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A silver plated champagne bucket of Campana urn form, the body engraved with leaves, 25 cm high

A TREEN URN, A 36 BOTTLE WINE RACK, TORCH ETC

AN ASSORTMENT OF HOUSEHOLD CLEARANCE ITEMS TO INCLUDE A MIRROR, PLANT URN AND CERAMIC JUGS ETC

AN OAK OCCASIONAL TABLE AND NARROW URN

A PAIR OF LARGE GREEN URN SHAPED TABLE LAMPS WITH TWIN HANDLES IN THE FORM OF INTERTWINED SNAKES H:78CM

Concrete pedestal urn planter ( one piece )

A blue and white Willow pattern childs miniature dinner service, the majority early 20th century, some pieces later and marked foreign, comprising of three teapots of varying sizes and forms (one marked foreign); three milk jugs of varying sizes and forms (one marked foreign); two twin handled sugar basins with covers (one marked foreign); ten cups and saucers (three sets marked foreign) one spare cup; ten side plates 4in. diameter (three marked foreign); four smaller side plates; two urn style vases one marked Wedgwood (restored).

A French oak and painted two-part cabinet, late 19th / early 20th century, the flared, stepped cornice with egg and dart frieze, raised on turned and fluted columns flanking a pair of carved panelled doors with crossed quiver & torch and urn decoration, the base with a pair of convex frieze drawers over a pair of roundel decorated doors flanked by turned and fluted columns, on a stepped outset base, on bun feet, 45 x 20¼in. (114.25 x 51.5cm.), 70½in. (179.5cm.) high.

A late Victorian oval walnut centre table, the moulded top raised on four shaped supports issuing from a central urn finial, on integral shaped legs with brass castors, 42 x 29½in. (106.75 x 74.25cm.), 29¼in. (74.25cm.) high.

A composite stone classical maiden water carrier statue, holding urn on her right shoulder and water jug in her left hand, standing on circular stepped base, probably used as part of a water feature, 56½in. (143.5cm.) high.

Two small composite stone classical maiden water carrier statues, nicely weathered, each carrying water urn in her right hand and cup in the left, raised on rounded square plinths, 21¼in. (54cm.) high. (2)

Channel Islands shooting interest - five silver shooting spoons, R. H. Halford & Sons Ltd., London 1910 & 1912, the terminals with crossed rifles and N L R C (Northern Light Rifle Club) Guernsey, 5 5/8in. (14.2cm.) long; together with a fiddle pattern teaspoon inscribed with urn and letters beneath 'N.B.C.C', weight 5.6 tr.oz. (6)

A ceramic and brass Islamic Moorish style inkwell, the elegant lift out ceramic urn form bottle decorated with floral design on blue ground, brass mounts, the hinged cover with acorn finial, the bottle fits into raised central well on twin handled circular brass tray, raised on four feet, 7 1/8in. (18.2cm.) handle to handle, the bottle measuring 5in. (12.7cm.) high; together with two further inkwells of similar style. (3)

A hammered copper twin handle urn

Beswick copper lustre urn-shaped vase with matching baluster candle sticks. (3)(B.P. 21% + VAT)

Tray of assorted china to include Aynsley cottage garden, strawberry dish with carrying handle and cream jug and sugar bowl, Doulton Lambeth two-handled urn-shaped glazed vase, 19th century Gaudi Welsh jug, Royal Doulton The Winnie the Pooh Collection 'The Brain of Pooh' figurine on stand, etc.(B.P. 21% + VAT)

Two boxes of assorted china to include; Wedgwood Jasperware pin or trinket trays, Mason's Chartreuse ironstone trinket bowl, art pottery small urn, various floral plates including Alfred Meakin 'Royal Marigold' and Grafton china, various jugs, blue and white basket, angel figurine etc.(B.P. 21% + VAT)

Silver plated urn, together with various loose cutlery; butter knives, serving forks etc. (B.P. 21% + VAT)

Classical design wooden urn shaped lamp base, together with an early 20th century single oil burner on cast metal base.(B.P. 21% + VAT)

Alfa mantel clock on column supports with a floral pattern and gilt features with a matching single urn garniture. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

An urn shaped garden planter supported by winged caryatid on lion paw feet on shaped platform base. H.52 W.36cm

A French patinated bronze ewer, to the model by Sigisbert-Francois Michel (1728-1811), 19th century, the ovoid and scroll handled body surmounted by a bearded triton holding the horns of a dolphin or other sea creature, above a swag of rushes, descending to a waisted circular socle and square plinth, 46cm high, 22cm wideThe present aquatic-themed urn is derived from a plaster model by the sculptor Sigisbert-Francois Michel, exhibited at the Academy of St Luke in Paris in 1774.The model proved to be so successful, that it was soon reinterpreted by various sculptors in different media, such as John Flaxman, who created a version of the ewer called 'Sacred to Neptune' for Josiah Wedgwood in circa 1775 (see Victoria & Albert Museum, London 2397-1901).An early cast of this model, accompanied by its Bacchic-themed counterpart and heightened with gilt, is in the collection of the Getty Museum, Los Angeles, 2015.61.Another 19th century pair, similar in casting to the present lot, was sold at Christie's London, 22 May 2003, lot 39 (£14,340).Condition Report: The ewer bears the usual minor marks, scratches and scuffs overall consistent with age and use.The patina is dark overall and fairly even, with some slightly warmer tones where it's worn to the handle and edges of the socle.There are a handful of small circa 2-4cm patches particularly to the reverse and the edges of the ovoid body, where the surface seems slightly raised or inconsistent, which may indicate a lacquer or refreshed patination of the surface. There is also some slight flaking to the surface colour to the inside of the lip, and one or two tiny dents/knocks to the body.Structurally no damages have been detected at the time of writing this report.Condition Report Disclaimer

A George III mahogany and satinwood inlaid urn stand, circa 1790, 65cm high, the top 34 x 26cm Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. Various old repairs to gallery - see images. Later pins/dowels to back of frieze to help secure legs in position. These have been disguised with dark filler. Old glued repairs where two legs meet the frieze - see images. Slender blocks to underside that 'guide' the slide appear to be later. Some old veneer repairs to frieze. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A George III mahogany urn stand, circa 1790, 71cm high, the top 30 x 30cm Condition Report: Marks, scratches and abrasions comensurate with age and useSome minor old repairs. One old repair into one corner of the top approximately 2cm diameter and disguised with filler. Each rear corner of the frieze with two small veneer covered pin or dowel repairs. No old breaks to legs, the casters are original. Condition Report Disclaimer

A pine, green painted and inlaid marble topped side table, in George III style, 19th century, 82cm high, 111cm wide, 53cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. Chips and 'nibbles' to the edges of the marble top. Various losses to the inlay of the top. Green painted elements to the frieze and legs appear to have been re-freshed at some point. Later nails securing strips of moulding to the underside of the edges of the top. Old repaired crack through urn decorated tablet to frieze.Evidence of old worm, with some worm holes visible to legs. Some joins opening slightly. Three supporting blocks lacking to the stretcher at centre of the underside. Later supporting corner blocks to the underside. Two small veneer repairs to frieze at one side. Please refer to additional images for visual reference to condition.      Condition Report Disclaimer

A George II mahogany urn stand, circa 1750, with slide to one edge of octagonal top, 65cm high, the top 29 x 29cm Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. The block to the underside of the top/top of stem is later. the screws to this block appear to have been applied through previously plugged holes. Four plugged holes are visible to the underside of the top from where the previous block sat. Four smaller plugged holes are visible to the top. Old shellac finish to stem and legs. Two small old pin holes to one side of the top. These have been filled with dark wax to help disguise. Some old glued repairs to moulding at the edge of the top. Please refer to additional images for visual reference to condition.   Condition Report Disclaimer

A Louis XVI giltwood and marble topped demi lune console table, circa 1785, in the manner of George Jacob or Johann Friedrich Funk II, 87cm high, 141cm wide, 55.5cm deep For a closely related example of table see, Christie's, New York, 9th October 2013, The Art of Collecting: Three Private Collections, Lot 725 ($9,375). Condition Report: Marks, scratches and abrasions comensurate with age and use. Some old chips and splits and some old repairs. some small losses. Various wear and old loss to gilding. Evidence of later re-gilding / refreshing of gilding in areas throughout. Very little sign of old worm damage. A very small number of holes are visible. Other areas of old worm holes may possibly have been covered by filler, painting or gilding. In the photograph of the table, the top appears to rise slightly away from the top of the table. This is due to the fact that there is an old repaired clean break to the marble on that side of the table and the way it has been repaired has caused it to rise slightly. Under the base framework (i.e. the element supporting the urn) there are two applied strips of timber to secure joints. These appear to be original or atleast of significant age. There are no signs of any additional floral swags being in position to the rear stretchers of the base. The table stands level on the floor but as the table is of significant age and the marble has been repaired it may not sit truly perfectly due to minor movement in the timber or joints over time. The legs are solid/ secure in their joints. There is some slight movement/ slightly mishapen element to each leg due to age and weight on them and being hand turned/ carved. There are no makers marks visible.Please refer to the additional images if required for visual reference to condition.   Condition Report Disclaimer

A George III Bleu Turquin, white and Siena marble chimneypiece, early 19th century, the frieze centred by a Neoclassical urn, and flanked by protruding Siena scrolls, approximately 152cm high, 174cm wideCondition Report: Please note, the chimneypiece is currently disassembled and in parts. Marks, knocks, scratches and abrasions commensurate with age and use. Various old chips and losses. Some cracks. Remnants of adhesive (cement/plaster) to backs of pieces. Dreweatts cannot guarantee the overall stability once re-assembled. Please refer to additional images for visual reference to condition. Internal measurements, 116 high, 110 wide. Condition Report Disclaimer

A turned yew and ebonised urn and cover, English or Dutch, 19th century, the elaborately rib moulded cover mounted with a spherical knop, and above a band of beading, on a waisted socle and spreading circular base, 35cm high, approximately 16cm diameterCondition Report: A number of short and stable old cracks/splits overall, including to base and basin. Old repair to the cover.Two or three of the beads have been reattached with adhesive, and while they are not all spread out evenly they do all appear to be present. The ebonised finish may have possibly been refreshed to the knop.Please see additional lot images for visual reference to condition.Condition Report Disclaimer

A pair of French gilt and patinated bronze figural chenets, in Louis XVI style, late 19th century, each cast with a standing amorino warming his hands by a flaming urn, 38cm high, 33cm wideCondition Report: Minor marks, knocks and scuffs overall consistent with age and use, as well as some surface pitting to gilt portions (including one shallow circa 1cm long casting inconsistency above one of the billet bars).The putti appear to have been lacquered and have a slightly thicker, glossier finish in places particularly surrounding the hair and hands, with thin casting joins visible to the upper arms (result of manufacture).One of the rosettes on the bases is a little loose, as are one or two of the feet.Condition Report Disclaimer

Manner of Claude Galle (French, 1759-1815), a pair of gilt and patinated bronze and marble mounted twin light figural candelabra, 19th century, with urn form nozzles raised on horns and staffs respectively, held aloft by standing putti, 24.5cm high

A pair of fine George III artificial 'Coade Stone' urn finials, late 18th century, stamped for Coade, Lambeth, the fluted ovoid bodies with domed integral covers and acorn finials, with waisted circular socles; one with stamp COADE LAMBETH 1794, the other with indistinct stamp COADE LA...; presented on square section artificial stone plinths cast with rams' masks and swags; approximately 120cm high overall, the plinths 34cm squareCoade stone is a vitrified ceramic or stoneware body developed by Mrs Eleanor Coade during the 1770s. Known components of the recipe for this distinctive pale orange material include ball clay from Dorset or Devon, flint and sand, though there was some secrecy about the exact proportions of ingredients used.Eleanor Coade and her daughter, who was also called Eleanor, ran a successful and prolific manufactory in Lambeth, and produced statuary and ornament for many royal and aristocratic houses, including by appointment to King George III, and the Prince Regent.The design of the present urns appears in Coade's 1778 trade catalogue, no. 94 (plate marked N. 2 in the Sir John Soane museum copy of the catalogue).A pair of finials of identical design, in that case not presented on plinths, were sold at Christie's, the Michael Roberts Collection of Garden ornaments, 27 September 2004, lot 278 (£35,850).A pair of similar Coade stone pedestals with rams' masks to the corners, though now lacking the swags it once had, supports a pair of vases after the Antique at Chiswick House, London. One is illustrated in John Davis, Antique Garden Ornament, the Antique Collectors' Club, 1991, p. 167, plate 4:6 Condition Report: The urns and plinths bear the usual minor marks, knocks and scuffs overall consistent with age and use.The surfaces have some mottled greyer areas, likely dirt or possibly evidence of a previous finish. The exposed edges are a little chipped in places including the fluting to the ovoid bodies, as is to be expected from the lot's age and brittle material. Losses and nibbles to edges of plinths (tops and bases), one with hairline cracking to top. Surfaces of plinths quite weathered in places. Small and quite subtle restorations in a number of areas, including to the edges of the fluting on one of the domed covers, the circular top edges, and to an extent, the bases and socles. The acorn finials have darker areas to the leaves, possibly repairs/retouching. However, despite the issues stated above, the urns retain their shape and integrity of design, and remain in highly presentable condition.There is evidence of a light brown residue near one of the socles, suggesting a possible repair. Condition Report Disclaimer

A large stone composition urn on plinth, 20th century, the domed circular cover surmounted by a fircone finial and above a lobed campana form body cast with fruiting vine, raised on a square section panelled plinth, approximately 195cm high, the cover circa 53cm diameterCondition Report: Surface is weathered overall commensurate with age and outdoor exposure. Lichen-covered overall with darker coverage and moss growth to cover. The lowermost part of the plinth is cracked.Small losses to edges of protruding relief. Condition Report Disclaimer

A large and impressive Swedish stone composition garden urn on plinth, 20th century, the ovoid body cast with anthemia and fruiting vine, raised on a rectangular section plinth, approximately 230cm highThe present design has previously appeared on the market with stamps for the manufactory of Hoganas, Sweden. An example dated to the 19th century was sold at Christie's New York, 7 February 2007, lot 829 ($10,200)Condition Report: Areas of repainting and retouching to the surface, which is generally quite variegated in colourPossible repair to edge of square plinthminor losses to edges of body as well as the plinthChips to three of the corners of the plinthNibbling to upper rimThe urn is likely of sectional construction and the upper part of the body doesn't sit completely flush on the foliate rim. However, the urn is entirely stable.Very minor losses to grapes and tendrils.Please see additional lot images for visual reference to condition. Condition Report Disclaimer

A pair of marble, gilt and patinated bronze candelabra,French, 19th century, by Barbedienne, each with nine lights raised on scrolling arms on urn supports, with mesh handles to either side and decorated with classical figures, on a stepped and fluted rouge marble base and gilt bronze paw feet, signed to the urn,88cm high (2)Condition report: Sconces lacking, minor frits to edge of marble bases, light oxidization to bronze and light pitting to the gilt elements. Only four adapted sconces present. One loop attachment missing, and swag detail being affixed by wire (see photo). Some looseness in joints. Sconces drilled. Some small chips to some corners and edges of marble. Cleaning fluid residue present.  

A French pottery and gilt metal table lamp and shade,early 20th century, the urn-shaped body decorated to each side with a classical maiden,54cm high to top of bayonet fittingCondition report: Wear to gilding.Cannot be guaranteed to be in working order, however, it has been re-wired.

A French gilt brass cased mantel clock, late 19th century, retailed by Maple & Co., Paris, the silvered dial with Roman numerals, the case with a fruiting vine finial and four flaming urn finials,24cm wide13.5cm deep39cm highCondition report: Small loss of finish to the lower areas of the decorative columns, and minor oxidation to the area along the front of the base.

A French Louis XVI-style giltwood console table, 19th century, the breakfront white marble top above a floral and foliate pierced frieze, set with a carved tablet, raised on tapering fluted supports united by a scrolling stretcher surmounted by a pomegranate-filled urn,112cm wide40cm deep97cm highCondition report: Scratches to top. Some losses and wear to gilding. Traces of woodworm. Splits, knocks and general wear.

A pair of French serpentine marble urn-form table lamps,late 19th century, each with gilt metal mounts and raised on stepped bases, 41cm high (2)Condition report: One urn fits loosely to the base but it is secure. Signs of restoration to one urn seen in images. Scratches, knocks and repair to both. Knocks and discolouration to metal. General wear. Small loss to one shade seen in images.

A pair of French Napoleon III Greek Revival gilt-bronze torchères,attributed to Ferdinand Barbedienne and possibly designed by Ferdinand Lenuain, each with anthemion and lion mask detail, fluted column and raised on an elaborate tripod base, each monopod terminating in paw feet and supporting a neoclassical urn-shaped oil lamp with cast figural detail,45cm diameter171cm high (4)Condition report: Urns possibly associated but both with the same gilding. One supporting anthemion bracket missing. Both appear to be lacking chains as there are eyelets surrounding the lion masks. Some marks, scratches and misshapen areas. General wear, tarnish and discolouration. The urn on the torchere locking the supporting bracket wobbles a little. Some slight wobble in the joints but generally solid and of heavy gauge.

A burr maple Biedermeier urn,early 20th century, of campana form with ebonised banded decoration and raised on a square base,60cm highCondition report: Cracks to the veneer in places, repairs to the turned base, scratches overall.  Early 20th century.

A Royal Doulton urn and stand,late 19th/early 20th century, the urn of squat shape, moulded with a band of scrolling and flowering foliage over a 'sunburst' moulded base on a pedestal, moulded with four dolphins, the square plinth with a moulded edge over 'panelled' sides, impressed 'Doulton & Co. Lambeth',70cm diameter102cm high (2)Condition report: Chips and losses, mainly to the plinth. Wear, dirt, scratches, weathering and knocks. Please see additional images. Stamped to rectangular plinth and dolphin-decorated pedestal, but does not appear to be stamped to bowl.

A pair of composite stone campana garden urns,20th century, each inverted bell-shaped body raised on a waisted column and square base,60cm diameter77cm high (2)Condition report: One urn detached from its base. Wear and weathering. Some scratches, losses and chips. General wear.

A large blush terracotta urn,20th century, in the manner of John Marriott Blashfield, now forming part of a fountain, the shallow acanthus-moulded basin surmounted by a putto pouring water from a cornucopia, raised on a bell-shaped pedestal and a square socle,120cm diameter230cm highA similar example can be seen in A Morris, 'Antiques from the Garden', p.120.Condition report: Wear, degredation and weathering as expected. The surmount is associated and probably later, as is the socle. Some chips, cracks and losses. Comes into five pieces. Putto is composite, with discolouration, wear and weathering. Chips, knocks and losses throughout, particularly to the edge of the urn, as well as to corners, edges and raised areas. . Some cracks. Dirt and dust. Base of urn appears to have blown slightly. Please see additional photos.

A Regency mahogany and ebonised cheval mirror,the rectangular plate set on a turned frame with two pairs of sabre legs and brass castors,83cm wide69cm deep190cm highCondition report: Two urn finials added later. Mirror glass has blackening to silvering, particularly near base. Surface scratches to wood surfaces marks, white flecks in grain of crossbanding.

A George lll mahogany Pembroke table,with butterfly leaves and two end drawers, on moulded and chamfered square legs with a scrolled 'X' framed stretcher,open 105cm wide92cm deep73cm highCondition report: Top has old black stains and marks, light scratching, small piecs of moulding missing from tops of legs, some woodworm below side rails, urn finial on 'X' stretcher has small chip and is probably a replacement. Both drawers have split bottoms.

A mahogany longcase clock, 18th century, by Thomas Wheeler, London, the hood with a blind fret arch, brass stop fluted columns, cast brass cherub and crown side panels and brass flaming urn finials, the arched silvered dial inscribed 'Wheeler London' and with strike/silent in the arch, subsidiary seconds and date dials, the five-pillar movement striking the hours on a bell, with two brass weights and a heavy pendulum with flattened wooden rod,54cm wide23cm deep237cm highCondition report: Trunk recently restored. Repaired split to length of backboard. Scratches, knocks and surface wear. Deterioration to polish in places, repaired top hinge to hood door. Height without finials 238cm.

A George I-style lacquered chinoiserie bureau bookcase,20th century, with a double-domed pediment set with three urn-shaped finials, above twin panelled doors enclosing shelves, the base with a fall front and two short over three long drawers, raised on shaped bracket feet, with all-over figural and landscape decoration,97cm wide52.5cm deep214cm highCondition report: Some marks, scuffs and scratches. Some small splits. Knocks and wear to base. General wear throughout.

A mahogany, ebony and ivory stick barometer,mid-18th century, by George Adams of London, with a broken swan-neck pediment set with an urn-shaped finial, above a silvered rectangular dial, with a bowed case and an urn-shaped cistern cover, 13cm wide113cm highCondition report: Some small splits to veneer and ivory. Chips to finial. Tarnish and discolouration to dial. With mercury.

AN 18TH CENTURY SILVER HILTED ENGLISH OFFICER'S SWORD, 81cm flattened diamond section blade decorated with the Royal arms at the forte, 1796 style silver hilt with upturned guard, D-shaped knuckle bow hallmarked for London 1794 and with maker's initials FT, urn form pommel, wire bound grip. Blade with section of patination.

A 1796 PATTERN INFANTRY OFFICER'S SWORD, 82.5cm blade decorated with scrolling foliage, stands of arms, floral sprays, crowned Royal arms and crowned GR cypher, the latter two centred with in a rayed star or sun burst, all highlighted in gilt on a blued ground, regulation copper gilt hilt with D-shaped knuckle guard, urn pommel, wire bound grip, contained in its steel scabbard. The rayed star or sun burst that surrounds the cyphers is perhaps reflective of the Coldstream Guards regimental motif. Scabbard pierced above the chape to one side.

A VERY RARE 1796 PATTERN INFANTRY OFFICER'S SWORD TO THE 7TH REGIMENT OF FOOT (ROYAL FUSILIERS), 81cm, broad flattened diamond section blade by Eginton, etched with scrolling foliage, a stand of arms, the figure of Britannia, crowned Royal Arms, crowned GR cyphers and crowned regimental device surmounted by 7th, regulation copper gilt hilt, the inside of the shell guard applied with a crowned regimental device to either side, D-shaped knuckle bow, urn pommel, wire bound grip, contained in its copper gilt mounted leather scabbard, the upper mount with maker's panel. Wear to lower scabbard leather.

A 1796 PATTERN INFANTRY OFFICER'S SWORD, 79cm fullered blade by Cooper & Craven, decorated with scrolling foliage, a stand of arms, an infantry officer and crowned GR cypher, all highlighted in gilt with traces of a faded blued ground, regulation copper gilt hilt with D-shaped knuckle guard, urn shaped pommel, silver wire bound grip, contained in its engraved brass mounted leather scabbard.

AN ITALIAN HUNTING KNIFE OR DIRK, 18cm clipped back blade with faceted back edge, pierced at the forte with a bird atop an urn, recurved guard, natural horn grip.

A Large Reconstituted Stone Campana Style Urn with Moulded and Mask Decoration, 54cm Diameter and 67cm wide

Sitzendorf style porcelain, including a pair of ewers, 39cm, a pair of candlesticks, 32cm and an urn shaped vase (lacking lid), 24cm.

Small collection of silver, including a small urn-shape trophy, spill vase, paperweight, pedestal salt, bon bon dishes.

Old Sheffield Plate wine cooler, urn form with twin cast handles, engraved crest, 32cm.

Brass and marble standard lamp, fluted column, circular base, 158cm, a carved and giltwood table lamp and an urn shaped table lamp.

Large Mediterranean terracotta urn, 76cm.