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A Royal Worcester porcelain vase, 1902, of urn shape with twin satyr mask and scrolling handles, the light blue ground painted with four fan-tail doves, signed C. Baldwyn, and with moulded scrolling and foliage decoration, on square canted base, puce printed mark and pattern number '1572', 28.5cm high, (lamp fitting)
A late 19th century French gilt metal clock garniture with pair of Sevres style porcelain mounts, the clock with eight day movement striking on a single bell, the case as for scroll supports with four feet and twin handled urn finial, height 36.5cm; together with a pair of ga rniture vases en-suite, a/f. (3)
A green Onyx column pedestal, with gilt metal foliate decorated mounts and feet, 99cm high, a similar urn shaped table lamp, 45cm high, a gilt metal table lamp of scrolling form on shaped onyx base, 43cm high, and a hobnail cut glass table lamp with gilt metal mounts on ball feet, 44cm high, (4)
A French gilt metal and porcelain clock and non-matching garnitures, late 19th century, the clock with enamelled dial and painted scene of a cottage by a river, lion's mask and laurel wreath handles, pineapple finial, on four feet, the urn shaped garnitures painted with scene s of birds perching amongst flowers and foliage, scrolling gilt handles, on splayed lion's paw feet, clock 33cm high, garnitures 29.5cm high, (3) (clock with pendulum)
A good quality 19th century French ormolu mantel clock, the striking twin drum movement stamped CR 146, the white enamelled dial with blue Roman numerals and secondary Arabic numerals, surmounted by a rams head and swag decorated urn with lift off cover, the base with inset Paris porcelain panel and further decorated with trailing rose vines and foliage, standing on a shaped and gilded wooden plinth and c/w large glass domed case, in original unrestored condition
An early 19th century Dutch mahogany and floral marquetry fitted decanter box, the lid having a cylinder type front inlaid with a marquetry urn, flowers and foliage, and opening to reveal fitted interior with four gilded square cut decanters and stoppers, four associated acid etched spirit glasses, the whole with reserves on floral marquetry, width 29cm
A mid 19th century French gilt bronze and porcelain (probably Sevres) three piece clock garniture, the clock surmounted with a porcelain pedestal urn and cover, having jewelled enamel decoration, half fluted body with a pink ground, all heightened in gilt, the gilt bronze case of square section with applied lion mask ring handles, the beaded dial flanked by leaf and flower drapes, the porcelain dial having Roman numerals within jeweled and gilded surrounds, twin winding holes for a French brass eight day cylinder movement striking on a bell, the plinth having acanthus leaf cast frieze and raised on six fluted square feet, clock height 41.5cm, the garniture as a pair of porcelain urns and covers (both covers a/f), each with continuous decoration of opposing figure and cherub scenes within landscapes, the whole within jewelled borders, having applied ormolu scroll hands and raised on circular spiral fluted bases, height 29cm (each section housed under a glass dome)
A mid Victorian period rosewood centre table the top of serpentine outline with moulded edge and shaped apron with leaf carved escutcheons, enclosing a pair of frieze drawers on profusely carved cabriole legs united by pierced and floral carved X-stretchers surmounted by an urn-shaped boss, on china castors 153cm wide, 75cm high, 96cm deep
A pair of Edwardian period carved and painted chimneypieces In the neo-classical taste of inverted breakfront form with projecting corners, each projecting cornice with bead and dentil mouldings above an entablature frieze with a central urn bounded by vine scrolls and flanked by swags held between flaming braziers, with leaf-carved inner slips, on boldly carved and stop-fluted columnar jambs headed by paterae, on plinth bases (2) 172cm wide, 148cm high, 29.5cm deep (internal 117cm wide, 109cm high)
Pair of late 19th/early 20th Century Vienna style urn shaped vases, each having a rectangular reserve panel with transfer printed decoration depicting classical figures on a heavily gilded cobalt blue ground and standing on a square stepped base, the undersides with underglaze blue beehive marks, 32cm high
A Chelsea-Derby figure of a muse, circa 1770, the scantily clad maiden wrapped in a florally enamelled and puce cloak, modelled standing beside a large urn issuing flowers, picked out in polychrome enamels, gilt anchor, 23.5cm high, along with a Derby figure of Ariadne, circa 1790, modelled holding her cloak above her head, busily florally enamelled and raised on square plinth base, incised '193 B', 22cm high (a/f) (2)
A George III pine long case clock, John Andrew, Somerton, with eight day movement, striking one bell, with anchor escapement, the arched dial painted with an urn and swags, Roman numerals, Arabic minutes, with secondary dial and date aperture, the pine arched hood with brass mounted flanking columns, over pine trunk with bracket feet, 208cm (82in) high
A Romayne Oak Carved Panel. The central roundel depicting a female bust wearing a decorative head dress and bearing a winged cherub head upon her shoulder. Christ is depicted above holding the cross & whip representing the flagellation scene, while acanthus leaves & tassels drape downwards to the detailed carved winged cherubs flanking a central urn raised on a pedestal base, 9 ins x 18 ins (23 cms x 46 cms).
A Richly Carved Neo-Classical Oak Panel centred by the figure of a putto stood on a fluted pedestal bearing an urn cascading fruit upon his head, flanked by sea-horses and lavish scrolls of husk flowers & foliage issuing clusters of berries. The moulded frame carved with leaves, 30 3/4 ins x 23 ins (78 cms x 58.5 cms).
A Pair of Delightful Early 18th Century Venetian Giltwood Candelabra. Each carved & polychromed in the form of a cherub holding aloft a forked branch bearing twin candle trays and standing on gilded urn shaped scrolling pedestals with shaped glass inserts raised upon rectangular platforms. 21 1/2 ins (55 cms) in height.
A Hanging Needlework Banner. The U-shaped shield threaded onto a gilt brass cross bar with finialed ends and having an inner panel decorated in raised cream embroidery with an urn cascading flowers on a blue velvet ground, within a red velvet border embellished with undulating scrolls of vines, wheat & flowers and edged in tasselled fringing. 23 ins x 23 ins (59 cms x 59 cms)
An Italian Renaissance Revival Carved Oak Sgabello or Hall Chair of boarded construction. The open carved shaped plank back having a central shield amidst lavish scrolls and surmounted by a fruit filled urn, flanked by two large caryatids. The shaped seat having a circular dished centre panel and supported by a pierced board carved with a centre crest amidst scrolls and fruit garlands either side, terminating with face masks. 45 ins (115 cms) in height, 16 1/2 ins (42 cms) width.
An Italian 17th Century Style Walnut Casket. The cushion lid having a raised centre panel carved with a central crest flanked by griffins emanating scrolls of flowers & foliage defined against a matted background and framed in beading. The domed border ornamented with a chains of linked flower-head ovals, acanthus leaf corners and a nulled edge. The base section having one long recessed central fielded panel carved with an urn flanked by two dragons, and two square panels either side carved with flowers. The gadrooned base moulding over the four lion paw feet. 21 1/2 ins x 14 1/2 ins x 15 1/2 ins (55 cms x 37 cms x 39 cms).
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68904 item(s)/page