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Click here to subscribeA group of decorative furnishing pictures and prints, including: a still life of flowers in an urn, a similarly framed needlework depicting pine cones and ivy, another modern still life of flowers, an early 19th century sampler, a modern oil on canvas of a young girl, a landscape, and a map (7)
Two Sampson Paris figures bearing faux Chelsea marks, a Sitzendorf figure of a flower seller, a further continental figure group, a pair of reproduction relief plaques, and three boxes of ceramics and silver plate, including: an 18th century pickle dish, 20th century figures, reproduction creamware mug, blue and white ceramics, plated tea urn, bottle coasters, etc (one tray and four boxes)
A Doccia large gilt-metal-mounted oval snuff box, circa 1745Painted with classical figures in landscapes, the cover depicting a woman seated by an urn with fruit and flowers within a purple scrollwork cartouche edged with iron-red and gilt foliage in a moulded quatrelobe panel edged in iron-red, the front with a gilt-edged panel depicting a woman, possibly Diana, with two hounds, the reverse with a rectangular panel painted with an iron-red monochrome scene of a figure in a river landscape, within gilt and iron-red borders flanked by gilt scrolls, the moulded base with a gilt-edged purple landscape scene, the sides with iron-red scrollwork motifs, the inside cover with a quatrelobe panel depicting a lady holding a bird and basket of fruit within a gilt-edged frame with iron-red stripes, 10.1cm across; 5.5cm highFootnotes:Provenance:Aldo Pironti, Benevento (paper label no. 127 to interior);Collezione R.B., Florence (by 1976);European Private Collection since the 1980sLiterature:A. Mottola Molfino, L'Arte della Porcellana in Italia Il Veneto e la Toscana (1976), no. 412This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Capodimonte figure of a milkmaid from the 'Voci di Napoli' series, circa 1750Modelled by Giuseppe Gricci, wearing a green bonnet and gilt-edged yellow dress with manganese border and gilt bow, holding a silvered pail with an urn and silvered cover at her feet, 18cm high (restoration to bonnet)Footnotes:Provenance:European Private Collection since the 1980sA similar figure is in the Duca di Martina Museum in Naples, published by A. Caròla-Perrotti, Le Porcellane dei Borbone di Napoli (1986), no. 131, col. pl. XLIb. Another example was sold in these Rooms from the Fiordalisi collection, 7 December 2017, lot 32.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Meissen small plate, late 19th centuryPainted with a classical scene of three ladies with flowers around an urn, a soldier in the background looking on, the dark blue-ground rim with an elaborate gilt border of panels with landscape vignettes alternating with scrollwork flanking lozenges heightened in platinum, 19.1cm diam., crossed swords mark in underglaze-blue (small chip to underside rim with associated haircrack)For further information on this lot please visit Bonhams.com
A PAIR OF RUSSIAN SILVER SABBATH CANDLESTICKSST. PETERSBURG 1893, 84 ZOLOTNIKIWith a shaped circular sconce and urn shaped capital, the baluster stem chased with grape vine decoration, the domed base chased with flowers and a grape vine border, on four pad feet40.5cm (16in) high1185g (38.1 oz)
An early 20th century alabaster column, formerly surmounted by an urn supported by three putti, height 129cm (faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 20th century cast iron garden urn of typical campana form, raised on a square foot, height 78cm, diameter 62cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 20th century cast iron garden urn of typical campana form, raised on a square foot, height 78cm, diameter 62cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of 18th century Dutch walnut and marquetry high back dining chairs, the inlaid splat depicting a bird above a flower-filled urn, the sides further inlaid with meandering florals issuing from sirens, the drop in seats above a curved apron, supported on cabriole legs with claw and ball feet, joined by s H-stretcher, 112 cm high
A 19th Century painted cast iron urn CONDITION REPORTS Approx 65 cm diameter at at the top x 78 cm high. Square base is 30 cm x 30 cm.Rusting and paintwork is flaking off variously. No major losses though some of the pointed decoration is rounded off. No visible cracks. General wear and tear conducive with age and being outside. See images for more detail.
A collection of four mirrors comprising a fretwork carved wall mirror in the early 18th Century manner 60 cm x 37 cm, a late 19th Century painted faux tortoiseshell and ebonised wall mirror 46 cm x 37 cm, a gilt framed wall mirror with applied foliate decoration 35 cm x 37 cm and a brass wall mirror with pierced stylised foliate decoration and urn surmount 54 cm x 28.5 cm
COPELAND ROYAL YACHT CUP & SAUCER - KING EDWARD VII a single cup and saucer with alternating circular reserves for King Edward VII and The Royal Yacht, retailed by T Goode & Co, saucer 12cms diameter. Also with a pair of urn shaped Chelsea style porcelain salts, each painted with exotic birds (6cms high, one with gold anchor mark), a pearlware vase in the imari style with gilded decoration, and two coffee cans. (7)
A pair of good John Rose Coalport platescirca 1805-10of typical lobed form, with painted decoration attributable to independent decoration by William Billingsley at Mansfield (or by another working in Billingsley's atelier, under his supervision), featuring a vase and an urn of tightly packed flowers in bold contrasting colours, with a broad deep cobalt and gilt border,unmarked, 22.5cm diameter(2)Both plates generally in good condition with no serious damages or repairs. One plate has a small y-shaped crazing line to the underside and the other has a foot rim chip and a few further small foot rim ribble. The painting to the centre remains in a good condition with no obvious rubbing or scratches. One plate has some slight rubbing to approximately 1/3rd of the rim.
A pair of George III dwarf silver candlesticks, John Schofield, London 1786, each designed as an urn sconce with beaded rim and raised on circular base, 9.5cm high, total weight approx 12.1oz (2)No obvious repairs, small area of solder present to base rim of one, no obvious splits or dents just general wear, hallmarks reasonably clear to one but slightly rubbed on the other, engraved rim on the base appears to be contemporary to the pieces, no engraved initials or crests, both drip pans have conforming hallmarks to bases (lion passant and makers mark for John Scofield), some rubbing to the beading around the waist, refer to additional images
A French gilt metal and porcelain Louis XV style clock garniture, late 19th centuryThe clock with urn finial above an arched case inset with a porcelain panel painted with a bucolic scene, flanked by porcelain columns, the porcelain dial with black Arabic numerals around a flower garland, the flanking vases of amphora shape on arched pedestal bases, decorated with rustic landscapes reserved against a claret ground, the ormolu style elements with a partial 'virdigris' finish, clock 42cm high, vases 37cm high.The ormolu style elements to this clock are an alloy, likely spelter. The case and flanking vases appear fair to good with minor signs of age and use. One vase central bolt is a little loose and requires straightening and tightening. The movement winds and strikes but currently has no pendulum so not tested for timekeeping or longevity.
A composition twin-handled, basket-form planter, painted black, some damage, 33.5cm high, with an acanthus form urn, on a shaped socle, some old damage, approximately 52cm high (2)Basket example - chipped handles, rim and base. Paint very worn, particularly handles and rim.Acanthus - worn areas, including base (corners) and part of upper section very eroded.
A late 19thC French Boulle mantel clock on stand, the clock with brass dial bearing Arabic and Roman numerals, eight day movement by Marli et Cie, with bell strike, the case of baluster form with cast urn finial decorated with masks and foliate scrolls, raised on a serpentine base, with pendulum, no key, 39cm high.
A Victorian hallmarked silver tea service, teapot of urn shape with ribbon and floral decoration with fluted embossed bottom, on pedestal oval foot, C-scroll twin-handled sugar of similar design, on pedestal foot, helmet-shaped milk jug with floral swags and fluted pedestal foot and C-scroll handle, Elkington & Co Ltd, Birmingham 1898, approx 19.1ozt (3).
A good quantity of mixed copper and brass to include kettles, two large and two small, ship's lantern, later converted to electric, an Arts and Crafts style copper bowl, a tea urn, beer scoop in the form of a funnel, Arts and Crafts style copper and brass lidded box, miniature reproduction Davy miner's lamp, etc (10).
A George V Irish silver sugar caster of urn form with pierced domed cover and pine cone finial above upright foliate handles, the body cast with opposing floral medallions and embossed garlands, on a circular foot, Dublin 1910 by John Smyth, weight 245g, height 17cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Edwardian silver candlestick, the urn shaped sconce with festoon decoration above a square tapering stem and square base, decorated with ram's mask, ribbon bow and bellflower garlands, Birmingham 1906, later converted for electricity and fitted with a pheasant's feather covered shade, height of candlestick 25cm, total height 54.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Victorian gold brooch of coiled form with applied bead and wirework decoration, the centre with a drop designed as a twin handled classical urn, weight 13.6g, width 4.4cm, and a matching pair of oval earrings, each with a replacement base metal screw fitting, weight 14.9g, length 4cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Three pieces of Royal Worcester porcelain: two handled urn decorated with wild poppies, ears of corn and cornflowers on a blushed ivory ground with gilt decoration, squat vase decorated with poppies, daisy type flowers and insect likewise on a blushed ivory ground with gilt highlights, a teapot with daisy type flowers and butterflies with a cream ground with gilt spout and handle. All hand painted. (3) (B.P. 21% + VAT) Teapot - Lid badly broken with losses and staples wear to the the spot baluster vase (no lid) No obvious damage. 2 handled vase - one handle badly broken.
A SET OF FOUR GEORGE III OVAL SAUCE TUREENS AND COVERS with loop handles and oval pedestal bases, the domed covers with loop handles and oval pedestal bases, the domed covers with urn-shaped finials, crested, the bodies with an engraved shield coat of arms, by John Wakelin & Robert Garrard, London 1798/099; 8.75" (22.3 cms) long overall; 80.5 oz (4)
A GEORGE IV REPOUSSÉ-WORK TEA URN OR SAMOVAR of lobed circular outline with two looping foliate tendril handles and a shaped square pedestal base and shell feet, a decorative spigot and a domed cover with a large bud finial, the interior with a lift-out frame and tube with a pull-off cover (to take a hot iron), maker's mark of J. Barber, G. Cattles & W. North of York with London hallmarks for 1824; 16.5" (42cm) high; 197 oz
An Edwardian mahogany, satinwood cross banded and marquetry part-glazed cabinet, the short, shaped upstand over a dentil banded cornice and foliate and urn marquetry frieze, the eight pane astragal glazed door beneath enclosing an interior with two shelves and olive green velvet lining, over a bowfront cupboard base with urn, foliate and swagged marquetry decoration, on boxwood strung square tapered legs with spade feet, 26¾ x 17¾in. (68 x 45cm.), 78in. (198cm.) high.
An 18th century neoclassical giltwood and gesso girandole mirror, the rectangular, bevelled plate within a frame decorated with ribbon tied swags, flowers and stiff leaves, with pierced foliate scroll cresting centred by an urn, the conforming foliate scroll apron issuing three scroll arms with urn nozzles, 41 x 24¼in. (104.2 x 61.5cm.), restorations and re-gilding, plate probably original.
A Victorian walnut, kingwood and marquetry trumpet work table, the rectangular top with kingwood banding and central ebony and marquetry plaque with an urn of flowers, enclosing the original fitted interior, on a rectangular tapered column with foliate carved collar, to four foliate carved cabriole style legs with scroll toes, 19½ x 14¾in. (49.5 x 37.5cm.), 30¼in. (77cm.) high.
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