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AN ITALIAN EBON AND IVORY INLAID CABINET ON STAND, 19th century in the Renaissance taste, the galleried cabinet top with central tabernacle pillared compartment flanked by sixteen small drawers arranged in tiers, on a table base, the frieze conforming and raised on spherical and turned tapering legs joined by a turned stretcher centred with an urn. 182cm high, 128cm wide, 43cm deepPLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORYBidders should be advised that importation regulations of several countries, including the US, prohibits the importation of ivory, or any goods containing ivory. Therefore Adams advises prospective purchasers who intend to ship this lot to another country to familiarise themselves with the relevant importation regulations prior to bidding. Adams will not be responsible for shipping items herein and the onus will be on the buyer to organise shipping at their own behest.
A FRENCH 19TH CENTURY INLAID LABERNUM WOOD SERPENTINE FRONT CREDENZA, the large single door central cupboard decorated with marquetry panels of scroll borders centred by an urn, flanked by open quartered compartments with shelves, decorated with cast ormolu mounts, scrolls, human masks and banding, raised on platform base. 200 x 52 x 107cm tall
A FINE FRENCH ORMOLU CHAMPLEVE ENAMEL THREE PIECE CLOCK SET, comprising of an urn-shaped mantle clock and a pair of figural candelabra, each decorated all over in gilt and blue enamels, the clock surmounted with pineapple finial with raised side handles and ribbon tied ornament, over a glazed dial inked with Roman numerals, supported by winged cherubs on a platform base. 42cm high
A HARLEQUIN SET OF TEN MAHOGANY FRAMED CORK RAIL BACK DINING CHAIRS, comprising two carvers and eight single chairs, the rectangular backs with reeded borders and fine boxwood stringing, raised on square tapering reeded legs; together with a pair of Cork mahogany and upholstered inlaid open armchairs, in the Georgian Style, with eleven bar backs, with urn support channelled arms on square tapering fluted legs in with stretchers. (12)
A large mid 19th century Wedgewood Jasperware vase, of twin handled urn form raised on a square foot, decorated with a band of classical figures between anthemian style borders, restored, 34.5cm high, together with a similar blue tea pot, and a French Empire circular jar and cover, with glass liner, enclosed by ormolu mounts and jasperware roundel (3)
A signed Liverpool delftware tile c.1757-61, printed in black by John Sadler with lovers seated beneath a tree, the lady draping her companion in a garland of flowers, signed 'Sadler Liverp.', and another delftware tile painted in blue with birds flanking an urn full of flowers within an octagonal panel, 12.6cm max. (2) Cf. Anthony Ray, Liverpool Printed Tiles, p.23, no.B3-6 for the former.
A Ludwigsburg figure of Artemesia mourning Mausolus c.1770-75, modelled by Beyer, draped in a tied robe and standing beside a gilded urn bearing a Greek inscription, with tears coursing down her cheeks and holding a chalice in her right hand, blue interlaced CC mark, some good restoration to the base, 26cm high. Mausolus was the king of Caria famed for the grand tomb he began to build but never completed. It is the origin of the word 'mausoleum'.
A George III Neo-Classical silver large two-handled cup and cover, the body and cover engraved with a band of bright-cut decoration, the domed cover with urn shaped finial, looped handles on trumpet foot, the body engraved with inscription within wreath cartouche, " The Gift of the owners of the Ship Marquis of Lansdown East Indiaman by Capt Joseph Boulderson"., gilt interior, London, probably 1798, maker's mark indistinct, 57.95 ozt (1802.5 grams)
A late Victorian walnut mirror back chiffonier sideboardThe architectural high back with carved panels and a central arched mirror plate flanked by shelves supported on tapering reeded uprights, the base with a break front molded top above leaf carved frieze and a cupboard door centred with a carved panel depicting a campana style urn with leafy swags, flanked by arched recesses and and a pair of conforming carved short cupboard doors, raised upon turned feet, 152x255x51cm.
A Victorian walnut inlaid music cabinetThe rectangular top with canted front corners inlaid with a campana urn and applied with a small gilt metal rail gallery above a single frieze drawer similarly inlaid over a single glazed door enclosing a lined interior with two shelves, raised upon a plinth base, 52x92x34cm.
LATE 19TH CENTURY FRENCH BLACK SLATE MANTEL CLOCK, the two train eight day movement by Japy Freres, the slate chapter ring with gilt Roman numerals, the case carved with yellow and blue scroll motifs, rouge marble panelling, twin lions head handles, with urn finial, raised on four ormolu scrolling bracket feet, 56cm high
FRENCH BRASS AND CHAMPLEVE MANTEL CLOCK, late 19th century, the 3 1/4" silvered dial on a brass, eight day movement by Vincenti et Cie, half hourly striking to a gong, the case with urn finial and columns flanking the dial, with height 37cm Further photos and video (where applicable) available here
VICTORIAN WALNUT MANTEL CLOCK, the brass dial with 5 1/2" chapter ring beneath a Slow Fast dial, on a brass eight day movement quarterly chiming to two gongs and stamped Lenzkirch 205064, the case with gilt metal grilles and flaming urn finials, with keys and pendulum, height 39cmFurther photos and video (where applicable) available here
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68875 item(s)/page