 1630 with tapering blade formed in two stages, the upper portion of flattened diamond-section and the lower fullered and with a portrait medallion (rubbed), chiselled iron hilt (one small early repair) comprising a pair of straight quillons with bud-shaped finials, knuckle-guard interrupted by a central moulding en suite with the quillons, a scrolling frontal bar joined to the outer ring-guard, the latter decorated with a central bouquet in an urn, urn-shaped pommel with further flowers, decorated throughout with fruit, scrolls and delicate fluting (worn, grip missing) 86.8 cm; 34 1/4 in blade
Lot 233
A SILVER-GILT-HILTED SMALL-SWORD, LONDON, 1788, MARK OF WILLIAM KINMAN with tapering hollow-triangular blade (areas of rust), silver-gilt hilt comprising oval shell-guard fitted on the inside with a fluted flowerhead washer within a framework surrounded by sprays of foliage against a hatched ground, a pair of straight quillons with drooping globular terminals, knuckle-guard with a central writhen moulding, urn-shaped finial and later wooden grip bound with plaited wire between silver-gilt collars, and in untouched condition 81.4 cm; 32 in blade William Kinman was born in 1728 and is recorded as a prominent silver hilt maker and also a founding member of the Founders' Company of London. A sword with a related hilt is preserved in the Victoria & Albert Museum, London. See Southwick 2001, pp.159-160 and p. 292, plate 82.
Lot 234
A SMALL-SWORD WITH BLUED IRON HILT, MID-18TH CENTURY AND ANOTHER, 19TH CENTURY the first with tapering blade of flattened-hexagonal section, etched over the lower portion with scrollwork and portrait medallions, blued iron hilt comprising small double shell-guard, a pair of large arms, short quillon with globular terminal, ovoid pommel and the grip bound with plaited wire between 'Turk's Heads'; the second with slender blade, iron hilt set with faceted studs, including down-turned shell-guard, integral grip and urn-shaped pommel, in its scabbard (areas of rust) the first: 76.2 cm; 30 in blade (2)
Lot 339
‡A COURT SWORD BY MEYER & MORTIMER, LATE 19TH CENTURY with hollow-triangular blade etched with scrolls either side of the maker's detail at the forte, polished steel hilt studded with faceted iron beads, including down-turned shell-guard, knuckle-guard and urn-shaped pommel, iron grip set with further faceted studs, in its leather-covered scabbard with polished steel locket and chape en suite with the hilt 77.0 cm; 30 3/8 in blade
Lot 525
A 54 BORE FRENCH FLINTLOCK TRAVELLING PISTOL BY DUVAL À NANTES, CIRCA 1760-70 AND A 28 BORE FRENCH FLINTLOCK PISTOL SIGNED À PARIS, CIRCA 1760 the first with two-stage barrel engraved with scrolls and retaining traces of gilt decoration over the breech and muzzle, struck with London proof marks on the right of the breech, engraved breech tang, signed rounded lock, full stock carved with a bouquet about the tang, iron mounts including solid side-plate, trigger-guard with urn-shaped finial and spurred pommel, vacant silver escutcheon and associated wooden ramrod; the second with tapering barrel formed with a long flat, moulded muzzle incorporating the fore-sight and retaining some gilt decoration over the breech, engraved tang, engraved stepped lock, full stock moulded over the fore-end and carved with foliage about the tang, engraved iron mounts comprising solid side-plate decorated with rococo shells and foliage, trigger-guard with baluster finial, spurred pommel and a pair of moulded ramrod-pipes, a retaining a portion of an early ramrod the first: 8.1 cm; 3 1/4 in barrel (2)
Lot 526
A 38 BORE D.B. FRENCH FLINTLOCK PISTOL BY ESCALERE À PARIS, RUE DE TOURNON, CIRCA 1800 with brass tapering rifled barrels signed within foliate panels over the breech and formed in a long slender rib, engraved grooved iron tang, border-engraved locks decorated with scrolls on the tails, fitted with rollers on the steel springs and moulded cocks en suite, figured walnut full stock, chequered butt, engraved brass mounts including trigger-guard with urn-shaped finial and faceted octagonal butt-cap (later ramrod) 17.0 cm; 6 ¾ in barrel
Lot 187
DE BAST (MARTIN-JEAN)Recueil d'antiquités romaines et gauloises, trouvées dans la Flandre proprement dite, avec désignation des lieux ou elles ont été découvertes, 20 engraved plates, blue marbled endpapers, contemporary ?French full red morocco gilt, g.e., sides tooled with 3 panel crossed by wavy lines with central lozenge and festooned urn, flat spine in 5 compartments (one with green morocco lettering label, others tooled with urn, acorn, stars and other decorative devices), 3 very small holes on upper joint, foot of spine slightly creased but otherwise very fresh, large 4to (280 x 220mm.), Ghent, A.B. Steven, 1808This lot is subject to the following lot symbols: •
Lot 376
A pair of Sheffield plate three light candelabra the square moulded bases, beneath tapered columns and urn shaped capitals, with two reeded scroll branches, with embossed scrolling and bud border throughout (loaded) (Dimensions: Height: 42cm)(Height: 42cm)Condition report: Generally good conditon Some worn parts throughout
Lot 486
A collection of silver to include a waterpot Atkin Brothers, Sheffield 1926, of oval form, gadrooned border to lid, angular handle, raised on four ball feet; a presentation goblet, Sheffield 1898, of demi- fluted tapering urn shape, raised on a knopped stem and spreading circular foot; together with a twin handled sugar basin, JR, Sheffield 1897, of oval demi fluted form and a rectangular cigarette box with engraved with italic M to centre (4) (Dimensions: Weighable silver: 37oz)(Weighable silver: 37oz)
Lot 502
An Edwardian salver George David Rattray, Sheffield 1908, of moulded circular form, raised threaded and beaded border with applied foliate detail, the border with applied swag detail to each panel, the centre with elaborate cartouche modelled in the Grecian form with urn and acanthus border, raised on three leaf clasped ball feet (Dimensions: Diameter: 30.2cm, weight: 25.2oz)(Diameter: 30.2cm, weight: 25.2oz)Condition report: Good overall condition Some surface wear to flat scratch to centre No visible repairs to feet may have been engraving to rear
Lot 503
A silver serving dish and burner Goldsmiths Co. London 1907, of rectangular form, gadrooned border, the cover with rising centre and urn finial, engraved crest of greyhound and cross, plain silver liner, all on a plated stand with burner (Dimensions: Width: 36cm, weighable silver: 65oz)(Width: 36cm, weighable silver: 65oz)Footnote: With a letterhead stating information about the entrée dish being bought at Lyon and Turnbull in 1927 for the sum of £11-18-4Condition report: In excellent condition overall
Lot 136
A pair of George IV style gilt and cut glass mounted multi-light candelabra, with shaped central sections, with graduated stems and urn dish holders, on shaped bases, with cut glass droppers, 40cm H, two late 20thC cut glass light shades and a pair of turned wooden candlestick lamps. (a quantity)
Lot 118
An Edwardian oval cream painted and gilt-heightened oval wall mirror with wire and plaster work decoration to the top of griffins either side of a large urn, length including decoration 65cm and an early 20th century gilded rectangular wall mirror with raised floral decoration to the frame, 59 x 45cm (2).
Lot 196
A 20th century David Phipp clock garniture in the French style, urn and griffin head decoration above a gilded and enamel white dial set with Roman numerals to a black marble and gilded base, height 61cm and a pair of seven-branch candelabra with scroll and griffin head decoration to a black marble urn, on a black marble base to decorative gilded stand with paw feet, height of each 69cm.
Lot 198
An early 20th century brass and ceramic clock garniture in the French style, gilded clock with hand painted ceramic urn to the top with artichoke finial above face of a putti to painted and gilded dial set with Roman numerals, pastoral plaque below, height 39cm, with two garnitures of ceramic urns with Bacchanalia handles to either side, to a stepped square base (3).
Lot 871
George III style satinwood and marquetry demi-lune console table, probably late 19th century, the top with ornamental flower urn, ribbon tie, scrolling tendrils and swags within banding, the frieze similarly decorated with paterae, on square tapering legs, width 99cm, height 81cm, depth 49cm
Lot 741
French four-glass table clock, late 19th Century, white enamel chapter ring with visible escapement to the centre, signed by the retailer MAPLE & Co, Paris, cylinder movement by Samuel Marti et Cie Francen numbered 2299, mercury compensated pendulum, the case with campana urn finial, glass plates with wheel engraved decoration, raised on hoof feet, 37cm
Lot 11
A silver gilt flying trophy 'The King's Cup', Henry Hodson Plante, London,1934, of twin-handled urn form, the domed top with flower bud finial over acanthus leaves in relief and a stylised foliate border, the body of bellied form with wrythen branch handles and a frieze with thistle, rose and shamrock designs all over an anthemion stem on a stepped circular base, the front engraved 'ROYAL AERO CLUB, THE KING'S CUP, 1935, PRESENTED BY, KING GEORGE V.' and the reverse engraved with the Royal Warrant, 44cm high, 151ozt approximately The Kings Cup was first contested in 1922 and, as the name suggests, was awarded by the King, George V. The 1935 event was won by Tommy Rose, a World War I flying ace, in a Miles M.3B Falcon Six. This trophy is from the collection of Charles Cheers Wakefield, 1st Viscount Wakefield. Lord Wakefiled founded Wakefield Oil in 1899 and this company would later be renamed Castrol Oil. Through success in business and a desire to improve London for all, he took up a number of civil appointments and ultimately became the Lord Mayor of London from 1915-1916. He was a keen follower of high speed pursuits, whether they were on land, water or in the air, and he helped finance Amy Johnson’s record-breaking flight to Australia, sponsored Sir Henry Segrave’s 'Miss England III' project and aided Sir Malcolm Campbell with both his land and water 'Bluebird' speed ventures. According to family lore, this cup came into Lord Wakefield's possession in lieu of a debt to the Royal Aero Club and has remained in the family ever since.
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