We found 68875 price guide item(s) matching your search
There are 68875 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
68875 item(s)/page
The Pliny Doves marble Group, modelled with four doves on a marble urn, 8" (20cms), a Chinese carved soapstone Brush Wash, a Japanese gilt bronze dragon Stand, 6 1/2" (17cms), an onyx Lamp, with ruby reservoir, 11 1/2" (29cms), and four Borden certified fine bone china Festival of Flowers Fairy Plates. (8)
A pair of attractive yellow ground German porcelain and brass mounted Vases, adapted as table lamps each decorated with figures and scenery, 11 1/2" (29cms): together with a pair of French porcelain Candlesticks 8 1/4" (21cms); a small French porcelain and cloisonné Vase with cherubs on onyx base, 7 3/4" (20cms); together with another attractive French urn shaped Vase with cherub handles. (6)
A very fine carved white marble Portman Fireplace, in the Neo-Classical style after Robert Adams, the inverted breakfront mantle shelf above an ornate frieze with central tablet, carved with a two handled urn issuing floral sprays bell flower swags and rosettes, the two outer panels carved with smaller urns, leaves and sprays, the tapering jamb panels carved with anthemions, leaf swags and bell flowers, each crested with an urn under a dentil moulded band, 61 1/2" h x 76" w (156cms x 193cms). (1)
A very fine pair of Sheraton revival breakfront mahogany Side Cabinets, each with a three-quarter brass gallery above a frieze and concealed drawer, profusely inlaid with leaf scrolls, ribbon bow and drapes and centered with two griffins flanking an urn above five bevelled glazed panels including the door and three ornate panels below inlaid with leaf scrolls, stylized fish and a central urn, 58" x 52" (148cms x 133cms). (2)
A FRENCH GILT BRASS AND GLASS-BEAD HIGHLIGHTED PORCELAIN MANTEL CLOCK GARNITURE ACHILLE BROCOT, PARIS, WITH PANELS BY BARLUET ET CIE, CRIEL AND MONTEREAU, CIRCA 1890The circular two train eight-day gong striking movement with anchor escapement regulated by disc bob pendulum incorporating Brocot type regulation to suspension, the backplate stamped with oval star-centred trademark AB over serial number 2164 15.5, the circular cream ground porcelain dial decorated with butterfly inhabited silver and gilt floral spray incorporating yellow/orange glass bead applied infill to the wings of the insect within Roman numeral cartouche chapter ring, with blued steel hands within canted brass bezel, the break-arch case with surmount cast as a twin handled urn resting on scrolls and with four foliate bud finials to angles over moulded cornice and front inset with a concave-topped porcelain panel beneath the dial decorated with two butterflies incorporating toned glass bead applied infill to the wings set within gilt and silvered flowering foliage, the rear of the panel with an underglaze trademark mark B & CIE, DEPOSE, CRIEL ET MONTEREAU and inscribed in puce script 4576, Papillon, on skirt base with generous gilt and silvered acanthus cast top moulding and toupe feet; the garniture side pieces each formed as a twin handled urn with pineapple finial over conforming bead decorated butterfly inhabited flowering foliage to the shouldered ovoid porcelain body and leaf cast foot.The clock 34cm (13.5ins) high, 18cm (7ins) wide, 13cm (5ins) deep; the side pieces 25.5cm (10ins) high, 11.5cm (4.5ins) wide. Provenance: Private collection, East Midlands. Achille Brocot is recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development as born in 1817 and died in 1878. The Museums Victoria (Australia) website notes that Achille patented several improvements in clock mechanism escapements, and invented the 'Brocot Suspension', an adjustable pendulum spring which enabled time keeping to be regulated by altering the length of the pendulum suspension spring by a key turned in the dial. He also introduced a jewelled deadbeat escapement, sometimes called a visible escapement as it was often mounted in the middle of the dial. Achille was awarded a first class medal at the Paris Exhibition in 1855, and in 1856 was appointed Treasurer to La Société des Horlogers in Paris. He published a "Calculation of the Wheels by Approximation" in 1862. His sons Achille and Paul continued the business following Achille senior's death 1878. The firm was taken over by rival clock maker Gustave Gibaudet in 1889.The origins of the porcelain elements can be traced to back to Louis-Martin Lebeuf (1792-1854) and Jean Baptiste Garften Millet (1797-1875) who purchased the combined faience factories of Criel and Montereaux in 1841 (which had been under the same ownership since 1819). They employed George Vernon and his son of the same name as art directors who were subsequently succeeded by Henry Félix Anatoie Barluet at some point after 1849. Barluet went on to create a worker city to house his employees, however the Criel factory was sadly destroyed by fire in 1895 leaving the Montreaux factory to continue alone in the production of pottery and soft paste porcelain well into the 20th century.The porcelain sections of the current lot are unusual in that they incorporate applied clustered coloured glass bead infill to the wings of the butterflies which catches and reflects light in such a way as to bring the insects to life. This is due to the intensity of the reflected light changing as the angle from which they are viewed varies, and is particularly effective when lit straight-on by a single source. This scarce form of decoration is normally only seen on a select few carriage clock cases with two examples illustrated in Roberts, Derek CARRIAGE and other Travelling CLOCKS pages 158-59 (Figs 9.55 and 9.56). The presence of the Barluet et Cie mark on the back of the porcelain front panel of the current lot would appear to confirm the source of these unusual bead-decorated panels.Condition Report: Movement appears complete and all original. The going train will just about run and the clock will strike however a gentle clean/service is required. The dial has a relatively faint hairline crack across the dial passing from XI to V otherwise is in good condition with the insect missing only one or two tiny glass beads. The frieze panel is in good condition with faults limited to a few beads missing to the upper tip of the blue butterfly wing and the right-hand tip of the blue/orange butterfly wing. Case otherwise is in good original condition with light to moderate wear to the gilt and silvered details and overall slight mellowing to the lacquered brass finishes. The side pieces have a few beads missing in places and the finishes are a little more oxidised than those of the clock otherwise are in good original condition.Clock has a pendulum but no winding key. Condition Report Disclaimer
A PAIR OF PARCEL GILT AND PATINATED BRONZE CANDLESTICKS, IN LOUIS PHILIPPE STYLE19TH CENTURY AND LATER ADAPTED AS TABLE LAMPSEach with Campana urn above foliate cast drip pans on reeded stems and on circular spread bases; with tapering and pleated fabric shades above54cm high overallCondition Report: Marks, knocks, scratches, abrasions consistent with age and useThey appear to be very late 19th century and drilled to take a wire, there are no electrics fitted - Please note these are sold as decorative items only and not as working electrical lamps - these would need to be rewired and tested by a professional electrician prior to use in a domestic setting.Some rubbing and wear to the gilt surfacesThe shades appear to be 'new'Please refer to additional images for visual reference to conditionCondition Report Disclaimer
A MAHOGANY, SATINWOOD BANDED, AND LINE INLAID DISPLAY CABINET ON STANDLATE 18TH CENTURY AND LATERWith an urn finial and broken swan-neck pediment above the glazed doors, the base with two frieze drawers, 205cm high, 84cm wide, 47cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useThe bookcase section and the base are associated to eachother (a marriage) and have been screwed together for stability. Both elements are broadly late 18th century in date, the bookcase section more highly decorated than the base. The interior later painted, there are various old chips, losses, repairs, replacements to veneers and inlays.The shelves appear to be later associated stillPlease refer to additional images for visual reference to conditionPlease note the measurements have been added to the description, this is 205cm high, 84cm wide, 47cm deepCondition Report Disclaimer
ENGLISH SCHOOL, 19TH CENTURY 'Physicians' A serpent coiling itself around a pedestal adorned with portrait roundels and topped with a twin-handled urn, titled and signed "Landseer" upper right, ink and wash over pencil, 30cm x 20cm; together with a similar study of a hermit artist sheltering in a grotto, 30cm x 21cm (2)
A brass cartel clock,by J W Benson, Ludgate Hill, London, surmounted by a cast urn over ribbons and foliage, the enamel dial supporting a French drum movement, striking the hours and half hours on a bell,65cm highdial 9.5cm diameterProvenance: Mr & Mrs J Jowitt, Taillefer, Saint-Puy, France.Good order.The dial is a little rubbed.Movement not tested.No key.
A large cast iron campagna urn,early 19th century, finely decorated in relief, depicting dancing neoclassical figures, to a trailing vine border and acanthus leaf to the base of the bowl,50cm wide73cm highProvenance: The Gordon Gridley Collection, London.Condition ReportChip to part of socle. Possible glue repair. Rust, corrosion, wear and weathering. Please see photos.
A Gustavian giltwood console,late 18th century, with laurel swag carved decoration and an urn to the stretcher, on swept legs, lacking marble,84cm wide39cm deep82cm highProvenance: The Gordon Gridley Collection, London.Condition ReportLacking marble.Old restoration to the upper leg fixings.Some old gilt paint touch up to gilt leaf.
A pair of Chinese-style beige porcelain table lamps,20th century, each of urn form with giltwood bases,17cm wide39cm high without fittings50cm high overall (2)Condition ReportOne with missing gilt-metal mount. Slight difference in colour between the two. One with slightly duller glaze. One with extensive losses to the gilt-wood base.PAT test fail - 10.6.22
A giltmetal and cut glass three piece garniture, 20th c, comprising waisted pedestal urn with swan handles with shallow rising lid centred on fluted dome, the square pedestal with lappet cast base, 49cm h approximately and pair of giltmetal mounted cut glass vases of tapered cylindrical form with waisted chamfered necks, cut glass collars and applied foliate garlands, 32cm h (3) (all converted for electricity, some fittings absent) Good condition
A George III neo classical giltwood and composition mirror, the oval frame surmounted by an urn on a pedestal and draped with pendant foliage, the apron with a sunflower, 126cm h Glass an old replacement; not re-gilded or restored, some typical wear and losses, much accretion of old dust and dirt over time
A Victorian amboyna and ebonised mahogany writing table, the bow ended quarter veneered top fitted with a drawer, on fluted, coupled pillars and swept legs with scroll feet, the urn to the central stretcher with brass handles and finial, 71cm h; 65 x 122cm Minor knocks and scratches around feet, otherwise good, complete and original, not restored or re-polished
A George III mahogany secretaire chest, with finely figured crossbanded and line inlaid drawer fronts, each with pair of contemporary neo classical black and white enamel urn medallion set brass rope handles, the altered top surmounted by a George III bookcase, with cavetto cornice and enclosed by curl veneered doors inlaid with rosewood oval, 180cm h; 52 x 91cm Interior of secretaire complete but a little scratched and untidy, lacking several of the small knobs. Cupboard - veneer shrinkage cracks and lacking part of the door bead, several of the enamel inserts cracked
A BOX AND LOOSE CERAMICS, GLASS, TYPEWRITER AND SAMOVAR, to include a boxed Stuart Crystal fruit bowl, a copper urn shaped samovar total height 52cm, a cased Imperial typewriter, Royal Albert Flowers of the Month October - Cosmos tea wares comprising two teacups, two saucers and a tea plate, a pair of Regency Ironstone covered vases in Willow pattern, etc (sd) (1 BOX + LOOSE)
TWO BOXES OF CERAMICS AND GLASS ETC, to include eight vintage Poole pottery cups, saucers and side plates, Poole Dolphin ornament, Wedgwood trinket boxes and urn, Russian cat sculpture, modern chinese ginger jar lacking it's lid, Buckingham Palace 1995 mug, faux tortoise shell candlesticks, Royal Worcester Wild Harvest bowl, treacle glazed coaching tankard, vintage wall mirror etc
A beautiful Nicoya jaguar urn from Costa Rica, ca. 1200 - 1500 AD. This excellent Pataky Polychrome effigy vessel is 11-3/4 in. high and depicts a jaguar deity. It is elaborately decorated with the various stylized designs including jaguar heads and elements of the man/jaguar motifs. The hollow, fang-studded head, as well as the legs, contain rattles. Intact, with minor repair to one leg and extensive mineral deposits overall. Cf. "Art of Costa Rica", pages 168 - 171 from the Sackler collection. (CR1390)
-
68875 item(s)/page