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Lot 1964
A good early 19th c. Rosewood Breakfront Credenza, shaped, moulded edge, well figured top over urn and leaf inlaid frieze, single pane central glazed door, revealing two adjustable shelves, flanked either end by three bowed shelves, standing on lower plinth base. 48'' wide x 42'' high x 14 1/4'' deep
Lot 1355
An elegant and imposing gilded metal cased Mantel Clock, the brass French two train movement by A.D. Mougin, striking on a bell, the crimson porcelain face with reserves having Roman numerals in black and with a band reserve decorated with trailing flowers, and with a porcelain panel below depicting courting couple in elegant dress, flanked by tapering porcelain pillars with reserves with flowers and pink bows, standing in nicely formed paw feet, the upper portion with a wreath encompassing a bird's nest with a cluster of eggs, flanked by a bird to either side, the pediment being a pink porcelain urn with a reserve decorated with flowers and with gilt finished foot, lid and cone shaped finial. The clock movement marked A.D. Mougin, Deux Medailles, 2053 48. The clock being 15 3/8 high, and 19 3/4'' high including shaped gilded plinth and ebonised base for a dome.
Lot 646
A Victorian octagonal centre table, veneered in walnut, the top with floral marquetry inlay, on three dolphin supports and a concave sided platform base, 138 cm wide See inside front cover colour illustration Condition report Report by RB The top is split where the walnut is veneered on to the boards, in a horizontal line underneath the central inlaid urn of flowers, a couple of other smaller splits, with some repairs, predominantly to the darker border, the top is held to the base with four bolts, but does not tilt, a degree of wear and tear to the base, probably mostly from an over-enthusiastic vacuum cleaner. Overall pretty good, with the exception of the split mentioned previously.
Lot 646
A Victorian octagonal centre table, veneered in walnut, the top with floral marquetry inlay, on three dolphin supports and a concave sided platform base, 138 cm wide See inside front cover colour illustration Condition report Report by RB The top is split where the walnut is veneered on to the boards, in a horizontal line underneath the central inlaid urn of flowers, a couple of other smaller splits, with some repairs, predominantly to the darker border, the top is held to the base with four bolts, but does not tilt, a degree of wear and tear to the base, probably mostly from an over-enthusiastic vacuum cleaner. Overall pretty good, with the exception of the split mentioned previously.
Lot 1133
Continental Gilded Cast Brass Rocooco Style Three Piece Garniture Clock Set. A pair of elaborate urn shaped 5 branch candleabra on a Roccoco base. With a matching clock with an urn, top finial and side pilasters. The face with enamel Roman numerals, highlighted with an embossed back plate. With a good 8 day movement, Probably German. 24 inches high
Lot 155
A Grainger & Co, Worcester urn shaped vase with twin scroll handles, painted with cattle in a river landscape, on square base the domed cover with finial 34cm Further Information The condition of this vase is good verging on very good. There is only one significant damage that we have picked up on and that is a very small chip towards the base, The gilding is quite worn in some places but for the most of the vase the gilding is still present and in reasonable condition. There is one other minor chip on the rim of the lid of the vase. It is however very very small. It is not noticeable, we have only noticed it due to searching it thoroughly.
Lot 162
A Royal Crown Derby concave sided urn with twin scroll handles, on circular pedestal, with domed cover, in 1128 Imari pattern, date code 1918, 15.5cm Further Information The only thing significant we have picked up on is a slight crack to the domed cover of the urn. It is hardly noticeable and only visible from the inside of the cover. Images attached show the crack. The rest of the lot appears to be all in tact and no chips or cracks. There is also no significant gilt loss, only very minor in some places. We cannot see anywhere that has been restored so on the whole the lot is in great condition.
Lot 630
A George III oak and bone mounted wall hanging candle box, late 18th century A George III oak and bone mounted wall hanging candle box, late 18th century, of rectangular form, the sliding cover with urn handle, 41cm high; a George III fruitwood wall hanging candle box, late 18th century; an oak box, a rectangular tray and a mahogany paint palette, 19th century view on dreweatts.com
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Lot 711
A pair of triform candlesticks A pair of parcel gilt and patinated bronze candlesticks in Restauration style refitted as table lamps, circa 1900 and later adapted, each with engine milled drip pan and urn socket above a reeded shaft, on an urn socle, above circular bases cast in relief with stylised swans and flowers; with tapering, pleated fabric shades, 54cm high overall Please note the images have been transposed in the printed catalogue for Lot 711 & 938 - online images correctview on dreweatts.com
Lot 730
A carved wood and cream painted console table in Louis XVI style A carved wood and cream painted console table in Louis XVI style, late 19th/early 20th Century the simulated marble top above a foliate carved frieze and twin acanthas carved fluted legs joined by a stretcher centred by an urn stamped FUNDACAO and with serial no`s 85cm high, 83cm wide, 34cm deep view on dreweatts.com
Lot 875
A Victorian giltwood and composition console table, circa 1870 A Victorian giltwood and composition console table, circa 1870 , the mottled marble top above an elaborately acanthus and patera decorated frieze, on square section and reeded tapering legs hung with bellflower swags and joined by a shaped undertier centred by a twin handled urn flanked by cherubs, 89cm high, 170cm wide, 56cm deep view on dreweatts.com
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Lot 938
A pair gilt bronze candlesticks with shades A pair of parcel gilt and patinated bronze candlesticks in Louis Philippe style refitted as table lamps, 19th century and later adapted, with Campana urn sockets with lobed undersides, above foliate cast drip pans on baluster stems, the foliate cast triform aprons below each on three paw feet and shaped triform bases; with tapering and pleated fabric shades above, 50cm high overall Please note the images have been transposed in the printed catalogue for Lot 711 & 938 - online images correctview on dreweatts.com
Lot 446
Tray of assorted china to include coalport bone china floral bouquet on pedestal bowl, Wedgwood bone china Hathaway Rose trinket box and spill vase, Wedgwood blue and white baluster vase and box. Wedgwood cream fluted urn, Aynsley floral vase together with a coronation 1937 glass beaker. (9)
Lot 446
Tray of assorted china to include coalport bone china floral bouquet on pedestal bowl, Wedgwood bone china Hathaway Rose trinket box and spill vase, Wedgwood blue and white baluster vase and box. Wedgwood cream fluted urn, Aynsley floral vase together with a coronation 1937 glass beaker. (9)
Lot 40
A large Blashfield stoneware urn on pedestal stamped J M Blashfield Stamford 1875 on associated plinth stamped Stiff & Sons 106cm.; 42in high overall by 95cm.; 37ins diameter John Marriott Blashfield, remarked in his essay Account of the History and Manufacture of Ancient and Modern Terracotta (1855) that he had been inspired to make a kind of artificial stoneware by seeing the kind of pieces for which Mark Blanchard had been awarded prizes at the Great Exhibition of 1851. He obtained Letters Patent in 1854 for "Improvements in the Manufacture of China, Pottery, Bricks" and other articles, made for the most part from clay and again in 1860 for "improvements in burning pottery and china ware". He had a manufactory in Millwall, Poplar with a sales outlet at No. 1 Praed Street, Edgware Road, London, but moved to Stamford, Lincolnshire in 1859, to be nearer the clay-beds. He won medals for Terra Cotta, in the glass and pottery and architectural objects classes at the International Exhibition in 1862 and a silver medal at the Paris International Exhibition of 1867. One of the most important commissions with which he was involved was supplying architectural terracotta for the decoration of the new Museum of Fine Arts in Boston, but this undertaking stretched his resources too far and by 1874 the Stamford Terracotta Company works, machinery as well as models and moulds were for sale; it finally closed in 1875.
Lot 513
A PAIR OF WATERFORD CRYSTAL SALTS, each in the early 19th century style, of urn form, with square foot, 2.5in (7cm); together with a pair of cut glass candle sticks, 5in (13cm); a pair of Waterford cut glass condiments with silver plated mounts; a cut glass wall pouch in the form of a slipper; a pair of cut glass dishes, each formed as the map of Ireland; another dish in the form of a tear drop and a boat shaped cut glass bowl, 9.5in (24cm). (11)
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68904 item(s)/page