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Pair late 19th century Sevres style two handled urn shaped vases with Ormolu mounts and painted figural panels and bouquets of flowers, H46cm Condition Report & Further Details When ormolu mounts are removed there is rubbing to the gilding on the rims. Quite a lot of rubbing to the gilding on both vases especially handles, oval panels, bases etc. Some areas of paint loss to painted panels
Edwardian mahogany display cabinet, arched pediment with classical urn and floral spray inlay above three pane central door, flanked by two bowed panels, all standing on square section legs with spayed terminals, interior fitted two fixed shelves, width 140cm (55"), depth 40cm (16") height 203cm (80"). Condition reports are not available for our Interiors Sales.
A MAHOGANY TABLE OR BRACKET CLOCK the convex silvered Roman dial signed William Chattle, London, the twin train chain fusee movement with anchor escapement, bell strike and engraved back plate decorated with a floral urn, the boxwood strung arch top case with brass fish scale side frets, moulded base and brass ball feet, 42cm high
A 19TH CENTURY FRENCH ALABASTER MANTEL CLOCK the gilt dial with Roman chapter ring and engine turned centre with central rose and inscribed banner Guyerdet Ainé Paris, moon hands and cast foliate bezel, the twin train drum movement also signed Guyerdet, count wheel bell strike and silk suspension, the architectural case with gilt urn finial and applied carved decoration upon bun feet, 42cm high
A LATE 18TH/EARLY 19TH CENTURY FRENCH TIMEPIECE the convex white enamel Roman dial with Arabic five minutes, the watch movement with large pierced balance cock signed 'Gaudron, Paris', the ormolu drum head case with urn finial upon an elephant, the raised plinth base with swag decoration, 25cm high
AN OAK EIGHT DAY LONGCASE CLOCK, the 13" brass break arch dial with silvered Roman chapter ring, Arabic five minutes, foliate scroll engraved centre with subsidiary seconds signed Gandy, Cockermouth, urn spandrels and moon phase to the arch. The hood with moulded break arch cornice, single brass ball and spike finial and Corinthian capital pilasters, the trunk with quarter columns over a plain base, 241cm high with two lead weights, pendulum and key
A GEORGE III MAHOGANY STICK BAROMETER, the brass register plate signed F Vago Fecit, London, within a wreath, together with mercury tube thermometer enclosed by a boxwood strung rectangular door, the case with break arch pediment, brass urn finial, exposed tube and turned dome cistern cover, 97cm high
Calligraphic manuscript.- Power (Anastasia "Annie).- Keats (John) Ode on a Grecian Urn, calligraphic manuscript, on vellum, 3pp., written in black ink with large initial in gold decorated with flowers in gold and watercolours, 4 other initials and colophon at end in red, bound in limp vellum with silk ties (a little frayed), titled in black ink on upper cover, very slightly soiled, c.215 x 140mm., Written out by A.Power, at Essex House, Campden, Glos: 1903.⁂ Annie Power was taught bookbinding by Douglas Cockerell and established a bindery at C.R.Ashbee's Guild of Handicraft at Chipping Campden in 1901. She married a fellow Guild art worker, Gerald Loosley, in 1905; a disagreement with Janet Ashbee caused her to leave the Guild and the bindery closed although she continued binding.
Royal Worcester porcelain baluster urn shaped two handled vase and cover, hand painted with reserve panel of fruit, signed Rinton, within a stylized art nouveau design gilded framework on a green ground. Printed marks with shape no. 2701. 22cm high approx. (B.P. 24% incl. VAT) CONDITION REPORT: Minor frits to inner rim of cover, otherwise no obvious damage.
Two English enamel snuffboxes circa 1780, one of rectangular form, the lid painted with a lady contemplating an urn in a garden and inscribed 'A Friends Gift', the inside of the lid mirror lined, the sides and base painted in pink, some wear to border; the other of oval form, the lid painted with an equestrian figure and inscribed 'Cossak Mode of Attack', very damaged to base, 4.5cm long, and a French snuffbox, circa 1900, of rectangular form with cut corners, the lid painted with a cockerel fight, the sides and base, the gilt-metal mounts detached at hinge, 5cm long, with a letter reading 'this rare old piece of Battersea enamel on copper was given by Aunt M? to Patricia and me a few days before her death in March 1962' (3)/see illustration/Provenance: Ombersley Court
Crescent ex-shop stock boxed set No. 1237 Milk Bar, complete and unplayed with, still with original tissue paper and small accessories in cellophane wrapping bag, but with faults, diecast metal seats and ice cream bin with early stages of fatigue, tea urn with 1 spout detached, wooden counter partly split to top. Cups, ice cream bin lid and sodas still in original cellophane bag, so unchecked for fatigue. Box good and complete though slightly worn and with historic damp marks.
Crescent ex-shop stock boxed set No. 1237 Milk Bar, complete and unplayed with, still with original tissue paper and small accessories in cellophane wrapping bag, but with faults, diecast metal seats and ice cream bin with early stages of fatigue, tea urn with 1 spout detached. Cups, ice cream bin lid and sodas still in original cellophane bag, so unchecked for fatigue. Box good and complete though slightly worn and with historic damp marks.
A pair of Elizabeth II silver candlesticksOf square column form, decorated throughout with swag, urn and leaf detail fitted with removable drip trays and raised on spreading square loaded bases, Barker Ellis Silver Co., Birmingham, 1975, height 31cm.CONDITION REPORTSome slight denting to corners but generally good.
A 19th Century French gilt metal and porcelain mounted mantel clockOf architectural form, the case with urn shaped finial, floral and ribbon mounts, raised on a plinth base, with small circular feet, the brass movement to a 8.5cm dial, with Roman numerals and central decorated panel, signed Rowe & Son Paris, height 32cm
A late 18th/early 19th Century Dutch carved walnut and floral marquetry serpentine fronted side table:, the top decorated with a bird and butterflies amidst an urn of radiating flowers and foliage, having a carved rocaille and trailing flowerhead and leaf border, containing two drawers in the shaped apron, on cabriole legs, terminating in claw and ball feet, 64cm (2ft 1 1/4in) wide.* Notes: the upper drawer stamped Edwards & Roberts and with ivorine plaque inscribed Edwards & Roberts, Wardour St., 126 Piccadily and 532 Oxford St. London.
A Victorian ebonised, pietra dura, brass inlaid and gilt metal mounted pier cabinet:, of breakfront outline, decorated with brass lines and with applied gilt metal foliate, reeded and beaded mouldings, the top with projecting canted angles, the frieze with a central oval fruiting spray panel, the plush lined and shelved interior enclosed by a door with oval pietra dura panel of flowers and foliage in an urn within a ribbon tied, laurel leaf and beaded frame, flanked by projecting fluted columns with foliate capital on a shaped plinth with short turned tapered feet, 99cm (3ft 3in) wide, 115.5cm (3ft 9 1/2in) high.
A late 19th Century mahogany inlaid and satinwood banded secretaire bookcase:, bordered with boxwood and ebony lines, the upper part with a moulded simulated dentil cornice and centred with a marquetry of foliate scrolls and mask, fitted with adjustable shelves enclosed by a pair of astragal glazed panel doors, the lower part having a hinged fall decorated with neo-classical urn and foliage enclosing a fitted interior with small drawers and pigeon holes, the cupboard below enclosed by a pair of doors on bracket feet, 117cm (3ft 10in) wide, 230cm (7ft 6 1/2in) high.
An early 19th Century Dutch satinwood, rosewood crossbanded and inlaid dwarf side cabinet:, bordered with boxwood lines, the top with cut corners having a narrow lacquered panel frieze and apron base enclosed by a quarter veneered panel door with tulipwood crossbanded border, centred by a ribbon tied roundel decorated in gilt in Shibyama style on an ebonised ground with an urn of flowers and foliage, the ebonised canted angles with applied gilt metal rosette and pendant foliate ornament, on square tapered legs, terminating in brass bun feet, 59cm (1ft 1 1/4in) wide, 90cm (2ft 11 1/2in) high.
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68904 item(s)/page